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Under a big tent
Topped with stars and
Smelling of elephants
A couple of daredevils
Toss in their trailer
Restless in the Midwest

Their golden suits shimmer
In the Iowa half light
The cornstalks talk in
The breezes passing by
At night the daredevils whisper
About what it would be like to really fly
And not just on the trapeze
They kiss goodnight and dream of impossibilities

Times are changing
Since the war it's been mostly women
In the crowds the circus draws
They scream at the lions
Roar at the strongman
Gasp and applaud the two daredevils
Enthusiastically
Happily
Making love in the sky

Times are changing
Since his number came up
She's been lonely
Oklahoma, Nebraska, Kansas, Missouri
Her gold suit is covered in farm dust
Growing nothing much
Her husband is on a bombing raid over Nazis
He's finally flying
Helped by an airplane
B52s and bloodshot eyes
No longer dreaming of impossibilities but
Missing his safety net

Since he left she's been thinking about cannons
Popcorn, scrap metal
and hoping against solo acts
She's been dreaming of
What it's like to be shot at
Really take risks
Really feel out of breath
And her husband's been writing her letters
About white picket fences

"The daredevil life that we wanted is so much worse than we thought it would be. Let that sweet silent net catch you and lie quietly thinking of me."

Times are changing
And so is he
Times are changing
And she feels like world shaking
She can hear the wolves blowing it down

But she keeps up her stunts
And keeps up her spirits
Till one day the bearded lady is screaming
Her name from the floor of the tent
Up on that tightrope she pauses
A second
There's two grim faced servicemen
Her daredevil husband is dead
Flying a mission over Dresden
Just another casualty of a world at war
Another daredevil in a dogfight and
Now one less mouth for the circus to feed

Suddenly she's high up in the stratosphere
Breathing fumes
And from the tightrope she faints
I've given him my heart, given him my onliness
She rests in her gold suit
Cradled by the safety net he warned her to hang on to
And in her dreams she can't help thinking
Maybe she dodged a suburban bullet

Times have changed
And since the war's end
The leftover men
Have gotten married
And she's been doing nothing
But lying awake in her bed
Thinking
Picturing cannons mauling
White picket fences
Her body in a gold suit
Broken on the green grass
She needs distance and airtime
To cull this restlessness
Get out of the Midwest
**** his conspicuous missingness
And come up with a solo act
To keep her fed

In the morning she finds the ringmaster
Hungover in the hay of the elephant stalls
In the morning she's made a decision
To fly like a cannonball
Through a dreamland
Times are changing
And since she woke up
She's dressed in her gold suit
Setting fire to the average
Dreaming of impossibilities
This started out being about Reba and then it turned into a short story and then it turned into a poem and I guess it's a character study now.
I wear minnows on my wrist –
they came from my eyes
but at least they swim
and I am not alone when I cry.

I am guilty of emptying
my loved ones
into picture frames

so they will last forever, and
I have thought about
tattooing makeup to my face.

Everything
I try to hang onto releases me
like rainfall salt from
cypresses, leaving a bad taste
or nothing to trace at all.

I want to leave rose petals
in everyone’s pocket
to attract hungry bumblebees

because I feel
my least lonesome when
something’s being slid
into me, even if it stings a little.
Today she broke down crying into a watermelon,
and as her spoon dug deep into it's tasty flesh,
tears collected in the corners of each eye.

And as the juices squirted onto her hands to run down her arms,
her shoulders shuddered.
And she cried.
And she didn't know why.
why why why why      
She whispered.
Her lips moving to repeat over and over again.

And I stood near to her,
and watched over her.

But I could do naught for her,
or her chest heaving, racked with sobs.
And her eyes gazed heavily somber.
And her lips trembling, cracking, disappointment.
And her spirit falling, crumbling.

I watched her all the while,
and stared,
where a woman,
a strong woman,
had confronted her inner demons,
and lost;
and was replaced by a shadow of herself.
© copy right protected
When I was in school,
we would plant hundreds of seeds and
put them under lamps
until they grew
to be as long as our limbs.

I wish I
could move that fast now
and get the **** away from you.
I will read Stag’s Leap again and again until
it stops making sense to my heart, is not my problem anymore.
My mother never told me the story of how she lost
her first husband, much less the second
but I have all these ideas in my head of how she could leave
dad from poetry books like yours,
Sharon Olds. It is what I picked up when my
sunrise split into two blades of grass the wind would carry across
the states, thinking a man I loved could disappear
any time – forget how I picked barbed wire from his chest and
not in the way an ocean forgets it has waves.
Not comfortably. I read your
poems when the world looked like it was made of granola,
eroding from the inside out, I read
Stag’s Leap again and again when he said, no, we do not talk
about her, but it was too quiet not to. I wanted to
talk about things that there are not terms for.
Only so many words one
can say of their memories and feelings because to no one else
are they real – he does not know that the last time I felt
okay with him it was when I fled
his boarding station, smoothing my skirt down
so the train’s breeze wouldn’t touch me. On that day, I wanted
nothing but him to touch me ever again
and there he went, south, leaving with mockingbirds. I
would have waved had I known we were on
a countdown, in the final silent moment of our relationship.
I always knew the hour we last had ***, since Stag’s Leap I now
ask why it is that way. No, we don’t talk about her
but I wonder if ******* a married person still counts as
premarital *** and if I can mourn a man even when he’s right here.
Haven't been writing much recently, but here is one directed towards my favorite poet - Sharon Olds, author of incredible collections such as Stag's Leap.
 Aug 2013 Michael Valentine
hkr
i hear you carry my name around
in your pocket [instead of on your sleeve]
so convinced that i forgot yours
on the bottom of a glass bottle

[but i could never]

when my mother turned my jeans
inside out to wash
she found your name scribbled
inside, over and over
and over again.
round as the top of
tea cups, white as creamer in
coffee – ***** are sweet.
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