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A Big Daddy knows only one thing:*
Keep Her Safe.
Do what She says,
whatever She says,
and Keep.
HER.
SAFE.
Keep Little Sister Safe.
The whole world
the whole big, violent world
is trying to hurt Her
and the only thing She has
the one and only thing She has
in this whole horrible, ******-up world
is Me.
The only thing standing between Her
and all the wretched, psychotic lunacy littering the streets
and all the pain and degradation they want to inflict on Her
is ME.
They want Her.
More than anything
They WANT Her.
But they can't have Her.
They can't even get near Her.
Because first,
they'd have to get through ME.
A hulking,
faceless,
impenetrable
wall of NO.
And I won't let them have Her.
I WON'T LET THEM.
She's MINE.
And I will Keep Her Safe.
Like cradling a Snowflake
in an Inferno
I will Keep Her Safe.
Because She's MINE.

She's All I Have.

My Little Sister.

And I am Hers.

All She Has In This World.

Her Big Daddy.

And I will Keep Her Safe.

I will Keep Her Safe.


I will Keep Her Safe.
inspired by the Bioshock series, and dedicated to my Little Sister, my forever Valentine
the city smelled like frankincense this morning
stepping out into a world of
startling reminiscence
of childhoods spent chanting in churches
and calling out to Papa, Papa!
Come save us!
Come save us from ourselves!

the city smelled like frankincense this morning
like a whole world made holy
streets paved with sacred resin
sewers leaking holy vapors
warm fogs wafting down from
some invisible censer
to smother us all in glory

the city smelled like frankincense this morning
oh so familiar tangy-pine aroma of magick
and mystery and mastery
and gold glinting with candles' light
burnt offerings sacrificed
as to make the very air sacred
with graceful gifts to gods

the city smelled like frankincense this morning
potent and penetrating and permeating
into and through and all around
clinging and saturating, dizzying and cloying
turning the world as a dervish reeling
in a rush of divine dance
inspired to the light of one true mind

the city smelled like frankincense this morning
and when I breathed it in I knew
I could read the sign
I knew which way to go
I knew what I had been waiting for
and why I had been wanting

I knew
Only half here
eyes held open with
caffeine charms
and sugar spells
thoughts whirl in
a hot delicious haze
All desire
and no purpose
rushing headlong in
a furious attempt to
say absolutely nothing
Catching whispered whiffs of
marijuana smoke
in the conditioned office air
like phantoms remembered from
an old recurring dream
of being naked in public
Casting out
reaching
stretching
grasping
desperately clutching at
shards of pitiful ideas
hoping against hope that
something
anything
will *****
and gouge the flesh
and spill the vicious viscous crimson
artists' blood of poetry
But finding only
endless
fistfuls of sand
Battered Ego
and Bloated Heart
do not a poet make
What do I need
to say?

What needs
to be said?
suddenly so sleepy
nodding off at my desk
don't know what's come over me
limbs weigh a thousand pounds
it's a concentrated effort of will
to hold my eyes open
muscles made from ***** tar
i feel myself being pulled under
slowly
down down down into warm grey
favorite blanket
arms of a mother
wrapped tight
held close
warm and safe
all over warm
all inside warm
and down down down
further down into night
and play and wonder
into joy and fruit loop philosophies
and cotton candy *** with
childhood friends
and down down down
further down into warm caves of earth
molten black rock steam and sweat
lungs full of fragrant sweet hot
breath of life ancient ageless mind
swept away gone gone gone
lost in the stream mind of one
eye and one flesh and all
of one and down down down
into gone gone gone
into heavy warm wet safe loved all
over all over into
suddenly
so
sleep
Reaching Inside
to Center Mind
and further still
past Grey Matter
past axon and dendrite
through the synapse
Once more unto the breach
and further still
into cell
into nucleus
into gene
into acid amino
and further still
into particle carbon
past electron
past proton
into neutron
and further still
to Reach
The Void
and reside within
and wait, still
Being within Nothing
as the World Serpent
tail-in-mouth
consumes itself

Wait
and Hold
Still


Wait

and

Hold

Still


Now gently Returning
Up and Out
tugging softly at The Void
with wish whisper touch
softer than Light
pulling
bringing Nothing
Up and Out
into Everything
into Center Mind
Up and Out
leaving neutron
past proton and electron
leaving carbon
Up and Out
pulling No-thing
Up and Out
leaving gene, leaving nucleus, leaving cell
Up and Out
bringing The Void
Up and Out
through synapse
past dendrite and axon
through Matters Grey
Up and Out and Into

Center of Mind
the Hole in
Your Self
the Whole within
the Holy
You

Now Wait

and Hold

Still
It's not OCD
I'm just ****-rententive.

There are two
coffee urns
in my office kitchenette.
Each urn has
a spot to place your mug
beneath the spigot.
Each of these spots has
a circular insert
of gridded plastic
to mark the mug-placement area
and allow spilled coffee to flow through
so this spot
doesn't become
just a puddle of coffee
soaking the bottom of everyone's mugs.
Each of these inserts has
three indentations:
one on each side
at nine and three o'clock
small, arcing parabolas
like reversed parentheses
there to allow someone to
get their fingers into the
coffee mug spot
and under the insert
to remove it
and, presumably
clean it
and then another indentation
more like a groove
or a notch
much smaller, thinner, and deeper
at the top
that fits perfectly with
a matching
small plastic protuberance
jutting from the coffee mug spot
where the insert goes.
In an almost ****** fashion
this protuberance fits into
this last indentation
this notch
this groove
to secure the insert in place.

For some reason
I've never known
perhaps laziness
perhaps inattentiveness
more likely simple
couldn't-care-less-ness
this insert never seems to be
placed into the mug spot
properly.
It is always placed sideways
rotated a quarter-turn
so that the larger indentations
on the side
meant as finger holes
are placed top-to-bottom
noon and six
the small plastic protuberance at the top
being swallowed whole
by the too-large indentation
and its mate
the groove
meant to hold the plastic piece
so tightly
is left alone
to one side
empty
and useless.
This has always bothered me.
Bothered me more than I would like to admit.
It's such a simple little thing to get right
it would take almost no effort at all
and yet, day-after-day
someone
I don't know who
whoever is in charge of these things
insists
on doing it wrong.
And I cannot abide it.
So, day-after-day
when I go to get my morning coffee
I fix it
I twist the insert ninety-degrees
and secure it in the correct position.

Lately
I have noticed something.
Sometimes
when I go to get my coffee
one of the inserts
will already be
fixed.
Someone else has seen
what I have seen
and felt the same
had the same response
took the same corrective action.
This feels like winning something.
I don't know what
but it definitely smells like Victory.
And Conspiracy.

And it makes me happy.
Happier than I'd like to admit.
I am a ******.
That is a powerful word
a putrid, painful word
a psychotic thing to say
out loud
to know
about myself
to admit
to You.
This is the worst thing I know
about myself
that I ***** a girl once
without even realizing what I was doing.
I don't know why I'm saying this now.
I know a lot of people will hate me
for saying this
for admitting this horrible thing I did
for displaying this
repulsive
repugnant
piece of my personal history
like picking up a piece of my ****
and showing it to You.
I don't know why I'm saying this.
I don't know why I'm telling this.
I guess because
after all these years
more than half my life later
I still haven't forgotten
I can't forget
I still regret
so I guess it simply
needs to be said.
So call it a confession.
And now the bargaining begins.
The inevitable qualifications.
Because while it is true
I am a ******
that powerful, putrid, painful, psychotic word
calls forth to mind an image
of violence and brutality
that is not me
and is not what I am trying to say
and is not what happened that night.

We were very young
not even twenty
and stupid
clearly stupid
and we'd been "going out" for years
Homecomings and Junior Proms
we'd taken each others' virginity
many years before
this was not our first dance.
And we were drunk.
Blind drunk.
It's not an excuse
but it's a fact
and it's relevant
and it needs to be said.
We had rented a hotel room
away from our parents
alone
free
and we were *******
joyously
terrificially.
Young
Free
Drunk
*******.
It was a glorious night.

At some point
she said,
"Wait, stop."
I don't know why.
To this day, I have no idea
what happened
what was wrong
why she wanted me to stop.
But I remember
what I said.
I'll never forget
never be able to forget
what I said
what I did.
She said, "Wait, stop."
And I said,

"No,
I'm almost done."

There is no apologizing
for that
no accepting it
no getting over it.
Not for her
or for me.
Some things just become
a part of you
forever
and you can't hide them
no matter how much you want to
or how hard you try.
Some words weigh on you like Marley's chains
and you carry them for the rest of your life.
And you should.
I'm not seeking sympathy
or solace
I deserve neither
and I wouldn't want them
even if I did.
I want to carry this chain.
I have to.
Because it is the only way
I can attempt to
balance out the equation
and even have a hope
of trying
to begin
to make up
for what I did
to her.
I guess I just needed to
acknowledge the chain
admit it
make it real
so that I could keep carrying it
a little longer.
I really wasn't sure whether to post this one or not.  I knew it could make some people feel some very negative things, and quite probably at me.  But it's real, it's honest, it's from the heart, and it is likely to make people feel something, and as that's all I'm aiming for, I felt that I had to call it art, and put it out there.  Art shouldn't be about only expressing what is safe, or acceptable, or what is likely to only make people feel positive things.  It is often controversial, or provocative, and that's as it should be.

Another concern I had, was whether I was right to use the word "****" in this way.  As I tried to express in the poem, that word conjures up images of violent, brutal ****** assault that is not even close to what I did.  I was a stupid, drunk teenager, having *** with my girlfriend of several years, and when I was just about to come, she said "stop," and I didn't.  It was absolutely wrong, and I have regretted it ever since, but that is, literally, as technical as **** can get and still be considered ****.  So, am I doing a disservice to victims of actual violent ****** assaults, by using that term, by equating what I did with the horrible trauma they had to endure?  Am I just taking a mildly traumatic event from my youth and blowing it up for maximum drama and artistic gain?  I honestly don't even know anymore.

All I know, is that for my entire life since that night, every once in awhile, the first line of this poem has flashed through my brain.  It happened again this morning.  I was lying on the couch, trying to catch a few more minutes of dozing before I had to get up and go to work, and a story came on the news about a ****** assault in my area.  There was something about the story that resonated with me in some way, and the thought "I am a ******" flashed through my brain again, and that whole night came flooding back to me.  And at that moment, I knew I had to get it out, and onto paper.
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