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Knowledge resembles a moon
Distorted to a buffoon
It's all in his head
As reality hasn't met

He might question
But it's only perception
He is prone to deception
As there is no exception

When given more attention
Then shows up the complexion
With a feeling of ejection
Becomes suspectable to depression

But one cannot make the same mistake
To accept the fake
As it's not a piece of cake
But there's a lot at stake

One has to break the cocoon
To no longer be a baboon
Reality has been fed
But there are more challenges ahead
 Apr 2014 Michael James Rees
Geya
How are you?
I'm fine and you?
Wait a minute,
You're fine?
Fine like the rolling hills bathed in the summer sun?
Or fine like you need a shoulder to cry on?
I'm good.
Good?
Good like a little girl who never disobeys her father?
Or good like your soul never falters?
I don't know! I'm doing well I say!
You don't know?
You don't know!
You don't know what it is your feeling?
Do you even know yourself?
And what are you doing well?
Me!
I'm doing well!
Oh so you say...
I hear hesitation and see your lips moving,
But I don't see any emotion flowing.
(Sigh)
I'm done.
Goodbye to you sir.
How are you done?
We've just started!
How do you know our conversation is over?
Over for now or over forever?
What do you mean?
Wait a second...
What do I mean?
TOK: Emotion as a way of knowing
Am I not a fool for writing poetry
for the sake of writing poetry?
Am I to be rejected for using words
such as ennui?
Am I to be ****** for figurative language?
Or burned at the stake for
poising a period at the end of
a stream of
consciousness?
And yet my inner critic
yearns to yell
to scream
more words!
more passion!

I see their faces when
they look at me,
their empty eyes,
like corpses.
They believe morals
are paintings on
walls
and
scruples
are currency in Eastern Europe.
They do not know.
They do not drink
in the moments
that they cannot breathe.
They are silent tombstones.
Sinisterly and silently scorning Shakespeare
They trample over
Chaucer,
calling him dull.
And I too am seen as a
heretic.
for thinking of such
fantastical, whimsical
thoughts.

Was it ethical for Socrates to drink Hemlock?
Did they giggle like a couple of school girls
as he downed it like it was a
shot of whiskey?
And yet we heretics
are given the poison
of judgement everyday
swallowing the bitter cup

How much do I remember about not fitting in?
Is there reason to believe I ever will?
And yet faith has accepted the girl with
the curly hair.

Imagination
intuition
emotion
perception
reason

All qualities which
poetry blends into
passion.
For is not poetry
the expression of passion?
And yet this can be said of communication
in any way:
art
music,
writing

And yet you don't
see Romeo whispering
the Pythagorean Theorem
to Juliet on her balcony
No it lacks
sincerity
the Words are not his own.

No true poetry is the language
of the hidden soul,
the quintessence of life.
Yet another quote I will never be
quoted for is:
"Self education is better than none"
but that has nothing to do with poetry
except for how to write it.

And yes, I do enjoy
writing poetry.
and reading it too.
From Dante's inferno
to Poe's Raven
I have swam in the
channels of print
in everyone,
drowning in the words.

And yes, I do enjoy
being a heretic.
I may never stand in,
so all I can do is
Stand out.
This poem, while some might wonder who the "they" is referring to, that I cannot say, for whoever becomes the they will be greatly angered. This poem also was just a slew of thoughts that came into my brain that I had to write down. I had to breathe.
Trees sway, gleaming bright; emeralds in the moon light.
Grass covers the earth keeping her mysteries out of sight,
Gravestones extend out of the darkness all around.
The clearing at this late hour whispers not a sound.

The bodies of those gone long ago, slumber
those been swallowed up by death's hunger.
The last war returned the world to its wild state
where all that remains are the evidences of people's hate.

But still there is some beauty to the monstrosity
a pristine, everlasting testament to our humanity.
A stark reminder of how things aught to be,
just a little too late. Why couldn't we see?

— The End —