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Mel Holmes Feb 2014
In the Kitchen

We have conditioned our housewives for destruction.
Go back a half-century to the years
when we ****** them into too-tight aprons
made them short of breath just to show
the peach curves of their bodies,
We only saw them as luscious fruit
covered in black, black lace.

Consider the vicious clawing required
to grate the aged cheddar into thin slits
the hard grip around the edge of your fork
when you stab straight into the sweet potato
over & over again.
the crazed knife dance right into
the heart, the bulb of the onion,
the juice, the blood from the lamb chops
splattering all over the kitchen floor.

They are an army in training.
Listen as they sharpen their knives, the sound dark & sweet.
Where are they going?
Mel Holmes Feb 2014
Cave Games

When we sit at the long picnic tables,
twenty of us in the ocean by the cave,
rowdy with our drinking, we fling cups in
rotation, throwing them high and low and
our **** beer floats to ***** the water and Clay
beside me wears his puffy winter coat, he
helps me tie my hiking boots, bunny ears
style, awkward ****** thoughts in our heads
we touch thighs and lose balance, lose the game
and tumble off the bench into the shallow water
beside the Mediterranean cave where Cyclops
sits and laughs at us for being so blind.
Mel Holmes Feb 2014
Formula to Soul-Saving


Never forget to poke holes in potatoes
(it’s the only excuse for violent stabs)
Change the way you walk, often
(so even Google Earth can’t track you down)
Wear a loose tie on your neck on Sundays
(a fancy demeanor is a powersuit)  
Smooth-talk your doc into a scrip for opiates
(anxiety is a trending fad)
Be ready to respond to the existential questions
(have three answers, rotate appropriately) (hint: the best answer notes that the end point is not the goal. stay in point A and chart the graph of your laughter).
Mel Holmes Feb 2014
View from the Streetcar


[[[Come with me to the pow-wow tonight:
we will make toasts with neon shots of jello
in the Medicine Wheel circle.
we will speak in tongues & 0’s & 1’s.
the mixed hues of our skins, the mixed geometries of our bodies,
the mixed dilations of our pupils come together & nod in council
that we should take more time caring for our horses
for they will never let us down.]]]

On my way to the gaudy theme park, alone in the streetcar
I remembered how I left my mother without reason,
the aftertaste of emptiness that comes when leaving on impulse with
instant regret lingered inside me; my ego was miles ahead.

Yet I remember looking through the window,
looking into a forest where bright hammocks hung on trees
abundantly-- canopies filled with hard-covered books.
No people in sight, the books reined the woods,
hanging still like sloths waiting to be pried into.
I remember thinking that was enough
to bring flavor back to my throat.
Mel Holmes Feb 2014
“all dreams are relevant in varying degrees to the life of the dreamer…they are all parts of one great web”--from man and his symbols by carl jung


the blackhole parking lot

the pool table at the bar



the despised dentist chair


the airplane that frequents underground tunnels

or the ocean with its killer whales.


you pick up the spike that sits in the lot at the gas station
to save us from the unspoken crash.


you handle the wolf spider of pure snow
climbing your thigh in awe.


you gaze wide-eyed as
the dentist tortures your teeth with pliers.


                you stand by the shore as the whale vacuums    your brother up like a dust bunny.

you transform the plane into a dive bar so
passengers don’t notice when you go down.


you watch the first bite in the cherry tomato:
the teeth settle into the plump yellow flesh
fangs puncture the skin & seeds become flees--
you watch it again & again, in slow motion, on repeat.




you walk down the aisles in the grocery store
under florescent lights, the canned goods explode
as you pass, a blackbean rain, no one cares.
but the ladies in line for blackberry pie
squeal when you forget to take a number in line.


and the partner that just dumped you says
he didn’t mean it when you agree to a date and
look down to see you’re wearing your pink fuzzy bathrobe.


share the closed-eye visions,
the untold stories stick to the web
of the collective subconscious.
Mel Holmes Feb 2014
Apocalypse Dreams


Pt. I

a handful of unknown faces--familiar strangers--mixed
with recent visitors of my flat
(like the faerie friend with the voice of a man, the proud & queer
Ms. Bobo-Dancy herself, who taught me how
to glitter everyone in the dance hall)
come together to swim.

we tread water in canals, naked along
the European street whose frames are
pastel towers, elaborate easter-egg homes.
untouched elation sits in our chests,
a rare, extraordinary *****.

our legs tango in cyclic waves,
we do the dead fish float in the rising water.
when we relax our eyelids, our bodies are carried
right to a high school gymnasium.

the dance continues, takes our legs
down the stairs, we duck against
descending ceilings, to reach the blue mats in the basement
where we stretch our limbs fully, infinitely--
(until gravity bickers).

the blonde lady in front instructs the flow--
until
Sirens shriek in routine breaths
(the alarm we prepared to disregard in school drills
presents itself).

***** smoke rushes down the stairs to play tag,
my eyes dash, but no doors,
all the fibers in my thighs work together to perform the sprint,
across the tiled floor, up the crowded stairs

but flames rule the spiral staircase
i **** in air, hold it, as i rush against the cloud of grey, the block.
fellow stretchers surround me, but i reach the door right in time,

I look back. I am Lot’s wife.
Against my will, I look back.
I watch the orange killer strike--
In one motion, he absorbs the school
The girls behind me on the stairs
become walking bodies of fire.

Pt. 2

Tonight we are at the ocean,
the boy from Budapest, my father, & I.

We stand with toes on the shore
as waves gently turn in with the aid of the Moon.

It is winter, yet the ocean is bathwater
under Midnight’s sky, under the rickety boardwalk,
We push off into the deep water.

The boy points at the scarlet seahorse latched on my arm like a tattoo,
Through the clear water, a stingray sways, spots my legs, &
chases me back to the sand,
my heartbeat runs faster than my feet.

Back on the sand that starts to growl,
quiver, faster, and
the Earth hiccups, an awkward sonic thunder,
then it vomits up seawater, with much vigor,
--an epic volcanic belch--
only over the ocean,
I am untouched.

But the boardwalk,
It acts like a sewer
The water rushes through its pipes
I see one man on the walk,
a tall, dark-haired stranger with a top hat, suitcase, & a story
The water sweeps him up
and he drops straight down,
his bottom plops onto the shore
and his arms fall right off like a plastic doll with removable parts.

A smile strikes his face,
Is it the satisfaction of a future in disability funds?
The humor in being knocked down by random burps of the Earth?
The random vomits that take us with it.

His suitcase is out of sight, and
I am being transported to another new home,
with purple walls and a **** green carpet.

I am yawning at the apocalypse.




Pt. 3
August 1992, Miami


Off the highway ramp to Miami,
Clusters of cars perched as birds in the treetops

Like baby robins, some shimmied back and forth—preparing to fly
Telephone poles and oak trees did the tango ‘til they dropped

Like unwanted *****, they dispersed among the grass and streets
The twin palm trees from Carol’s backyard spilled into the in-ground pool

Her once-favorite spot—they will forever be swimming. The sun, the only
light in town, radiated in waves, darkness to light to darkness; the stench from

lack of running water permeated the air. Carol had phoned the bank earlier; her untouched safe deposit box was the reason for her trip. She parks her Buick

in the spot with the least ashes, and walks towards the bank, NCNB.
Its walls were scattered among the cement, the teller’s desks have vanished.

She eyes the security guard sitting (in uniform) in a grey folding chair near the entrance. “How may I help you, ma’am?” the words exit his lips as if it’s a normal

day at the bank. She tells him her business, and starts towards the back, but triggers the guard... “Enter the front door, ma’am!” Her feet guess where that used to be, start over,

She gathers her savings, leaves out “the door.” A sharp smile crosses the guard’s face.
How long will the it last?
Mel Holmes Feb 2014
The American Dream


When you
      climb the tower of the fun-house
      house-party, the tilted stairways
      the rooms full of beds.
Choose to
       duck behind the stage curtain
                    in the attic with your Patrick
       **** thick white lines up
                    your nose
        **** that you missed your shift
                    slept til ten in the night.

When you
       walk to the Russian bakery
                    take the 35 cent puff pastries
        from under the glass ceiling.
Choose to
       drown in body pleasure,
Earn          
                    your residency.
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