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Meaghan G Sep 2012
When they ate me alive,

I asked them to go slow.

Asked them to please relish my pain,

**** my marrow as if I was served at at the finest restaurant

where waiters speak in hushed voices and

the lights are dim and

the menu is fixed, is twelve courses long,

is exactly what you want.

I asked them to go slow.

I asked them to read my palms to tell me how long I had to live,

I asked them to forgive me,

to let me forgive others,

to tell the girl from high school who faked a pregnancy in front of the entire school and me,

her best friend,

tell her that she can be safe in her own head,

and it takes time,

and no one is going to eat her alive.

I asked them to renounce my baptism,

to tell my pastor I only wanted to dip in that warm water and feel all the attention on me.

I was seven,

it was the same year as 9/11.

I knew the Bible,

but can you tell them I just wanted to get in the bathtub, to float?

Maybe I wanted to be saved,

but now savor this instead,

this

subverting honesty,

these verses of

plain, plain

muscle vein ligament stretch, skin collagen fat scars freckles bones bones bones,

savor this.

I am as human as I will ever be,

and I’ve got stories that can make you whistle,

can make you curl your toes,

can make your ears practically salivate at the thought.

Can you wait?

Savor me, take small parts of me,

but as you’re eating me alive

please remember that I am a bathtub

and a book

and I’m barely written or read and I need something like

time to write myself finished.

I’m not done yet.

This is a plea.
Meaghan G Sep 2012
For years I’ve had marbles tucked in my mouth,

Different colored weights that pulled on my glands, on secret saliva.

For years I’ve had marbles in my mouth and I forgot to spit them out or hide them away so I let them become permanent placements in my always-cavities; soon they even slipped so easy into my bloodstream.

The black ones made me say yes too often.

The reds made me want to bleed.

The blues made me cry, obviously. They stood guard on my tear ducts, deciding when and how to show emotion. They didn’t let me cry that night. They didn’t let me cry for months. Now I am crying almost everyday, and I am shooting those blue marbles straight to the moon; I’ve had it with avoiding emotion every day of my life.

The yellows made me want to forgive you, made me want to **** on sunshine, made me want to clamber into your mother’s arms, let her know that it wasn’t your fault. The yellows are *******.

The cat eyes have me avoiding eyes with every man on the street, so sure they will spit out words that they expect me to lap up like milk with an easy grin, tail twitching for attention. The cat eyes have me distrustful, have me always knowing it could happen again.

The rainbows loosened my tongue, had me admit secret sexualities, let me march in parades and kiss girls, had me falling over myself tripping into love.

I’m not sure who this poem is for anymore, or what it’s even about. The doctors say I have the cleanest bloodwork they’ve seen in a while, I don’t ask them about the marbles. They refer to some of them as disordered.

I’m not sure if they’re marbles anymore, I think they’re just me,

and I’m sorry I’m getting off-track, the marble in my hand right now is glitter and sparkle and confusion and I’m trying so hard to stay put.

Give me the orange ones, the fire, ones that looks like Mars

or Jupiter.

Give me two moons, or maybe sixty-six.

Give me a giant ladder.

This is about running away.

This is about playing with your marbles

and learning everything about them

and staying put.

— The End —