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martin challis Jan 2015
Domino’s as their fingers,
the numbers
eating from the menu,
squares and rounds
enjoined but not sequential

In the Jazzy Cat Café
(tail curled in my mouth)

You weren't there
The sun had dried all the tomato’s,
I was calling you unanswered
missing the rythmn of your character, and
how you reached me with each impulsive smile
remembering earlier how...

we’d climbed eleven steps to your apartment,
and entered not really sure of where to next...

In another room;
(wooden floored)
was stored a blackboard menu,
a hostess said her welcome
in the way that Sultans sometimes spin

I asked for panini without the mayo
the waiter stirred the perrier
the singer sang without destination
and implied no journey

I heard her song and
watched her lips
missing
    all the ways

that you might sing


MChallis © 2015
martin challis Jan 2015
On a back street in Mexico City meal sellers tend their stalls,
dark faced men feed from ceramic bowls,
menus are simple in black-board and chalk
everything is flavoured with chilli and
huddled shoulders reveal little small-talk.
Street lamps throw more shadow than light
and gas leaking from somewhere
feeds the air with an acrid scent.

I stop for a bowl of chilli-beans,
beside me and one over at the bar
a young man with matted hair and
heavy eyes unwraps a stained cloth,
takes a shard from a broken bottle and
neatly incises a small vein in his wrist.

He lets the blood drip evenly into a saucer
beside him and in the other hand holds what seems
to be a quill made from an eagle feather or some large winged bird.
Dipping the quill in the gathering blood he begins to write
in a leather bound book
on tawn-coloured hand made paper.

I watch every move.   No-one seems
to care or notice that he does this.
He writes on and on, scratches a word,
dips again -  the blood flows more slowly;
what has gathered seems sufficient,
he spits in the saucer takes a shot of clear liquid (probably tequilla) and adds it to the mixture,
I assume this is to stop it coagulating.

My meal and appetite have gone cold watching this process.
When the blood-ink is all but used
he folds the book away, wraps his wrist in a stained cloth and
walks into the street of shadow and meal sellers steam.

The stall holder notices me and approaches:
“Si signor this is Miguel the poet of the people.
He is coming many times to write this way.”
He smiles at me. I pay for the unfinished meal and he says,
“The poetry for the people is in his veins amigo,
is this not so in your country, are you also having such a poet?”

I leave him.   Return to my hotel room.
Take out portable type writer and clean white paper

And begin to write
in blood blacker than ink.


MChallis © 2015
martin challis Jan 2015
The loving stretch of your cloudy fingers,
your welcoming cob-web eyes.

How they haunt,
shake salt from the limb,
sweep up leaves in courtyards, and
carry their eclipse to the brink of me.

Tree’s circumcised by gardener time
poke forks at you ,
scrape your soft full plate
with the chafe of spidering knuckles.

Everything the flavour of sun-set is a plea.

What can I do when the wing of you
has nothing to say
but fall in reverse,

have you no pity,
you do nothing but sleep, yawn
and blink back your triumph.

Where are the places
I might squeeze you
into submission:
windows only take in so much.

Just once I’d have you secede at my feet,
break bread with the best of me;
release this enthralled impatience.

I starve for some light conversation
but you practise your zen enchantment,
practise it right in front of me
day after day after day.

Show mercy.
Crush me,
     do something.

I want you to fall.


MChallis © 2015
martin challis Jan 2015
complete insanity       and time ignoring the clock ticking       backwards
and forwards a child shunting a cart full of       blocks tumbling      down a cliff       face at the window  where I see a river running through   to the end of year specials where christmas    cake always made with old dough before baking should be let to        rise and fall of the capitalist       approach to sand mining in Kakadu and lead poisoning in tuna       fishing on the lake before breakfast slapping at mosquito’s exploited by greed overcoming the rest of us who are just as hungry and        waiting at the table where i’ve waited for       days has nothing to do       with me can we please take the attention off me        it’s all i ever       here and there is a way forward follow me this way        down children in the deep dark woods lived a little dwarf with a pocket full of thumbs cut from little boys who didn’t keep their noses clean and out of somebody       else’s business to come here today and talk to you about the theory of relative *******       which as you know was discovered by Captain Jimmy the cook or Captain courageous Columbus or Hugo weaving    its way into history before being    put out to pasture to grow fat in a paddock full of Nowegian Wood       isn’t it good that your father is coming home after all these years i’ve waited        so long  for the time to wait       for a cup of tea would be very nice       thankyou very much for coming ladies and       gentlemen please start your       engines of the new age       old methods of brewing       handed down to you on a platter and what do you do you throw it back in our faces       made of broken glass shattered by the news crowds stand outside the palace for days mourning the nations       lossst and found is this way sir broken feet repaired daily  broken hands twice daily  broken hearts sir that’s down the hallway second door on the left in the cliche department sir   thank you sir your time has come i’m sorry it had to end this way      look i’m sorry       enough of that sir       button up       there’s a good chop to the bottom of the neck       cuts air supply and results       instant lotteries are the way to think of the       future is what you make of it       son before you make any rash decisions       go and stand in the poet’s corner and fill in the forms you’ve been given make sure you answer every       question is you must understand the rules of inquisition        without question you must answer every question and make sure you complete every form you’ve been       given make very sure that       every form  is complete 
insanity.

MChallis © 2015
  Jan 2015 martin challis
Maya Angelou
No sprouted wheat and soya shoots
And Brussels in a cake,
Carrot straw and spinach raw,
(Today, I need a steak).

Not thick brown rice and rice pilaw
Or mushrooms creamed on toast,
Turnips mashed and parsnips hashed,
(I'm dreaming of a roast).

Health-food folks around the world
Are thinned by anxious zeal,
They look for help in seafood kelp
(I count on breaded veal).

No smoking signs, raw mustard greens,
Zucchini by the ton,
Uncooked kale and bodies frail
Are sure to make me run

to

***** of pork and chicken thighs
And standing rib, so prime,
Pork chops brown and fresh ground round
(I crave them all the time).

Irish stews and boiled corned beef
and hot dogs by the scores,
or any place that saves a space
For smoking carnivores.
martin challis Jan 2015
child- small voices sag
bomb-smoke rises from the ground
far off, birds still shake

Billy Striker blown
to Holland, the north sea wind
took weeks to fall

beforemourn chimneys
slate rooves yawn hunger,
one cigarette draws breath

moon crater on the
road to Derry, limousine
sarcophagus lands

siren scream and scrape
tears rigor mortis frozen;
the sea now quiet

hands across water
missing fingers, Gabriel
silent, the watcher

he’d stopped to look
smile asking the time of day,
pressing the trigger

one small death for man
one giant death for mankind,
eyes search behind moons

bicycle wheel turns
awkward lazy arm protrudes
broken flaying skin

obliteration,
scalpel dissects argument
camera’s detail

a.m. paper print
fortresses build stone by verse
each wall a chapter

retaliation,
leopard stalking, counter plot
begun in blueprint

burnt flesh of kingdoms
republic’s frost bitten dogs
bark anger blood ***

interrogation,
splattered kneecap agreement
hands shaking silence

investigation,
no stone unmoved, evidence
a silent quarry

old man keeping dust
one eye swollen, hunching armour
his grief in buckets



MChallis © 2015
Written at a time at the height of the conflict in Northern Ireland - sadly still relevant today in another setting and context.
martin challis Jan 2015
You fly high
in the night
seeing nothing below
or above
but the absence
and abundance
of light

Ancient wing;
stroke of genius,
deliberate cruelty,
you preen each red feather,

particular to the
last breath
before flight

MChallis © 2015
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