Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on that sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

goodby Betty,don’t remember me
pencil your eyes dear and have a good time
with the tall tight boys at Tabari’
s,keep your teeth snowy, stick to beer and lime,
wear dark,and where your meeting ******* are round
have roses darling,it’s all i ask of you—
but that when light fails and this sweet profound
Paris moves with lovers,two and two
bound for themselves,when passionately dusk
brings softly down the perfume of the world
(and just as smaller stars begin to husk
heaven)you,you exactly paled and curled

with mystic lips take twilight where i know:
proving to Death that Love is so and so.

Even the sun-clouds this morning cannot manage such skirts.
Nor the woman in the ambulance
Whose red heart blooms through her coat so astoundingly ----

A gift, a love gift
Utterly unasked for
By a sky

Palely and flamily
Igniting its carbon monoxides, by eyes
Dulled to a halt under bowlers.

O my God, what am I
That these late mouths should cry open
In a forest of frost, in a dawn of cornflowers.

"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"

Snow arrived,
quite suddenly.
The city fell
to silence:
softness flurried,
whiteness spread.
Our footsteps
punched a rhythm:
crisp heel, crisp toe.
Steaming cars slid past
in slush, peeling back
the long black road.
The trees drooped:
tears splattered on
the streets, but
still my heart
lay cold.

by Rudyard Kipling*

By the old Moulmein Pagoda, lookin' lazy at the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
‘Come you back, you British soldier; come you back to Mandalay!'
      Come you back to Mandalay,
      Where the old Flotilla lay:
      Can't you ‘ear their paddles chunkin' from Rangoon to Mandalay?
      On the road to Mandalay,
      Where the flyin'-fishes play,
      An' the dawn comes up like thunder outer China ‘crost the Bay!

‘Er petticoat was yaller an' ‘er liggle cap was green,
An' ‘er name was Supi-yaw-lat–jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot,
An' a-wastin' Christian kisses on an ‘eathen idol's foot:
      Bloomin' idol made o' mud–
      Wot they called the Great Gawd Budd–
      Plucky lot she cared for idols when I kissed ‘er where she stud!
      On the road to Mandalay,
      Where the flyin'-fishes play,
      An' the dawn comes up like thunder outer China ‘crost the Bay!

When the mist was on the rice-fields an' the sun was droppin' slow,
She'd *** ‘er little banjo an' she'd sing ‘Kulla-lo-lo!'
With ‘er arm upon my shoulder an' ‘er cheek agin my cheek
We useter watch the steamers an' the hathis pilin' teak.
      Elephints a'pilin' teak
      In the sludgy, squdgy creek,
      Where the silence ‘ung that ‘eavy you was ‘arf afraid to speak!
      On the road to Mandalay,
      Where the flyin'-fishes play,
      An' the dawn comes up like thunder outer China ‘crost the Bay!

But that's all shove be'ind me–long ago an' fur away,
An' there ain't no ‘busses runnin' from the Bank to Mandalay;
An' I'm learnin' ‘ere in London what the ten-year soldier tells:
‘If you've ‘eard the East a-callin', you won't never ‘eed naught else.'
      No! You won't ‘eed nothin' else
      But them spicy garlic smells,
      An' the sunshine an' the palm-trees an' the tinkly-temple -bells;
      On the road to Mandalay,
      Where the flyin'-fishes play,
      An' the dawn comes up like thunder outer China ‘crost the Bay!

I am sick o' wastin' leather on these gritty pavin'-stones,
An' the blasted English drizzle wakes the fever in my bones;
Tho' I walks with fifty ‘ousemaids outer Chelsea to the Strand,
An' they talks a lot o' lovin' but wot do they understand?
      Beefy face an' grubby ‘and–
      Law! Wot do they understand?
      I've a neater, sweeter maiden in a cleaner, greener land!
      On the road to Mandalay,
      Where the flyin'-fishes play,
      An' the dawn comes up like thunder outer China ‘crost the Bay!

Ship me somewheres east of Suez, where the best is like the worst,
Where there aren't no Ten Commandments an' a man can raise a thirst;*
For the temple-bells are callin', and' it's there that I would be–
By the old Moulmein Pagoda, looking lazy at the sea;
      On the road to Mandalay,
      Where the old Flotilla lay,
      With our sick beneath the awnings when we went to Mandalay!
      On the road to Mandalay,
      Where the flyin'-fishes play,
      An' the dawn comes up like thunder outer China ‘crost the Bay!