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Mark Grover Apr 2021
You know they know you lied
missteps all amplified
Don’t walk away from the scene of this crime
You are in way too deep and out of time

When you feel done wrong by all
Trust the guy in the long-haul
‘Cause away sounds like paradise
And anywhere else will suffice

But you’re just running away from you
And all of those sins you did accrue
You are driving yourself insane
Stop pulling at your self-made chain

With the key like a baton in your hand
You’re the leader of this one-man band
You’ve consumed with manic damage control
All while free on self-imposed parole

The punishment is far far less
Then these fears that you let coalesce
Now it is just you versus you
And all the things you knew were true
Mark Grover Apr 2021
You are consumed
trapped by the weight
of that which you create
a well crafted fear
sharp as a spear

It spins
around your mind  
trying to unwind
but there isn’t enough room
inside of you
so it
and
you escape.
When you egress
you see the sun
and
it is so
hard
on your eyes.

Will they ever adjust?

Has this place always been?

You realize that your foc(us)
has so long been on

her

that you had almost forgotten to
remember of this world.
during your exile it has continued to spin
Can you catch up again?

I think not.

You are dizzy
from
circles.
you must slumber
now.
you can only hope
she
will
war(m) the bed,
next to you when you awake.
(If that is
truly
what you
wish)

Rest now
for you will need your strength
in the coming fight
against yourself and
your self created foes

Goodnight,
good knight.
I have struggled with this poem.  It was originally written as a companion piece to another poem ((Mén)age à trois or Let Her Run) and was presented  as an art piece. It was written on a circular piece of paper on a pedestal   In order to be read the reader was forced to walk in a circle around the piece.  It would cause the reader to feel slightly dizzy the more they read.  I have been trying to adapt it for online reading but am not sure it works.  Any critique would be greatly appreciated.
Mark Grover Apr 2021
He was the consummate liar
Over practiced in the art
Through hours of repetition
Told only to himself
Until he too believed
Mark Grover Apr 2021
You wake up holdin' tight to a 20-dollar bill
forgetting how you got it takes all your will
You make your way to see the man
And it’s another ****** 25 to a gram
What a way to start the day
But you find a vain and make the sickness go away
you feel the shame and humiliation as you succumb to the numb
and let the fog cover who you have become
To meet that need
Because there is a beast you must feed
You feed it pieces of you
as who you were slips out of view
Mark Grover Apr 2021
You can always tell a Catholic
by the creases on his dress shoes
They are unnaturally pronounced
compared to the lack of wear of the sole
It is out of balance,
askew

Taken out only for mass
***** colored with laces to match

Me? I left my creases in a younger man’s shoes
The sole worn thin due to friction
from the constant rubbing against the rote
Mark Grover Oct 2019
I fancy myself a bit of bourbon
Please do not half read the start
Although both are true
To be clear
I see myself as bourbon
Bourbon is an enigma of magical simplistic complexity
Corn and a handful of other grains
A new charged oak barrel
Time
Same as ATGC (four pieces of the endless puzzle of DNA)
Simple, neat, predictable, and endlessly complex

The mash is mostly one ingredient
Corn for bourbon
Family for me

The barrel
Oak for bourbon
New Hampshire for me
Both the oak and I are inescapably a product of our land
Slowly grown
Shaped by the environment around us

The char
For bourbon it comes down to how hot and how long
Same for me
Too much char and you risk a bitter end product
Too little and you have a forgettable finish

And time
Time is the one you can really control
Even though it seems to be so uncontrollable
You can correct a lot of missteps with time
A little linger in the barrel
Or a little motion while you wait
(Like the paddle boats on the great Mississippi
A gentle rocking to and fro
Echoing the prejazz played on the banks
The rhythmic motion giving birth to something wonderful
But I might as well be talking of woodchucks’ dreams for all my drifting)
A preferred place in the rack house
A little more heat
A place with a breeze
It changes you
It makes you draw more from everything else
With time you make sense of all else
The family into which you where inserted
The land from which you came
The char
Ah yes the char
How hot and for how long
To fully extract the meaning of this takes time
Lots of time
And if you take the time
And you really work to get the most out of all the simple things that really comprise who and what you are
You end with something of infinite complexity
Something that imparts warmth, depth, a hint of sweet, a strength that is apparent, and a finish that lingers leaving you wanting more

So to you (and me) I tip a bit of the ***** brown.
Mark Grover Sep 2018
Just the big empty hand of a would-be prophet
Lost in the vast void of his empty pocket
Filled with only fear and shame and blinding rage
His fist clenched inside that so empty cloth cage
Slated to live a life that no one sees fit

He has nothing left to hide from anyone
Living life lower than the protocol son
None think to pick the pocket of a pauper
Who would even find it to be improper
Why save a man who’s crushed by the weight of none
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