kneeling in order to rest
my cheek on the windowsill
and gaze up at the moon through
the full and green tree branches,
i briefly allow myself to indulge in
that hopeful romanticism that we’re
both looking at the same celestial body

and i know you’d laugh if i
put it the way,
tell me i’m guilty of cliches,
and something about all
those ****** bards

but i can live with that,
because i know that when i
leave after breakfast, you’ll
wave back and watch as i go

i’ll even have the courtesy to wait
until i’m standing on loose gravel,
waiting for the first bus,
to press the sleeve of my jacket to my
nose and breathe that last little
bit of you in

and i thought of you, after that
first time i had kissed another man,
walking back home in the dark and
worrying the clover pendant you’d
given me between shaking fingers

and i’m still chasing that high of
when you swept me off my feet,
suspended briefly in that in between time
of too late and too early at night,
not having been held like that since
i was a boy

and is it any surprise that i’m
still sweet on you,
after all these years?

i make breakfast for two,
fried eggs with unbroken yolks this time,
coffee, toast with butter and apricot jam,
a mango that i cut perfectly in half
and quarter like my mother used to
when i was a child

i’ll take the candles, keys, cat treats
off the top of my rickety dining table
and drag it into the middle of my kitchen,
pull two chairs out from between
the fridge and overflowing coat rack

maybe sheepishly admit that i tend
to eat my meals at the desk in
my bedroom, makes me feel less
alone with music in the background

and you’re really there this time,
sitting across from me, knees almost
brushing under the table,
because you picked up the phone,
made the drive,
hopped more than one bus

let me love you in this way,
through nourishment and a
home cooked meal

let me gift you my smile,
a deep belly laugh,
and leftovers for later that night
when some of that familiar darkness
starts to creep back in

let me love you in this way,
and maybe you’ll stay longer
next time, and feel a little
lighter when you go

tell me, cowboy,
just what would happen if
you were to turn and face that
wild animal which chases you
across the desert, and into
your dreams?

when the only sound that
echoes out across those
great sandy dunes is the
jingle jangle of your spurs,
do you ever think of me?

does that wild thing have
something to say to you,
or will it simply knock you
down and press yellowed fangs
against the soft skin of your throat,
and which one scares you more?

tell me, cowboy,
can you tell the difference between
a tender caress and a choke-chain,
or do they both feel the same
to that wild thing in your chest?

because i can, cowboy,
and i’ve got the bloodied knuckles and
split lip to show for it,
having wrestled that wild thing into
a shape which i can hold dear

and i think of you, cowboy,
when i’m laying under that
same desert sky, with nothing to my
name but the whiskey warming my guts,
a threadbare jacket under my head,
and your name, sweet on my lips

i remember what it
felt like to be
called a liar
that first, and then
second, time

i remember what it
felt like to be 17
and trapped between the
drunken, sweaty bodies
of two older women while
i begged them to stop

i remember what it
felt like to call for help
plead with them that i
was a minor and to
stop touching me
please, stop touching me

i remember what it
felt like to be told
i was making what wasn’t
even my first ****** assault
into something it was not

that i was being dramatic
that i needed to forgive these
two adult women that had
touched me without my permission
without my consent

and i know what it feels like
to ask for help
beg and plead to be heard
and to be so staunchly ignored

having those i thought
i was safe with and around
deny my traumas again
and again

and i couldn’t even let
my ex partner touch me
in so many places
because even thinking
about their gentle hands
being there made my skin
crawl and my eyes water
out of fear

and i know what it feels like
to have my fingers itch
for the blade
exchanging one hurt for another
because, at least,
that’s a bloodshed i can control

and i am so ******* tired
of feeling used up
like part of me is tainted
like something was taken
ragged edges that can’t
be forced back together

and i am begging you
take a tooth
take an eye
just give it back

my ****** autonomy
my safety
my consent

my right to say no and
be listened to, *******

(and i wonder
if i had still been pretending to
be a woman at 17
would i have been listened to?

would that ****** assault
have been less words
and involved so much more
would i be believed?

but, a man can’t be
sexually assaulted, right?
i must have enjoyed it, right?
having two women i thought
i was safe with and around
grinding themselves onto
either side of my body
that was still that of a minor?

i must have wanted it, right?
right?

and the blade in my hand
can only tell me one thing,
that i am still screaming

no, please no
please, you’re hurting me

please stop
please stop
please stop)

there is no drowned sailor
here, captain
just a bard steeping his sorrows
in wine
***,
and beer

and the poetics of heartbreak
can only seem appealing for so long

like a sea captain who does not
know how to be loved
and a foolish bard who does not
know how to stop loving

the bard drinks,
wondering if he is an anchor
and if he is
of what nature

are his hands on the broad
shoulders of the sea captain
a welcomed sort of grounding,
or like being held back?

the ocean always returns
to the sandy shore
in one way or another

and in this way
the bard is like the sea
a constant current

love as stream of consciousness
and whispered into the
hollow of the captains neck
something like a litany, maybe
always too much something or other
to really be a prayer

besides, the bard is not a devout man
only believes in what he can touch
like a battered flask,
the captains long and wind-swept hair,

or the frayed cuff of a long-coat
draped over the bards shoulders
on the coldest of nights

(and, well, if that long-coat
belongs to the captain
then it’s nobody’s business
but theirs)

we know
how you sleep
curved spine and
empty arms

your feet and legs
so cold with nobody
there to rub them
up against

you sleep like a person
that has been very lonely
for a very long time

watching you brings tears
to the eyes
for you are not a person
that is used to
nor that likes
to sleep alone

but there are miles between
both of your beds that
neither of you are quite sure
how to fill

because phone calls and texts
do not fill the empty nights

they do not block out
the chill of sleeping alone
when the one that you so
desperately want to curl
your hollow bones

that cracked and twisted skeleton
of yours around
is as lonely and cold
as you are

perhaps funnily enough
it is not the sea captain
that the bard has built a
home for his heart
inside of

of course
the captain holds so many
pieces of this heart already
tucked into pockets of
his tattered long-coat
and tangled in his hair

but the bard has so much
more to give
love manifested as a bouquet
of daisies held together by
a simple leather cord

****** shyly into the waiting
hands of a siren
bobbing up and down in the waves
hair red like the sunset
streaming out behind her

and this siren
her scent like something akin to home
all cinnamon and clove and sea water
cups the bards face in
her two hands

running gentle and webbed
fingers over week-old stubble
she murmurs,
“hello there, my sweet bard”

and the tug the bard feels
to dive into the swelling
waves of the ocean
has nothing to do with the
sirens beautiful, deadly song

nay, this tug has everything
to do with the love
and adoration in the sirens eyes

and how that makes
the bards tender and poetic
heart fill almost to bursting
with how much
he also loves her,
his lady of the ocean
and the waves

what poet
and furthermore what bard
worth his salt
isn’t at least
a little bit in love
with his muse?

seems a common affliction
for an artist
a love compounded by inks
and thread and a voice thickened
by tears left un-shed

there is nothing to cry about
though, beyond all the silly ways
i’ve found to break my own heart

wishing i could put the blame
on you but knowing this
metaphorical blood is solely
on my own two shaking hands

and maybe that’s my lot
in this life, at least
sleepless nights on my own
yearning to rest my head on
your shoulder and knowing
that you’ll let me every time

and maybe i wrote you
with softer edges
and a smile just for me
and i broke my own
silly little bardling heart
wide open with no help
from anyone at all

because, my love, while
the truth of the matter is
that i love you
have loved you
as a poet and a bard
to his muse

there has always been
so much more than
these words i put down on
paper, knowing you
will never read them
and i will never offer
to speak them aloud
again

for you never were my love
though, it is bold of
me to call you so
and not just from an artistic
standpoint either
but out of a misguided hope

or something just as silly
like a poet and a bard
falling in love with his muse
and mistaking it for
the real thing

bardling, a noun

I. to describe an inexperienced
and thus usually
inferior poet

II. more lover than fighter
preferring a broken heart
over ****** knuckles
but, don’t both burn
just the same?

III. and i can’t carry a tune
hands too unsteady to hold
an instrument with any
kind of confidence
but i could hold you
if only you’d let me

IV. though, what kind of
bard can i really be
if i don’t believe in
the concept of being in love
and the novelty of soulmates
continues to escape me?

V. not your bard
or bardling, rather
though, i could be
if only you’d ask
but it’s selfish of me
to want that, i know

VI. so, my love
and my captain
and my dear, dear friend
i’ll don bright clothes
and remake myself in
to a fool instead

VII. lay down some of this
melancholy at your feet
trying out glass half-empty
in all manners of love

VIII. and maybe i’ll learn how to
carry a tune without
my voice cracking

IX. a way to trick my hands into
no longer shaking
when i hold that instrument close
and coax such pretty sounds from
the strings

X. and, if i’d rather hold you
in place of all those strings
and stained wood
well, no one needs to know

on a cliff by the sea
there is a cottage
with a lighthouse rising up
behind the slightly slanted roof

though isolated, there is
no loneliness here
only the howling wind
and rolling grassy hills
dotted with daisies,
dandelions, and clovers

a bard resides there
that loved a sea captain
to the point of becoming
a beacon,
always more welcome than warning

and isn’t that a beautiful thing,
loving someone to the point
of creation?

after all, every living thing
needs some kind of constant

like a weather-beaten ship,
coffee always warm on the stove,

or a bard, tirelessly keeping
a light burning
in order to guide his
sea captain home

alone in my apartment,
midday sun slanting through the
half-drawn blinds,
jolly roger fluttering gently in
one window, trans pride flag in
the other, i find myself feelin’
some kinda way

kneeling, though never in prayer,
i pull out packer, pouch, and
two different jockstraps

moving to stand out of view
from down on the street, i nestle
the packer into the pink jockstrap
and put my shorts back on

spend some time adjusting the
packer, wishing i had a full length
mirror, but sufficing with the little
vanity that lives by my coffee maker

in the open doorway between bedroom
and kitchen, i palm the length of
the packer through the front of my shorts,
wondering if the novelty of having
a ***** ever wears off for cis men

still feelin’ some kinda way,
i take out a black knee-length skirt
patterned in rainbows that so rarely
leaves the dresser drawer, and
slip it on

and i feel an all caps
kind of GOOD

and the grade A 100%,
genuine article,
bonafide,
GENDER EUPHORIA
i feel could power a small city

(and i slump down in my
ratty desk chair, knees loose and open,
palm myself through the front of the skirt,
imagine some faceless lover
running their hand up the inside
of my thigh and pulling aside the
jockstrap to get at the packer

picture them unraveling me like
divoting a thumbnail into the supple
skin of an orange, peeled in one long strip,
and taking me in like each segment,
juices running down their chin)

coyly, oh captain of mine,
you glance at me over the
soft curve of your shoulder,
and my mouth fills with saliva

i am a pirate, down to his
last dregs of ***

and i am a cowboy, dying of
a thirst in the desert that only
you can slake

and i am a bard, whose lute strings
have all been snapped by his own hand

to put it real bluntly here,
i am ******* starving

and there are so many ways,
to starve and be starved in turn

it is your touch that i yearn for,
tenderly on my cheek,
and ****** in the collar of my jacket

let’s curl around each other,
just this once,
share some body heat and a
six pack of cheap beers

and if i asked really nicely,
batted my eyelashes up at you
just so, would you let me
carry a piece of you with me?

let me sink my chipped and crooked
teeth in to that junction of shoulder
and throat, right above your collar bones

and we can pretend that your red,
red blood
on my teeth is a construction paper
valentine that i hand to you and
then shyly glance away

tell me true,
oh, love of mine,
what happens
after the fade to black?

from wide and life-sized
on the silver screen down
to a pinprick,
watch as those colors
slowly bleed out

and tell me what comes
next, after the cowboy
strolls off into that sunset,
painted in shades of red and orange

and what happens after
the pirate captain sails away
into that horizon, technicolor in
shades of empty *** bottles and
salt crusted into jagged long coat hems

does the old dog learn
new tricks, in this one?
do we take the rocks out
of our pockets?
do we ever love ourselves
back?

i don’t have the answers
this time, my hand is not
the one holding the pen

and i’ve slept through the
ending of this movie before,
or hid my face in your shoulder,
always grateful you’ll still let me

and i have no interest in
the man behind the curtain,
won’t look past that fade to black,
content in not knowing what
happens after the credits roll
for a little while longer

i wonder if this is
what love feels like
your hand ****** in the collar
of my shirt

our faces so close
i could lean forward
and kiss you gently

or bite your lip
make you bleed
like i have bled

instead, i bite my tongue
tasting copper
but nothing i will regret
having said

like all these apologies
stagnating in my throat
maybe a broken plea
but i don’t know what for

i’d ask you
if i could find my voice
putting the pressure on you
to fix this

and that’s selfish, isn’t it?
wanting you to hold me
like one would a lover
without the other iterations
of that silly little word

but that’s all i have
ran out of ways to make my sorrow
sound poetic and palatable
long before this infatuation
blind-sided me so cruelly

and maybe right now
this is okay
your hands rough on my skin
but your voice so soft
when you look at me

up before the sun,
walking under the softening
glow of a dotted moon,
already light down on the
street, yet still dark where the
light pollution can’t reach

and i want to be there,
almost desperately,
let’s go back to that spot
near the powerlines and
gravel roads, feel that
buzz in your molars

there’s a crackle in the air,
and we’re not far enough away
from the rest of it to find those
wild horses just yet,
but the bird call and chatter is
a **** good substitute

and i want to take a snapshot of you,
silhouetted by splash of sunrise
across the sky, something to keep
in the pocket of my jeans like a
polaroid, creased from running my
thumb across the surface

heartbreak is one hell
of a muse
and the bard wonders
if the captain
if his captain
is aware of this

that the bard could have
a muse before the captain
is nothing to scoff at

because, really, what kind
of poet would he be
if heartbreak weren’t his
first love?

and there really is a certain
poetry in taking the thing that
plagues you into shaking hands
and forcing it into a shape
that suits you better

maybe the shape of that
heartbreak is you, captain

maybe the shape of that
heartbreak
is you

what kind of love
do i think i deserve?
a thing that yields poems
sweet platitudes and flowery words
but no romance
a loveless and lonely
kind of something?

and sure, love can be elating
wouldn’t be such a popular topic
of poems and songs and ballads
if it weren’t

but an unforgiving love
can be such a hollow feeling
like having my chest opened
and emptied
and sewn up again

and i know what that’s really like, too
but this kind of love is more numbing
than cut nerve endings
and the scars that that leaves

glad to have never been in love
since there are only so many ways
to say that you’ve made me cry
and make it sound appealing
but a bard with a broken heart
is something no one wants to see
a broken heart yields no coin

but my heart is weak
my heart is wanting
and i am helpless
in the face of how i feel
how i ache
how i yearn
for you

singing your praises
like any good bard would do
even though you’ve never liked poetry
and isn’t that just my luck,
my love?

it’s always funny
the things that you
end up remembering
about someone

like that he used
irish spring soap
except, no he didn’t
i used irish spring

and so does my grandfather
which i know because
he’s the one that gave
me the soap when mine
ran out

i know where that soap is
upstairs in a cabinet
lined up at least three across
and four deep

went looking for the hair-dryer
so i could more quickly finish
coating a used canvas in alternating
layers of black and white paint
and got lost in the smell
of irish spring soap

and that made me think of
my father for some inexplicable reason
he never used irish spring soap
but he did use flower scented perfume
and those scents are arguably close

and i wondered if i was looking
for something in that cupboard
that it couldn’t offer me

and i wore these two
beat-to-**** leather jackets
that my father gave me
from middle school to high school
along with a sweater that
clung to how he smelled
even after i’d washed it

i got rid of those two jackets
and the sweater
earlier this year
realized that looking at them
only made me sad
and maybe also a little angry

i kept that pocketknife
he gave me, though
and a stuffed bunny rabbit
and i wonder why

there is a practicality
in keeping the pocketknife
and maybe a certain kind of
sentimentality in the bunny

but who am i to say, really
why i kept these two things
and not the leather jackets
and sweater

maybe i am looking for something
that none of these objects can
offer me

maybe they remind me
of my father
in that he has nothing to offer me

and even if he did
i wouldn’t pick up the phone

am i a young boy
or a young man?
the only answer that
i have is i am alone
and i am afraid

night is closing in
i want my mother
i want my father
but does my father want me?

another answer i don’t have
cold seeping into my bones
feeling both too small and
too big for my skin

my wrists and hands look like his
the lights are on
but the house burnt
down long ago

and i sit at a table
made from charred and twisted wood
waiting for my father
to eat with me
to even look at me

but he never shows
because of course he doesn’t
and i sit at that table
until i am a young boy again
waiting for my father to
carry me to bed and tuck me in

and still he is not there
just me and empty plates
full of rotting food
and all these broken promises

the broken heart of a young boy
still beats within my chest
wondering what i did wrong
when it never was me at all
just a selfish man
that never should have been a parent

and i stop waiting then
packing that particular wound
with cotton and whispered apologies
promising to never let it happen again

and my knees creak
when i stand
fitting my skin like i should
an old heart in a young body

and the lights are on
but the house burnt
down long ago

and and and
i tell the remains of this house
that never was my home
that i’m just stepping out
for a smoke

with no intention
of ever going back

my hands do not shake this time,
firm grip on the shovel and
graveyard dirt on my boots,
sweat stained leather jacket collar

but i forget the thick gloves,
like i forget the bandana,
and that dirt clogs my lungs
as blood drip drip drips from
the torn skin of my palms

and i’m still not sure if
all this digging,
and digging,
and digging,
is to unearth or to bury

haunted by the ghost of the
girl i used to know,
the girl i used to be

breath comes out harsh,
a dancing ghost amongst the pines,
and i am rot waiting to happen,
washed in gold by the sunrise

i am the choke-chain,
and the tender hand,
the dog that bites the hand
that both beat me and loved me,
and i am rot waiting to happen

and i lived through who i was
to become who i am,
but sometimes even that looks like
asking myself what harm just one
more time could do, and remembering
those six years, where i started as a boy,
and stopped as a man

and i am a sinner,
with this shovel in my bleeding hands,
not quite stigmata, though the stained glass
in the skin of my knees begs to differ

and i am a sinner,
because i lived,
because i am both the haunted,
and the haunter,
the girl that grew into a man

and if we’re going to sin,
then let us sin wholly,
then let us sin holy

i’d like to see you
each and every morning
sitting across from me at
our little table in
an even smaller breakfast nook

nevermind the holes in the knees
of my well-worn pajama pants
or the sleep still on your breath
i’d kiss you just the same

and i want you to be
what i see after
downing half my coffee in one go
and my glasses un-fog after
setting the mug back down
on the tablecloth we picked together

it’s small and simple
maybe even silly
domestic happenings like this
that i want with you

like sharing a bed for
the first time
and letting my foot wander
hoping to find you across
the ocean of mattress
and mountain of blankets

like how your hand
fits so well in mine
and i am not afraid
to hold you this close
this publically

you make me brave
letting this anger out of necessity
become less potent
and easier to leave behind me

you make me feel so many things
and all these things feel so new
with nothing behind them
save for your love and affection
and i want to give you
these things, too
hoping you know just how much
my heart swells
when only thinking about you

i want this
i want us
i want you
you you you

stinging and salty spray
off the bow of a weather beaten ship
let alone the freezing shock
of ocean waves
has not touched my skin
in six long years

and i am ready, my love
thick ropes of scars
begging to be touched by
the cold of the open ocean

i wonder if all that
clear blue water
hiding so much below the tide
has missed me, too

i am a parched man
laying in the middle of the desert
thinking of her lips on mine
my face in her neck
her sharp sharks teeth leaving
pin-****** in my shoulder blades

and i know i have not loved
a man, nor a woman
like i have loved the sea
knowing that great uncaged
beast runs through my veins
always welcome and wanting

my love, never meant to be tamed
fills a void in me
right below my rib cage
packed with salty kelp and sand
if the infection doesn’t **** me
then the longing surely will

for the sea
she knows what i desire
and it sounds something
like please

something like home
something like you
something like you you you

you leave the clothes that
i loaned you, folded neatly on
the bed, and i buy you
a toothbrush

for the first time in
almost two years, i have
someone to text that
i’m on my way home from
work, and ****, i missed that

and the door is unlocked,
this time, but that’s okay
because that means you’ll
be there to grin up at me
from the blanket nest on
the kitchen floor, and ask
me how work was

i thought about you,
while peeling potatoes,
like taking you out to
dinner and a movie,
walking you to the door after

and i’m not writing a love
story here, just trying to
convey that you are known,
and seen, and loved

and my hands are a little shaky now,
but i’m still pretty handy with a needle,
so won’t you let me sew your most jagged edges down?

i put on my cooking bandana,
the black and white one this time,
blue fabric gone soft and threadbare
from the cycle of wash/rinse/repeat,
and i make pasta

my hands do not shake,
using serrated knife to carve
chicken breast, maybe thigh,
into small chunks

tofu, broccoli, salt go into
a small *** together,
chicken in the oven,
water for spiral pasta boiling

i briefly wish for good crusty bread,
salad greens, maybe a bottle of
cheap, sweet wine, split by two

this love language with nowhere
else to go, no one readily available
to nourish, and i resent, fleetingly,
the day or two of leftovers

belly full of good pasta,
lump in my throat,
loneliness like a promise,
like an old friend

and i do not cry into the sink
full of ***** dishes, hot soapy water
and the music turned up real loud

i don’t cry into the sink
full of ***** dishes,
i don’t
i don’t
i don’t