the bard wonders if there is
an ending to this story
that could classify it
in the genre of love

wants to ask the captain
but knows deep down that
he needs nothing more than
a ship upon the sea
good *** in a sturdy flask
and a body to hold on
the coldest of nights

and the bard can appreciate
the simplicity of those needs
but, he wants to ask the captain,
what about wants?

because, you see, the bard
he is full of wants
practically overflowing
with all this wanting

arguably more of a yearning
but that’s really just a matter
of semantics he’s choosing to ignore

and this is already a love story,
isn’t it?

even if the two characters don’t
kiss and live happily ever after

besides, the bard thinks,
there is not much material
in the monotony of being
constantly content

because, there are wants
and there are needs
like a poet and a bard needing a muse
and a captain wanting to be held
by something other than the sea

and that’s enough of an ending
at least as far as the bard
is concerned

“love makes fools of us all,
my captain,” the bard says,
and there is no bitterness in
his voice, nor any shake

“but,” he continues,
smoothing down the collar
of the captain’s long-coat,
“there are worse things than
being a fool for you”

and the bard remembers something
from long ago
about how touching someone’s collar
will keep them safe at sea

so he does just that
one more time, for good measure
not just because he can
but because the captain will allow it

for there is more between them now
than a ship tossed about by the
waves on the oceans great expanse

but still, nothing more than
a pretty little dagger
tucked into the bard’s boot
and a daisy behind the captain’s ear

such simple little things
objects exchanged in a way
that is arguably a love language
though, who is to say, really?

what matters here is what
the dagger and the daisy hold

something like the promise of
immortalization through song,
the spoken and written word

and something like a goodbye
that is more a promise of return
and that is arguably a beautiful thing
wouldn’t you say
oh, captain of mine?

at first there was a sea captain
and he could have been lonely
but, surrounded by the great
expanse of the ocean
is one ever really alone?

and then, there was a bard
arguably more of an orator
(though a bard just the same)
for he carried no instrument,
no weapon but his words

and a pretty little dagger
that the captain gave him
tucked into his boot

it does not matter how long
the bard took to get to the captain
all that matters is he
is there now

so bright with all his love
the bard tucks daisies and
dandelions into the captain’s
long and windswept hair

and if the captain’s teeth are
a little crooked and the
bard has scars on wrist
and arm and chest
well, neither of them minds

because the bard will still
make the captain breakfast
and the captain will still
share his flask of ***

and when the captain asks,
voice rough with late nights
and years of salty ocean brine,
“is this a love story?”

the bard will only laugh,
voice free of heartbreak,
knowing the captain will
always belong more to the
ocean than he ever could
to him, and say,
“nay, my captain. it is naught
but a jaunty little tune”

could you be a lighthouse,
my captain?
a welcome and a warning
all in one

or is that too poetic
of a metaphor for you?
more of a flask
passed back and forth

choosing to mistake the warmth
in my cheeks for
naught but the effects of ***

there is a brightness to you,
though and just the same

my blood sings for you
backed by the sighing
of a heavy heart

but there is beauty in that, too
wouldn’t you agree,
oh, captain of mine?

more than anything, though
captain,
there is beauty in you

if there is something
more to love than heartache
well, he has yet to find it

maybe, he thinks
when he looks at you
there could be more
but the breaking of a heart
just seems to sell better
doesn’t it?

if this is a curse
then it’s little more than self-inflicted
and it must be
when there are no flowers winding
vines around ribs, forcing out ****** petals
in place of calling your name

food does not turn to ash in his mouth
and water quenches
while alcohol burns just the same
and he distantly wonders if there
isn’t something burning in him, too

does longing burn?
reaching out for a sea captain
that is tethered to the ocean
just as the bard is tethered
to the metaphor of love

and how the sun looks
when it breaks through
gaps in the leaves
and caresses your sleeping face
like he longs to do

but there is no place here
for touches so vulnerable and kind
the shadows long lashes make
on your stubbled cheeks
is not for him to witness

but, oh, he wishes it was
wants to tuck flowers
free of blood and bone
into your long hair
and maybe even hold your hand

for you see,
the bard is a simple man
easily pleased and open
in the love he gives

practically overflowing
an ocean contained within
the body of a man

and won’t you let him fill
your cup with something other
than *** and the persistent ache
of telling yourself
that you’re better off alone?

..1. .
the fool remakes himself
into a bard

and no one laughs when
he says this out loud
because a crying fool
brings only melancholy and misery

and as for the bard?
well, the bard feels foolish
about so many things

the question still stands
begging for an answer
if loving you
was one of those foolish things

still, the bard would like to think
he understands what falling in love is like
if only from an artistic standpoint
like the poet to the muse

after all, hearts can’t be reasoned with
and this bard has made quite
a career out of being maudlin

welcomes fits of melancholy with open arms
knowing that a good ballad
a misguided declaration of love
is impossible to write without
have a good cry while doing it

2.
and sometimes there is
so much hurt in those tears
that if feels like anger
but the bard does not know
who it is directed at

and does that really matter?
for, while the anger of a poet
runs deeper than blood and bone
the love of a poet is
an infinite thing

maybe not a thing to say aloud
though, what is a bard without
the sweetness of his voice?
fingers tenderly plucking
at his own heartstrings
pulled taut again and again

nothing as poetic as that will
eventually break
even if the bard tries his
damndest to shatter knuckles
against his growing loneliness

because, sometimes, the truth
is saying that you’ve made him
cry and meaning it
when he confesses to missing
being no more than a fool

what does a fool know of love?
of heartbreak
of empty bottles
and emptier promises

the fool knows nothing at all
and the bard would like that back,
so tired of collecting the coins
made from making a broken heart
sound like such a beautiful thing

i will sing of many things
as any good bard must do
bringing so much to life
with only the sound
of my voice

i could sing for you, too
softly, of a man with
daisies braided into
long hair and tucked behind ears

would you take these flowers
that i have picked
even if my hands shake
and their true meaning escapes me?

poor little bard,
i say to myself,
scrubbing tear tracks from pale cheeks
always singing of love
until his voice cracks and breaks
but never truly experiencing it

of course, there’s a certain
poetry in the persistence
of a wound such as this

though, metaphor be ******
it ******* hurts
but there’s no blood to sop up
nothing to bandage or splint

and at the end of the night
i am still left alone
something that feels like
your name on my tongue

and i want to tell you
so many things
like how beautiful you are
like how i’m sorry i let
this infatuation get so far
and grow so large

and i want you to know
that a bard with a broken heart
will yield no coin
but i’ll keep singing for you
anyway

because, my love
the least i can do
is immortalize you

if not in my arms
then through words that will
survive long after i have
returned to the ground
and isn’t that worth something?