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M Clement Aug 2013
There happens to be duller
Formalities
In the incarnations
of my silence, thank you.
M Clement Aug 2013
I’m not sure what implored me to put the picture as my centerfold.
Of that I’m sure I’ll never know.
Instead, I just did. No questions asked.
Though the picture had always perturbed me in a slight, quiet way, it was something that my father prided enough.
Why should I not pride it as well?
Besides, my wife said it really “tied the room together”.

I told her that I still didn’t understand that phrase,

But that’s neither here nor there.

Every day, I passed that painting on the way out the door,
And on the way back in to the heart of my home.
My wife and I embraced a multitude of times
in front of our deer-headed ******
In his suit, painted onto that canvas, framed with gold leaf
That shined just so, when the sun hit it.
And I’ll always remember that my father left it for me
When he died.

Me specifically.

I inherited the deer head, and the body of a businessman.
Finally got the inspiration to write part two. Though I have a general outline of what I want out of this series, I'm not sure how it will end, or even what each poem will hold. I'm very excited to see how it turns out. Are you?
M Clement Aug 2013
Various tonalities made their
Way across the damp air

Only made wetter through
The assistance of shower steam
And fitful sobbing
M Clement Aug 2013
There's a brokenness in our everything
If you fail to see it,
You may be lost
I've been really busy, not a lot of time to write... nor really do anything. If I have my 'druthers, I'll have tomorrow to gather self. We'll see.
M Clement Aug 2013
My father always had a picture
hanging up over the mantle.

It was an oil,
possibly acrylic, painting.

I've always been terrible with art,
and the definitions and distinctions
therein.

It had a gold-leaf frame, and I recall,
as a child, staring at the shine
that the sun reflected off of the
beautiful gold that surrounded the
picture.

The picture itself, however, was
far more extraneous:
a deer head and the body of a businessman.

The suited businessman's body sat in a chair,
within the painting, but instead of a man's head
poking out of the collar, there was a deer's head.
It was adorned with antlers, two to be exact, and
it sat above that mantle, staring emotionless into you
or the distance.

I was never sure which it was.

And after my father passed, I inherited the deer head
and the body of a businessman.
I have an idea for a series of poems revolving around the title of this particular one. I hope to see it to the end as well as pick back up on some previous goals of poetry.
M Clement Jul 2013
Then there was nothingness
And as she looked between branches
and tree trunks
She saw little
For the interwoven tapestry of wood and leaf was too dense to peer through

She took her first few steps
Hearing the crunching of leaves and brush beneath her feet
Breathed in a deep, cool breath of fresh, mountain-air
And she passed
With one, silent breath

She became one with the brush
M Clement Jul 2013
There's a ripple in the stratosphere
of undemanding attention

Creaking slowly across the floorboards
of consciousness and breaking down
wooden doors of inhibition.

Never has the lonely animal
sat so silently, secretly shushing
servant saints.

Window pains of repression
allow silent searches of what life looks like outside
but the windows remain unbroken.
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