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Louis Pollard Jun 2011
One way or another, the streets would be paved with gold.
It was a matter of time, sure. But more importantly,
it was a matter who the **** would help a town like this.

Shitsville, New Jersey: a faecal suburb.  
Years of dead and still rotting potential
with an ugly face,
the eyes of a hawk and a sense
of remorse an executioner would be proud of.

The day I see a  kid sleeping as sound as they should,
I'll drop to my knees, pull my resentful fist
out of God's *** and
kiss it for forgiveness.

But the streets are ****** now.
And the janitors have drugs and hookers,
not mops and brooms.
The opening sequence of a collection of surreal and dark poems, questioning the nature of existence.
Louis Pollard Jun 2011
My spoon tinkles
and finds sanctity in the mug.
I toss a dollar to the waitress

and smile at her on my way out.
Nothing.
Nothing but the blank face
I always get from that *****.
I don't know why I bother

going back to that place.
As I leave, I hurt a little
and realise that
it's the only home I have.

What a ******* sorry state of affairs.
I leave the diner and turn up my collar.
The rain spots my glasses
but I'm not sure if I care.

**** could be a lot worse.
Part three of fifteen.
Louis Pollard Jun 2011
My coffee is tepid and so is the sky.
The clouds snap shadows to the floor
and demonize the sleeping ***'s silhouette.

It's funny,
you can't help but feel that
life would be simpler eating
twisted crap out of dumpsters.
But what those ******* Bums don't know

is that they are missing out
on some of the best things in life;
money, self-respect.
But then again

I don't see any of those drugpushers
give a **** about self-respect. And
your money is as valuable as
the **** you want to poison yourself with.
Part two of fifteen. Be as brutal as you want, it's only a concept right now!
Louis Pollard Jun 2011
Alright fella, how’s you mate?
Just heard back from the hospital innit.
They got you that liver now?
Yeah man, sorted. Ahh yeah-
did I tell you ‘bout the other day?
There was this ******* mug
by the chippy and he mugged
me off. And I was like mate,
don’t mess - you’ve picked the wrong day
to be a *******, innit.
And he was all like, “Yeah?
*******, mate.” And right, now,
well, I’d had enough by now;
I wanted to teach this mug
a Life-Long Lesson, yeah?
So I said, “I’m not your mate,
and I will end you if you don’t *******, innit.”
Ah man – this was not his day.
You remember back on Tuesday,
when I got that knife that I still use now?
I had it on me, and I shanked him, innit!
Serves him right for being a mug;
sounds like one less ***** on the estate, mate.
Too right blud. Was well funny too, yeah –
cause he was just round the corner, yeah,
I just walked into the chippy like any normal day!
Just like, “Nah, no vinegar please mate.”
There’s never any filth around here now
so we can just shank mug after mug;
and we’ll make it a better place to live, innit.
Oh yeah, and I can get smashed now, innit!
We’ll get some pills and that, yeah?
Have us a party, but don’t invite Gaz, you mug –
he shagged Tracey the other day,
so it is gonna be well awkward now.
Ahh ****! I am well excited, mate.
And mate, make sure you bring some fit girls, innit.
You wanna come round now?* Nah, got a check-up. Yeah,
but it’s not gonna take all day! Shut up, you mug.
A reflection on coincidence.
Tar
Louis Pollard Jun 2011
Tar
I am writing to you in tar.
It dries quickly on this leaf of paper;
the room is hot and dry,
I fear it may ignite.
It doesn’t feel right;
this makeshift pen is imprecise
try as I might
to colour within the lines.
I guess it’s me and you really.
The moment says what I mean,
not me. It bursts like
a Molotov cocktail when it wants to,
but until then it waits
and waits
and waits
until I need to say it myself,
and eventually I do,
but it's clumsy and in the end
I say things I don’t mean,
and then, and here’s the kicker,
I feel bad, not you.
So if and when you read this,
and the tar sticks your fingers together,
and the paper bursts into flames
and singes your hands,
don’t think of self pity,
because you’ve drowned
in that too much already.
Think of the times
when you’ve wanted to say something
but ****** up the delivery.
It will scorch your skin, and leave a blister,
and it will hurt, of course,
but I’ll have a damp cloth ready
if you want it.
Louis Pollard Jun 2011
They call me 'the Crutch'.
And as such, I know how that sounds.
But I don't like to speak about it
much.

See, people think I'm just nice.
'Nice and supportive', that's it.
Gets me every time.
But not for a second

do they consider that
once they've sat down
and discarded me by the coats
and the hats,
I need one too.
For when people don't reciprocate.
Louis Pollard Jun 2011
As I pondered,
and watched the eyelid
unwrap itself like
a horrible tentacle,
I realised that
opening the door was

a fatal error.

You see,
I sit here, and
it watches me intently.
And of course,
I stare back.

'What?'

'Stupid me', I think.
It's a ******* eye.
It can't speak for itself.
But what if it could?
Would it say anything?
What about:

'Close that ******' door,
yer lettin all the heat out!'


Possible, I guess.
On reading between the lines.
Louis Pollard Jun 2011
It quickly became apparent that not all was
as it once was.
The mouth which governed the wall
(which was twisted and cracked)
smiled,

and proceeded to
grind its teeth
to the beat of the
morbid drone of
the siren.

Each a percussive
slab of yellowing ivory,
chipped, curved;
a grizzled toenail.
Being torn off
may solve more problems
than it causes.

At the door:
A  brushing noise.
If the mouth could see
how gracefully
I navigate the room,
it might be impressed
and let me out.

*Note to self:
Doors are best left closed.
Louis Pollard Jun 2011
They sit
like the curve of a parabola
facing in.

Though they do not see each other.
He sees only himself
amidst the gore and rot
which once passed as
a picnic lunch.

Pickled spines
and curried thought processes
to name but a few
of the delectables today.

In he reaches,
grabbing handfuls of cured flesh,
and not leaving any time
for chewing.

The yellow fog is syrup
and makes him
heavy-headed.

The trees are old men,
curved backs
and withered from living.
They only want a kind ear
to hear their untold stories of
life, love and death.

Glutton wants food.
he guzzles and guzzles
and never listens to those
who want him to listen.

So he eats,
they cry,
they die
and they are all alone together.
A reflection on greed.

— The End —