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loisa fenichell Dec 2014
My parents when they slept they slept with snakes.
My parents when they slept they died, every night, in cycles, like monthly blood:
the first time I got my period I was 12 years old and wearing jeans
newly stained and thought that I’d killed a man.

There are still times when I think that I’m killing men, or boys, by accident,
because of all the milk swirling around inside of my collarbones

(there are still times when I think that I’ve killed you)

When you sleep you whisper to your parents. Did you already know that?
Have you already told somebody else about the way
your body looks when you sleep, all stretched out like the legs of a newborn?

You’re a boy with hair as red as emergencies,
a boy who belongs best on subways, with your body lanky,
with your hands like skies gripping onto the metal pole.

Later after dinner I am that metal pole, only with a larger stomach. My stomach
is always largest after eating dinner. Your hands are always the most over a girl’s body – your hands the most like skies – after dinner: this is the worst horror movie:
my stomach popping like a mountain or an ear high in the sky (or, worse,
my stomach never pops, it is always there).

In November we are in a parking lot
(it is late
it is full of rain) and you don’t know my voice, a voice sounding
like ****** up broken jewelry.
For my birthday you gave me a bracelet you found in your mother’s bedroom
and it broke two days later, beneath a softly lit streetlamp.

Somewhere in the middle of a sidewalk somewhere near the east river I am holding the bracelet and crying water from littered water bottles but nobody sees me (or:
it’s all a dream, and it happens over and over again, cyclical, the way my parents used to sleep, used to die).

The two times that you’ve rejected me:

once: my parents with banged up bruised bodies in the hospital // when I saw them lying in between sheets cotton like your t-shirts I fainted
twice: the funeral is back home. I fly there and my ears won’t stop popping,
like a mountain, like a too full stomach. At the funeral I forget hands
like skies at the funeral I fall in love with everybody I see at the funeral I forget that
I am no longer in the city (I can trust people)

I see you now as a ghost: when two ghosts **** we are horizon over a snaky river when two ghosts **** we are flying back to the state of my birth
when two ghosts **** (in ghost parents’ bed) we sound like car crashes
loisa fenichell Dec 2014
my childhood bed had too many sheets piled tall
as a strange boy. I stopped sleeping there at 10.
I stopped talking to mother at 12.
At 12 years old my hair is short and layered as my stomach.
At 12 years old there is a phone call from my father:
I picture him standing then, at the hospital window with his burnt eyes
pleading to clouds that were beginning to shape themselves into gods
he’d never believed in. I picture my father and the nurse, I picture the phone call, I picture me with short and layered hair and a teacher with soft face in a classroom door. Dying mothers I now know are the most loved.
Dying mothers I now know do not use bathtubs and they
do not have wrists. I picture mother with face white like cow spots.
I picture mother with no more milk from her cruel breast to spare (She didn’t want children anyway). I haven’t slept in my childhood bed eight years.
Sometimes when I’m brave I’ll sleep in mother’s bed. Sometimes when I’m brave
boys touch my chest and my stomach and their hands never flicker.
idk?
loisa fenichell Dec 2014
in winter it is my first time home in three years.

I am in my bed again with a body full of volcanic acid
and a throat nervously full of phlegm as repulsively sweet
as the water of the river that I swam in when I was still young
and naked and fleshy. I have not been  
young and naked and fleshy in three years.

My bed is as hard as I picture your body being tomorrow
when we are both in your car again
and your face
still crumbles open like a basket of bread.

My mother has never baked bread.
My mother at night lies alone on sheets cold as the light from a moon.
Her voice wails like a pair of haunted hands.

Last time I saw you your voice broke apart
atop your final word to me.
Before that your hands were on my thighs like a new curse.
Since then I’ve pictured you standing with raw hands
cursing into brisk air. There are times when I try
to picture my body into something smaller, like a ******
raccoon against the side of a highway strip.

There are no tall trees
in the yard anymore, nothing
to compare my body to. (Mother cries about them all falling
in past storms.)

When my father sees me in my bed he says nothing. He’s
best at walking with his hands sour as bees.
loisa fenichell Dec 2014
Boys with faces
like beds full of bloodstains.
Boys with faces
that drown best during winter,
when all the wolves in the town have just been killed.
Father every day goes out with his gun
to see what he can shoot. He leaves the house quietly,
leaves through the screen door, through the porch, his footsteps
soft as my old nightgown:

I was young, then, in that nightgown. Young, but
I remember the small bathroom downstairs
and a weathered hand ****** deep underneath the tight skin
of my chest. Everything seemed ****** then.
Everything seemed six years old vision then and he was my father’s age.

A week later the same weathered hand was on television,
this time dead, this time run over by a drunk boy.  

Tonight I love drunk boys, tonight they are the only boys
I could ever love. With their eyes blank and white, they look just like my mother.
Neither of my parents know about the nightgown. My mother
does not know about my father’s shooting. My father
does not know that I know about his shooting. At night once I was awake
and heard a gunshot and pictured a car belonging to another drunk boy.
In my dreams the same man is dying, his body crushed by a car, over
and over again. In my dream there are no drunk boys (no boys), there is just me.
In my dream I have never had parents and father has no hands
with which to shoot.
loisa fenichell Dec 2014
The way there are stripes of light that cross my wall like small bodies
of jesus; the way a boy once dampened me into his chest
and then spit me out again, like spoiled goat; the way the crumbs
that have spilled onto my bed remind me of your body; the way
there are flocks of geese here instead of blocks of concrete

(The way I am not a wolf like you think I am, the way there is no fur to cover
my belly)

These days I have felt much more related to my father
than to my mother – these days there is wine in my system
the same color as the blood from my first period

these days I am looking at my body the way a man with a gun
looks at deer ****

I picture a beach covered in deer ****
with you somewhere in the middle of a pile of gory antlers

On this beach it is winter, my hips shivering with ice,
your hands over my skin – skin like the walls of a slaughterhouse.
Your hands are somehow not trembling; but somewhere
I smell jellyfish as though it were a corpse and somewhere
my body is as brutal as another boy’s bed

For a week I was sleeping in another boy’s bed and proud
to tell you --

Some nights it is as though there are no streetlamps on this campus:
“I am no longer in the city, stop talking to me.”
loisa fenichell Dec 2014
there is rain and there is lightning and there are trees
and in one corner of the field there are two women
with wrinkled faces and long white skirts, making
their presences known the way you wish your grandmothers,
both dead, would. they are picking flowers just for you
(for your hair); hydrangeas and lupines.

in this dream you do not have a name – in this dream nobody has a name –
just a mouth, to swallow the rain, and the clouds that hang overhead
like dead kingfishers are heavy and black and swole with more water.
your clothes are not wet in this dream; your skin is – your skin is pink and wet,
looking the way it did the day of your birth, but your clothes –
old blue dress curled carefully around your knees – are dry
as your lips. you notice your stomach churning. you are standing
in this field and you notice your stomach churning as though
you love a boy. you do love a boy, but not like this: your boy is quiet
as your childhood house, and so your love for him
is quiet as well (it never churns). you dream about the boy,
but he is the wrong boy: a boy suddenly in the corner
of the field, a boy with a face too loud, like the flickering
of a dying light bulb in a darkening closet. this boy has replaced
the women with wrinkled faces and long white skirts;
they have disappeared the way grandmothers so often do.

now you are ready to wake up.
in bed next to you is a boy
and he is sleeping
with a body soft as the entrails of a mother.
loisa fenichell Dec 2014
1:

i am very much done w/ the way
my body feels
up all night
lying flat in bed
thinking of how u might look
carved into soft moonlight

#2:

ur face reminds me
of my chest from when
i was 13 yrs old & waiting
in agony for something
more mountainous to seize
what was flat

#3:

i see the way u look
at me when we r at
a friend’s n-w that i have
stopped paying attention 2 u
pls stop looking at me as tho
there were nettles in ur
throat, beestings in ur lap!
prompt: Using Bergvall's introduction as a guide, write a poem that meddles/middles.
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