ground zero
i become aware of boundaries
i am a dog chasing cars
i sing your voicemail to sleep
there are no surgeon general warnings
to tell me that
the objects in the mirror
are more depressed than they appear
so how do i tell you
that there are parts of my life
that move slower
without you in them?
or that i look for you every day
in emails & unanswered calls
in the sunrises
i didn't choose to be awake to watch
that i sometimes still stare at doorways hoping you would walk through them
   *stage 1 you tell your new lover you've got a splinter and they pull the sound of your body falling asleep on mine out of your fingertip
   stage 2 your new lover says something at dinner that makes you choke so they call 911 & the paramedics do the hymleich not knowing you would ***** our promises all over the the restaurant
   stage 3 your new lover surprises you by cleaning the house & washes the shirt you kept next to the bed, not knowing it was the last thing you had that smelled like me
after
people always ask
what was loving her like?
after a really long silence
i just say
"it must be nice"
but i never say
it's watching paint dry
i never say
it's a window seat in hell
i don't tell anyone
about the dreams
where i am reading you
bedtime stories
each one is a different way you die
& every time i can never save you
dreams where what i think
are angels in my bedroom
are just homeless versions
of myself you never loved
i have dreams
where i pay someone to shoot me
just to see if you would cry
just to see
if you would cradle my body
i don't tell people
that loving you is like
playing piano
for someone who can't hear
that it's hitting repeat
on my favorite song
& forgetting the words
every time it starts over
that it's finding out
there's no milk after you already
poured yourself a bowl of cereal
it's getting locked in the dark
& being told to
look on the bright side
that loving you is like
being reminded of what it felt like
the first time
you accidentally let go
of a balloon as a child
it's drowning without the water
it's the feeling you get
when you start to dance
& the song ends

Dear reader,


It won't be long before they electrocute the trees with candy colored Christmas lights. Soon everything will be gone: memories, glances, the year. Every thing will dissolve into nostalgia and our lives will become more patchwork and less hopeful. Soul-crushingly sweet our smiles will be, as we watch that disguised meteorite crash into our existence.

Her name was Reno. Her dad joked he named her so because she was the result of a gamble gone wrong.

I could see the stitching around her eyes start to falter, as tears slipped out like a young nineteen year-old girl, running out of the back of a double-wide. Away. Away from it all. Leaving her father, the mechanic who could only fix things with his hands. Running through a field as shimmering as her nails, touching the tall grass with her short fingers.

"I'm not trailer trash," she said, "I've just had it rough."

Reno could see things others couldn't see. Frequently she painted wrecked cars, and I asked why, to which she explained, "Some accidents are allowed to be beautiful."

I fell for her the way her jaw drops after one of my inappropriate jokes: quickly and with such joy.

She had the same answer to when I asked if she liked movies and if she missed her mom.

"Of course I do, Josh," she looked at me and smiled, "Hey buck, have you ever seen True Romance?"

A woman after my own heart.

We watched Christian Slater shoot Drexl, and, like a bullet to the chest, she placed her hand over my heart.

"My, oh my, are you sure that rib cage is big enough for that thing, Mr. Haines?"

She looked a little like Patricia Arquette, but identical to Michelle Williams.

"Are you aware that you look like Michelle Williams?"

Reno ran her hands up my legs, across my torso, and held her hands at my jaw,"Are you aware of how good of a person you are, John Mayer?"

"Ah, yeah. I've gotten that since high school."

She smiled, looked down and up at me,"No, the part about you being a good person? ...You're the drawing on my wall."

I didn't know what that meant.

"I had this drawing-so terrible-it was of the sunset on our hill in Welling Valley," she looked into me and down, while smiling,"Anyway, the sun would kiss the grass every evening, and one day I thought I'd draw it and keep it in my room. When every thing got ugly with my daddy's drinking, and when he beat me something awful, I wanted something to remind me that the light sometimes goes away but will always be back another day. You're my light, Josh. You're the next day after nineteen years of cussing and drinking."

We made love on my bed, as, through the window, the sun bathed our bodies. Her body was a sculpture and her voice was as soft as her lips. I was terrified.

Pulling her hair back, she stood at the foot of my bed, naked,"Are you scared of little ole' me? You look as white as a ghost."

"No, I've never felt so alive... You're so ******* beautiful."

Reno and I lain in bed while Parks and Rec played on the television. Her index and ******* walked across my chest and stopped as she asked, "Josh, have you ever been in love?"

I touched my fingers on hers, studying them with my eyes, and then I looked at her, "Yes, once."

"What was it like?"

I thought I'd feel pain but instead I smiled, "Fantastic, fleeting, and always a little out of reach."

She cooed, "I can't wait until I think I love you like nobody else."

"Me too."



Sincerely,


Joshua Haines

Dearest reader,


My name is Margot Dylan and I am no longer a ******.

I stared at Dianne staring at Frieda Bentley, as she dragged on a Camel Blue and as I dragged my pen across my notepad. I sketched her figure as she walked closer to Frieda, dropping her cigarette on the ground. Frieda smiled at Dianne, as she stepped and twisted her shoe on the smoldering carcass.

And they looked at each other. Not like how normal people look at each other. And Dianne smiled. A smile that was not like any smile Dylan ever gave me.

I felt a hand on my shoulder, with ******* slipping to my collarbone. The ******* tapping belonged to a girl. The girl's name was Thora, a brunette that smelled like bubblegum and 'don't go'. Thora had something in common with Dianne: They both recently came out as gay. Unlike me, both family reactions were fairly positive. In fact, so positive that-What are you drawing?

"Margot?"

I paused, looked at Thora, and looked back at Dianne or Dylan Dunham. "That girl," I pointed in their general direction, as Dianne kissed Frieda on the forehead. Thora followed my finger in time for the kiss on the lips, "the ironic one."

Thora Nelson, daughter of Cameron Nelson and the deceased Geraldine Nelson, looked at my chin and asked, "Who is she?"

Thora's cotton-candy-blues met my puddles of mud, as I looked away, putting my notepad in my backpack. Before I zipped, I grabbed the lime green marker sleeping next to my pack of index cards. My teeth squeezed the leaf colored cap off, as I pulled out the fetus, smelling the aroma of non-toxic afterbirth.

I asked if she wanted a tattoo and she shrugged, "Oh no, you mean I get to choose whether you touch me or not?"

Lightly pressing the fiber tip to her arm, I glanced up at her and shrugged a bony shoulder, "Her name is Dylan Dunham. Well, it's actually Dianne. It's complicated. I used to call her Dylan. She used to call me Margot."

"But your name still is Margot," Thora informed as her eyes followed the acid-green ink trail.

"Some people change, some people don't," I said, with the cap held between my teeth.

I painted her arm in lime hope, by the soda machines. My eyes focused on her pores that I imagined swallowed dirt and bacteria from the side of my palm. I could feel Thora disarm me with her eyes, after I had disarmed her with my words. Her heartbeat echoed inside my grasp.

"I didn't know I was dating Leonardo DaVinci," the words flowing from her mouth.

"I am gay and Italian, so it's not like I was doing a terrific job of hiding it from you," I muttered as I finished and held her pale forearm and bracelet cuffed hand a foot from her face, "Look: it's us underneath a tree."

Turning and wrinkling her nose, she adjusted, moving her head back and forth. " Oh wow. Wow, wow, wow. Meta. So meta. So abstract. Brilliant in its simplicity, deconstructing the concept of natural complexity-"

"Shut up-"

"The tree looks like an umbrella. And we look like we have canes-"

"Those are our fishing poles. In that world, we are fishermen. Fisherwomen. Fishergals-"

"And my **** is too big and your ***** are too small and our smiles aren't big enough-well, at least mine isn't, I can't speak on your behalf," she finished.

Grabbing her arm, I looked at my masterpiece, looked at her, looked at it again, and looked at her again as her smile grew with every glance. "Well, I can see how it'd be up to debate, and you're right: very, very meta. But you do have a big ****, and I'm not one to sacrifice accuracy. Speaking of accuracy: as I look at this green ****, I realized I hit the mark by dating you. Honestly, your **** may have its own zip code..And...I'd like to be in its area? Please stop me."

Her chin touched her knee, as she doubled over, laughing. I played with her hair, wrapping her bangs around my fingers. As my hands were enveloped by her dark hair, I found a scar on her crown. I imagined Thora's milky-white fingers scrubbing through shampooed locks, trembling across the zig and zag of removed glass.

I imagined Thora Nelson, of Cameron Nelson and the deceased Geraldine Nelson, hearing sirens instead of water hitting the tiles. Her slumping to the floor, as lather and water runs down her face, each tear a memory of being dragged out of a steel ribcage, onto broken glass jungle pavement. It was too easy yet too difficult to imagine her staring at the steaming showerhead. It was too easy yet too difficult to imagine her reaching towards a metallic carcass growing in flames.

Her hand grabbed my leg and I saw her for what might have been the first time.

"Hey you. Listen. Are you listening?"

I nodded.

"I'm in love with you, Margot Dylan. Like, really in love. To the point to where I feel like I'm in a Jennifer Aniston rom-com. It's disgusting."

I didn't know what happened between my exploration of her hair and her pale face studying mine, but, before I knew it, my blood shook and barbed wire nerves orbited around pieces of my body.

The ricochet of a soda can smacking the mouth of the machine sounded. Time was either too fast or too slow, as I looked at Thora's cheap mascara eyes and chapped, soft pink lips. She was the type of girl that could make someone happy not to believe in god.

"And I love you. To the point to where I'd refuse Hogwarts because of not being able see you during the school year."

"How sweet, I know how badly you wanted to get into Ravenclaw," she smiled.

"Sacrifices must be made in the name of love, you know. And it ***** because you're not even my type," I admitted.

"Oh, how tragic. And what is your type, if I may ask?"

"You may, thank you. And the falling in love type," I'm an idiot.

"Could you be anymore cheesy?"

"Mozzarella."

She stopped and looked at me, "Hey, but really, I'm in love with you. It's real."

"I love you, too."

Her eyes were speckled,"You really love me, Margot Dylan? Because I'll believe you."

I leaned in, softly placed my hands on her cheeks, breathing the word, "Yes." I alternated between staring at her mouth and her eyes, as her lids began to drop.  My lips started to dab hers and soon grab, as if soft hooks grew out of and connected our flesh. I found the corner of her mouth, the summit of her cheek, and each crease in her lips. Nine or ninety seconds past before I stopped, pulled away, and looked into her eyes. "Hogwarts is overrated anyway," I lied. She laughed.

Her face was red, as she looked down while covering her face, "Don't look at me, I'm a dork. I'm being a loser. I'm infected."

"It's okay. You can be my infected dork and we can be losers together," my voice was a rasp.

"It really isn't. You see, my face always becomes extraordinarily red after I kiss or am kissed by someone, especially by someone beautiful. And it doesn't help that I've never been kissed by someone I love. And I've never kissed a girl before and I'm really glad you were the first, so there. Gah," her hands fenced her face,"I'm just going to hide behind these hands, don't mind me."

I was in love, "For how long?"

"Probably forever, I don't know. Or until the next installment of American Horror Story, I haven't made up my mind yet."

We heard Ms. Calloway scold Dianne about smoking on school grounds. I looked at Thora and the bell rang. Her hands slowly dropped, as everyone started to move in blurs. Bodies gaining more and more distance. Inches became miles. Feet grew into light-years, and, before I knew it, Thora kissed my cheek and said, "I hope I see you later, okay?"

My hand had something in it. My fingers unfurled and revealed high school origami. My name was on it, with a heart or a ****-I'm the artist in the relationship. I began pulling on *****, the tips of my fingers breaking the paper safe. So delicate must have been her mysterious movements.

I opened it.




A pebble flew from my hand and blipped off her bedroom window. Funny thing about bedroom windows, they look the same at 12:03 am. Or maybe they look a little different when the person you love is behind the glass, as you do an eighties-film-esque pebble throw. Before my next pebble hit the pane, her bedroom light came on.

Navy blue curtains disappeared to the sides as Thora came to the window and rubbed her eyes. A second later, she was gone as I imagined her sneaking past her father's bedroom, quietly down the stairs, and through the foyer. As I imagined this, I could hear the front door being unlocked and creaking open. I walked towards the porch and a yellow glow escaped with a silhouette living in it.

Thora's left hand is burnt, but I don't mind and I don't think I ever will. She held my hand as we walked through the threshold. At first I was nervous when I saw her father in the living room, but I instantly realized that he was passed out, as my eyes found empty beer cans sleeping beside him and around him.

"It's not like this every night," she whispered, "he just has trouble with certain months."

Thora tucks her toes when standing in place. When we were walking up stairs, I knew she would be embarrassed if I looked at her toes, so I kept my eyes on the second floor. I don't understand why she feels this way, though. She has very nice feet, and that's coming from someone who thinks feet are gross.

We walked past punched in doors adjacent to perfect picture frames. Her mother was a beautiful woman.

As we approached Thora's sticker-clad door, she turned to me and whispered, "You're about to enter the only place in the world I feel safe. So, please don't break my heart in it and please use a coaster."

My thumb kissed her smooth burn, as I took my first steps into her bedroom. The light-switch flicked and her room illuminated. There were movie posters hugging the walls, pinned to a bulletin board were pictures of lost people and found memories. She looked at me and whispered, "I don't know how to keep people."

We stood before the side of her bed and I looked at her smile, "You sure you want to do this?" Thora nodded and I reached towards her thighs to lift the bottom of her shirt. Lifting it over her head, I looked at her porcelain figure clad in black *******. I tossed the grey shirt onto her bed.

My eyes swam from her belly button to her *******. My fingers approached and stopped until she said it was okay. Tracing her curves, scars, and stretch marks, she pet my fingers. Thora glanced at my hands on her ******* and then at me, cooing, "I'm sorry."

My hands slid to her sides, "Sorry for what?"

She shrugged, "I don't know," her eyes spilling, "Sorry for this," she motioned at her torso as she stared at her bulletin board and then at me before looking away again, "I want to be perfect. I want to be perfect for you."

"Oh no, no, no," I asked for her hand and then placed it over my left breast, "Can't you feel how beautiful you are?"




Her arm was under my ******* and her hand was on my rib, occasionally running her fingertips across the bumps. She slept with her leg wrapped around mine, staying as close as she could to me. I looked at her, in her slumber, and left a faint, burgundy stain on her forehead. I reached towards our shins and pulled the black cover over our fused bodies.

I feel like I have been in a coma for seventeen years and I've just woken up. If I could, I'd stretch this moment over centuries and use it to smother wars. This relationship probably won't last past my senior year, but that's okay. It truly is.

In this moment, Thora Nelson is the love of my life, and, in ways I don't understand yet, that is the most beautiful thing in the world.



May the sun set in our eyes forever,


Margot Dylan

YOU HAVE
TO WANT IT



MAN
“go outside,” the doctor says,
“stand on the grass for fifteen minutes a day.”
you’re here because today you want to get better.
“tell me how you’re feeling.”
“I’m scared.”

“I mean physically.”
“so do I.”




ANGEL
an angel can come in a burst of a blister,
on the tip of a finger.
he always starts small
with the whispers,
         “i know about love,”
   like you asked for it.

he prefers to come at the end of the month,
            amid deadlines, another set of blood-soaked, ruined *******,
some traces
     of the relationship with your father and failure.
but you like that: having an excuse that sends you
   scrambling for car keys.

    at first it’s forests, their fires,
the flowers that follow once the ash and skin and soil
are mixed. at first it’s earth and rubbing it in,
     seeing god behind your eyelids.

so you clean the pipes, keep washing sheets.
      the voices they stop coming; once in a while you
      read online how many kids this week have overdosed
    on ****** and it’s foreign. kids with dirt
under their fingernails, kids in basements, kids
with ***** canvas shoes and overgrown cuticles.
           they don’t look like you. you still look like
you.




MAN
                   mike sparks a j in the basement.
        we chew on xanax and no one’s paying attention to the TV.
some white static and early afternoon rain. it’s made me gone
ghost, sitting on a leather recliner, silent with a cigarette.
              it’s a right of initation to carve your name in mike’s
coffee table and sign on the back wall. this summer I added
   mine alongside the kids I used to get nervous around in high school.
                       his mom comes downstairs with a joint of her own rolled
and a French manicure. her lip liner is too dark for her
lipstick, and phil’s warmly lit and ivan leans so far into the
couch he isn’t human.

mike sits up, “ma,
you know you owe me some money?” he changes the channel.
she laughs throaty, her insides a swamp. she’s
prettier when she’s high like this.
                       “I got your money,” she promises. it gets soft
from there and phil smiles over his body and ivan moves
further into the couch. she touches mike’s hair.

“good kid,” she tells me and I smile up at her. I wish I had
a body but I left it wandering through
the thunderstorm outside. ivan nods his hazy head.
          mike hands her a diet coke and she hands him a fifty and she goes—through the walls—
       phil digs his hand into the couch cushions to find papers. I go
ghost in the seconds it takes him to spark his lighter.

the ghost lights herself a cigarette.
   the ghost lights herself another cigarette.
               the ghost lights herself a cigarette. “are you chain
smoking now,” phil slurs playfully. “yes,” the ghost agrees.
     “are you having fun,” ivan turns to her.
                “yes.”

HUMAN
i don't want to know what love is like i want
                                       air that
                     tastes like apples and
       i want real raw
         brown sugar
       i want to shoot up every
grey second for two weeks— get frantic then
       take benzodiazepine until i shred my
stomach lining, singing
                                                    
            i want bud light and
a backyard. bed time stories and
            white furniture and ritz crackers
             with fancy party cheeses
                              i want to complain about the drinking age,
                              new york’s black-dusty wind charm. complain like the
                              moon is still lonely and not a destination
                                          i want to wake up in the sun spot
                                          i want to wake up to a baby crying
                          soft like mothers do, going to
                                     that dear one to quiet them down,
                                        i can be here to kiss you calm
                                                              i want to get out of bed
                                                              i want to call friends back
so winter can come and i can still
                              go home.



       WANT
         throwing on the rag&bon;; jeans,
         neither rag nor bone more milky skeleton-ized, eyes
         pin headed. faces struck yellow all tops of the heads
         with umbrellas and sorry throats. "here take mine" no
         "you'll get sick" it's fine
                                                        the gothic church with social strangers
                                                       ­ tweakers and nodders all smiley side-
                                                        eye­-Y
                        i know the gimme gimme
                        i know the routine
         and blondie (they think) here she comin she twenty years clean
         blondies a baby she weak as **** she dont know what she got
but i know the "i want" "i want"
         and the ok baby,
         Got U




HUMAN
i dont want to know what love is like,
                  i want to walk the manhattan bridge at sunrise
                  i want
                       grass wisps and capers
                       chicken noodle soup
                       a night at the new york city ballet
                       and pauses in sentences, in breath
                       the breath before a kiss or the breath
                       after it. i want instant hot chocolate
                       and reality television, ugg slippers with
                       faux trim. a bicycle painted lilac with a
                       basket, and clear skin. i want pier 63 on
                       a 70 degree day, the weepies playing
i want to be a ghost
            where ghosts are white sheets with two button eyes
             and make jokes about halloween and their past lives
i want to go there
to street fairs
and watch fireworks and write out names
in fresh concrete patches
                                                     i want to eat blackberries in the bathtub
                                                     i want skin to make me feel safe again
                                   i want to want to live
                                   but i know the "i want" "i want" and the ok baby,
Got U




WANT

they were right,
                               they were all
              going (right
they were righjt
they were right

air hanging eyes to dry
blood pull in push out brown golden push IN
  

they were right they were all right
nothing could ever make me as happy again



WANT

it’s a hold on something so quiet and soft in your hands and no one knows what it is and you dont know what it is. it’s the pin drop in a hospital room and so lemonade refreshing. im in a snowstorm and i cant see the city, cant see past my own two feet. im on a long highway drive and it’s rain that comes in sheets so hard i cant move. i walk and the world writhes underneath me and we put needles in our arms. and we wait for the blood push. and i watch my life go away in warm *******. and i watch it go this way like it’s not me. and i’m going home to ****** and i’m scared, i say outloud to maggie, “i’m scared i’m going to do something stupid,” and she is so quick to say “like what” that i know she knows what it is. and i’m so scared.





WANT

give up on me , I Know where im going. don’t follow. don’t even look for me. keep
Counting sugar cubes and stirring your coffee , it is my wish for you that it always tastes sweet.
I love you












WANT


i just wanted to be kept warm by something that looked like love



MAN
i walk slower on the streets of manhattan; stop at
   the strand, look for the man with eyebrow rings
asking "do you know where a girl in this city could get some relief?"
         he laughs, says he just looks like someone who would know
            that. he asks, "is that Monster Blood?”
                             &nbsp

*** a couple times with your hand that
    has one vein popped up over the knuckle. sheets crinkle
    laundry sits in the small humid room.
    smells like roadkill and peppermint,
    like christmas eve with dinner down the toilet.

you've *** four times in an hour,
rubbing at yourself through your underwear.
don't touch skin. it's off limits today.

getting raw means you can feel
how it stings when you cross your legs.
it's not about pleasure. it's the reminder:
   you want to know what you look like,
   what you feel like.

next time you're ******* down some boy you ask him
"how does that feel?" he says "good."
            quick kiss, his ****** is archaic and copper.
            you like how it tastes. now it's your turn:
but of course he won't make you *** unless
you take your hand and rub while he *****,
your hand a barrier between his body and yours.

          "please be quiet," you say out loud
the boy furrows his eyebrows, "i didn't say anything."
you laugh, "no, my stomach."

pretend to *** for a faster exit.
give him a tiny maternal kiss.
let it linger out the room where it's cold but he's still warm.
you don't want a warmth you have to love because it's too much.

the scab on your neck is now a scar
       and you have no make-up for the ones on your forearms, but
       really, most of you by now is star dust and tobacco leaves.

               the sun is in our eyes. i want to know
               what makes a circle go on forever.
i think about ****** a lot.
dreamt two nights ago chris sold me some,
it was in that tiny wax bag with a "king ******" stamp .
when i texted him the next day said "i dreamt
we did some together," he said
                 "that's funny. i've been doing some definitely
                  but not really selling."

     the Chicago cold does something odd enough to you.
it always seemed like you were alive as a kid. well,
were you?

               where is your body? out in the storm.
                are you a ghost? no, it would be nice though:
                    the lack of responsibility of life,
                                    a state of impermanence.
    it would be nice.

On top of a stained mattress
There is no love,
just oxycodone-loading-
and memories, "Tender, please"-
take ten of these-don't fake a dose
because I am close.
I am close.
I am close to you.

I feel okay, I feel okay
Well, I don't know-I don't show.
"Wait, don't go."
I feel okay, I feel okay

We don't show, no.
"Wait, don't go."
There are only memories
of when we were young guns.
We are too true-
take your oxycodone-
and it's terrifying.

On top of a star,
"You'll go far."
I love you enough to go to L.A.-
I feel okay, I feel okay-
Take your oxycodone
to get through the day.
And kiss me goodbye
before you try
to swim through the stratosphere,
my dear-it's clear.
It's near.

"Wait, I want to say-
before I slow motion
this emotion
that starts with a commotion
in my chest-
that I love you best
and it hurts to let go,
but it's not because of you.
I didn't know.
I didn't know what to do.

And it's true,
and that's what makes it terrifying.
My world is salt,
my sluggish love.
So, take your oxycodone,
because you don't want to feel what I feel.
And you don't want to reel like I reel."

I feel okay, I feel okay
Well, I don't know-I don't show.
"Wait, don't go."
I feel okay, I feel okay

We don't show, no.
"Wait, don't go."
There are only memories
of when we were young guns.
We are too true-
take your oxycodone-
and it's terrifying.