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 Apr 2017 Lily Audra
Emily Bronte
'Tis moonlight, summer moonlight,
All soft and still and fair;
The solemn hour of midnight
Breathes sweet thoughts everywhere,

But most where trees are sending
Their breezy boughs on high,
Or stooping low are lending
A shelter from the sky.

And there in those wild bowers
A lovely form is laid;
Green grass and dew-steeped flowers
Wave gently round her head.
1695

There is a solitude of space
A solitude of sea
A solitude of death, but these
Society shall be
Compared with that profounder site
That polar privacy
A soul admitted to itself—
Finite infinity.
54

If I should die,
And you should live—
And time should gurgle on—
And morn should beam—
And noon should burn—
As it has usual done—
If Birds should build as early
And Bees as bustling go—
One might depart at option
From enterprise below!
’Tis sweet to know that stocks will stand
When we with Daisies lie—
That Commerce will continue—
And Trades as briskly fly—
It makes the parting tranquil
And keeps the soul serene—
That gentlemen so sprightly
Conduct the pleasing scene!
1764

The saddest noise, the sweetest noise,
  The maddest noise that grows,—
The birds, they make it in the spring,
  At night’s delicious close.

Between the March and April line—
  That magical frontier
Beyond which summer hesitates,
  Almost too heavenly near.

It makes us think of all the dead
  That sauntered with us here,
By separation’s sorcery
  Made cruelly more dear.

It makes us think of what we had,
  And what we now deplore.
We almost wish those siren throats
  Would go and sing no more.

An ear can break a human heart
  As quickly as a spear,
We wish the ear had not a heart
  So dangerously near.
i will wade out
                        till my thighs are steeped in burning flowers
I will take the sun in my mouth
and leap into the ripe air
                                       Alive
                                                 with closed eyes
to dash against darkness
                                       in the sleeping curves of my body
Shall enter fingers of smooth mastery
with chasteness of sea-girls
                                            Will i complete the mystery
                                            of my flesh
I will rise
               After a thousand years
lipping
flowers
             And set my teeth in the silver of the moon
 Oct 2016 Lily Audra
Sylvia Plath
This is the easy time, there is nothing doing.
I have whirled the midwife's extractor,
I have my honey,
Six jars of it,
Six cat's eyes in the wine cellar,

Wintering in a dark without window
At the heart of the house
Next to the last tenant's rancid jam
and the bottles of empty glitters ----
Sir So-and-so's gin.

This is the room I have never been in
This is the room I could never breathe in.
The black bunched in there like a bat,
No light
But the torch and its faint

Chinese yellow on appalling objects ----
Black asininity. Decay.
Possession.
It is they who own me.
Neither cruel nor indifferent,

Only ignorant.
This is the time of hanging on for the bees--the bees
So slow I hardly know them,
Filing like soldiers
To the syrup tin

To make up for the honey I've taken.
Tate and Lyle keeps them going,
The refined snow.
It is Tate and Lyle they live on, instead of flowers.
They take it. The cold sets in.

Now they ball in a mass,
Black
Mind against all that white.
The smile of the snow is white.
It spreads itself out, a mile-long body of Meissen,

Into which, on warm days,
They can only carry their dead.
The bees are all women,
Maids and the long royal lady.
They have got rid of the men,

The blunt, clumsy stumblers, the boors.
Winter is for women ----
The woman, still at her knitting,
At the cradle of Spanis walnut,
Her body a bulb in the cold and too dumb to think.

Will the hive survive, will the gladiolas
Succeed in banking their fires
To enter another year?
What will they taste of, the Christmas roses?
The bees are flying. They taste the spring.
 Oct 2016 Lily Audra
Ted Hughes
He loved her and she loved him
His kisses ****** out her whole past and future or tried to
He had no other appetite
She bit him she gnawed him she ******
She wanted him complete inside her
Safe and Sure forever and ever
Their little cries fluttered  into the curtains

Her eyes wanted nothing to get away
Her looks nailed down his hands his wrists his elbows
He gripped her hard so that life
Should not drag her from that moment
He wanted all future to cease
He wanted to topple with his arms round her
Or everlasting or whatever there was
Her embrace was an immense press
To print him into her bones
His smiles were the garrets of a fairy place
Where the real world would never come
Her smiles were spider bites
So he would lie still till she felt hungry
His word were occupying armies
Her laughs were an assasin's attempts
His looks were bullets daggers of revenge
Her glances were ghosts in the corner with horrible secrets
His whispers were whips and jackboots
Her kisses were lawyers steadily writing
His caresses were the last hooks of a castaway
Her love-tricks were the grinding of locks
And their deep cries crawled over the floors
Like an animal dragging a great trap
His promises were the surgeon's gag
Her promises took the top off his skull
She would get a brooch made of it
His vows  pulled out all her sinews
He showed her how to make a love-knot
At the back of her secret drawer
Their screams stuck in the wall
Their heads fell apart into sleep like the two halves
Of a lopped melon, but love is hard to stop

In their entwined  sleep they exchanged arms and legs
In their dreams their brains took each other hostage

In the morning they wore each other's face
 Oct 2016 Lily Audra
Sylvia Plath
This is winter, this is night, small love --
A sort of black horsehair,
A rough, dumb country stuff
Steeled with the sheen
Of what green stars can make it to our gate.
I hold you on my arm.
It is very late.
The dull bells tongue the hour.
The mirror floats us at one candle power.

This is the fluid in which we meet each other,
This haloey radiance that seems to breathe
And lets our shadows wither
Only to blow
Them huge again, violent giants on the wall.
One match scratch makes you real.

At first the candle will not bloom at all --
It snuffs its bud
To almost nothing, to a dull blue dud.

I hold my breath until you creak to life,
Balled hedgehog,
Small and cross. The yellow knife
Grows tall. You clutch your bars.
My singing makes you roar.
I rock you like a boat
Across the Indian carpet, the cold floor,
While the brass man
Kneels, back bent, as best he can

Hefting his white pillar with the light
That keeps the sky at bay,
The sack of black! It is everywhere, tight, tight!
He is yours, the little brassy Atlas --
Poor heirloom, all you have,
At his heels a pile of five brass cannonballs,
No child, no wife.
Five *****! Five bright brass *****!
To juggle with, my love, when the sky falls.
 Jun 2016 Lily Audra
Sylvia Plath
Never try to trick me with a kiss
Pretending that the birds are here to stay;
The dying man will scoff and scorn at this.

A stone can masquerade where no heart is
And virgins rise where lustful Venus lay:
Never try to trick me with a kiss.

Our noble doctor claims the pain is his,
While stricken patients let him have his say;
The dying man will scoff and scorn at this.

Each virile bachelor dreads paralysis,
The old maid in the gable cries all day:
Never try to trick me with a kiss.

The suave eternal serpents promise bliss
To mortal children longing to be gay;
The dying man will scoff and scorn at this.

Sooner or later something goes amiss;
The singing birds pack up and fly away;
So never try to trick me with a kiss:
The dying man will scoff and scorn at this.
 Jun 2016 Lily Audra
Sylvia Plath
Color floods to the spot, dull purple.
The rest of the body is all washed-out,
The color of pearl.

In a pit of a rock
The sea ***** obsessively,
One hollow thw whole sea's pivot.

The size of a fly,
The doom mark
Crawls down the wall.

The heart shuts,
The sea slides back,
The mirrors are sheeted.
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