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sometimes i wonder if i’ll ever forget
you get off at rue de la pompe and me at la muette
something-something
beautiful soft lips
before glass breaks there are lightning-like rips

there was nothing for me to be angry at
colorful versace ad covering a church
no i wasn’t perched i was neatly sat
for the first time i'd believed that i'd done something good
i want to say a witty joke
but im afraid to be rude
militantly listening in our self-aware age

never wear a hat at center stage
something i’ve learned behind the scenes
watching people act figuring out what it means
i'm a raging feminist
nici de saint-phalle
from that trip i still have selfies
this one i took at pigalle
i show it to you and you smile in exchange
militantly listening in your self-aware age

i tell you all i’ve learned as if i’d known you’d come
you took out your curious and gave me some
no
you gave me one
another line from a pencil biter
a parliament blue and a little bic lighter
it falls through a canalization grill slit
i try to follow the ground sound to hear it hit
we have one lit one for a glowing exchange
militantly silent in my self-aware age
i have the prettiest handwriting
but my mother hates it
as a professor, she says,
it is important for me to be able to read it
when she says that were both quietly seated
i object, a thing that i chose to do best
i almost went to law school, but failed the entry test
at the time my grandma was sad
that's what she chose to do best
she'd sigh and put her hand on her heavy chest
but i say mom
mommmmm
listen
it's not about reading
it's more about feeling
feeling the shape of the word
it's neurolinguistics, she smears a bread full of curd
why are you surprised that i know this term
it's like all i do is try and to learn
my page is like the sea and the words are like boats with the sails
it's about the swirls and the whirls of the meandering tails
of the g's and the y's
and all the letters have bonds to each other, unbreakable ties
my greek looking e's
and fictional t's
my a is a bow
my b has a toe
even the capitals sometimes appear to be low
like my head on the way to the train that likely takes me home
right after rush hour
when the overtime workers are hungry and dead
longing all day for their ikea bed
listening to educational talk
i never liked people who enjoy it, to mock
and me, i listen to indie with deep breaths in the mic
and finally learn to sing how i like
cause apparently my notes are too long
my voice is too loud
and the melody’s lost in the scattered train sound
i don't like it
but its there
like a dog to be walked
we sat at the table at 8 and we talked
the wiener dog with coffee like fur
the thing it did best is listen to her
i can change anything but i won’t change my Rs
i hear them approaching, the lit subway cars
The chemtrails in the back of the sky
Are short, like slits, or more like cuts,
Like the little daft scars on my student's skin
Her mother must not know about.
I feel like I have to address it,
The panic for a child sitting fatherly and loud
I will not, because I cannot, it is not my scope.
Sighing, this is what I think about.
Commuting not computing,
Filing through the turnstiles, sticky,
I'm a slithering commuter,
Not a competent tutor,
Growing tired and not cuter,
I am commuting to you.
As long as Rotterdam is standing,
I’ll be the body on the train,
Sprinting on by grazing cows.
A little longer and I'll feel my heart break again,
When I tell you about her.
As long as Rotterdam still stands
And my student jokes about self-harm,
My commuting heartbeat pounds on,
In tune with trains stampeding through the farms,
Pounding permanently, panging on the parchment of time,
As the airports below sea level send their planes to start their climb.
​​
Trigger Warning: Self-Harm.
It's always better in your head.
Thoughts like zombies feel through slits in walls of mind for new creative avenues.
The sun is white like tea paraphernalia, perhaps a blue and gold rimmed saucer,
and perhaps I am the cup.
A diplomat rises from his chair, throws an orange into the crowd, like he doesn’t know that the woman in row 14 seat B has an allergy to citrus.
He stays silent until the tea has gone cold and the meeting's out of session.
The birds rearrange their nests and the trees are low and thoughtful
with slits in trunks like navels from which a hand reaches through and grabs, grabs, grabs...
Exactly which one of the twenty-something stories humanity picked up on are we telling today
The planes intersect in the sky making exes marking loners on the beach tanning quietly from space
They lie in dents of people's footsteps as graceless dogs whip up the sand
Traceless prophets loners virtuous they hold all answers in their hands
Hermit lanterns cantered boats they beckon us they beckon please
In the spaces between parasols of the ones parading peace
I am broadcasting (to thee) a song full of swoon
Hopefully it will be over soon
Fifty five and flirty white as lippizaner horses
At the beach club hungry boredom placed on chairs with other torsos
Parents chasing down their kids
Throwing their foreboding fits
Khaki colored fathers carrying their salty and wet children
Children fathered covered by those fuzzy ponchos made especially for toddlers
Katamarans floating gentle squares on slimy water
I’m not made for moderation
Easing into fleeting moments
Twisted arms like highway horses
White as clouds on monday mornings
In the omelettes of the skies
Splitting yolks on shells disgusted
As my nervous system cries

— The End —