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How can I know you so utterly and know you so very, very little?
You surprise and unnerve me
At every turn.
I knew you would be back,
But failed to predict this determined silence.
Now that you have the information you need,
You seem to need nothing further.
And I?  I am pure need, willing you to reach out again.
A fool was I, to think that waiting for you to make the first move
would give me all the power,
I have none, I never did.
You have taken everything from me
Time and time again,
And still I know nothing of the secrets of your heart.
Maybe there are none,
Perhaps it was mere curiosity, that being satisfied
Allows you now to sleep soundly
Unplagued by thoughts of me.
Well, I remain in agony, thinking of you constantly,
Wondering, speculating, pulled apart
I've never known, will never own
Your strange, intriguing heart.
The heart where once
love resided fell too cold.

Now the flesh turns
an uneasy grey beneath
a thin layer of dusty frost.

When touched,
the fingertips stick and the cold bites.
Few dared to warm
the space with their hands
and now neglect has my heart forgot.

There's an uncared for path.
An overrun piece of forest
nearly hidden in the brush
that leads to a cave.

There's a cool breeze
that staves away my curiosity.
A comment of yours turned into a poem. So lyrical and so true.
I am a sitter at windows, said Lucia;
I am a thinker of sad thoughts, a gazer
at stars and moon and the bright hot
afternoon sun. My thoughts taunt me

like bullying children, they repeat
words and images and strings of verbal
abuse like repetitive *****. I sit at
the window with folded arms, my ***

numb on the window ledge, my eyes
peering through the netted curtains,
taking in the sights, the people, the cats
and dogs, the cars and buses, the odd

cyclists, the women pushing prams,
children crying at the side. I see and
know my childhood ghosts, the locked
doors, the no supper nights, the starving

rumblings of an empty stomach, words
bellowed through the doors by angry
parents. I am one who stares from windows,
one who snoops through netted curtains,

taking in the sights, hearing imperfectly
the outer sounds, the stolen kisses and hugs
from teenage loves, the backyards fondles,
*** on the cheap, lives, loves, kisses and

holds. I see new moons, quarter moons,
half moons and full moons and the lunatic
surge pulls me in and pushes me out, my
moods change like the waves of the sea,

the deeps drowning me in depression,
the black dog’s bark, thoughts of death
in a bath, slit wrists, over doses, hanging
behind a bathroom door like mother had,

eyes popping, tongue protruding. I think
of past loves, dream of what might have
been, the boys who came and went, the
ones who stayed and spoiled, the girls who

stayed the night for sensual *** or schoolgirl
kisses, of visits to an asylum before mother’s
demise, the locked doors, the cruel cries and
lunatic laughter, the odd looking staff, the eyes,

the tongues, the finger gestures from closing
doors. I see the work of the gods in my daily
stares, the passing people on their way to death
or work or love or indecent *** with another’s

love, or a child innocent as a flower’s bud
plucked and pulled and brain washed by an
adult hand and tongue. I am one who sees
what’s come to an end and what’s sadly begun.
 Dec 2013 kevin morris
Redshift
i sit on the streetcorner of your mind
and every once in awhile
you drive by
throw money at me
say
hey baby
how about a
smile
and i smile for you
because im in the red
naturally

you do not mind
paying for my ******* smiles
and playing with the curvature of my lips
you do not mind
buying me for an hour
to smile at you

i am glad
that my crinkled eyes
are enough to make you feel better
i am glad
that you feel you are good enough to me
to demand a smile for free
sometimes

and only because
i want you to feel better
do i give them to you
even when the bank is looming
shaking all the outstanding debts
at me
that i really
owe myself

you do not mind
ravaging the smile
you paid for
you figure that you are allowed to ****
that which is yours
and i let you
because you
paid for it
 Dec 2013 kevin morris
ME
You see women, I see commodity
**** its *****
It's like Coca Cola
It''s a commodity and everybody likes it
I'm a **** ***** and you can **** it
Get on your knees!
Do I have cane in my car?
Answer me
Do I have a cane in my car?
Yes
Does it make me a ****?
...
It could
Be composed—be at ease with me—I am Walt Whitman, liberal and ***** as Nature;
Not till the sun excludes you, do I exclude you;
Not till the waters refuse to glisten for you, and the leaves to rustle for you,
do my words refuse to glisten and rustle for you.

My girl, I appoint with you an appointment—and I charge you that you make
preparation to be worthy to meet me,
And I charge you that you be patient and perfect till I come.

Till then, I salute you with a significant look, that you do not forget me.
 Dec 2013 kevin morris
Kari
Sell yourself, everyday.
A little more, everyday.
Numbers, lists, and names
I've lost count
What's one more?
Eventually I'll be gone
all gone, every piece
auctioned, sold to
numbers, lists, and names
of men whose strange faces
I don't know and can't remember.
The click clack echoes of cheap stilettos on cracked pavement let you know she's near
There is no fear in her eyes
Lined thick and black as the night sky
For she is the goddess of these blocks
And men would sacrifice their blood and sweat wages to worship in her temple

She is a walking master piece
Crafted in the shaky hands of abandonment and abuse
It took nineteen long years to create a soul so dark you could get lost just staring into it
And she's been trying to find her way back to herself for years

She is a walking tragedy
Of Shakespearian proportions
Her love stories are not so romantic and clean
They usually take place in some stranger's back seat
After some hastily exchanged words
Some stranger's rough cheek
Pressed harshly against hers
And from the outside it could almost be called love
Two people finding themselves in the arms of another
But still being completely alone in the world

This is her existence
Moonlit rendezvous
Short skirts and fishnets with holes up the sides
She's just someone to call during the lonely nights
And as they spread her thighs
They don't realize that they're filling her and killing her at the same time
She sells her body and her pride on these streets just to survive
No one knows of the little girl that hides inside that cries inside
That begs you with her eyes to save her from herself
Save her from these streets
Kiss her on the cheek and let her ride in the front seat
She doesn't care where you are going
As long as its away from here
Where ever you and she stop will be called home
And she will finally be allowed to rest.
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