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I'll tell anyone, I prefer being
Underwater, and that is as
True a statement as any

Let's put it this way:
I appreciate the reality
Of an environment where
Time is centripetal and gravity
Is cheap and thoughts are free and
Clear
          
           See, I was the kid always winning the
Underwater breath-holding competitions
Back in a time when that was a thing
And I was rather good at it and
It made me feel special

But the adults

They would insist
I move an arm or a leg
More for their sake than mine
Of course, refusing to care that
Playing dead was my key to success

There's restorative power in the stillness

But they wanted no part of it, no
To them, it was akin to death
And death meant trouble
And so I'd appease
Their silly fears
And twitch
An arm
Or leg
Just
So
But
All the
While I'd
Remain in
The zone, so
Focused on not
Requiring oxygen
From the air that I'd
Fail to hear them calling
My name, growing concerned
So much louder now, angry now--

Oh, that's what that was

And so it was
Back to the surface
Back to all the judging
Faces, dampening my mood
Detracting from a win earned
Fair and square, and back
To pretending that being
Normal was anything
I'd ever aspire to be
Audio: https://soundcloud.com/mike-rollain/amphibious
952

A Man may make a Remark—
In itself—a quiet thing
That may furnish the Fuse unto a Spark
In dormant nature—lain—

Let us deport—with skill—
Let us discourse—with care—
Powder exists in Charcoal—
Before it exists in Fire.
in a ship
I slept
upon the harsh Atlantic
mostly alone
except for the captain
a decent enough fellow
though never heading
the ship
toward firm land

I grew to despise
the constant uneasy motion
up down side to side
like drinking
too much alcohol

nevertheless
I found painful contentment
under a full moon
staring at the wild waves
gaping foaming mouths
crashing down
sinking their teeth
into the ship’s hull.

Kerry Ann Herrmann
Which hurt is greater?

Is it the fall from virtue and descent into madness,
where nerves are fully recognizant of an escalating torment
caused by the imposed absorption of each stinging needle,
where the active mind possesses complete comprehension
of the delicate innocence inherent in spirit and individuality?

Or is the true injury created when the biting freeze
finally penetrates through skin and bone,
creeping into vital organs of existence,
numbing the senses, slowing functionality,
tempting with graceful rewards the soul to carefully enter
into nightmarish sleep filled with related frozen carcasses?

No.  The greater hurt is felt during the resurrection of spirit –
when the overwhelming barrage of thunderous rain,
crushing hurricanes of agonizing recollections,
create a thaw in the protective safety of barricaded sensitivity.
Thick ice covering the immense lake of uncertainty begins to melt;
the chimera of safe passage over unsteady waters dissipates.
Then the feeble heart is left to drown in sorrow and panic.

Old wounds, formerly numb, awaken with prickling heat,
memories of betraying constraints and adversity.
Unable to see the source through the blackened fog,
counterfeit thoughts of exaggerated truths abound:
Is it a lie?  Is the need for sympathy greater than integrity?

But truth will no longer be constrained by blind adherence;
the waters of valor and virtue must flow again.
Verity and invention collide with booming force
and the healing spirit feels the formidable winds of anger unrestrained-
ugly, deafening, painful, and necessary for acceptance.

Somehow through this torment of perceived destruction,
through the bitter tempest of denial’s end,
the melting of all that is familiar,
somehow through all the chilling disquiet and daunting tumult
leagues of tender buds surface,
searching for light of day and moisture from the weakening storm.

Slowly, clouds begin to part and nourishment becomes available.
Life grows, colors deepen, and warmth spreads.
It is then that the still heart beats with vigor,
strength is recognized and gratification restored,
and a letting go of the greater hurt is complete.

Kerry Ann Herrmann
I am not really a poet, I just like to write as a way of venting. I am amazed by the incredible talent here at hellopoetry.com.  I don't expect to receive any recognition for my poetry... But it is my hope that there is some meaning to it beyond the limits of my own life experiences.  Thank you for allowing me to share.
Chained in a cupboard,
hiding    starving    rage;
moist   lonely   prison  ward
thoughts flowing from the cage.

Old   clouds   of   mem'ry   ringing
thin         branches,         capillaries;
delicate     lives     singing,     dancing,
hopping  through  the  mystical  breeze.

Hot     sting     of    dis - allowance,
steel    cotton    wool    betrayal
reveals   a   hallowed   trance,
an     ever     stalling     trial.

Reflection             burning
radiant                 fiction:
mindless       churning
contra     -     diction.

Strain deepened,
sound decried,
weaken- ed,
denied.....

Chained


Kerry Ann Herrmann
1374

A Saucer holds a Cup
In sordid human Life
But in a Squirrel’s estimate
A Saucer hold a Loaf.

A Table of a Tree
Demands the little King
And every Breeze that run along
His Dining Room do swing.

His Cutlery—he keeps
Within his Russer Lips—
To see it flashing when he dines
Do Birmingham eclipse—

Convicted—could we be
Of our Minutiae
The smallest Citizen that flies
Is heartier than we—
Down, you mongrel, Death!
  Back into your kennel!
I have stolen breath
  In a stalk of fennel!
You shall scratch and you shall whine
  Many a night, and you shall worry
  Many a bone, before you bury
One sweet bone of mine!

When shall I be dead?
  When my flesh is withered,
And above my head
  Yellow pollen gathered
All the empty afternoon?
  When sweet lovers pause and wonder
  Who am I that lie thereunder,
Hidden from the moon?

This my personal death?—
  That lungs be failing
To inhale the breath
  Others are exhaling?
This my subtle spirit’s end?—
  Ah, when the thawed winter splashes
  Over these chance dust and ashes,
Weep not me, my friend!

Me, by no means dead
  In that hour, but surely
When this book, unread,
  Rots to earth obscurely,
And no more to any breast,
  Close against the clamorous swelling
  Of the thing there is no telling,
Are these pages pressed!

When this book is mould,
  And a book of many
Waiting to be sold
  For a casual penny,
In a little open case,
  In a street unclean and cluttered,
  Where a heavy mud is spattered
From the passing drays,

Stranger, pause and look;
  From the dust of ages
Lift this little book,
  Turn the tattered pages,
Read me, do not let me die!
  Search the fading letters, finding
  Steadfast in the broken binding
All that once was I!

When these veins are weeds,
  When these hollowed sockets
Watch the rooty seeds
  Bursting down like rockets,
And surmise the spring again,
  Or, remote in that black cupboard,
  Watch the pink worms writhing upward
At the smell of rain,

Boys and girls that lie
  Whispering in the hedges,
Do not let me die,
  Mix me with your pledges;
Boys and girls that slowly walk
  In the woods, and weep, and quarrel,
  Staring past the pink wild laurel,
Mix me with your talk,

Do not let me die!
  Farmers at your raking,
When the sun is high,
  While the hay is making,
When, along the stubble strewn,
  Withering on their stalks uneaten,
  Strawberries turn dark and sweeten
In the lapse of noon;

Shepherds on the hills,
  In the pastures, drowsing
To the tinkling bells
  Of the brown sheep browsing;
Sailors crying through the storm;
  Scholars at your study; hunters
  Lost amid the whirling winter’s
Whiteness uniform;

Men that long for sleep;
  Men that wake and revel;—
If an old song leap
  To your senses’ level
At such moments, may it be
  Sometimes, though a moment only,
  Some forgotten, quaint and homely
Vehicle of me!

Women at your toil,
  Women at your leisure
Till the kettle boil,
  ****** of me your pleasure,
Where the broom-straw marks the leaf;
  Women quiet with your weeping
  Lest you wake a workman sleeping,
Mix me with your grief!

Boys and girls that steal
  From the shocking laughter
Of the old, to kneel
  By a dripping rafter
Under the discolored eaves,
  Out of trunks with hingeless covers
  Lifting tales of saints and lovers,
Travelers, goblins, thieves,

Suns that shine by night,
  Mountains made from valleys,—
Bear me to the light,
  Flat upon your bellies
By the webby window lie,
  Where the little flies are crawling,—
  Read me, margin me with scrawling,
Do not let me die!

Sexton, ply your trade!
  In a shower of gravel
Stamp upon your *****!
  Many a rose shall ravel,
Many a metal wreath shall rust
  In the rain, and I go singing
  Through the lots where you are flinging
Yellow clay on dust!
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