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 Jan 2014 Kendal Anne
R.S. Thomas
It seems wrong that out of this bird,
Black, bold, a suggestion of dark
Places about it, there yet should come
Such rich music, as though the notes'
Ore were changed to a rare metal
At one touch of that bright bill.

You have heard it often, alone at your desk
In a green April, your mind drawn
Away from its work by sweet disturbance
Of the mild evening outside your room.

A slow singer, but loading each phrase
With history's overtones, love, joy
And grief learned by his dark tribe
In other orchards and passed on
Instinctively as they are now,
But fresh always with new tears.
The child alone a poet is:
Spring and Fairyland are his.
Truth and Reason show but dim,
And all’s poetry with him.
Rhyme and music flow in plenty
For the lad of one-and-twenty,
But Spring for him is no more now
Than daisies to a munching cow;
Just a cheery pleasant season,
Daisy buds to live at ease on.
He’s forgotten how he smiled
And shrieked at snowdrops when a child,
Or wept one evening secretly
For April’s glorious misery.
Wisdom made him old and wary
Banishing the Lords of Faery.
Wisdom made a breach and battered
Babylon to bits: she scattered
To the hedges and ditches
All our nursery gnomes and witches.
Lob and Puck, poor frantic elves,
Drag their treasures from the shelves.
Jack the Giant-killer’s gone,
Mother Goose and Oberon,
Bluebeard and King Solomon.
Robin, and Red Riding Hood
Take together to the wood,
And Sir Galahad lies hid
In a cave with Captain Kidd.
None of all the magic hosts,
None remain but a few ghosts
Of timorous heart, to linger on
Weeping for lost Babylon.
His hair was dark as pitch, night dripping from the ends of the long strands. His eyes were bluer than that of the sky, clearer than the ocean and more crystal than a diamond underwater. His lips, full and ever-smiling, crooked and wicked. Pale rose with teeth white in between and a tongue that teased with a simple flick over his lips. The line of his jaw was strong, the angles of his cheekbones and nose chiseled fine enough to cut. He had the face that you would want to see last before you died, or fell asleep so that the imprint was left behind your eyelids. His hands were slender, long fingers tapered to slim tips that could caress you into dreams deeper than that of the universe. His wrists were small but not so much that you could break them, and they grew into wiry muscled arms, strong enough to embrace you and lull you to love. His chest, wider than his hips which were slim, the kind that jeans hung onto and slid off of. His waist was trim, and his abdomen carried a lank pack of abs. His legs, lean and long drifted over the ground when he ran to talk to you with his smile all off center.
He moved like a gazelle, graceful like the wind that whipped a flag into a frenzy. He could hurdle in track like he hurdled my heart, just barely but enough to skim it with the toe of his left foot. He caught me between the tread of his hand and the material of his skin.
He listened to me as intently as a rabbit listening for a fox, but with much more movement than an ear twitch. He cried with me, laughed with me, sighed with me. He huddled me between the wall and his chest and stilled my shivers caused by the monsters under my skin and the closets in my mind. And he loved me enough to make me whole again, squeeze me back together with the glue of his adoration. I fixed him, too, fitting him into place among my missing puzzle pieces that I had lost long ago. Never did I know that more than one person fit my edges.
And he isn’t real yet. But I feel as if he will come along, meet my eyes, match my timid smile with a full blown grin and grab my heart in both of his cupped palms.
This is my dream and it had been reoccurring lately, popping up in my thoughts quite frequently. I feel as if he could be out there somewhere, my dream guy, my prince charming for lack of better words. Sorry for the essay form, I couldn't fit it down into a reasonable poem format.
 Dec 2013 Kendal Anne
Gabby K
STEP 1: Once it is all over,
And you are crushing your ribcage,
Hearing your brittle bones crack under the pressure,
As you try to nurse your battered, palpitating heart,
Remember.
Remember why you mustered up the courage,
To acknowledge the gentle, seductive voice
Beckoning your chest to open up,
Exposing your vulnerable insides,
Giving the wicked beast,
The chance to crush your heart once more.

STEP 2: Now run as fast as you can,
Before she can see you cry.
Ignore the burning sensation
Slithering up your flaming legs.
Dismiss your suffocating heart,
Begging you to release it
From your chest's tight grasp.

*STEP 3: Keep running.
© Gabby K 7/1/2013
Often I am blind.
I refuse sight today and instead fill oblivion with the wonders of tomorrow.
My eyes gaze upon  the canvas of the present but deflect any image of it.  
It has been marred by the brush stroke of unpleasant realities.
Much like scars on flesh it is flawed, it is damaged, it is crooked.
My eyes find shelter from these imperfections in the promise of tomorrow.
Tomorrow can not be governed by the natural laws of the present.
Tomorrow is defined not by reality, but only by the eyes transfixed upon it.
It is pure, it is indefectable, it is perfect.
That is why it can not exist.
Often I am blind.
 Dec 2013 Kendal Anne
Ralph Corke
It’s inherent, a ritual passed through ages, fashions change but the outcomes the same. We make ourselves desirable, attractive. We plump out our manes and puff our collars, rouge our cheeks and lips, blood pumping to all our organs. It’s our tribal wear. We soak up sweet alcoholic nectar, loosening our inhibitions and bringing out our inner basic urges.



We hit a club called the watering hole, gorillas on the door filtering out the runts. My paws stick to the floor and the walls drip with sweat. The disco lights burn down on me with a heat like the desert. You can’t move without making eye contact with someone. Single men lean against the walls, and lurk in the shallows like alligators. Waiting for a young philly to wonder past a little worse for wear. Snap. Men dance with their tops off, sweat making their skin glisten like a serpent. The first thing you have to do is get to the bar, its packed and the bodies push against you as all trying to get to the front. The first few drinks numb you and make you confident, you begin to be seduced by the music and dance floor. The air is humid and the smell of smoke has faded away, just leaving the smell of body odour coming from the hippo taking up most of the dance floor. The main smell overpowering all this is ***, pure unfiltered ***, the place reeks of it. This place is a meat market, but there’s all kinds of animal on show. You’ve got your flamingos who stand there beautiful, looked at but not touch, you’ve also got your warthogs content rolling in their filth,  you’ve got your grizzly bears sniffing out the honey. Me I’m a hyena, (laugh) a pack animal, we hunt in small groups, dotted around the stage, causing mischief among the herd, we’re jokers, entertainers, it might all look like a laugh but cross one of us and feel our bite which is certainly worse than our bark.

There’s one though, he’s a lion, king of the beasts, everything else is just meat, he locks onto his target, he stealthy crosses the dance floor to prey on it, there’s plenty of meat around but that’s the one he wants, it’s a game, we lock eyes, I can’t move, it’s survival of the species, and he’s top of the food chain. Once he has me he takes his fill and leaves me to the vultures.

I lick my wounds to start again. And then I realise the hunter has become the hunted.
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