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Katie Mac Jul 2013
I'll try and be upfront
about the dawn that peeked through my window this morning.
I saw it with my eyes raw and red
and I said,
that I was afraid
for everyone I ever loved;
for the ones the left
and the ones that stayed.
And I don't think any poem
could adequately say
how hard I prayed
for all of them
to please
please

just be okay.
Katie Mac Jul 2013
I think it's trash
that society makes me feel like a *****
for getting angry,
for being brash.

I think it's sick
that I'm ****** for saying
words like
***** and ****.

I think it's a waste
that I'm looked down on
for saying jokes
in bad taste.

I think it's insane
that I'm considered
too fat, too ugly, too masculine,
and am forced to feel shame.

I think it's a tragedy
that as a woman I have to
undo and unlearn
me.
Katie Mac Jul 2013
There is a poetic irony
in being a victim.
It's an art, a skill
honed by abuse.
And the victim learns to be
one of two things.
The victimized, the oppressed,
or
the abuser, the user.

You practice
a higher art.
You can be
both.
Katie Mac Jun 2013
It's amazing
how people
love the things
that
hurt them.
Katie Mac Jun 2013
Today I smoked my
first
last
cigarette.
I tucked it between my lips
as a
mother does
each night.
I pulled the sweetest,
softest drag
and the smoke mingled with
my sadness and my
exhaustion and
my defeat.
Released in foggy grey,
these feelings floated
to the surface
like dust
blown off a tomb
That
first
last
cigarette ended
too soon.
So I lit another
and made myself a hazy halo
and crowned myself with disease
and in a destructive moment
I was empty and
I was pleased.
And I think this
first
last
cigarette,
pouring out of me in streams,
singed my pain,
made me *****,
and clean.

And I said
as I smoked
my
first
new
cigarette.
*I quit.
Katie Mac Jun 2013
I
like
spiderwebs
because they
are spun, grey, sober
insect graveyards.
Katie Mac Jun 2013
Wax
You can be my ball of wax.
I'll roll you between my fingertips
until you're warmed and soft
and I can mold you.
Some are impressionists
or modernists
but I wanted to be a
realist.
So I made you in the image
of my reality.
Only I made you
taller,
kinder,
handsomer,
sweeter.
I shaped you
with so much
self-deception
and so much
failed perception.

You can be my boy of wax.
I made you in the winter
and you were strong
and solid
for a time.
But the summer came and you grew
smaller,
shorter,
quieter,
farther,
and you,
my artful manipulation
of
what I so
wanted
to create,
melted.

You can be my pool of wax,
a shapeless
well
of malformed memories
that change
with every touch.
I curl my knees to
my chest and
do my best to stop
prying and prodding you,
my pool of wax.
Because with every touch
it burns
my skin and turns
my fingers
an angry red.

I made you,
and I never
knew
that
a boy of wax
could unmake
me.
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