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 May 2010 Karen Dick
brian carlin
The decaying mansions of English language
Rot and recede
into teenage grasses
with each unspoken year

The hired help have left their hair unmown and surrendered their uniform dress
Content with the neglect of nature
taking its timely course

When the architects and master masons of linguistics
Survey their forgotten plans in the heaven of English literature
They are not dismayed
but patiently sit and sit

The pristine edifices of the classics
Once grand and clad in deferential brick
Stand scaffolded and unread
The doors unlocked, ajar and hopelessly inviting
Into the library of the English canon
The dusty cloak on the carpets of grammar
Sheets thrown over the disused armchairs of archaic words
Echoing the plink of the out-of-tune pianoforte of the perfectly crafted short story
Bathrooms of formal poetry
With the rusty plumbing of metre and rhyme

Whereas the temporary outhouses,
hastily arranged huts of slang and idiom
are adorned by the living grasses of new forms,
creepers  of half remembered dreams
mulching leaves of half formed thoughts
forests of half forgotten loves
writhing in living incompleteness
Which will in turn harden and fossilize

And we can then rue the passing of our once organic lingo
"Oh tell me once and tell me twice
  And tell me thrice to make it plain,
When we who part this weary day,
  When we who part shall meet again."

"When windflowers blossom on the sea
  And fishes skim along the plain,
Then we who part this weary day,
  Then you and I shall meet again."

"Yet tell me once before we part,
  Why need we part who part in pain?
If flowers must blossom on the sea,
  Why, we shall never meet again.

"My cheeks are paler than a rose,
  My tears are salter than the main,
My heart is like a lump of ice
  If we must never meet again."

"Oh weep or laugh, but let me be,
  And live or die, for all's in vain;
For life's in vain since we must part,
  And parting must not meet again

"Till windflowers blossom on the sea,
  And fishes skim along the plain;
Pale rose of roses let me be,
  Your breaking heart breaks mine again."
136

Have you got a Brook in your little heart,
Where bashful flowers blow,
And blushing birds go down to drink,
And shadows tremble so—

And nobody knows, so still it flows,
That any brook is there,
And yet your little draught of life
Is daily drunken there—

Why, look out for the little brook in March,
When the rivers overflow,
And the snows come hurrying from the fills,
And the bridges often go—

And later, in August it may be—
When the meadows parching lie,
Beware, lest this little brook of life,
Some burning noon go dry!
You are so, so beautiful that you deserve to hear it over and over again...for everness.~hao
hao©All Rights Reserved
storm clouds frighten the horses
because they're  bigger than houses,
and the wild beasts know
men are only visitors here,
like animals and wild oats
that grow from sand dunes.

even the spit of land rooted in
is temporary,
awaiting the next storm
that blows through -
grains will come loose,
attracted to one another
by weakest of forces;
permanence just an illusion
created by maps that men
pretend to read.

angry water can boil earth
in swirling pools of froth.
men aim to tame them -
the horses and the water -
fenced in by thin pickets
and wishes thinner yet -
the waves never notice;
scared beasts know this,
but men never learn.
Isn't it strange living in another person's head?
It's like Being John Malkovich,
or Anne Sexton
as I rode along with her
wild rides into sand at the beach,
lost in Boston again,
inside a mind
that was different but still mine
because I saw
that very street lamp she did,
and in her advice to me,
that yet unborn memory
that would never be,
I heard her words in soft puffs
of nicotine-scented tickles
in my ear, warm air
before young lungs
had ever breathed in,
and I cried
because she was speaking to me,
though she never knew it
when the words clattered
from that old Remington
like a machine gun-
I was just an idea
she never really had,
a wish in soft feathery hair
on the chest of man
she shared lust with as he slept,
not knowing he would father
a specter delivered from a womb
that had closed for business.
Our walks
along an asylum lawn,
returning waves
to suspicious grass,
green oceans to get lost in
after sewing leather wallets
from our own hardened skins
as if projects could ever fix
the worlds of sin we lived in,
pandering doctors offering
officious pretense of cure
against the sweet furies
of sunrises, sunsets,
earth worms and *****.
So, can I cry
having crossed a divide
into another,
for moments residing
in the soul and belly of a mother
who was never mine,
though I feel her pain
as if we own it together?
In Memory of a Good Man

He walked the path he knew so well
To the garden he kept
Which was were they found him
On cold ground in
Winter.

They thought he likely slipped and fell,
Curled up tightly and slept
Snug in blankets of snow.
Where else to go
To dream

Of rich soil, a man's hands once strong
That could coax new life from
A yard of glass shards, bricks
Growing God's gifts
To share.

Or concrete towers only drawn
Those hands that once built them
Spinning the webs of steel
That made dreams real
Shelter.

Smiling face that may still know me,
We'll just sit together
While I'll hear your stories
In memories -
No words.

Silently gaze and nod slowly,
Stare at one another.
Tired eyes tell where you've been
My dear sweet friend...
In dreams.
Copyright 2008, Robert Zanfad
In the pathway of the sun,
  In the footsteps of the breeze,
Where the world and sky are one,
  He shall ride the silver seas,
    He shall cut the glittering wave.
I shall sit at home, and rock;
Rise, to heed a neighbor's knock;
Brew my tea, and snip my thread;
Bleach the linen for my bed.
    They will call him brave.
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