Lo! Death has reared himself a throne
In a strange city lying alone
Far down within the dim West,
Where the good and the bad and the worst and the best
Have gone to their eternal rest.
There shrines and palaces and towers
(Time-eaten towers and tremble not!)
Resemble nothing that is ours.
Around, by lifting winds forgot,
Resignedly beneath the sky
The melancholy waters lie.

No rays from the holy Heaven come down
On the long night-time of that town;
But light from out the lurid sea
Streams up the turrets silently—
Gleams up the pinnacles far and free—
Up domes—up spires—up kingly halls—
Up fanes—up Babylon-like walls—
Up shadowy long-forgotten bowers
Of sculptured ivy and stone flowers—
Up many and many a marvellous shrine
Whose wreathed friezes intertwine
The viol, the violet, and the vine.

Resignedly beneath the sky
The melancholy waters lie.
So blend the turrets and shadows there
That all seem pendulous in air,
While from a proud tower in the town
Death looks gigantically down.

There open fanes and gaping graves
Yawn level with the luminous waves;
But not the riches there that lie
In each idol’s diamond eye—
Not the gaily-jewelled dead
Tempt the waters from their bed;
For no ripples curl, alas!
Along that wilderness of glass—
No swellings tell that winds may be
Upon some far-off happier sea—
No heavings hint that winds have been
On seas less hideously serene.

But lo, a stir is in the air!
The wave—there is a movement there!
As if the towers had ****** aside,
In slightly sinking, the dull tide—
As if their tops had feebly given
A void within the filmy Heaven.
The waves have now a redder glow—
The hours are breathing faint and low—
And when, amid no earthly moans,
Down, down that town shall settle hence,
Hell, rising from a thousand thrones,
Shall do it reverence.

I'm going out and get something.
I don't know what.
I don't care.
Whatever's out there, I'm going to get it.
Look in those shop windows at boxes
and boxes of Reeboks and Nikes
to make me fly through the air
like Michael Jordan
like Magic.
While I'm up there, I see Spike Lee.
Looks like he's flying too
straight through the glass
that separates me
from the virtual reality
I watch everyday on TV.
I know the difference between
what it is and what it isn't.
Just because I can't touch it
doesn't mean it isn't real.
All I have to do is smash the screen,
reach in and take what I want.
Break out of prison.
South Central *****'s newly risen
from the night of living dead,
but this time he lives,
he gets to give the zombies
a taste of their own medicine.
Open wide and let me in,
or else I'll set your world on fire,
but you pretend that you don't hear.
You haven't heard the word is coming down
like the hammer of the gun
of this black son, locked out of this big house,
while ***** looks out the window and sees only smoke.
***** doesn't see anything else,
not because he can't,
but because he won't.
He'd rather hear me talking about mo' money,
mo' honeys and gold chains
and see me carrying my favorite things
from looted stores
than admit that underneath my Raider's cap,
the aftermath is staring back
unblinking through the camera's lens,
courtesy of CNN,
my arms loaded with boxes of shoes
that I will sell at the swap meet
to make a few cents on the declining dollar.
And if I destroy myself
and my neighborhood
"ain't nobody's business, if I do,"
but the police are knocking hard
at my door
and before I can open it,
they break it down
and drag me in the yard.
They take me in to be processed and charged,
to await trial,
while Americans forget
the day the wealth finally trickled down
to the rest of us.

It was many and many a year ago,
  In a kingdom by the sea,
That a maiden there lived whom you may know
  By the name of ANNABEL LEE;
And this maiden she lived with no other thought
  Than to love and be loved by me.

I was a child and she was a child,
  In this kingdom by the sea:
But we loved with a love that was more than love—
  I and my ANNABEL LEE;
With a love that the winged seraphs of heaven
  Coveted her and me.

And this was the reason that, long ago,
  In this kingdom by the sea,
A wind blew out of a cloud, chilling
  My beautiful ANNABEL LEE;
So that her highborn kinsmen came
  And bore her away from me,
To shut her up in a sepulchre
  In this kingdom by the sea.

The angels, not half so happy in heaven,
  Went envying her and me—
Yes!—that was the reason (as all men know,
  In this kingdom by the sea)
That the wind came out of the cloud by night,
  Chilling and killing my ANNABEL LEE.

But our love it was stronger by far than the love
  Of those who were older than we—
  Of many far wiser than we—
And neither the angels in heaven above,
  Nor the demons down under the sea,
Can ever dissever my soul from the soul
  Of the beautiful ANNABEL LEE.

For the moon never beams without bringing me dreams
  Of the beautiful ANNABEL LEE;
And the stars never rise but I see the bright eyes
  Of the beautiful ANNABEL LEE;
And so, all the night-tide, I lie down by the side
Of my darling, my darling, my life and my bride,
  In her sepulchre there by the sea—
  In her tomb by the side of the sea.

We smile at each other
and I lean back against the wicker couch.
How does it feel to be dead? I say.
You touch my knees with your blue fingers.
And when you open your mouth,
a ball of yellow light falls to the floor
and burns a hole through it.
Don't tell me, I say. I don't want to hear.
Did you ever, you start,
wear a certain kind of dress
and just by accident,
so inconsequential you barely notice it,
your fingers graze that dress
and you hear the sound of a knife cutting paper,
you see it too
and you realize how that image
is simply the extension of another image,
that your own life
is a chain of words
that one day will snap.
Words, you say, young girls in a circle, holding hands,
and beginning to rise heavenward
in their confirmation dresses,
like white helium balloons,
the wreathes of flowers on their heads spinning,
and above all that,
that's where I'm floating,
and that's what it's like
only ten times clearer,
ten times more horrible.
Could anyone alive survive it?