Step one is waking up
and writing about your day.

I want to talk about language,
your mothers cheapest wine and worst blueberry jam
staining all your best clothes with verses.
Vignettes appearing all over
the rented tuxedo from the wedding.
Dark ink and oil separates in a margarita glass
soaking into the cuts on your dry lips,
dusting your hair and the spaces
between each individual vertebrae.

Syllables dripping from the tip of your nose
and fingernails
leave novels on the linoleum and
books of sentence fragments on the hardwood.
Poets bleed into cracks on fine china
pooling into poems.
Space heaters emit quotes from dead people
I sign each word when
the analogue clock ticks,
each poem adding another minute to the day.
I’m always hoping I can squeeze in a few more hours
so I can watch the ****** orange sky
with grass in my shirt,
the Pixies mumbling in the background
leaving lyrics trapped in my teeth.

Anthologies of letters
between man and his dog
hidden onomatopoeias in every backyard.
I'll write you 364 days of the year
too many paragraphs to fill the barbecue.
Burn through pages with paper matches
making enough poems to last a decade.

Transfer phrases into the soles of my shoes,
I want to walk on water,
the "W" curled up beside my baby toe.
Every inch of the fabric we call skin,
stamps and ink pads,
turn everything to poetry.
Despite seas of fog
where breathing stops the words
from forming in your throat,
the only way to express is by experience
and frantic fountain pens.
Smoke on the balcony
writes starry sonnets about the girl in your bed
lining the waxing moon with poetry,
a **** homage to Shakespeare himself.

Serendipity;
finding something good without looking for it.
A feeling I have encountered
keeping my breathing sporadic,
rarely setting me on fire.
Living Chinese finger traps
burning blue poems on my palms
splotching the back of my neck
licking up my thigh and hips.

Let me throw away my common sense,
the final step of becoming a poet.

Use your fingerprints
decorate walls,
stain old world maps.
Whorls spiral into
comic book wallpaper,
vertical designs and heart lines.
Glass pillars fogged with secrets,
bits of chipped concrete,
2:34am security footage.

42 minutes of prepackaged snowstorms.
Lying corners of the mouth
whisper plans B through Z.
Rusty sleep theories,
half-truths
in runaway boats.

A static pulse
casually remembers menthol cigarettes,
apple cores and
eighties music.
Espresso roast washing
blue and white porcelain from 1683,
knotted pale navy dots.
Wisps of kites anchored in the sand,
anthropology in lighthouses
stretching for the aurora borealis.

You’re basic,
a lengthy silhouette
miming the human experience.

Staying up late
to blind yourself,
blinking to the sounds of sleepiness
heart beating to Skinny Love.
What ifs,
pre-recorded scenarios
imagining that first hug.
Contemplate that bottle of pills by the sink
that new film that you want to see,
condensation in the lid of the teapot.
You’re candid,
unsure if all scabs heal
trying to remember when you didn't have a writing callus,
when you slept through the night,
when purple was the only colour you didn't use.

Purify infectious matter,
***** green-blue wine glasses overflowing.
Tinfoil vases and orchid flowers,
melting boxes of 64 assorted crayons.
You’re laconic,
often dying to create,
like the verbose and the wordy
sighing simply to translate.

Missouri gift exchanges,
loose blue jeans ******
stacks of classics.
Tales of the Jazz Age wrinkling
to a slow 50s song.
You’re a try hard
dying to knit,
only true fear is disappointment
burning in the lime light.
6000 voluntary hours
linking syllables to daisy chains,
dropping pesos to foreigners,
hands sandwiched inside
the front cover and the first page
of The Count of Monte Cristo.

You’re basic,
down for maintenance,
compressing the weight of the atmosphere.

Let’s make vulgarity beautiful
for a couple seconds.
Dwell on the ******* gimmicks of language,
the shock value of mixing syllables together,
the stupidity of poetic “terms”.
I’ll tell you about my hate for
******* clichés,
****** overused poetic devices and word pairings
that ruin the fun for all of us.
I’ll lay down some ground work here:
too many minutes of my life spent
trying to count syllables ,
rhyme words,
analyze and alliterate annoying argumentative articulations.

You know what?
**** alliteration, assonance and consonance,
bastardisations of the brilliance of poetry.
Destroying all appreciation of something so fine
at such early age,
with red pens,
poor introductions,
and misconceptions falling out of every ******* mouth.
Reused and recycled clichés
trivializing the beauty of rain,
that stomach hiccup when you see someone you like
the actual emotions that fundamentally make us human.
The over-judgemental *****
who can’t write for ****,
think they’re high and mighty,
overusing these feelings with the vocabulary of an eight year old,
giving us poets a bad reputation.
**** those *******
with their dark souls
empty hearts and
broken dreams
**** them over cups of cold coffee
in vintage mugs
snapping in a low-lit jazz café.
Sonnets, haikus and ballads aren’t the only forms of poetry,
nothing has to rhyme,
I shouldn’t be graded on my ability to be a thesaurus.
******* teachers narrow-mindedly give us
“creative writing” homework
that's not creative,
like the colour green.
I don’t see how they can judge poetry,
perhaps how it flows and word choice,
but I have an extra syllable
and purple doesn’t rhyme with anything,
**** me right?
Because purple is the only word which
accurately portrays what I mean,
excuse me if I pronounce this differently
rendering my iambic pentameter to ****.
I didn’t deserve a B.
*****.
Poetry isn’t something you can confine to four walls,
it can’t be truly ugly,
it can be the sort of ugly where your mum doesn’t want to put it on the fridge
but she keeps it until you’re satisfied,
and then she trashes it,
but it’s not ugly.
Remember that poetry is supposed to be beautiful,
*******.
Forget about that *****-*****-***** who ******* you over,
that ******* who didn’t say thank you or
that ****-faced ***** who should go digest a bag of *****
and write something worth reading.
Something that will makes eyes wander back to revisit phrases,
admiring the careful craftsmanship
that translates into something universally beautiful.

The moral here is that
poetry is an art to be mastered and
no one has yet to master it.
Some have come close,
and not all of them have used alliteration,
similes about the heart,
metaphors for love,
binding syllable limits
or rhyme schemes.
Whoever told you otherwise is a raging *******
who doesn’t deserve even the lowest paid *******.
Don’t be afraid to use taboo words;
it's your writing and anyone who doesn’t like it can *******.
Despite the irony,
vulgarity can be beautiful.

You can go anywhere in the world*

A thousand lies
written on your back,
cursive between your shoulder blades,
Ts left uncrossed.
Falling into the arch of your back
between left and right,
ditch of a spine
pooling with arguments.
Staple you together,
try to make a V.

I’ll write a poem about you,
embroider it into the pocket
of a thrift store cardigan.
The wet pavement will add
a stanza to your palms.
Cheap perfume made with
the empty spaces of melodies.
Scents of vibrato.
Encoded messages
missing number 19.

*and see nothing at all

Follow a poet for a day,
write a sonnet or
something universally beautiful.

I cut my bangs,
count to two.
Find myself with too much
time in the morning
sand in my socks,
dishes to do.

Walking heel-toe heel-toe
through the kind of grass
that reaches for  your calves and
stands to your knees.
A collection of heartbeats
melting into AM radio.
Dark velvet dreams
long enough to bury your fingers in,
carpeting every bit of the floor.

Wafting streams of woven gasps
knees touching,
appreciating green.

Top button undone
eyebrows receding into the hairline
with an ear pressed to the glass.
Fear of nutmeg
clawing at my apathy,
remembering the west coast.

I don't remember waking up
or walking home.
I like the sound of Zs.

When music is high enough,
everything falls into place.

In a park
lying on the ground,
I said,
"I was right about the weather"
she kissed me when I blinked.

Why do we want to be so
human,
walking in circles.

They drove donuts
in a grass field
next to a church
last Saturday night.

Smoked a pack and a half,
I quit again
not too long after that.
They danced over where he died.

Unmade beds clouded with
smoky afterthoughts.
Dreams prowl through the town,
a street war on tongues.

All walls practically
beg
to become paintings.
It’s a shame they already are.

It was probably the 4th of July.