Capturing scenes from fashion shows in the past, Glamourizing Ladies And Men modeling hosted their annual spring fashion show.

The event was a runway-style fashion show, with looks recreated from GLAM’s past. The show also featured talents ranging from poetry and singing to painting.

Patrick Davis, a senior general studies major, and Christina Brown, a freshman biological sciences major, hosted the show.

The introduction of the show was called “Once Upon a Time.” The scene was from a 2012 show and centered on a little girl’s favorite fairytales taking a twisted turn in her dreams.

It opened with the little girl getting told bedtime stories from her father.

After getting the stories read to her, the rest of the GLAM models emerged from under her bed and began to torment the little girl.

The ladies of GLAM then emerged for a scene named “Pop Art.”

“Pop Art” was created in 2012 and incorporated the use of recyclables such as newspaper, duct tape, water bottles, cups and more in the model’s outfits.

The models were dressed in outfits that they created.

The first model wore a dress made out of a plastic bag and yellow caution tape.

The next model wore a dress that was fitted and made of plastic bags and duct tape.

There was a flare skirt made out of newspapers, and another skirt was made using old magazines.

There was also a fitted skirt made only of caution tape and a flare skirt made of white foam cups.

The final outfit of the scene was a dress made of black plastic bags and caution tape. The caution tape was also made into a necklace.

The following scene was titled “Lust/Burlesque.”

Burlesque was created in 2013 for GLAM’s Halloween show “The Seven Deadly Sins.” It incorporated tasteful dancing and runway style walking.

This scene opened up with three models dressed in all black attire, performing a dance routine.

The models hit the stage in several costumes, many of which were handmade by the models themselves.

One model wore black shorts, a black cropped shirt and blue high heels with blue and white wings.

Another outfit used a cheetah print swimsuit, with pink coverings and a back piece made of twigs and feathers.

Alexis Scott, a junior pre-nursing major, performed her poetry piece titled “Honest Truth.”

In her poem, she spoke about a broken relationship with her father. She also spoke about hiding all of her feelings and often putting on a fake smile to the world.

“Yesterday I tripped on my self-esteem and landed on my pride,” Scott said.

The next scene of the show was titled “Concrete Jungle.”

This scene was adopted from a 2014 show and featured business attire with a fashionable twist.

Outfits from this scene included a pleated black dress with white stripes at the bottom, a gray handbag, and black heels.

Another outfit included a purple blazer, a crème and yellow floral printed top, black dress pants and black high-heeled shoes.

A model wore a blue fitted miniskirt, a black and white cheetah print satin shirt and black heels.

The scene after this was titled “Criminology” and was taken from a 2011 show titled “FAME University.”

This scene gave a glimpse into the mind of a woman when she has snapped.

The scene opened up with red flashing lights with four models doing a dance routine to Beyoncé’s “Ring the Alarm” and a monologue.

The monologue told the story about how each woman killed their husbands. The models wore outfits such as black shorts, black leather shirts, black boots and black high heels.

In a talent section, while Keyana Latimer, a sophomore sociology major sang, she was accompanied by Taleiya Baker, a junior music education major.

While they were singing, D’Ajah Douglas, a freshman studio art major, and Yasmine Washington, a freshman studio art major, painted pictures while Latimer also performed a tap dancing piece.

The show concluded with a final walk from all of the GLAM models wearing black and purple shirts with GLAM Modeling written on them, blue jeans and high heels.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/long-formal-dresses

If you had to pick one adjective to sum up Michael Kors' collection at last month's New York Fashion Week, a good bet might be "feathery."

The designer was going for "the flirty freedom of things that move," to quote his production notes, and there were flirty feathers on at least 10 of the looks he sent down the runway - starting with feathers adorning a pair of jeans, and moving to feathers on a houndstooth tweed coat, on a denim or tweed skirt, and on black silk for ultimate evening effect.

There also were plenty of sequins, adding a very bright sheen to some of the fashions, especially a silver sequin embroidered "streamer" dress, with the hem cut into strips that indeed looked like streamers, and also a pair of seriously glistening silver metallic stretch tulle pants.

This is Kors' flagship collection, not his more accessibly priced secondary line.

Kors always has a healthy celebrity contingent at his fashion shows, and February's event was no exception: Blake Lively and Jennifer Hudson were among the front-row guests. They were there to witness an anniversary of sorts for Kors.

"I'm not one for anniversaries and I'm really not a big kind of looking-over-my-shoulder kind of guy," Kors said in a backstage interview. "But when I started designing this I realized, oh my God, this is my 35th fall collection. That's crazy!"

Kors added that as he reflected on the milestone, he realized the most important thing was to keep his fashion fun.

"I wanted this to be full of fun and charm," he said. "So it's very flirty, short, leggy, not a gown in sight. All the rules are broken because stylish people break the rules ... The seasons are crazy anyway. So when the weather's terrible, don't you want to put on a fabulous apple green coat to change your spirits? Don't you want to wear tweed with flowers? Don't you want to put feathers on flannel? Wear flats at night? Wear metallic for a day?"

From his sunglasses to his gold glitter pumps, Kors' collection exuded fun, not fuss. Even a denim skirt is luxe, when covered in feathers. A hoodie adds reality to a silver sequin cocktail dress. And who doesn't love handbags the colors of jelly beans.

CAVALLI'S DECADENCE

MILAN - Even while venturing back in time to the Belle Epoque era, Peter Dundas' latest collection for Roberto Cavalliremains rooted in the rock 'n' roll '60s and '70s. His collection bowed during Milan Fashion Week last month.

The languid looks were strong on glamour and workmanship, from the ephemeral sheer beaded evening dresses in pale shades to the colorful patchwork fur coats worthy of any rock star: art nouveau meets Janis Joplin.

''Decadence, superstition, mysticism, Gustav Klimt, Aubrey Beardsley - things that give me a kick," Dundas said backstage, describing his inspirations.

He said the Roberto Cavalli woman for the season is ''a little wild and instinctive."

The Cavalli animal print for next winter is tiger, in long skirts and short bomber jackets, while denim gets its due with a long trailing coat and flared embroidered jeans. Looks were finished with long scarves tied casually around the neck, makeup hastily done and hair loose and natural.

Notwithstanding the labor involved in his creations, Dundas says he would like to see his collections get into stores more quickly than the current system permits.

''I wish I could. I am working on it," Dundas.

DIOR'S PARISIENNE

PARIS - Vogue fashion doyenne Anna Wintour, former French first lady Bernadette Chirac and Chinese actress Liu Yifeiwere among the celebrities on the front row of the Dior show held in an annex inside the picturesque Rodin Museumgardens in January.

In the clothes, the "spontaneous, relaxed Parisienne of today" mixed with the iconic styles of the 1940s and 1950s.

High-cut post-War shoes with occasional retro ankle bows accessorized embroidered silk gowns in freestyle volumes - often with "sensual, bare" accentuated shoulders. A couple of flapper-style lace, chiffon and tulle look also evoked the joyful feeling of the 1920s - the period between the two World Wars.

Dior's studio team of designers also set about experimenting with the famed "bar jacket" - it "changes appearance depending on whether it is worn closed or loose," said the program notes.

It thus came in myriad forms: in tight, embroidered black wool, loose and white, open to expose the breast sensually, oversized and masculine, or as a beautiful dark navy wool coat.

There were also traces of the historical musings of past creative directors - such as Galliano and Simons - set off nicely in one look off-white wool "bar" jacket interpretation with flappy 18th-century cuffs.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/short-formal-dresses

It was hardly a JFK moment but if, like me, you remember what you were doing when you first heard a Spice Girls track, it may be hard to believe two decades have elapsed since the girl group released their debut single, Wannabe, in the dying days of John Major’spremiership. Together with Oasis, Blur and Blair they heralded a new dawn for Britain - selling millions of records while they were at it - before embarking on what turned out to be a lengthy hiatus just four years later. There was a brief reunion in 2007-8 but the question now is: how, if at all, will they mark their 20th anniversary this summer?

Sitting opposite me in a London hotel bar in Leicester Square, just across from where she co-hosts the Breakfast show on Heart FM withJamie Theakston, Emma Bunton - the one formerly known as “Baby Spice” - makes no secret of her hope that the “girls” (now all in their forties) will get their act together.

“We adore each other. There’s so much we’ve been through. I would love to do something,” she says. “I think we’d all quite like to do something, but it really is figuring it out. We all have such different lives. Mel B [Melanie Brown, formerly Scary Spice] lives in America. We’ve all got different managers.” Not to mention the fact they are all mothers now and their busy schedules include commitments such as school plays, which makes finding time for a reunion even harder.

It’s natural to wonder, too, if any jealousy simmers beneath the surface. Victoria Beckham’s star has risen exponentially since the group broke up, with her marriage to former footballer David, their children and her fashion line keeping the profile of the erstwhile Posh Spice higher than those of any of her former bandmates. Bunton insists she’s delighted for her though.

“When a friend does that well it’s incredible. She’s just hilarious and I know exactly what she’s thinking just by looking at her,” she says. “I see pictures and I go, ‘I know what she’s thinking about!’ I’m very lucky because I know the fun, sarcastic, brilliant other side to her as well.” The fact that Beckham invited Bunton to choose a dress for her 40th birthday in January would appear to support the picture she paints of their friendship.

When “Baby” joined the band in 1994 she was almost young enough to be in a school play herself. Now she has two babies of her own - Beau, aged eight, and four-year-old Tate - with her fiance, the singer Jade Jones, to whom she has been engaged since 2011. Although she could pass for 30, her woollen shawl, floral Kooples shirt and the glasses that frame her face give her the look of an elder stateswoman of pop.

“Wouldn’t that be amazing?” she agrees when I suggest a one-off gig at Wembley Stadium. “Fingers crossed. That’s something we’d really love to do.” While we talk, a phone rings in her bag. It’s Geri Halliwell, formerly known as Ginger Spice. Bunton ignores it. “I’ll speak to her after and tell her you suggested it,” she says of the concert idea.

Meanwhile there is her new early evening live TV show to focus on. In BBC Two’s Too Much TV, she pairs up with Rufus Hound, Sara *** or Aled Jones, reviewing and previewing what’s on the box. Her years of experience as a radio host have come in handy here, but the programme itself has reportedly suffered some disappointing audience figures.

Still, Bunton is pleased to be forming a female double act with ***. The phrase “Girl Power” - which she defines as “supporting one another in everything you do” - was famously central to the Spice Girls’ brand and is something she continues to draw on. “For me, it started with seeing my mum going back to college at 40, starting karate at 40. She just kept growing and I’ve really fed off that,” she says. “I want to grow as much as she did and still is. She was my first role model. Jade is brilliant, it’s just we [girls] have had to push a bit harder. As girls we’ve pushed things forward.”

Bunton was born and raised as a Catholic with her younger brother in Finchley, north London. Her parents worked hard to provide for their children but separated when she was about 11, which she struggled with. (“I don’t like change too much,” she says.) Until her father, a former milkman, recently moved to Ireland, she would visit him every Sunday. Privately educated at the Sylvia Young Theatre School in London, she was granted a scholarship when her parents could no longer afford the fees.

Though not one to dwell on failure, even she began to question herself when the rejections kept coming. “You’d think, ‘I’m just not good enough,” she says. It wasn’t until she auditioned to become the fifth member of the Spice Girls that her big break arrived. She was asked there and then to move in with the others in Maidenhead - and the rest is nineties pop history.

Part of the Spice Girls’ selling point was their girl-next-door image. While it could not be said that *** was removed from the equation - theUnion Flag dress Halliwell performed in at the 1997 Brit Awards left little to the imagination and many of Brown’s leopard print outfits were an exercise in cleavage-display - *** appeal was not the main draw. Yet even if looks weren’t the focus (wasn’t it all supposed to be about fun, girl power and attitude?) Bunton hasn’t always felt secure about her body image.

“Obviously [body shape] is such a big thing in this industry,” she says. “I’m 5ft 1in so I feel that sometimes being curvaceous is harder to carry off because I’m so short. But I’m comfortable. I’ve always been that kind of way. In the industry it is becoming a bit more difficult because everybody is so slight, it’s quite unbelievable. I don’t know how they do it.”

When she first joined the group she felt relaxed enough about her appearance, but went through “probably a very short stage when everything hit and there were pictures everywhere and you think, ‘Do I look OK?’” This faded, and having children has helped stop her worrying about this. “It’s something I just don’t take on board as much because I can’t,” she says. “But you’re being pictured every day or papped, so obviously there’s that pressure of hoping to look half decent in pics.”

Reflecting on how motherhood has transformed her, she goes on: “I used to be very self-absorbed, I’m sure, worrying about what I was going to wear to the next event or whether my roots were done,” she says. “I’ve changed as a person.”

So what about that long engagement? Will she ever get round to tying the knot? She and Jade will need their heads knocking together before they do, she says. “If we do, we’ll definitely elope,” she adds.

Career-wise, she remains ambitious. She has a small part in the forthcoming Absolutely Fabulous movie and would like to sing and act more, as well as branching out into comedy (she’s already been involved in Comedy Central’s Drunk History).

Pop culture doesn’t cast out the over-40s these days, so there’s no reason to think she won’t stick around. Nobody, after all, puts Baby in a corner.Read more at:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-2015

Continuing her ******* of the fashion industry, Victoria Beckham proudly opened her second boutique in Hong Kong this week. The designer was greeted by crowds of fans as she posed happily for pictures and celebrated her latest achievement.

Victoria, 41, kept her social media followers in the loop with a stream of behind-the-scenes pictures and, in her style, appeared to poke a bit of fun at herself. Standing next to a mannequin dressed in one of her designs, she wrote: "I'm wearing VVB… what are you wearing?"

The mother-of-four also uploaded a clip of her with a hologram fish, and jokingly asked fans to help name her new friend. But it wasn't all fun for former Spice Girl Victoria; her social uploads revealed a very late night ahead of the store opening as she prepared to face her Chinese customers and press.

As usual Victoria looked effortlessly chic for the launch, dressed head-to-toe in black. The businesswomen opted for a fitted turtleneck teamed with a calf-length skirt and black heels. Her trademark oversized sunglasses completed the look, and she had her long brown hair tied back into a ponytail.

Discussing the launch with the South China Morning Post, Victoria said: "I know Asian women really understand luxury, good quality and appreciate when garments are made well – and my clothes are.

"Every time I've visited over the past few years, I've taken time to meet with my clients [here], to really get a sense of what excites them and what they want."

Three years ago Victoria, who shares children Brooklyn, 17, Romeo, 13, Cruz, 11, and four-year-old Harper with husband David, opened her flagship store on London's Dover Street, and its Hong Kong sister store follows the same architectural design.

Victoria once again stressed her involvement in all areas of her fashion empire, explaining: "It's important to me that I'm part of the decision making in all areas, whether that's deciding what the changing rooms look like, to what fragrance we use in store, to what the receipts look like. I enjoy all of that, and I'm a perfectionist. I believe it's all in the details."

She added: "I am feeling very excited. The process wasn't easy… opening a store is a huge project. Together with my team, I've worked really hard to get to this point."See more at:www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-brisbane

Fashion has always had two elements famous and embody, which probed the notion of how a distinctive muse can instil life into clothes. Simply put, a designer always aligned himself to a persona. But the advent of fashion blogs and websites removed the exclusivity factor and with slight modifications made it accessible to all. Fashion Lady is one such platform that women can turn to for fashion advice – 5.35 lakh women who follow the blog on Facebook vouch for it. Sree Reddy the woman behind all the glamsham, in conversation with Hyderabad Express, talks about her journey from a fashion-conscious woman to fashion advisor.

The journey thus far...

The odds of a Rajamundry girl, coming from a family where girls didn’t study and were married off before they turned 20, making it big in the fashion industry is almost zero. And yet, 13 years after leaving her home in Rajamundry, Sree, the fashion advisor of her family and friends, has become an advisor to the 2.5 lakh women who visit her website every month.

“The best thing a woman can wear is her confidence but Indian women, do not feel comfortable in wearing fashionable clothes. ‘Will I look good in this?’ is the first question on their minds. This is what Fashion Lady hopes to change,” says Sree who is the only educated woman in her family.

While being passionate about dressing well and helping her family do so too, Sree always had this thought at the back of her head that there would be several others who would need a comforting voice to tell them that they can pull of that little black dress or the low-cut blouse with an equal elan.

“My parents never stopped me from pursuing my passion but when the time came I gave my assent for marriage. I then moved to the US with my husband. But a few years later when we returned, my husband urged that I make a career out of my passion and this is how Fashion lady was born,” Sree reminisces and adds, “My experiences and encouragement from family inspired me to undertake this journey.” Having started with one staffer, the online magazine, as Sree likes to call it, today has 30 employees who write and advise across verticals, fashion, beauty, makeup, wellness and much more.

“The idea is to make make Indian women aware of latest trends; which with slight modifications can be incorporated by them to suit their personalities,” says Sree adding that it is offers a holistic approach to fashion.

Besides its advisory role, Fashion Lady also brings out monthly periodicals that help woman dress up according their sun sign.

Was it difficult to create a brand and name for herself in the city? “Not really. Passion helped me,” she says.

While asserting that Fashion lady is for “the real women with practical suggestions”, Sree admits that Hyderabad lags behind in terms of fashion and style. “It is not as laid back as it is made out to be,” she quips.

Achievement

“All I knew was that this was my calling. Reaching five lakh plus fans in less than three years of existence and appreciation over the years are my achievements,” she says.

Favourite designers

Bridal: Manish Malhotra Party wear: Tarun Tahiliani Formal: Label Ritu Kumar Closet

Must - haves

White lenin dress

Tan sandals

Gemstone accessories

Floral stole

Shades

Fashion is...

Anything you feel comfortable and confident in is fashion for me. There is no fixed definition for fashion, it is very subjective. But yes, I love to dress up in traditional Indian clothing.

Fashion philosophy

I won’t change my style to impress anyone -- I will be me wherever I go. I am not shy in portraying myself as Indian. In fact, during my stay in the US I would wear only traditional Indian outfits

Would like to style?

Every Indian woman who is not confident about carrying latest fashion. I want to be there to tell them that they will be able to pull it off.See more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/short-formal-dresses

Fashion is a female-fueled business. Many glossies have mastheads filled with women; there are tons of female designers; public relations, a key cog in the fashion-industry machine, is two-thirds women. Yet gender inequality is still a legitimate issue in the field — very few European design houses arehelmed by female talent, and women have only recently begun to catch up in terms of top-level executive roles at places like LVMH.

We’re still a ways off from having gender parity in the most influential roles in fashion, not to mention equal pay, and better parental leave policies. But there are some advantages to being a female designer — an innate understanding of the female body and what women truly want to wear, for starters. In honor of International Women’s Day on March 8, shopping app Spring gathered 33 of its female-led brands — including some of our favorite forward-thinking names in the biz — for a campaign called #SpringStories. The original shoot, lensed by Diego Uchitel, explores dozens of designers’ experiences in (and contributions to) the fashion industry.

As part of #SpringStories, users on the e-tailer’s app will be able to “swipe” to donate to I Am That Girl, a charity that aims to “help girls establish physical, emotional, and mental well-being and transform self-doubt into self-love by providing a safe space to have honest conversations about things that matter,” according to the organization’s site. Spring will then match all contributions to the charity.

A handful of the app’s featured designers shared with Refinery29 the ongoing challenges they face as women in the fashion industry, as well as the highlights of getting to design for other women.

Getting the necessary capital to put out collection after collection is tougher for female talents, according to Laura Cramer, cofounder of Apiece Apart. "To build a grounded business poised for growth, you either need to raise money or have deep pockets. The uphill battle for women raising money is much steeper, particularly if you look at data around VC funding, where women-led companies get less than 5%," Cramer says. "Early in our pitching days, I was pregnant and would watch eyes fall to my enlarging belly as we described our road map to success. A man will never know the feeling of people calculating your age, your marital status, and your child-bearing readiness."

And once funding has been achieved, some designers feel a lack of support between women in the industry. “I think a lot of women don't support each other in the ways they should, and it always blows my mind that support and love isn't people's default setting all of the time," says Aurora James of Brother Vellies. "There are a lot of women in this industry, and there is enough success for all of [us]."

Camaraderie is important, certainly, but it's necessary to have women installed in powerful, well-financed creative director roles at the biggest fashion conglomerates to truly work toward having equal opportunities in the industry. "There are many female designers, but not in the top tiers of fashion," says Becca McCharen of Chromat. "The brands backed by companies like LVMH and Kering are predominantly run and owned by men."

Women are especially adept at "designing for changing bodies, with curves, and incredibly diverse days," Cramer explains. Yet there's a (albeit, generalized) contrast in what drives designers' ideas, according to Tanya Taylor: "Men design for desire and women design for purpose," she says. "The biggest challenge is how you make purpose desirable."

Though there certainly are ways to make clothing that elicits desire without being overtly ****. "Becca [McCharen] from Chromat — she has an incredible understanding of the female body in all of its many incarnations and she designs for that; she basically builds scaffolding for the body," James raves. "She supports women both ideologically and literally. It's lingerie, but it's not about *** — show me a man who has done anything like that."

#SpringStories' eclectic roster also includes labels like Negative Underwear, Misha Nonoo, Marcia Patmos, Rebecca Minkoff, Outdoor Voices, and Eileen Fisher.See more at:http://www.marieaustralia.com | www.marieaustralia.com/bridesmaid-dresses

Maria Messier, a registered nurse turned entrepreneur based in Clifton Park, said she has “created a solution to a “growing” problem.”

Though she has been a nurse for 15 years, Messier said she has always had “an entrepreneurial mind.” After having four children and experiencing the discomforts of pregnancy during harsh northeastern winters, Messier decided to come up with her own solution to a problem pregnant women have been dealing with for ages — how to make your winter coat fit as you grow through your pregnancy, without buying a huge coat you won’t ever wear again.

She realizes maternity coats are nice, but noted not everyone can afford to buy a new coat for their pregnancy. “They are expensive and are used for such a short time,” she said.

She calls it the Extendher and it can be used during pregnancies and after for holding your baby hands-free. It is an extending panel which clips onto outerwear with a zipper. According to their website, the product has adjustable pull toggles to ensure a great fit throughout each stage of pregnancy.

Having experienced the frustrations of coats that refused to zip first-hand, Messier began to wonder why something like the Extendher did not already exist. She shared the idea with her aunt, Joanne Frank of Schenectady, at a family gathering. Frank, who worked as a fashion designer for 40 years, told her niece, “You are on to something,” and agreed to create the first prototype.

“After many tweaks and changes, our final extendher was born,” said Messier.

She said the best part is that you can still use the product after having a baby by using it as a baby carrier. The Extendher is not only for expectant mothers, but can also be worn by fathers, grandparents and babysitters. Messier said “Babywearing is huge right now, so customers really love this option.” The Extendher comes in a variety of colors. Heavyweight and lightweight options are available for different seasons.

The business, Extendher LLC, became official in 2015. Messier said their product has been featured on Elaine Houston’s “Today’s Women” on News Channel 13, WNYT.

“Most importantly,” said Messier, “we are 100 percent made in the USA, manufactured in upstate NY.” The Extendhers are being manufactured in Little Falls, New York.Read more at:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-sydney