In June this year, designer Masaba Gupta and film producer Madhu Mantena had the quietest of civil ceremonies. It was only when she took to Twitter the next day to talk about the court registry that most people heard of it. It was a move most unorthodox, for a leading fashion designer, especially one who counts several Bollywood actors among her close friends.

At the time, she also announced “a Caribbean wedding in November”.

The destination wedding isn’t happening. But that’s not to deprive us of a grand, four-day affair, the sort that has the most coveted guest list, and is followed with the keenest interest. It will start on November 19, with the bridal showers, will continue with the mehendi on November 20, the sangeet on November 21 and a gala reception on Sunday, (November 22). Expect the works, and guest lists that boast of Bollywood A-listers (Shahid and Mira Kapoor, and Sonam Kapoor are close friends, just so you know).

In short, it sounds like any other grand Indian celebrity wedding. Except, this is Masaba Gupta we’re talking about. As we catch up with her, we get the sense that she’s approached the whole thing with the same minimalism and quirkiness with which she approaches fashion. “A lot of people are invited,” she tells us, “But I’m not going around and talking about my wedding designer or my lipstick, so on and so forth.”

Unlike most Indian brides, she’s not even fretting over the big day, or days, as it were. “When I was growing up, I always saw brides around me under tremendous stress. The pressure to dress a certain way, wear a certain amount of jewellery and make-up... I saw how uncomfortable it was. So I decided that, if I do get married, I’ll be someone who puts comfort first, and then looks at her options for cut, colour, embroidery or jewellery,” says Gupta.

So, in case you do find yourself invited (otherwise, there’s always Instagram), don’t be surprised to see the most relaxed bride, dressed so comfortably that she’d be the envy of any married Indian woman. The idea, she says, is that a bride should “dress in a way that she can interact with people and have a good time herself.”

She’s also taken charge of the whole thing, and planned a non-fussy, non-extravagant celebration. “For me, three vacations is more value-for-money than a mandap with diamonds on it.”

True to her word, for her sangeet and reception, Gupta is ditching the norm of heavily designed lehengas and saris. “I didn’t go into that heavy, couture, bridal space. And I’m the kind of designer who wears works of other designers,” she says. So, her trousseau will have outfits by several other leading designers. “There are a few people who are great at doing certain things. Anamika [Khanna] is great at reception outfits. I can do a cool, quirky mehendi outfit. For a sangeet, somebody more in the Manish Arora or Shivan and Narresh kind of space,” she says.

The designer who’s always stood apart also seems keen to set an example. By not conforming to rules, Gupta wants to make a point. “I do want it to be about comfort, but I also want to change things up a bit. I want to set an example and say that you don’t need to wear a certain colour, a certain type of maang tika; your hair doesn’t have to look a particular way,” says the young designer.

Ask her if this is the (unconventional) dream wedding come true, and she laughs. “I never had a dream wedding. I’ve never visualised anything except clothes. Certainly not an elaborate wedding setup. See, I just don’t want to starve at my wedding. So, my dream wedding is one where I get to eat a meal while everyone else enjoys themselves as well.”

Masaba’s five-point guide to a chilled-out wedding

1) Get people to help out. If you try and look at every detail, you’re going to have a hard time. You may have a great input, but get people to do it for you.

2)People think you should shop for jewellery and clothes much in advance, but I think it should be done as close to the wedding as possible. You’ll have the latest stuff, and your taste might change over time. It’s best done around the wedding, so you don’t regret what you’ve bought.

3) Shoes are important. Make sure you’re in comfortable heels or flats, so you can survive the night.

4) Always test the make-up artist. Don’t just do a demo and leave it; test it through the day. See how the make-up behaves over a few hours, then you’ll know what it will actually be like, because it takes a couple of hours for make-up to set.

5) Receptions should start becoming more informal. You shouldn’t have to have the couple on stage smiling through the evening. I’ve heard of brides getting locked jaws. It’s absolute torture.

How to be the unconventional groom

• Fusion looks work well. If you’re wearing a Jodhpuri or a bandhgala, team it up with Jodhpuri pants. For men who are slimmer, suits do wonders.

• If you wish to be quirky and know you can carry it off, team dhoti pants and a shirt with a really formal blazer and a brooch.


• I love the cropped, ankle-length formal pants men are wearing now. It’s great for a reception.

• You don’t need to wear laced up shoes. Wear a nice slip-on in patent leather or a printed pair of shoes that stand out. So, you can make the whole look black and white, and have a nice pop shoe and make that the focus.

• Don’t be afraid of colours at your wedding. Get over navy blue, black or maroon. On a darker man, a haldi yellow kurta will look fantastic when teamed with an off-white or cream churidar. Even a soft pink in raw silk — it has a silver-pink shine — looks lovely.

How to be the ‘in vogue’ bride

• We’re seeing a lot of shapewear backs. Instead of the flared lehenga, women are opting for the fishtail cuts. Girls are also wearing shararas with big flares that almost look like a lehenga.

• Brides are going minimal. Go for less embellishment, and lighter lehengas.

• The dupatta is being ditched. Either that, or it’s attached. Much easier to handle.

• The choli is becoming more modest. People are wearing longer lengths, which are more fitted; the ‘60s style kurtas with shararas are also in. There’s more focus on the body and shape.

• I’m hoping the anarkali has died. It’s the worst of the lot. And it’s not very flattering. If you’re very skinny and tall, it works for you. If you’re short, you look like you’re lost in your outfit.

• Ditch the trail. At the end of the night, it’s a rag. It’s been stepped on and is *****.

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With their new awards show - VH1 Big In 2015 with Entertainment Weekly - the network aimed to 'highlight the trailblazers and epic pop culture moments of the year.'

So it was no surprise then that Taraji P. Henson, 45, was one of the program's honorees for her unforgettable work as Cookie Lyon on Fox's smash hit Empire.

Taraji looked stunning as she arrived at Pacific Design Center in West Hollywood, California on Sunday for the celebration, flashing some skin in a fitted black Alexander **** dress.

Taraji wore a sleeveless, black dress for the event that hugged the Fox star's curves while showing off her toned pins.

The flattering number also featured a laced-up, cut-out along the side of the dress that added some edge to the look with a flash of skin.

She coupled the look with a pair of studded, strappy black heels, and donned a pair of dramatic, dangling earrings.

She showed off bold eyeliner for the event, as well as big lashes and a complimentary mauve lipstick.

Taraji's brunette tresses were styled in gorgeous, wild curls, and the actress looked to be in good spirits as she hit the carpet, showing off a big grin and at one point even blowing a kiss.

Amy Schumer was also being honored at the event after her stellar year that included the success of her comedy Trainwreck.

The 34-year-old smoldered in a form-fitting red gown, which she coupled with a pair of coordinating red pumps.

The flattering number featured three-quarter length sleeves and was fitted to show off the comedian's trim figure.

She wore her long, blonde tresses styled straight for the show, and showed off a smoky eye and a dark manicure.

Amy was joined on the carpet by her sister Kimberly Schumer, who wore a sleeveless, bright blue mini dress that showed off her toned pins.

She coupled the playful frock with a pair of strappy, black heels, and wore her long, brunette locks in soft curls.

Amber Rose, 32, put her ample assets on display in a figure-hugging mini dress as she arrived at the Pacific Design Center.

The model wore a long-sleeved black mini dress which featured a plunging front and also highlighted her toned pins.

She coupled the daring number with a pair of strappy, black heels, and hid her eyes behind over-sized, black sunglasses.

Pitch Perfect 2 director and star Elizabeth Banks, 41, wore a textured black dress with a semi-sheer skirt and bow-shaped cut-out along the front.

The eye-catching dress hit at just above the actress's knees, and she coupled the look with strappy, peep-toe black heels.

She accessorized with a coordinating, black clutch, and wore her long, blonde tresses pulled back into a chic updo, with curled, wisps of hair falling around to frame her face.

Queen Latifah, 45, and Katherine Bailess, 35, both opted for stylish, black jumpsuits for the awards show, though the former wore long sleeves while the latter opted for a one-shoulder look.

Katherine finished off her look with a pair of peep toe heels that showed off a dark pedicure, and wore her long, blonde locks in soft waves.

She accessorized with a pair of dangling earrings, and added a pop of color to her look with a bright red lipstick.

Parks And Recreation alum Aubrey Plaza, 31, stunned in a form-fitting, white mini dress that featured metallic embellishments, and she coupled it with chunky, black heels.

Elle King, 26, meanwhile, was a bit more colorful in a pretty floral dress, though she added a bit of edge to her look with a black, leather jacket.

Master of None star Aziz Ansari, 32, looked dapper in a fitted, black suit worn with brown leather oxfords and a bright, pink patterned tie.

T.I. - host for the VH1 and Entertainment Weekly event - looked stylish in an all-black ensemble that he accessorized with Aviators and a bold, silver necklace.

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Bride Abbey Ramirez-Bodley looked for a vintage-style wedding gown, but soon realized everything she liked was over $1,000.

So instead, she took matters into her own hands -- literally -- and decided to crochet a long-sleeved dress for her October 27 wedding in Parkerfield, Kansas. It took eight months to complete and cost about $70 for the yarn and $100 for the green dress underneath.

When Abbey was 3 years old, her aunt Jennifer Wollard taught her how to crochet. Growing up, she would help her aunt with various projects. All these years later, they teamed up once again to create Abbey's dream dress.

"It was wonderful because my aunt and I spent so much time together and she's really important to me," the bride told The Huffington Post. "This is always a piece I'll have with her. When I look at it, I'll remember the wonderful wedding I had and also the eight months I got to spend with my aunt making it."

On weekdays, Abbey and her aunt would work on the individual doilies by themselves; they got together on weekends to stitch them together.

A month before the wedding, Abbey finally tried on the finished product.

"When I put it on, I was, for one, amazed that it looked exactly like what I thought it would look like in my head," she told HuffPost. "We didn't have a pattern so it was hard -- I couldn't take the image I had in my head and give it to my aunt and say, 'This is what I want.' It was amazing. It was emotional. [Especially] when you put that much time and love into something."

Abbey's husband Jake Bodley saw her working on the dress in the months leading up to the wedding but didn't see the finished product until their big day.

"He was really impressed," Abbey said. "He knew we would get it done, but I think he was worried about us getting it done in time and he wasn't sure if it was going to work like I thought it would. It was a new thing for him. But he was amazed by the final product."

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NNEWI—TRADITIONAL marriage is a popular event in Igbo land. Young ladies and men who are getting married use it to bring their friends and well wishers to their homes, to showcase the families where they are coming from unlike before especially in the early 1980s, when it was not as popular as it is today, because at that time, young ladies would bring their suitors to their parents and kinsmen who drew up a list of things to be done, including the dowry to be paid, other expenses to be incurred as well as going to the church to solemnise the marriage.

However, traditional wedding cannot be done today in Igbo land without traditional marriage being performed between the parents and relations of the bride and suitor.

“What is actually celebrated as traditional wedding today in Igbo land, is actually the traditional marriage right that has been performed earlier before the eating, drinking and dancing that precedes it, by friends and well wishers of the couple, who are normally not part of the traditional marriage rights that has earlier been done and is most times not celebrated .

South East Voice witnessed the traditional wedding of Chidinma Ezenwaobi, daughter of an Nkpor and Onitsha, popular market leader, Chief Sunday Ezenwobi, known as “Seeman,” who is the Chairman of New Tire Market Nkpor, which attracted who is who in Onitsha Nkpor and Anambra State business and trading community, including politicians and traditional rulers, some of whom ha the following to say about tradtional marriage.

According to Chief Victor Umeh, the immediate past National Chairman of All Progressives Grand Alliance, APGA, who also hails from Agulzigbo in Anaocha Local Government Area of Anambra State, where the event held, “Traditional Marriage in Igbo land is giving out a girl that has matured to marry, to the suitor when the suitor comes to the parents, and the father and mother of the bride will hand the girl over to the suitor who is always accompanied by his parents and well wishers after doing the traditional things that are involved”.

Chief Umeh further said “traditional marriage cannot be neglected in Igbo land, what people call traditional wedding today in Igbo land is actually the celebration by friends and well wishers of the girl and her husband after traditional marriage rights that has been earlier done or part of it done before the celebration through eating, drinking and dancing that follows it.

“If you do not do traditional marriage in Igbo land, in the eyes of the kinsmen, men and women, the girl is not yet married, you must do it to put a seal to the marriage,. Where you don’t perform this traditional rights of payment of bride price and the rest of other things, the girl in the eyes of the kinsmen men cannot be given out for marriage.”

“The implication is that if she bears a child, that child belongs to her father’s home, if you did not pay that bride price, any child she bears does not belong to the husband, but when he pays, the child can now belong to the man.”

He debunked claims that the Igbo charge much on their daughters, before they give them out for marriage. “That has gone out of fashion, it is no more obtainable, people don’t collect exorbitant dowry these days, in order to give out their daughters for marriage, this is because in Igbo land, we do not sell our daughters, so we collect just a token to show that they are coming out from a home, and with time those things are beginning to change, people now take N100, N1, N5, as a symbol that the girl has been betrothed to the husband, you must pay something before the girl is handed over to the husband,”.

The traditional ruler of Akwaeze, Igwe Christopher Ndubisi Okpala, has a similar view, about traditional marriage, with Chief Umeh, but brought some element of spirituality to his view,apparently because of his position. He said “traditional marriage is a very important event in Igbo land and if you have not done it, it means you have not started marriage, it is that time the human beings and the spirits in the community where it is happening welcomes the two people involved in the marriage to be one”.

“White Wedding was brought by white men, but traditional marriage is where the agreement of being husband and wife is sealed, in some white weddings, if the traditional marriage activities have not been conducted, some priests do not accept to conduct white wedding.

“Some Priests will tell you, go and conduct the traditional marriage first, another thing is any man that grow to marry and have children, and it happens that the son or daughter is performing this ceremony, it gives joy, it is a thing of joy in the life of the man and woman who are giving out their daughter, and when this happens, and in few months or years, he gets a grandchild, he starts answering grandfather while the mother becomes grandmother.”

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Whether or not to invite kids to your wedding is one of those polarizing First World problems that can end friendships, divide families, and ratchet up couples therapy bills. Your time can be better spent deciding what desserts will be at the Viennese table or which Billy Joel song will be your first dance. There's really no need to get defensive about the whole kid thing.

We can only invite a certain number of people.

The caterer doesn't have chicken nuggets.

It's a late ceremony.

We think kids are spawns of Satan.

Let me stop you right there. There seems to be a common misconception that I want to spend every waking moment with my children (probably because I spend every waking moment with my children). Don't tell me why my kids aren't invited to your wedding; just don't invite them. It will be magical. Here's why:

It's your day. If you want circles of doves, bridesmaids wearing Indonesian tapestries or the Electric Slide, do it. Who am I to dictate what your special day looks like? Kids create a certain, shall I say, atmosphere that is not everyone's cup of tea. I completely understand if you want the joyous union between two adults to be an adult-only affair.

I get a rare night out. You are literally forcing me to leave my house, put on an expensive dress I'll only wear once, dance with my husband, and socialize the night away. This hasn't happened since my own wedding.

I don't want them to upstage you. I'm not going to lie; my three-year-old looks smashing in tulle and sequins. Plus, she's a boss at throwing things on the floor, so tossing petals down the aisle will be a snap. Once we curl her hair, put her in matching bejeweled shoes, and turn her loose on the dance floor, all eyes and cameras will be on her. I mean, you. It's totally your day.

My kids don't want to be there either. It combines all the fun of sitting still, being quiet, and not ******* in public. What kid wouldn't love that? I've been to an occasional wedding where I've seen kids having a blast, boogie-oogie-ing up a storm, twirling in circles. But most of the time, I see them sitting in the coat room, looking surly while playing Angry Birds on their parents' phones.

Nobody really wants to supervise them. Relatives love to tell us: "Bring Junior, we will totally entertain him during cocktail hour," or "I can't wait to dance with little Nancy." Next thing we know, the bar opens, and everyone scatters to chase down the server with the mini-hot-dog tray. Friends and family always swear they'll help us out, but really, no one wants to babysit my kids at a wedding. Everyone is too busy having fun. It's impossible to hold a writhing toddler and a whiskey sour at the same time; one of them always falls. And those kids always eat all my mini hot dogs.

It'll keep your guest list in check. At this point in our lives, a lot of us have children--many, many children. If you let us each bring a "plus-4," your head count will spiral out of control, fast. The dance floor will begin to resemble the ball pit at Chuck E. Cheese's, and forget about being able to hear the vows over the cacophony of little voices asking if it's "almost up to the food part"--not that my kids will eat any of their $100-a-plate dinner anyway.

You will save a ton of money for me. Forget my own dress, hair and makeup; now my 3-year-old needs an outfit, matching shoes, hair accessories and jewelry. We need to pack crayons, coloring books, toys, an alternate meal (the infant isn't into prime rib these days) and a larger hotel room. And I suppose we should probably give a nicer gift.

Mommy needs a drink. I'm not a raging ******, but I do enjoy imbibing the odd glass of wine, or six, at a wedding. Hey, it's celebratory! Nothing kills a buzz faster than having to be responsible for the welfare and safety of small children in a room filled with innumerable safety hazards. I also have no desire to explain to them why Mommy has a lazy eye and "New Year's breath."

My children have no plans to reciprocate. There is a strong likelihood that my daughter will not invite you to her 4th birthday party -- something about "limited space in the bouncy house" and "pizza only serves eight." Since no invitation is forthcoming, feel free to save the space at your wedding for your mom's second cousins or that co-worker whose wedding you were B-listed to. Everyone will have a much better time.

Especially me.

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NEW DELHI, INDIA: Rifling through sweaters in India’s first Gap store in a glitzy New Delhi mall, 21-year-old Ridhi Goel says her grandmother doesn’t mind how she dresses, as long as it’s not too revealing.

“She’s fine with me wearing Western clothes like a shirt but not jeans and a crop top,” said the journalism student, her grey leggings contrasting sharply with her mother’s colourful kurta.

Taking a stand for big brands

“All my family wears Indian clothes, but I find them too uncomfortable. I think maybe there is a generational divide.”

Most women in India still wear traditional dress such as saris or shalwar kameez — but the picture is changing, and on city streets, dazzling silks mingle with logoed T-shirts and jeans.

Young people’s appetite for Western clothes has led a fresh flurry of foreign brands to open up in India in the past few months, including US chain Gap and Sweden’s H&M.;

Others are expanding fast, including popular Spanish retailer Zara and British high-street staple Marks & Spencer, which in October opened its 50th shop in India, its biggest market outside the UK.

Fashion design outlets sealed for non-payment of taxes

Urbanisation, a growing middle class, rising disposable incomes and one of the youngest populations in the world make India hard to ignore.

“The time has come for Western wear to have exponential growth,” J. Suresh, the managing director of textile group Arvind Lifestyle Brands, Gap’s partner in India, told AFP.

“If you look at any girl born after 1990 she will be wearing Western wear. That is the generation coming into college, getting their first job,” he said. ”They will be completely clad in Western wear.”

While globally women are the biggest shoppers, in India men’s clothing dominates with 42 percent of the $38 billion market in 2014, according to consultancy Technopak.

Lucrative trade: Designers approach PRA in wake of fashion crackdown

Shoppers are also younger — the average customer targeted by Gap in its US stores is 35, but their Indian counterpart is five to 10 years younger, Suresh said.

Gap had a head start in India thanks to Bollywood megastar Shah Rukh Khan, whose ubiquitous orange hoodie in 1990s hit Kuch Kuch Hota Hai handed the brand a ready-made following.

But it is young Indian women, increasingly affluent and joining the workforce in expanding numbers, who are driving change, with data showing sales of womenswear growing faster than men’s.

And while Western clothes currently make up only about a quarter of Indian womenswear, their sales are outpacing traditional dress sales.

Experimental exhibition: Emerging artists explore unique mediums

A Marks & Spencer spokesperson cited its Indigo denim range and lingerie as two of its best-performing lines in India, with more than 300,000 bras sold in 2014-15.

“As an increasing number of women move into white collar and blue-collar roles, they are also adopting Western attire,” Devangshu Dutta, chief executive of Third Eyesight, a retail consultancy in Delhi, told AFP.

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Chelsy Davy looked slinky in a **** satin dress as she joined a host of celebrities at the VIP premier of Burberry's new Christmas advert tonight.

The 30-year-old braved the November cold with a thigh-high-split dress with a plunging neckline, and halterneck straps, that showed off her toned arms and shoulders.

Prince Harry's old flame joined some of the biggest and best British names including Naomi Campbell, Rosie Huntington-Whitely and Romeo Beckham at the fashion house's flagship store in Regent Street.

Although Chelsey doesn't star in the Burberry ad campaign like many of the other guests, she used the opportunity to show off her style credentials in a silky black dress which showed off her figure.

Accessorising with a gold necklace, rings and charm bracelets, and a chain-mail edged envelope clutch, she did bring a leather jacket, but carried it with her bag despite the winter weather.

Chelsey had stiff competition in the **** stakes though, with Rosie Huntington-Whiteley dazzling in a provocative ensemble.

The model, who does star in Burberry's festive film, showed off her impressive figure in a skimpy satin body, which she teamed with a semi-sheer skirt and a pair of thigh-high suede boots.

Rosie teased her hair into loose waves and sported simple make up, so it didn't detract from her captivating outfit.

Her campaign co-star Naomi Campbell opted for an all-pink outfit - arriving in a rose suede jacket showing off a slither of her berry dress underneath.

And of course the model of the moment Romeo Beckham was on hand to celebrate his appearance in the film too.

The 13-year-old looked incredibly dapper in a navy suit with a matching skirt and tie as well as a polka dot Burberry printed scarf.

Downton Abbey's Michelle Dockery was one of the first of the cast to arrive and made her entrance wearing Burberry of course.

The 33-year-old actress was sporting a chic plum coat, simple black jeans and a pale pink jumper for the evening.

The campaign which was shot by Mario Testino and celebrates the 15th anniversary of Billy Elliot with an all British cast and begins with original footage from the 2000 film, as well as the original soundtrack - ‘Cosmic Dancer’ by T Rex - by permission of Working Title.

World-renowned photographer, Mario, also shot a separate stills campaign featuring Romeo, Naomi, Rosie, and James that will run across print and digital titles.

Speaking about the campaign, Christopher Bailey said: 'Billy Elliot is an incredible film full of so much joy and energy, so it was a real thrill and a great honour to be able to celebrate its 15 year anniversary through our Festive campaign.

'It was also a huge privilege to work with such amazing and iconic British talent – the cast are quite simply some of the biggest names in film, music and fashion and it was so much fun working with them all to make this special film.'

Burberry will no doubt be hoping for a boost thanks to Romeo Beckham.

At the start of the year, it was reported that thanks to his last Burberry Christmas advert, sales of the brand's classic £1,500 trench coats shot up a substantial 10 per cent.

The fashion label credited the then 12-year-old son of David and Victoria Beckham for its rise in sales in the US, Europe and the Middle East after he starred in their Christmas advert last year.

The advert, which was first released in November, was the first ever Christmas campaign for Burberry and starred Romeo alongside 50 dancers all clad in the beige trench coats.

Such was his popularity in the film - called From London With Love - that it was watched nine million times after being released.

The original production of Billy Elliot established a legacy of charitable support for the local community of Easington, County Durham where the film is set.

Inspired by this, Burberry is making a donation of £500,000 to be split between two charities, Place2Be and the County Durham Community Foundation, that have projects focusing on reducing barriers to education, training and employment in the local area. This donation is made in recognition of each artists' participation in the campaign.

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