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 Mar 2013 Judy iron
Lyra Brown
The moment you finish a good book

Is like the moment you step out of the shower

You savour it while you can

While also still knowing

That nothing lasts forever.

I guess it’s a good thing

I am a creature of a repetitive nature

So I can always go back

To good books and showers.

(While also still knowing

That nothing lasts forever.)
 Mar 2013 Judy iron
Lyra Brown
it
 Mar 2013 Judy iron
Lyra Brown
it
Maybe it started when I used to beg you to play barbies with me and you'd
Sit down for five minutes and then make up an excuse to leave.
Or maybe it started shortly after your mother died and I used to come into your room
And brush your hair back with my tiny three-year old hand and say,
"Mommy, I dusted your bedside table for you." Hoping I could maybe
Do something nice to cancel out the bad in order to get you
To stop crying and pay attention to me.  
Or perhaps it started when I used to sit at the bottom of the stairs in the dark
And listen to both of you fight for hours about nothing, wondering
If other peoples parents used words as knives.
Or perhaps it started the night of your birthday, right after your brother died
When your friends had to carry you inside the house and you were so drunk
You could hardly make out a mumble,
I had to check on you a thousand times in the night to make sure you were
Still breathing.
Or perhaps it was the time you told me about your childhood abuse,
The trauma that had never left you,
The attempted overdoses  you  made sound like you wished hadn't failed.

Or maybe there was nothing that started it, maybe
I had always had it.
Whatever word you want to fill the space of "IT" with,
Is fine by me.
Because I sure as hell can't put a finger on it.

But it's there.
It has been there for as long as I can remember.

*The presence of absence.
 Mar 2013 Judy iron
Lyra Brown
About a month ago I was waiting inside the lobby of a bank until the bus came. I was just standing there, innocently blaring Regina Spektor in my headphones to drown out my mind as I usually am, when this tall, *****-blonde, pretty handsome boy walked in.

“Hi.” He said, standing directly in front of me, looking straight into my eyes.

“Um… Hi.” I replied, and pulled out my headphones because I didn’t want to seem rude.

“You have really nice eyes. You’re really cute. How old are you?”

“….Twenty One. Why?” I couldn’t help but let out a loud laugh.

“Because you look so young! Can I see your ID?” He asked.

I laughed and laughed and laughed and didn’t know what to do other than laugh.

“You’re joking, right?” I said.

“No, let me see it. Please.”

I should have told him to ******* right then and there but instead I kept laughing and fumbled for my wallet, took out my ID and handed it to him.

“See. I’m not lying.” I said.

“Oh. That’s weird. You look so young. Like at most sixteen.”

“Okay.” I looked out the window and stared at the traffic. The bus should be here any minute. Get here. Get here. Get here. Somebody save me.

“What are you doing tomorrow?” he asked, standing closer to me.

“Um… Nothing.” **** why did I say that why didn’t I just lie **** why won’t he just leave me alone this is so weird ugh why is he getting closer to me.

“Come for coffee with me.”

“HAHAHA! Why?” I laugh.

“Because. Just do it. Say you’ll do it.”

“Um… okay… Are you high or drunk or something?” I ask him.

“Nope. Just really tired. It’s been a long day.”

“Okay well this is just really weird. Like, you’re so confident and so sure of yourself. It’s weird. Not many people just walk up to someone and do this to a stranger.”

“Well I was just passing by and noticed your eyes and had to come talk to you.” He said.

Finally the bus came, we both got on, and he kept asking me questions.

I was trying to ignore how uncomfortable he was making me feel, how insane he was acting, how he was handsome but most definitely not even close to a gentleman, in fact he was the farthest thing from gentle I have ever encountered. He made me feel like an object, like an empty shell stranded on the shore that was waiting for someone, anyone to pick it up and call it beautiful. This was not okay.

But all I could do was laugh, because that’s what I do when I don’t know what to do.

“I know what kind of music you listen to just by looking at you.” He said.

“Oh, really? Guess.” I said and rolled my eyes. No he most certainly does not. Who EXACTLY does this guy think he is?

“Fleet Foxes, Joanna Newsom… You look like a hippy. A small, young, hipster.” He said.

“Well you’re wrong. Joanna Newsom is okay, but no.” I laughed some more and listed about 30 artists he’s only dreamed of listening to.

“Oh. That’s a lot of music. I’ve never heard of them.” He said.

“Yeah, that’s what I thought.”

He inched closer and closer to me until both of our shoulders were suddenly touching.

“Do you want to know who my favourite band is?” He asked.

“Who?” I said, not wanting to know at all but I was getting off the bus soon and didn’t want to end our conversation leaving the impression that I was a *****.

He leaned in close, and whispered into my ear -

“The Strokes.”

I immediately pulled away from him and laughed,

“Why did you have to whisper that?!?!”

“Because I like your mouth.” He said, smiling.

By this time, I didn’t know whether to laugh or cry, to be flattered or insulted, to slap him or kiss him. Basically I was torn between giving him what he wanted: someone to **** and chuck, or giving myself what I wanted: to get the **** away from him.

“This is my stop.” I said.

“What are you doing tomorrow?” He asked.

“Uh… Nothing.” I said.

“Wrong! You’re going for coffee with me!” He said.

I laughed and got off the bus.

                                                               ­           ———-

About a month later, (which would be probably a week ago, presently speaking), I ran into him on the bus AGAIN and we made eye contact but I chose to ignore him. He did not choose to ignore me, although I wish he did. He came up to the front of the bus, sat beside me and said,

“What’s your name again?”

“….Lyra.” I said.

“Hi, yeah, I thought it would be awkward if I didn’t come say hi.”

“Hi.” I said, and continued looking out the window.

“Hi.” He said.

There was a long pause of silence that satisfied me because I had turned into a porcupine the moment he sat beside me and I was hoping he could feel the sting of my quills lodging themselves into his face.

“I can go… If you want….” He said.

“Well then why don’t you?” I asked.

“You just seem interesting, I don’t know.”

“Well you don’t know me and I don’t know what you want from me but I have nothing to say or give you. So yeah, you should go.” I said.

He gave me an insulted look and went back to the back of the bus where he belonged.

We got off at the same stop which ******, but I didn’t look at or speak to him at all, even as we walked side by side to cross the street.  

I felt relieved, elated, guilty, surprised, empowered, safe, in control.

I felt like a ***** and I liked it.

And I learned a lot from that one small encounter. I learned that being a ***** takes me out of my comfort zone, because I care so much about what other people think of me, I am always trying to come across as “the cute little blonde girl who laughs a lot and is very sweet”. Because that’s easier than being “the self assured woman who doesn’t take anyones **** and sometimes comes across as a ***** who doesn’t give a **** because she only returns the respect she is shown.”

I learned that it doesn’t always have to be one or the other, it is also okay to be both of those girls simultaneously.

I learned that I like attention, but I also like respect. And he made me feel extremely disrespected. I learned that some boys only want a girl for their own personal pleasure. I learned that some boys will literally do and say anything to get pleasure. I learned that it’s okay to stand up for yourself, it’s okay to turn into a porcupine when you feel uncomfortable to get the other person to leave you alone, it is okay to USE YOUR QUILLS.

I thought of all the girls I know, including myself, who have let men use them to get what they want, just to feel beautiful for a fleeting moment. I thought of all the girls I know, including myself, who have been in or stayed in a toxic, abusive relationship just to avoid being lonely. I thought of how sad it is that so many of us hate ourselves that much to let ourselves be used just so we can feel something other than pain for one ******* minute. I thought of how easy it is for so many of us to abandon ourselves like that and how no matter how many times we tell ourselves it’s okay, IT IS NOT OKAY.

I felt sad, but I felt hopeful too.

Because we don’t need someone to tell us we’re cute or beautiful or interesting or **** or funny or talented or special to feel like a ******* human who is all of those things already. We are and always have been, all of those things, regardless of who we are kissing or ******* or loving or talking to at any given moment. It’s nice to be reminded sometimes, but it’s not nice to depend on someone to make us feel like that. We do not need to settle for anything less than someone who ******* respects us and treats us how we ******* ought to be treated.

Most of all, I felt proud of myself.

And I feel like the Spice Girls or P!nk or Alanis Morisette would have been proud of me, too.
 Mar 2013 Judy iron
Tim Knight
Take any apartment block and stare into its empty eyes;

behind the curtains,
past the stud wall kitchen and into
the bedroom,
they’ll be a couple copulating in
the afternoon sun,

below on the sidewalk
strip, no-one knows of the
grip they’re in-
a vice tight hold of
infatuation:
in-fat-u-ation,

beyond this,
after the ***,
the lovers will sit and read,
bleed out to Benzedrine;
puncture parecetemol to avoid headaches;
mess with the myriad marijuana;
raise the stakes and place everything they have
on a red seventeen and hope
they’ll come out sane in the morning haze.

Take any apartment block and stare into its empty eyes.
coffeeshoppoems.com
 Mar 2013 Judy iron
Lyra Brown
Being an artist is hard. Especially when you write songs about love and love unrequited and addiction and death and wanting to die and wishing you were loved by the people who put their addictions before you and pain and self harm and hope and disappointment and everything that has made me insane.

The only thing I can do to make myself feel less insane is to write about it.

But as soon as you create something, it’s like “Well what the **** do I do now?”

Normal people would get a grant, make a record, go on tour.

Well guess what? I’m not a ******* normal person.

I have to deal with voices in my head 24/7 telling me I’m a failure, I’m a waste of space, that nobody cares about what I sing or do or make, that I would be doing myself a favour if I just ******* died already.

I have to deal with memories from my ****** up childhood that haunt me every day because my parents were too busy being addicted to alcohol and drugs to actually parent me.

Well guess what? I know that was unfair and sad etc, etc. I don’t want your pity. I know what my mind tells me are straight up lies. Depression is a mental illness and it doesn’t just go away because you’re intelligent enough to know that what your mind is telling you is not true.

But it’s the hardest thing anyone will ever have to live with and it makes it ten times more difficult to muster up enough confidence & self esteem to pursue being a musician, or writer or artist of any kind. Because being alone can be dangerous. I often feel so misunderstood and misheard by other people that I choose to be alone to do both them and myself a favour.

But that’s also *******. Because when you create something, no matter if it’s good or bad, you are giving something to the world that has never existed before.

Do you know how ******* beautiful that is?

What people don’t realize about artists is that the majority of them already are extremely  insecure and feel like failures and ****-ups.

The last thing I need from someone is for them to say:

“Oh, you have over 100 songs, how come you haven’t put out a record yet?”

“Here comes the girl who’s been saying the same thing for the past two years - that she’s ‘working on it.’”

Well you know what? I AM working on it. I don’t have to ******* defend myself to other people when they criticize me by saying things like this. You don’t have to sit hear and listen to me sing. No one is making you stay. They have no idea what I’ve been through, how I’ve changed, how I’m trying to heal, how healing does not come naturally to me. I was never taught how to heal. I was never taught how to live. And what I’m learning is that it is never too late to start trying.

I realize I’m getting older and time is passing but for someone to make some snide remark by commenting on how I seem like a failure is unacceptable, especially when I feel like one already.

My songs are a gift. I know that. I have given them away for free, to many people who, now that I think back on it, never even deserved to have them. Whether they’re jealous or mad or sad or whatever themselves, they don’t ******* need to put their insecurities on me when I clearly have enough of my own to begin with. We’re all human, how about we have some ******* compassion for each other?

There are a lot of things I’m not proud of. I have made many mistakes. I have wanted to die many times, and struggle with finding a reason to keep living daily. But music has always been the thing that has kept me alive. Music is what flows through my veins, and whether or not I “make a record” in the timeframe that people expect me to has nothing to do with what really matters.

Music has no timeframe.

Music has no jealousy or anger or resentment or insecurities.

Music is what saves lives, and I’ve been lucky enough to have the gift of making it and giving it to people in hopes that I can help them in some way. That’s what artists are made to do, help, make life more bearable, to transcend the pain of a ****** up life into a song that you can listen to and say: “****, this song sums it up, man!”

It’s a gift.

It doesn’t belong to you. It doesn’t even belong to me.

So just eat some humble pie and get over yourself for one ******* minute because your criticism doesn’t change the ******* facts and I will be going at my own pace whether you like it or not, thank you very much.
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