Fingernails dug out of steering wheel
in the out door, not enough gin to ****
50 pushups. 50 more. Change my body
Maybe you won't ignore
Ambien, the lull of the ceiling fan,
the crowds of protestors disband --
the blanket warm, cosmos tease and can,
malaise, malaise, I'm trying to be active
and sane, sane for the next promise ring holder
and wine cooler queen, here comes the switch:
ether.
The night brings me back to you
by way of illusion --
you've got lingerie
I've got needs
You've got teeth
I've got shoulder blades
so it begins,
white knuckle, culling songs, strain on scalp --
I sing along, ancient melody, satin dirge --
precursor to your soliloquy and black venom urge
to scatter this bandaged man--
pieces in your hand,
collected and left on 100 dressers
for ill-informed future connivers
conspire
but I'm only tired of trying not
to look like a liar
so I blend into your blood
satisfied smirk from
transparent you
but what is the future
--a present hope
but what is the past
--a present memory
so we abolish each other now
betting on tangible mirages
in this delicious, miraculous night  
the stars align
the planets collide
not an inch of you goes unkissed
not an inch of me goes without an itch
blackness and breath swirl and spit
me into a confetti end time without prophet or priest
only a skinny seed, and then the switch:
wake with a present hope of getting over
my present memory.

I don't dream of you either. Not at night. The occasional daydream occurs. You crawl into my mind in sentimental coffee shop conversations we never shared, love made in hotels we never went to, picking up naked dolls with frayed blonde hair that the daughter we'll never have left out. Sometimes it's lovely not to question the reality.

Usually the night drives keep me in Oklahoma. I don't know how many times I've stopped in Kingfisher to look at that terrible statue of Sam Walton. But he reminds me that no matter how successful a man becomes, in the end his legacy is depicted by his leftovers. There's a sadness in that. But also a freedom.

Wednesday's drive took me to Ulysses, Kansas. Light pollution gave up just outside of Woodward. Guiding me like a weary wise man who forgot his frankincense, stars beamed and made for suitable company. I love passing through small towns at night. I become a ghost. I'm above them. I'm not exactly there. Brief haunt. Then on my way again.

I parked about 100 feet from my grandmother's old house. Judging by the minivan, some young family's new house. They were in the process of adding to the east side. I wanted to tear at every fresh board. Instead I picked up a couple pieces of my grandmother's gravel. Put them in my pocket. Touched her old mailbox, and drove to the cemetery.

When I got to the headstone, which read Merle and Virgil Mawhirter, I thought back to the last thing my grandmother said to Karen and myself. We visited her in the hospital right before she found herself in the pangs of a ventilator and scattershot science. It was her birthday. I bought her a book she never read.

As Karen and I left, she stopped us. "Don't forget to bring me some ice cream. Good to see you, Floyd and Margie." Not sure who they were. Ice cream. Even at the end, she laughed in the face of diabetes.

Do you think Tim will be the name beside yours on your headstone?

I lied down by my grandparents' graves. Dim moonlight seeped through small breaks in the amethyst clouds. Dead leaves feathered to the ground beside me. I wanted to say some words of encouragement to her. For her, but mostly for myself.

All I said though -- My name is Joshua, Grandma.

Tim sounds nice. I mean reads nice. By what you described, he seems like he treats you alright. Rock n' roll. Movin' on. Proud of you.

Sorry he found that letter I wrote you a few weeks ago. Though it means a lot you kept it. Aren't remnants of past lovers interesting? It's not enough for us to take pieces of each other as we press forward, but we also have to leave little trinkets to remind of the good, the bad, and indifferent times.

Tara left her favorite burnt, metallic necklace with a blue buddha charm embedded in the carpet when I lived at 2307. Thousands of hairpins were hidden throughout the place when Sam and I split. You threw that gypsy bracelet in the grass by the streetlight -- the one I got you in Colorado.

Karen didn't leave much with me. Instead certain shirts and pajama pants of mine -- became hers. She put a smell on them. I still can't wear the clothes; though I also can't get rid of them. I'm a hoarder. Keep all the memories for myself.

Do you ever dream of me?

No, I haven't seen Easter Island again. I looked Sunday night at O'Brien's. I imagine she was in one of those modern restaurants --  Japanese trees, Muzak -- with her white napkin folded neatly in her lap, drinking ice water, and humoring some fast-talking crazer who has a snowball's chance in hell with her. If I ever find the energy, I'd like to be that crazer.

Yes, I'm still night driving. I've got a big adventure planned for tomorrow. I'll tell you all about it. Tell me something honest in your next letter. Something you're afraid to tell me.

I'll learn to accept Tim. I promise.

You need a compression
Of the mind
You need effemeral
To hide your signs

Stop their intrusion
In your special brain
Control your alphawaves
In the psychic sparring room

A telepathic link
Can slow his heart
Or with wrath
You can blow his head apart

*"My art
My art keeps me sane...
My art..."

Rachel’s hair, black as ink,
splatters my blank skin.
It’s a rewrite for bad readers,
a stroll for quick-to screamers,
a phone call at 3 a.m., and
a sickening high that just won’t end.


Rachel’s teeth, sharp/jagged like littered glass shards,
dig into my aged, faintly seasoned flesh.
It’s a feast for lazy vultures,
an eyesore for devout heathens,
a dusty revolver on a Sunday, and
a lone drunk at a flybuzz wedding.

Rachel’s soul, battering ram/sputtering mad,
dilutes toxic mine, leaves only the rind.
It’s a constant reminder for dangerous nostalgia,
a blanket smoldering in fire within winter-without-end,
a handshake and a heart attack for closest kin,
an elevation, a joyous atomic cloud, and
a sky crying elative confetti tears of future me.

I asked the old man,
"What age are you in dreams?"
The man, now 93, said "19"

In dreams we create scenes
From our own archeives
For better or worse
In terror and triumph
They are inside our minds

I can see myself how I want to be
I can see things they can't see

But, Lo! The horrors I have
Are just as great

gurgle, gurgle,
groundcurrent unsettled,
moon unseen like stars
fever dreamed,
dissonance for the melody maker,
dissonance for the retired risk-taker,
dissonance for the hips of homewreckers.

civil, civil,
no minutes can afford the divide,
aside, to the crystal buildings and
the sky's sputtering cries,
compliments to your forehead's ****,
compliments to your forefather's rash,
compliments to your aforementioned crash.

the current, the current
rides hot and merciless along thigh,
dribbles down chins and nightgowns,
dries--a permanent badge of scattered life,
electroshock seeps from self-made holes,
electroshock seeps from smoldering bowls,
electroshock seeps from typecast roles.

volcano, volcano,
grumble and moan.

volcano, volcano,
clear cord and stroke.

volcano, volcano,
grieve me in ash.

volcano, volcano,
I've been awful bad. I've been awful bad. I've been awful bad.

there's no rip cord --
your stuck in this stinking shell,
success measured by inches,
lipstick badged for lions,
punchlines thrown like lettuce
at the bravo males,

there's no rip cord --
the evaluation preemptive,
a crooked eyebrow and a sigh
with the lights on,
a slow grind of inadequacy
leading to a clumsy spew,

there's no rip cord --
so most bludgeon bashful cheeks
with wedding bands --
a life locked in rolling pupil sheets,
a kid, a fence, a lawyer, and
an itchy trigger finger
stirred and served with
a green olive.

kneeling before a cardboard cut-out
     of the son of god on a cardboard throne--
I lower my head, lace my fingers, and ask
     can I be ***** and holy?
     can I be thirsty for the milk and hungry for the steak?
     can I rewrite and walk off the dock?
     can I smudge mascara and watercolor her form?
     can I point the finger and hold the smoking gun?
     can I hustle and innocently dream?
     can I die and seem more than I mean?

all eyes,
all on me,
all eyes,
hanging
all over me.

milk the silence.

fingertips trace the
splintered podium.

clear my throat,
once,
twice.

"We shoulduh' seen this coming."

great opener.

"Our end was scored
by symphonies of sitcoms,
reality television, coffeehouse blenders,
and fanatical braking.

Our pride in resilience was the
spark that lit the powder keg.

Foreigners couldn't stop us,
for we stopped letting 'em in years ago.

Time couldn't stop us,
for our bodies are made of plastic,

and words don't dent us,
for our emotions are backed by
the most stubborn of metals.

We broke love when we were still young.
All us boys were aiming for quick fixes,
and all you girls were aiming for margarita mixes.
Ladies decided they wanted to nest around the
smoking age,
and if they were attractive enough,
us boys bit.

We all got divorced.

We all got into politics.

Some of us died for a country,
but none of us are sure why.

Some of us ran from debt,
some recorded folk songs on laptops,
some sexed their way out,
some drank themselves to death.

We shoulduh' seen this coming.

But we didn't, so that makes you and I, the idiots.

The smart ones had foresight,
and departed us early.

Now we idiots look to the murderous sky,
and wait."

all eyes,
all on me,
all eyes,
hanging
all over me.

milk the silence.

i raise my arms up,
as though the crowd is crucifying me.

they want to finish their burgers.
they want to stroke each other's egos.
they want to pass the blame on some
distant land,
and stick boots up ***** and wave a few flags.

"So civilization doesn't get to rust,
it goes out in a flash and is carried away as dust.

Mankind annihilates itself in a fit of boredom.

Get stoked for the funeral pyre."

all eyes,
all on the ground.
all skin,
all plastic skin did melt.
all forgotten dreams,
all torn from hidden seams.
all the thin, the fat, the republican, the democrat,
all the white, the black, the chinese,
the arabs, the jews, the druggies,
the christians, the monkeys, mtv stars,
toilet seats, pamphlets,
all the newsreels, dvds,
collector's editions, suvs,
all fuse together,
all in one immaculate heat.

no one even got a chance to applaud.