*** a couple times with your hand that
    has one vein popped up over the knuckle. sheets crinkle
    laundry sits in the small humid room.
    smells like roadkill and peppermint,
    like christmas eve with dinner down the toilet.

you've *** four times in an hour,
rubbing at yourself through your underwear.
don't touch skin. it's off limits today.

getting raw means you can feel
how it stings when you cross your legs.
it's not about pleasure. it's the reminder:
   you want to know what you look like,
   what you feel like.

next time you're ******* down some boy you ask him
"how does that feel?" he says "good."
            quick kiss, his ****** is archaic and copper.
            you like how it tastes. now it's your turn:
but of course he won't make you *** unless
you take your hand and rub while he *****,
your hand a barrier between his body and yours.

          "please be quiet," you say out loud
the boy furrows his eyebrows, "i didn't say anything."
you laugh, "no, my stomach."

pretend to *** for a faster exit.
give him a tiny maternal kiss.
let it linger out the room where it's cold but he's still warm.
you don't want a warmth you have to love because it's too much.

the scab on your neck is now a scar
       and you have no make-up for the ones on your forearms, but
       really, most of you by now is star dust and tobacco leaves.

               the sun is in our eyes. i want to know
               what makes a circle go on forever.
i think about ****** a lot.
dreamt two nights ago chris sold me some,
it was in that tiny wax bag with a "king ******" stamp .
when i texted him the next day said "i dreamt
we did some together," he said
                 "that's funny. i've been doing some definitely
                  but not really selling."

     the Chicago cold does something odd enough to you.
it always seemed like you were alive as a kid. well,
were you?

               where is your body? out in the storm.
                are you a ghost? no, it would be nice though:
                    the lack of responsibility of life,
                                    a state of impermanence.
    it would be nice.

I can hear your back crack,
in the dark.
Removing your underwear
with chewed fingernails:
You softly ask
if we can share scar tissue
and if I'll stay
despite every issue.

You try to kick the covers
off of our bed,
and ask if we can share the thoughts
buzzing inside of your head.

When insomnia erases your eyes
and disease steals your brain:
You inhale ways to die,
because you still dream
but it's not the same.

I can hear the static in your skull.
I know why you keep
the kitchen knives dull.
You pull on my fingers
so I don't forget you.
You cry on the pillows
and hope I like romance too.

I kiss your temple
during each thunderstorm.
I read you books in bed,
because your eyes are worn.
I put my ear to your chest
because I want you to see
that the air you breathe
means everything to me.

Hard to miss, you can take me home.
I'd rather be anyone than to be alone.
Marlboro-stained teeth
have my lips controlled.
Don't mistake the chemicals
for our souls.

I move with the waters inside your ribcage.
Because when I drown in you,
it's the perfect place.

Softly, please, taking off our clothes:
I can see the kisses that have left holes.
You've been acid-washed
by love that wasn't stronger.
Take off your armor,
so you can stay here longer.

Your face is as cold
as the place I found you in.
You can let go of the hurt
trapped beneath your skin.

I keep warm in your fire that beats fast.
To be alone with you, it to be, at last.

Hard to miss, I will take you home.
You can be anyone, rather than be alone.
Remove your shoes, but not your heart.
You can stay here, as our world falls apart.

Possibility A:
I still love you-
(Hip Hip Hooray!)
I pretend that I'm okay,
but I'm not the same soldier...
...now that I'm older.

It's all in vain,
turning on the porch light.
And it's only right,
that I dream that you would come home,
or change overnight.

Love overall
relates to a prescription thrill:
I want to feel good,
as long as it doesn't ****.

Under the tree,
doused in gasoline.
I would have burned for you
for however many rings.
For however many rings.

Possibility two:
I would have loved you,
the best that I could,
until my lungs would collapse.
And I would have pulled you
out of the car crash.

But I watched blood stain,
while trying to save you.
But it was washed by rain,
as you grew blue.
I didn't know what to do.

I waited for the ambulance,
the sirens blue and red.
Did they know that I loved you?
Did I know you were already dead?

Your breath still lingers,
swarming in the night air.
And I still feel your fingers-
God, it isn't fair.
God, it isn't fair.

And you would have loved me,
under falling tree branches.
And I would have kept you warm,
after avalanches.
After avalanches.

I would have kissed you,
as the snow crushed.
And I wouldn't have missed you,
if my hands rushed.
If my hands rushed.

Possibility last:
It's all in the past.

It's
all
in
the past.

On top of a stained mattress
There is no love,
just oxycodone-loading-
and memories, "Tender, please"-
take ten of these-don't fake a dose
because I am close.
I am close.
I am close to you.

I feel okay, I feel okay
Well, I don't know-I don't show.
"Wait, don't go."
I feel okay, I feel okay

We don't show, no.
"Wait, don't go."
There are only memories
of when we were young guns.
We are too true-
take your oxycodone-
and it's terrifying.

On top of a star,
"You'll go far."
I love you enough to go to L.A.-
I feel okay, I feel okay-
Take your oxycodone
to get through the day.
And kiss me goodbye
before you try
to swim through the stratosphere,
my dear-it's clear.
It's near.

"Wait, I want to say-
before I slow motion
this emotion
that starts with a commotion
in my chest-
that I love you best
and it hurts to let go,
but it's not because of you.
I didn't know.
I didn't know what to do.

And it's true,
and that's what makes it terrifying.
My world is salt,
my sluggish love.
So, take your oxycodone,
because you don't want to feel what I feel.
And you don't want to reel like I reel."

I feel okay, I feel okay
Well, I don't know-I don't show.
"Wait, don't go."
I feel okay, I feel okay

We don't show, no.
"Wait, don't go."
There are only memories
of when we were young guns.
We are too true-
take your oxycodone-
and it's terrifying.

"...schizophrenic kisses in a reflection."

Fade in.

My eyes stick to one another like two slices of wax paper with faltering, yet desperately unable to let go of graveyard-shift-love adhesive.

Shifting sides inside. Shifting sides inside.

I stare at my naked body, as water, or something like it, rains from my head to my feet. Warm. Out of control. Gathering by the drain, mixing with the thoughts that won't fall asleep and the daydreams reserved for night.

My eyes are encased by the steam. My lungs filling with water or something like it.

I hope for a classic horror scene or a twist in a melodramatic rom-com. But nothing is funny nor scary and there is no Norman Bates or Meg Ryan. I am not Billy Crystal. I am unrequited love and future fame stemmed by heartbreak and three thousand miles of, "Please let me forget the broken heart I left in a hotel, by the shore, on the east coast, on a pit of dried firewood, in my parents' home, in my bed, in every book I didn't finish, in every sentence I should have finished."



Fade out.


Wake up.
Wake up.
Wake up.
Josh, how many oxycodone did you take?

I fell asleep after "Good Morning, Vietnam":

I can feel it all, in your hair.
Under trees.
Flying above the stratosphere.
My arms extended.
The skin burning off my torso-
struggling to breathe,
with a smile on my face.

(Canned laughter)

You're in a living room.
You are me.

I dug into my chest and petted my heart.
Groaning, the blood swam around my hands
and ate it's way up my forearm,
to my elbow,
to my neck,
to my chin,
to my lips.
"I can ******* blood,"
an internal piece of dialogue.

She whispers in your ear,
"I know who you are."
I am you.

I cut my voice on the air, calling out for her.

Why'd you abandon me?
I love you so ******* much.

Why'd you abandon me?
I love you so ******* much.

(Canned laughter)

Why'd you abandon me?
I love you so *******-

You are in my room.
I am you.
We are everything,
and we are nothing.

That's my mirror.
It's shattered.

Hey, there I am on the ground.

There's a brunette, mediocre poet.
It's shattered.

And on my hand are specs of heated sand,
sleeping in my skin-
a glass garden.

How can one find schizophrenic kisses
in a reflection.

(Canned laughter)

I said, "How can one find-"