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 Mar 2013 Josh Koepp
st64
You don't much like me visits there
But scarce do you lament
For, I bring you home the finest cuts
To sizzle in the pan.....

The lovely ladies behind the counter there
One grin vies to meet me, all doe-eyed
If you knew she had a one-tooth denture
I guess you'd smirk away, ungreen ....

But I get the chops I want to eat
Nicely packed pink; no seeping blood
And succulent steaks indulged on me
Saucy supervisor slips me secret smiles.....

Hot and heavy glances jet my way
By sly lady-workers in the back row
When you turn your skeptic back
Regarded by none, but cautious me......

Cute cashier rises on fleshy thighs
Slow she sits; lets her skirt ride high
She eyes me hooded, lashes long
Then, downcast when you join me.....

Can feel the electric tingle from her touch
As I fumble redly, to pay the coins
Deliberate counting, her scent assails
Her hungry heartbeat..... oozing charm.....

But, for all the alluring looks and promising smiles
There's you, my love..... to grill my viands
And hardly home, I fall on you...famished;
Devour every morsel, shred and piece of you!



Star Toucher, 27 March 2013
Written in Jan this year....just a facetious morsel to....chew on...lol
 Mar 2013 Josh Koepp
M N V
innocence
 Mar 2013 Josh Koepp
M N V
within
the dips of temperatures and temperament
I have found my peace.
(8:20 P.M.)
I'm out my back door
and into the cities
I've got my hat, phone, wallet,
lighter and keys.
It's a short little walk,
the gas stations not far.
I see where they parked,
I enter the car.

(8:30 P.M.)
Kelsey grabs my hand
and looks me in the eye,
she ignores the centipedes
she sees,
or at least she tries,
she then calmly explains
she's out-of-bodied
the entire car ride
and how she's been
counting the stars
even though its not quite night.
She says we're swimming
through the mountains
and climbing up the seas
but from where I'm sitting
we're still in the back seat.
I ask, "Hey, what's she on?"
"I think LSD.
But don't worry, it's cool,
she's dating the guy
throwing this thing."

(8:40 P.M.)
It's a twenty minute ride,
crammed into the Taurus,
but Ashley's in the front,
getting shots poured out for us.
"To a good night!"
We laugh and proclaim,
we down the first drinks
and start the pre-game.
Hennepin then Franklin
then Grand avenue.
We've already got a buzz
now were smokin buds, too.

(9:05 P.M.)
We pull up
just as the suns going down
and as the moon peeks her face
out from under the clouds.
There's already some kid
face down in the grass
some brilliant soul's pulled his pants down
and sharpied his ***.
I guess he shouldn't have passed out
with his shoes still on;
hopefully nobody patrolling
sees him lying in the lawn.

(9:06 P.M.)
The second thing we notice
are the angels on the porch
They've already bent their halos
and lost their wings, of course.
The beautiful brunette
with half her head shaved
turns to welcome us
with a big friendly wave.
With a smile on her face she says,
"Hi! I'm Mel!
Welcome to our party;
welcome to Hell!"
"Where should we put our drinks?"
"Just leave em in your car!
We've got three kegs
and our very own bar!"
We're escorted inside,
in front of at least a hundred people,
and brought to the roof
with a sign that reads Steeple.

(9:20 P.M.)
Jon's tipping a bottle,
just waiting for Kelsey.
He asks her right away,
"Babe, will you marry me?"
She's too far gone
to know what to say,
so he wraps her in a hug
that makes everything okay.
It's clearly a cute joke,
just some little spiel,
but Kels is so high
she thinks that it's real.

(10:30 P.M.)
We all decide its best
if we leave those newly wed
because, to be frank,
there was a lot of PDA going on in their bed.
Mel starts to lead us
down the winding stairs,
by now the broken halo
escaped from her hair.
She said seeing Kels and Jon
made her feel lonely
so she needs another drink
and wants to get to know me.

(11:45 P.M.)
As it turns out
she's a good partner for pong;
but now she wants to sneak off,
to go rip up her ****.
So we take a trip down the hall
and slide through her door.
let me preface this part:
I never expect to score.

(11:50 P.M.)
She gives the lighter a spark.

(11:53 P.M.)
We're making out in the dark.

(12:15 A.M.)
The silence is broken,
we hear someone scream.
We look at each other,
"What the Hell could that mean?"

(12:20 A.M.)
We're scared, so we joke
about what it could be.
The most likely reason?
Something scared the heavens out of Kelsey.
We say she's probably worried
about alien transplants
and the whole entire time
I'm not wearing my pants.

(12:21 A.M.)
"The cops are here!"
I jumped and ran from her bed.
I don't think I'll see those red skinny jeans
ever again.
I manage a quick goodbye
and then I'm into the Hall.
I find my friend Ashley
and our sober cab Paul.
"Kelsey's with the cops
and Tom left with Nancy,
our cars down the road,
lets head to the street."

(12:25 A.M.)
As we sneak out the back
we hear the cops speak:
"The first kid we found
had **** drawn on his **** cheeks."

(1:05 A.M.)
After a while
the three of us arrive,
back to my place,
though we started with five.
The drive back was extended,
even if Paul was driving well,
because in my drunken stupor
I made him stop at Taco Bell.
We head through the porch,
My roommate's still up.
He asks if we wanna drink
and then goes to grab cups.

(1:50 P.M.)
After a few rounds of Kings
Paul's on the couch, fast asleep,
and James went downstairs,
It's just me and Ashley.

(2:00 A.M.)
We turn a movie on
and we sit in my bed.
We discuss all the things
going through both of our heads.
For three straight hours
she flirted up some guy
'til his girlfriend walked in
and started to cry.
She called Ashley a *****
who swore she didn't know
while dude stared at the ground
and said, "Sorry, bro."
Ashley had enough,
she hates being called a guy,
so she winded one up
and kissed her fist to his eye.

(3:00 A.M.)
We didn't watch the movie,
we just talked some more,
until we fell asleep
keeping one another warm.
Two old friends,
two trips in different Hells
and the only thing to do afterwords
was to laugh at ourselves.
Two old friends,
who's hunt for love was a blunder,
who consoled their loneliness
by wrapping up in each other.
The times aren't meant to be read with the poem, just to give it more style, aesthetically.
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