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Joseph S C Pope Mar 2013
Nostalgic hypochondriac,
psychopathic goddess--we pray to your weekends.

                     Sunday night industries hold lunch breaks,
starting with a red bear,
                        a crude blue-eyed, red bear
            by the hands of a child.
                             Soft steps. Physical form.
                   Its eyes suddenly gleam
                   as it moves,
                                 red colors run
                                                           forming waving arms that swim into river canals.
   Dripping rain forming acid that eats away at the sides of the darkroom. Winding staircase
trees rooted and spiraled like broken porcupine barbs existing off the wall. Each leaf made
of copper, tips of yellow
                    floating just as drops from the beginning,
                                            expanding to the form
                                                            ­               of hot air balloons.
                        
                       Some of them supernova'd
            --momentarily spreading themselves thin
                                                     --layers of butter coating this world.
                each puddle of lard echoes with the voice
                                and memory of silver-eyed Alice
                and her children.

                                                      ­                 Irises of cut granite,
                                                        ­                        wine-stained pupils,
                                                         ­  she breaths like Jesus on the cross

                                   --inhales of his bear pelt.
Joseph S C Pope Mar 2013
I

Angry stupors succumb her sternum
                                          --battered cavities
                             and shoulder sockets.
   Mates with shotguns and pitchforks
           snapped femur bones holding to hope,
  cat nap toes struggling
                                            to climb the miserable

  The greatest beasts reverberate
                        --Fathom and Torrential/Alice & Skippy,
                                       & Orwell and Bukowski
   with pit mentality swarming
                            her literature
                            his neck.                   Never be the Republics.

     The wall is wood and bare. Ammonia wet seal--
              
            Alice, with her sweet, clawing voices sees
                          this escape is a prison.
        The dove sent to fetch Peace's growth
                  got stuck                                     in the chimney
                             that Skippy built with his stubbornness.

     Alice touches her tacked on remnants
                       --feeling the double home.
                                  Skippy stands still unless Alice calls
     for him
                  and he runs so fast with heart halves beating
                                                                ­       slow.

   *II


           Skippy looks down the abyss and sees Julius Caesar,
                    Cthulhu, and a black flag
     calling back for ceremony
                                 in honor of facilitating fear
                        holding tears
                                   and hugs with arms of falsehood.

    Providing bread for mothers and fathers,
            captors of our tables of silence.
       Fear--making dead witnesses into no soft music,

                                                         ­  no music.
                                                          ­       No,
                                                             ­  facilitators near the top.
                                              What the minds of men
                                                             ­                have done to him...

III

                            Wet paper skin,
                       flat screen canvases--cute satisfactions
                                  asked mean all the world
      but yet                                nothing              but petty questions
                                                       ­                              that break the camel's back.

   "Do I deserve to do this to you?" Skippy asks,
                  helping Alice remove her other lung.
   "Pages will tell babblers later
                           in history", Alice replies.                   Shrieking

    Skippy quarters Alice, the body, the organism's pillow
                    ink
                    oozes
        ­     and    
                             squirms.
Silence,
               as Skippy does the deed.
Wallowing
          back
into
           the
swamp
            of
obsessive
           perception,                        climatic disintergration
                                                 ­                   makes flint hit steel--making another heir
                                                            ­                                       in her litter. Her name is Pain.


IV

       Loving Alice
                           watches         as she falls,
                                                    crashe­s,
                                                and rises.
She smiles softly.


V


  softly with lips of jasmine, the butterfly conundrum is strapping
            fingers made of chalk and other media to
red bricks,
red bells,
it is but a ghost of a casket. She breathes in this casket--in the belly of a bell, she survives.

                                     It doesn't take her long
            to finish
                          what she has done
         --nails faded back to purple polish.

  Falling through her father's philosophy                         a ladder,
                                                         ­                                    a rope
                                         to strangle the blade of Lady Macbeth's sanity.
          Alice takes one last look
  under jasper eyelids--pulls the rope & becomes lactic.
                                                         ­              A motion film.
Joseph S C Pope Mar 2013
I

          Aspiring to reach the solar rabbit hole eclipse
                  --climbing up the well,
                                            the photon test tube
                                      sodden and crusted on the outside
                  by angsty
                                adults
       snorting obsession
             through The Manhattan Project straw.

                    The pirate boy wanted to be named
                           Skip--so determined Alice named him,
                                    Skippy, conqueror of blueberry mucus
                 --he reminded her of sidewalks
                         she found far in the misty woods
--no one walked
                      the unexpected like                                           him.

          Each placement of a pore: a bat cave
                                                       a depressed skull
                                                       a hollow exploit
                                                       a lame *** joke
                                                       a mildew plop

Almost certainly this cadaver matryoshka doll
would be human by the time
the two runaways
were born again                               Hallelujah! The dish breaker is crowning again
                                                           back to the galleons, rotting awkward candles.

               "Leave what is human                                       in
                                                                                            inhumane
                                                                                            places." the well speaks.
          Skippy tears the corners of his lips
          to his ears. Alice turns her temple to the sharpest part
                                                                            of the monumental
                                                                     test tube
                                and cracks her childhood back to the bottom
                                                                               --back to Euphoria. light poles open
                                                                                  up faces and throw their lights to the ground.
Both of the thrift store
lovers continue to climb--ripping off purchases
                   to the beggar's tin cup.

II*

   Severed hearts beat without metaphor
          as the empty vessels that hold them.
Spines sing of freedom like centipedes
                      facing fan blades.                                Pirate boys mock the smoker's language
                                                                      of mutiny.

Devalued skin,
                                        ***** armor
casted,          
                          lowered,
   teased, by the cadence
            of tumbling blood.  Marking territories other brother's can smell

                  Obediently, we see what
       gods are doing to them. They're paying
for drawing the different suits of God
   on the cave wall.            Hit jobs--vacuum spoils,
                     sucker punch postage stamps
              --revenge from a peaceful creator
  forcing the two to climb/climb/climb
           back to a speck
                   where dandelions grow
      from the revolution fetus and graphite,
& tongues, & lips, & nerves, & veins &
wolf spiders pour down/red matter clusterfucks.
Joseph S C Pope Mar 2013
There are times          --like when I told my professor
                                                       ­  these marks on my body
                                      were just the last drops of intelligence leaving my rind.

                                               --where girls are women dancing across tickling sunshine,
                                                      f­elt crevices, hills, plains, cliffs of paradise. She and I love to fall
                                                    for ideas of people. Without looking twice--every memory isn't crippling

                                          --who I am is just a really big, personal word for someone sitting flat
                                                          on a mirror in my mobile home.

                               --crimson stains/the blades of a metal bird./It's beak dulled by the friction of battle.
                                   It's tail maneuvers/till bent and broken/and the body ruffles
                                           as metallic feathers sway/to the commands of war parasites
    There are times I realize lighting is wasted energy,
                                                         ­          just cracks and cuts
                                   changing out the insides of words as I see them.
                 There was a time I thought I knew what storms meant.

                                                   My old self knew what to do, just wait
                    --the crisp clock strikes its coldest hour
                            as much as the chooser's tick, but the rest of the endless regulation is warmer,
                          I promise.
Joseph S C Pope Mar 2013
I

Crested by the infamous gown
during a tribute                            to all digestible,
                                                     ­  sentient,
                                           grown strips of light
            playing splatter off the sockets
                                                         ­      of fishermen birds,
                                     who can no longer ignore all
                                     the puppy dogs and kitty cats canned
                                                          ­               in squeeze tubes.

Now every corner of this landscape--a puzzle-piece room
                                           designed to think in shades
                                           and seasonal plume dances.

The usual beautiful* late evening
has become clotted with hip hop Down's Syndrome
mixed with jazz Dual-Personality Disorder.

                                                   Vampire Hades' skull evacuated of ****** power,
                                                          ­      a scene of literal watercolor
                                                    wh­ere moods collage with paper rings

                   on their stubby tongues. An unfixed saturation,
                                                     ­         clean oils
                                                            ­   split
                                                           ­    like the parting of hair

                        Alice's pirate boy, her beauty is parched of tomorrow,
                                                       ­ a wolf for a blood-red moon
                 that works like a farmer
                          to      
                                                              th­e                       water.

                            Let us all that are wild
              quote the stormy truth that                          shifts the particles in space
                                             "It is all in the direction a flower grows,
                     educating a sea of doubtful faces--to the cruelty of nature
                                      Close the brutal mind,
                                                           ­       unless your eyes are flame-proof, Alice."

--It is yours to consume
but it is relatively us that belongs to the consequences--

                                                 ­  Churning coffee water,
                                            reenacting romantic bloodshed
                                    to addicts in attics
                                                          ­  --jostling war heroes
                                               back to this side of the looking glass.
--coming back to their tempest
                          of cremated breaths--a den with no one
                                                             ­   to sing with.
        Sad Alice,
   always sad Alice--mud on her face from             the Dead Sea's end
      of immortality           because Death is albino.


II

  
The top of the day,
                                                            ­              negative space
  has a dying voice        as it lies under the boot
                                       of the night sky  
                                                           ­      watching stars.
                                              "Simply tomorrow is right there
                                                above the mortals," Sweet Alice
                                                speaks, "To the many heavens
                                                      its­ overpopulating the fields."

       The earth needs its cotton blankets.
   Fresh air accents symptoms --dancing on slick gravel
  at 10:18 at night with a pale, pompous view of someone else's Paris.

Crocodile roads spit up by patterned archipelago drags,
updating the scream, "think more about going off the edge of hair and the last number
after twenty shots                         of anesthesia." The culture of Spanish sun denial devolves
         the fig tree
     novel delights.
99% of the fear that saturates the throats of people is a blonde tumor.
1% of the love is too passionate to contain the fires of field cotton.


III

         end of immortality
accepts her                 trying to escape her pirate boy
              but tones of nostalgia prevents the revival--a war with God, herself,

                                                       ­                 trying to escape looping Paradiso,
factory vents malfunctioning forth
                   the guts of Inferno.                     Purgartorio  plots on
                                                              ­          erased continents
                                                      ­   rolled down lamp shades/ everything is useful,
             waste nothing.

Republics spawned in damp pits stamp bargains on trust
     ringing each solo anthem as one: I saved you,
                                                            ­  feeble beast.
                                                          ­    I saved you,
                                                            ­  dear lonely and you didn't care.
                                                           ­    I reserved us both
                                                            ­  and you cast me back
                                                            ­  into Dante's imagination.
                                                    ­          I saved you,
                                                            ­  you feeble child
                                                           ­   and you burned
                                                              me­ with your
                                                              wo­rld.

     Weaving Alice, calm Alice lies in a dingy on the river Styx,
                                  cobwebs fit to her feet like rank shoes
           she gave her children when they were born malnourished
                                        ---starved of insurance money, mouths agape
for the silk heart of their father--an image of a moth in the shape of a human pelvis
                                                      with­ alligator mouths on the wing tips. They shared
                                      --Alice and him--those wings like scribbles tied together on chalkboards
                                                     ­                                 
                               ­                                       --places to venture--

Your Wonderlandia, she spells, a wasp's nest
                                  of combs
                                          in a hive locked
                              in with the others--concave atlas skies.

            Alice smiles with inebriated
   country boys
                          tossing comrades in the natural flow.
             Richly blonde Alice, admires the impression
                        of the night
                  once charred dreams,
                                               now volcanic forests.
              She glides on a dingy
              across the luscious joy
                             --lubricated veins in atheist's beliefs
                                 don't get lost here, just new places to venture.

Beneath malicious eternity, on the River Styx
                                                            ­        
               the boy she adores
                                    all of a sudden, she steals his hat,
looks into his double-barrel eyes,
                                       sees how sad
             she makes herself                  --like a mother tired of brushing
                                                                ­ her daughter's hair, looming tears
                                                           ­                                         extend beyond widows
                                                          ­                                          to the water.

                      The pirate boy says
            his friend isn't far up the river--she cries through her hand.

                               Hopeful Alice prays, smiling, hoping everyone goes to Wonderlandia.
                                             The pirate boy never finds his friend
                                              but keeps his promise
             and takes her away from Euphoria
                                                        ­       --the cranium loss still fresh.
Joseph S C Pope Feb 2013
Ornamental graves set like feasts
                                                                             for unfaithful lovers,
                   the broke marrow of virtuous phantasms,
                                                                      now swaddled rapture
                                                                      chanted as basilisk verses.
                                           Scarred Alice wraps it around
                                                             torn limbs--
                                               festering gauze--the cynical made anew.

                         "Creation moves," the gluttonous moper speaks again,
                                                     "to erase itself."
                                            Alice's children blasts
                                            the afterlife caboose
                                            to the front of the freight
                                           --saeculum saeculorum--

               "Wake again and again
                          without ghosts and wrath,
                                 dear children." The wind whispers their souls
                      back to her--"the molding of men
                      and women attend to sponge the graves dry."

          They will raise themselves
                            --chanting the basilisk verses,
                mother Alice
                               departs her children twice
                      to the corridors of rose fields
                      in her naked cloud.

                                                    "Come back, dear mother...."
                                                    "Come back, dear mother..."
                                                                               they chant,
                                                     "Your salted epitaph
                                                        still lingers in our throats."

            Not fit there
                   or here.
           Nowhere, Miss, nowhere--

                                     Sin is the party
                                           that doesn't die
                                  and neither does the health
                                               of lyrical sand.

                              --Floaters like discontent
                                         Alice,
                                     recreate the world,
                                  --our world with
                                 pastels and finger-paints
                doodles on Arlington headstones
                                             --messages for our ear bones
                                             --disasters on eleven
                 turning stones roll over--tortoises play dead
                                                            but whisper,
                                               "Clergy cerebral
                                                 won't wisp away
                                                  beds of jewels.
                              I pity people who think
                                          themselves powerful.

                    "Frost-bit devices dilate
                   like the hands of a watch
                          tearing time apart with
                     rusty blades.  

                                                                                      "Counting fingers--useless freedom
                                                                                                                     --bothersome slavery."

         Alice knows what the basilisk knows,
                              we would sacrifice
                              the only righteous heart in *****
                                                                           & Gomorrah
                                                                           to save
                           &n
Joseph S C Pope Feb 2013
Iodine damnation cleanses Alice--rock-and-roll medusa
                                              alone in the field,
she waits for the flies to eat the spider
                 --the third testament of law
                                                   divinely christened as low as $19.95.
                  Hell is where
       Schrodinger throws the bodies. Revived Alice is in a burlap sack
            embedded in the cubbyhole
            of a mortal anthro-rubix,

    the small garnishes that spot livers during cancer.
                         "Hello and welcome
             to the resting place of all Blues songs."
     speaks the curbed lips of Gluttony. A name that vomits
            up rebellion, like cleansing the glucose off
   fish-cleaning tables.

   Alice touches her eyes                                       rolls them
                                                                        --fortunate galleries,
broods deeply on the jaws of her receptors.
                    "After the last drop, the hard boiled spoil
and the cats won't eat 'em. Neither will I," Gluttony spews, "You all show up
                    as do I, magnifying the cruelty of digging,
                                                                             digging,
                                                                             digging
                                                 that follows me and you to the bitter stem
                                                  and rough petal--throwing this rose,
                                                                                                that rose,
                                                                            here and there inside the carcass of lust.
                                    The scalding photograph of a guerrilla war playground
                                                                                   hangs over
                                                            the mantle of a prideful garden.

        "Pulp wisdom
         looking back at the names of thieves/murderers
                                                       of simple thought
                                over-turning scars of fallacy
                                         in that garden.

            "Picking,
             picking,
             picking out the best arrangement
                           so it doesn't look like I went
                                                                         through a drive-thru
                           for what to say.         'Hey.'
                                                               'Yes?'
                                                                'I love you.'
                                                                'You too.'
                                                   Something in between
                                             what you, I, and the others were looking for
                                            has uprooted bushes--the tilled chest of my sister
                                                                   and lover--disarrayed, dirt thrown
                                                                                                         to the side.
                                            Fibonacci colors patterned
                                                                        across the moist earth
                                                      to distract you and I, all from the dread, and all
                                                                                 the relief
                              of ripping apart the white, pink, black, and red."
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