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Jonathan Witte Dec 2016
At last the autumn
wind has stripped
the branches bare.
Even insubordinate
trees now stretch

their naked limbs
along a leaf of sky;

timber ledger lines
compose a staff
where birds rest
as quarter notes,
the nested chimes
of winter’s song.

You and I unlace
our leather boots.

We wait for snow,
white and absolute,
to change the score,
to blanket measured
roots, a silent chorus.
Jonathan Witte Dec 2016
When I was seventeen
I did a dangerous thing:

Rung by rung, I rose
into forbidden space,
climbing as an insect
would along a slender
blade of wiregrass.

At the top of the tower
I settled into thin stratus.

I took in my home town,
insignificant and benign:
car headlights sliding
on roads to park below
neon drugstore signs,
yellow house windows
and amber streetlights—
whole neighborhoods
stretched out like fields
lit by electric flowers.

I’m sure I saw the glowing
orange tip of the cigarette
my girlfriend was smoking,
rocking herself away from me
on her metal front porch swing.

While I cowered
there in that aerie,
the air reeked of rain,
smoke, and despair.
I remember my heart,
syncopated and suffering;
how it pulsed beneath
a scaffolding of bones—
a buried, burning flare.
Jonathan Witte Nov 2016
Some nights it
is alarmingly
imperceptible:
an exoskeleton ascends
on iron rivets and steel;
unseen scaffolding tapers
to a steady pulsing point
of phosphorescence—
a mechanical heart
circulating red light
into leaden clouds.

Some nights the air thickens
with cordite, grief, and snow.

Tonight with winter here
we can see the tower’s
beacon blinking through
a tangled scrim of trees
half a mile across town,
and yet even with our
bodies squeezed together
like radio dials in the dark
we are unable to tune it in—
the signal that would calibrate
our estranged transistor hearts.
Jonathan Witte Nov 2016
Laugh if you want;
lately my dreams
are all the same:

black and white and silent,
a montage of mute scenes
in which he quietly appears,

a funny little man beset
by brute absurdities, framed
by a toothbrush mustache,

bowler hat, and vagabond suit—
dressed for hapless caricature,
a disheveled angel in disguise.

He forever waddles away from me
down a lane of denuded trees,
jauntily twirling his bamboo cane,

his gray pocket watch stopped—
a cheap prop at the end of a chain.
Watch how the last scene transpires:

I stay in my cushioned seat
expecting house lights to rise.
Alone in the dead theater,

I wait for the live orchestra
to offer an accompaniment,
to set the silver screen on fire.
Jonathan Witte Nov 2016
Two days
from now
you won’t remember
how I laid you down
delirious,
my six-year-old
daughter
swooning

spoonfuls
of purple
medicine
sickly sweet

your body burning
up beneath
pink sheets
you kicked
to the foot
of the bed

I swear
you were
dreaming
of mermaids
saddled on pink dolphins
like bejeweled rodeo stars
mermaids
swimming closer
mermaids
with long yellow hair
bucking waves—
sea girls with
one hand raised
in salty air,
orbiting
in circles
overhead,
wee galaxies
of ocean mist,
droplets
of sweat
on your lips.

At dawn
your fever
broke with
the sweetness
of candy glass
mason jars;
fireflies
escaping
as embers,
a dimming
delirium
of stars.

Two days
from now
you won’t remember
how I came to you
in the middle
of the night
when you cried
out for me,
your voice
unfamiliar—
a song sung
by a small girl
burning up
beneath
the sea.
Jonathan Witte Nov 2016
My grandfather was not a boxer
but he loved to fight, throwing
punches at the faces of hard men,
left and right hooks, uppercuts
in barroom brawls and alleyways,
with hands the size of iron trivets,
forearms cut with ropes of muscle.

Eventually, after decades of stitches
and bruised knuckles, after his hair
turned white and his eyes clouded,
he would shadowbox in the garden
behind the dilapidated potting shed,
swinging slower, less light on his feet,
but safe in that manicured square
ringed by boxwoods and evergreens,
the bees in spring buzzing applause.

My grandmother would watch
him from the kitchen window,
in a sweater she always wore
regardless of the weather,
and wonder what he was fighting
against, or, perhaps, fighting for.

And that’s how my grandfather died:
throwing a final right cross in the air
before dropping to his knees at last,
knocked out on a mat of green grass,
washed by an unexpected downpour,
water collecting in opened red tulips,
loving cups in full bloom, the first
ten drops of rain counting him out.

Standing in that garden decades later,
I know I am no fighter.
Approaching old age, hands in pockets,
I watch for signs of unexpected weather,
worry about things beyond my control:
car crashes, cancer, electromagnetic pulses,
the minutiae of a thousand apocalypses.

Is the future drawing back
a left hook I will never see
coming? Will a haymaker
hit me like a hammer,
unmaking my family
before the final bell?

And suddenly I realize:
maybe I should have
learned to throw
a ******* punch.
Jonathan Witte Nov 2016
Walk with me around the farm.
We’ll catalog auto parts beaten
into rust by weather and time
and gather enigmatic animal
bones eaten clean by beetles.

Together we’ll scout
out grandfather’s land,
meandering until dusk
between tobacco barns
and wasted creek beds,
compelled by atavistic
dread to stick together.

Come, amble with me.
Peer into raccoon dens
and abandoned wells.

Hold my hand
and we’ll send
our worries
whistling
into every hollow,
following
the old paths
of discarded
shotgun shells.
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