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Jonathan Witte Nov 2016
A maul is not an axe;
an axe is not a maul.

One is for splitting,
the other for felling.

Of course to trees
such distinctions
are immaterial.

Walnut rounds
scattered on grass
stare into juniper
scratching the sky—

tall pallbearers
shiver in wind,
whisper above
dead medallions,
unblinking eyes.

The handle I hold
like a divining rod;

metal blade forged
by inchoate words,

honed on grinding
letters of precision.
Jonathan Witte Nov 2016
My father a medic in Vietnam
for many years refused to wear
his wedding ring because he said
of countless times he had to handle

the aftermath of soldiers jumping
out of helicopters at the exact
moment their wedding rings caught
on protruding bolts or couplings,

leaving their fingers and rings
aboard Hueys while they fell
caterwauling in air below crimson
contrails dissolving in rotor wash

only to land, godforsaken,
in flooded rice paddies,
shocked and shaken, disjointed
but alive, forever joined in holy
matrimony to far-flung wives.
Jonathan Witte Oct 2016
Without taking
his eyes off the girl
in the handmade dress
he rolls Drum tobacco
into a tight cigarette
and exhales
just as the final
school bell rings

leans against
the hood of a
dolphin blue
Ford Galaxie,
body angled
45 degrees
like a rifle
propped
against
a tree,

smoke encircles
his slick-backed
hair then eases
into autumn air

and me slumped
in the passenger
seat watching him
watching her glide
across the lot
into a future
aside
from anything
we can imagine,

a string of
midnights
blindingly lit
by the Galaxie’s
vertically stacked
dual headlights,

my body
vibrating
involuntarily
along with the thrum
of the most important
V8 engine in the world.
Jonathan Witte Oct 2016
I

Battered by a brute
Nor’easter, the cottage
rocks in rough wind,
teeters on tall stilts,
architecture animated
by howling provocations
until even the somnolent
wine glasses begin to sway;
suspended and racked in rows
below kitchen cabinets,
crystal clinks on crystal,
clear bells signaling alarm—
the storm forewarned is upon us.

II

This seaside aerie rises
high above sand dunes,
undulating driftwalls
feathered with sea oats.
Protected by weathered
shingles and salt-pocked
windows never shuttered,
the house stands sentry,
stoic structure overlooking
the Graveyard of the Atlantic,
the vast saltwater cemetery
where untold ships and sailors
have come to wreck and ruin,
subverted by shifting sandbars
and chancy wayward currents.

Buried in navigational Neverland,
vessels slumber in oceanic silence
on a seabed as soft as coffin plush.
***** convene in chambers of ruin,
scuttling over rotted mainsail masts;
the jellyfish hover, ghostlike, in hulls
above steerage skeletons bedecked
in crenulated shells and sea anemones.
Plankton settles on shipwreck rust:
pervasive spores, mausoleum dust.
And draped across each wreck,
a pelagic pall of melancholy.  

III

On summer nights, children
chase ghost *****, freezing
them with flashlights, scooping
them into buckets brimming
with a berserk racket of claws
and shells scratching circular
walls of makeshift plastic crypts.
From the top deck, we follow
disembodied beams of light
zigzagging in darkness,
graveyard robbers darting
above holes in the sand,
black portals, each one
the size of a child’s fist.

IV

Years ago, so-called
wreckers would hang
lanterns from horses’
necks and lead the beasts
up and down the beach,
yellow beacons signaling
as though from distant ships
buoyed on placid waters.
The lights lured desperate
vessels inland, unsuspecting
captains and crews crashing
ashore in blind catastrophe.
At daybreak, islanders
scavenged the spoils
of their subterfuge—
silver chalices,
jeweled goblets,
golden cups and bowls—
treasures cast to rapacious
hands upon an indifferent tide.
And of course the corpses came,
caught between shore and sea,
rolling in breakers, stuck
in salty purgatory, churning,
shell-pocked and unsanctified.

V

Tonight a yellow mote of light
floats miles from shore, some ship
flickering like a votive stowed
upon a headstone’s crown.

And the half-drunk bottle
of pinot noir in the ship’s
decanter has me thinking:
When my time comes round,
wait for a moonless night,
black funeral gown
of sky embroidered  
with stars and satellites,
and sneak to the end
of the Avon fishing pier
and release the ashes
from whatever vessel
you’ve decided best
accommodates me.
Scatter finite confetti
to an infinite tomb,
ashes dissolving
unceremoniously
in saltwater,
subsumed.

Next morning,
perhaps catch sight
of a spirited sailboat
tacking over waves,
sails billowing in wind
like the unfurled wings
of a sea bird, full of grace,
alighting from grave to grave to grave.
Jonathan Witte Oct 2016
Hooded in porcelain enamel,
she stands with palms out-turned
to passing traffic and livestock
grazing in fields across the road.

She stays bone dry in driving rain;
on sunny days, bathed in shadow.

She’s been planted in the yard
as long as anyone can remember.

The mangy Bluetick hound sleeps
at her feet, unleashed, ears cocked
to the roaring of an unsound world.
Jonathan Witte Oct 2016
Our road trip memories align
as we pass a Farmall tractor,
fire engine red and rooted
roadside in a field of alfalfa,
a relic washed by cloudburst,
a workhorse dried in sunshine,
arrested air stack,
rusted crank case,
supple spider webs
in chaste wheel wells—
immutable old machine
somehow extinguishing
in the reflected acreage
of the rear view mirror.
Jonathan Witte Oct 2016
Having lost her forever,
he steps off the escalator
into hard sunshine, drops
to the sidewalk and caves—
a troubadour whose songs
have been dismantled
by the sadistic hands
of a subway conductor.

Guitar strings slip his fingers,
and nothing will bring her back.
Not a song. Not a psalm. Nothing.
Not the angelic back
of his leather jacket,
spanned by a score
of safety-pins formed
into silver-studded wings.
Not his listless body,
tattoo-inked and wrecked,
blue quarter notes slinking
down a tight treble clef,
wires stretched across his neck.
Not his mind, spinning
in a head blue-veined
and stubble-shaved.
Not his angry steel-tipped boots.

He lost his love because he looked.
One by one,
the silver pins
have come
unhooked.

Meantime,
far below
the sidewalk,
banished forever,
she slumps cheated
and dispossessed
in the vinyl seat
of a hellbound
subway car crawling
with scorched graffiti,
spray paint-scrawled
filigree spelling her doom.
Ghost of a snake bite
below her knee.  

Mohawk depressed,
she leans against
the train window.
Dead glass reflects
a chorus of piercings,
steel threaded through
skin so translucent
her veins and arteries
glow blue and red:
mapped subway lines
circulating misfortune,
coursing with dread.

The train rattles along rails
encrusted with gems and bones.
Disgorging sparks and smoke,
it thunders into stygian gloom,
ferrying her to a heartless god.

What if her shadow
had made a sound?
A backward glance was all it took
to squander a lavish second chance.

High above his beloved,
awakened by moonlight,
Orpheus regains his senses
and gathers the guitar.
The case flung open
at his boots awaits a drizzle
of tossed dollars and coins,
piteous currencies of loss.
Hard pick between thumb
and finger, a downstroke
strum delivers plaintive
waves of power chords.

The song ignites
a crowd of women
in tight band t-shirts
and skinny jeans,
smacking cherry gum,
their flaming hair
casting embers
upon night air;
radiant specks
suspended
like lighters
in a sunless
stadium.

Spurred by his song,
the covey of maenads
coalesces and attacks,
enraptured, enraged.
A rush of bodies,
the crazed crush tears
him limb from limb,
splits him to close to cipher,
until what remains of the star
on the sidewalk is his heart:
the four-chambered *****
held in a hundred hands,
picked up and packed
into the red plush lining
of the grisly guitar case,
golden hinges snapped shut.

Entombed in coffin-black
chrysalis, the heart pauses
like an untouched drum—
a dormant instrument
awaiting metamorphosis
that, like Eurydice,
will never come.
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