"good luck," they think it means.
brides, grooms, hell, even the kids in the club.
and the notion that the phrase comes with the
shattering of glass under a custom print napkin--
just wrong.
it's important to be mindful of what mazel tov means in
that moment, sure, but it's also
important to be mindful of what mazel tov
means in the everyday. the ritual.
see, mazel tov means "what good fortune."
and I know, I know, sounds pretty
**** close to "good luck."
but think about the glass.
all these tiny pieces to pick up
and you say, "good luck."
have fun picking up the shards.
don't cut your finger.
saying "good luck" in that moment
makes you an ***, but "what good fortune"
sounds like you got something up your sleeve.
and you should. in this life, always. always
a few tricks. you know when I was little,
my mother asked me what I wanted to be
when I grew up and I told her, I said,
"I want to be a magician."
her response, "you can't do both."
she's right. that's no profession for an adult,
but you can be an adult and a
magician on the side, as a hobby,
that's alright.

wait.

what was I talking about?
magicians, magicians, oh. tricks.
how else are you going to get by?
mazel tov is a mind trick.
see, we say "what good fortune"
when the glass breaks to reframe the
situation. what's your reaction
to that sound? your ears perk up--
if ears can actually do that, I don't know--
the hairs on your neck stand up.
I guess they can't really stand in the conventional
sense, but, well, you feel the space of a room.
and after that beautiful sound, and I mean beautiful,
you are forced to take everything else into account.
you don't want anything else to break. what matters most,
you know? that's why we say "what good fortune."
I'm delighted to know something as worthless
as glass has broken. because now I'm more
careful with what's valuable to me. right?
you spill soda on a cloth seat in your new car.
mazel tov.
now you don't have to be paranoid
every time your nephew climbs in with an Icee.
it's material crap. just crap. you're alive.
you've got a car. be thankful for what you have.
reframe, you know?
your girlfriend, your wife leaves you for a
former high school quarterback turned
owner of a lawn service company.
another casualty of the sweaty, lemonade-fueled fantasy.
once again, mazel tov.
you are so lucky you didn't spend the rest
of your life with her. the glass shattered.
it's a beautiful sound.

they will smoke cheap, borrowed cigarettes.
they will drink cheap, borrowed *****.
and they will stay miles away.
and they will experience the most complex emotions.

writing small town songs,
dealing with cheating girls
              and
****** bags and godliness.

they will play at veteran bars.
they will play at festivals.
and they will flicker.
and they all will dissolve.

living at home with mom.
dealing with whiny girls
                and
******* and defense mechanisms.

The troubadour planted his last name between
a she-vegan's legs in San Marcos;
rambled north to that country of love, Oklahoma City,
where he took hits of windowsill acid every three hours
for a week straight.

To escape, to begin.

He spent his nights in the St. Cloud Hotel, trying to
sleep on a carpeted floor. He saw a color between
lavender and orange, nameless and impossible to
recreate. He knew all, including he'd forget all.
He shared a room with two high fashion,
burgundy-lipped lesbians, Viv and Jean, and
one night, the last night the troubadour, our troubadour,
was allowed to stay, Jean went out for some fresh air,
code for a cigarette.

"She never smokes just one," Viv said, little Oprahs reflected in her eyes from the plasma screen. She lay on her stomach on the bed,
atop a jungle green comforter. For your discretion and for the discretion of those before you.

Viv brought him between her legs.

"Gentle. Gentle," she said.

The troubadour thought of those Pepsi Challenge commercials as he tongued her ****. A lesbian has an edge when it comes to oral pleasure. Across the nation more people prefer Pepsi. She's got the same parts, sure, but as the troubadour wordlessly recited the alphabet with his tongue to her, he felt confident Jean hadn't put in this kind of effort, not lately anyways. And so what if he's Coke? The troubadour preferred Coke. Viv snagged a handful of his hair, "Don't stop," she said. "Don't stop."

And it all ended, as drug-addled, hetero-on-**** escapades always do: abruptly and with an "I think you should leave before she comes back," a "But sweetheart, this, us, I think this means something," an "I like girls," a "But," an "I just needed an edge," and later that night as he marveled at the  brilliance of the common streetlight, tripping his *** off on his last hit of LSD, he empathized.

Make me bleed,
dig in,
shards of ancient revenge,
words of Christmas mints,
eyes of cellophane.

If I scream,
tell me I'm the last of my kind.
Sympathy is a joke,
the fire is stoked,
my misery is going for broke.

Make me believe,
the love in your eyes is earnest,
stamp it out with your apocalyptic brows,
tell the four seasons
have not been cruel enough to me.

If I bite back,
muzzle me, baby.
Tell me I'm a silent movie lost in the era of talkies.
I'm in your woods, traveling with a broken walkie.
I'm the prey your hungry mind has been stalking.

If you don't destroy me,
how will I ever create?

The light quit working in the jukebox,
the melodies' surrender,
a commonplace extinction,
against the salt and the breeze
of your false Mediterranean.

The burden of your rational soul
in a world of extremes
has torn your spirit to tatters-
tatters littered across
your Toronto abode.
Divided amongst the heirlooms
and emptied bottles.
This desolation you
sought to translate
for the harmonious pulse
of the dial tone.

Hazy,
is this ancient mind,
a smoking fallout of
yesterday's parties
to be discussed over
lukewarm coffee
and cigarette butts,
while the shivering streams
and green plains become
commodified for a higher power.

Dan, my dearest friend,
I loved you
ferocious and freely,
fanged and supremely,
and as your mind coagulated
on a couch,
microphone in-hand,
I felt nostalgic for
your clumsy alcoholism,
and clumsier guitar strumming.

The white fog descends,
the city is hungry--
no longer can it expand.
Toronto eats itself
with you inside,
shall I write you a postcard?
Shall I kick down your door?
Shall I let you join the bones
you so beautifully alluded to?

Whisper, my friend,
amidst the soft croon of
the saxophone,
whisper, my friend,
of a Europe gone defective,
whisper, my friend,
for an apocalypse of sun
to release us all from
the white fog slowly burying
our Toronto.

i'll admit i found him humorous upon first sighting.
he was
obese,
with one leg,
in a motorized wheel chair,
wearing large sunglasses,
a volunteer firefighter cap,
and awkward headphones, circa '79.

"hello there, sir!"
he shouted as his wheel chair and body
shifted, slanted, bounced with each crack in the pavement.

"hey, how's it goin'?"
i called back, with a warm and hospitable tone.
i've been trying to be more social.

"i am blessed, but sir, would you be so kind
as to help me get some food?"

"yeah sure. where's the food?"
good deed for the day.

"i don't know, i guess around this here corner. i'm lookin' for that pizza place."

"oh okay, i think it's just over here past the bookstore."

"alright. what's your name, boy?

"josh. and yours, sir?"

"james. josh it is a pleasure to meet you. and i thank you.
you see i'm homeless, mr. josh. and you wouldn't believe
how often people turn away from me, josh."

"that's awful."

"yes it is. but i pray for them.
they need it.
may the lord forgive them. may the lord forgive me."

"here's that pizza place."

"excellent. would you go in and get me some food?"

oh. i'm buying him food.
that's what "help me get some food" means.

"of course. what would you like?"

i returned ten minutes later with a gyro, a pepsi, and some chips.

"thank you mr. josh," he said with a bright smile, "this will be a fine meal.
now, josh, you have done a good thing. look at my eyes."
he removed his sunglasses.
his eyes seemed normal enough.
"i ain't no druggy or dope fiend. i'm just james w. green. mr. green.
i was a bass player that just fell on some bad luck. now josh, i'm asking
you as a friend to just give me a little more, so i can eat tonight."

this made me uncomfortable.
i hate to admit it, but i began to suspect this uni-legged, bass player, of ripping me off.

i gave him a 5-dollar bill. that's a weeks worth of suppers at taco bell.

he said a prayer for me.

then he asked me on behalf of jesus,
"can you look into your heart and give generously? just one big donation and who knows what could happen!?"

i gave him another ten.

"thank you mr. josh. i appreciate it. remember me? and do me a favor?"

"sure."

"tell the world about mr.green!"

you're welcome, james.

And my dad wanted us to hurry.
He worked the night shift.
Sweat on his forehead evidenced his
displeasure with rising sun.
35 mm in his hands. Steel-toed boots on pavers.
My mother stuffed another box of Kleenex in my
backpack. Gritted the metal teeth. Ready?

Ready. Her hands on my shoulders.

Take another one. Josh wasn't smiling.
Dad winded the film.

I don't want to smile.

My mother stuck her fingers into my mouth
pulling opposite and up.
And her fingers tasted like
the musty pages in the books without pictures.

Walked out the door,
into the God abandoned day,
night took his toll,
brought his longtime friend,
the rain.

Please, don't follow me.
I'm not mad for the reasons you thought.
I'm not sad for the season I lost.
It's the lessons you didn't mean, but taught.
Please, don't follow me.
Your words are meaning less and less to me.

Walked past my car,
stopped at Vista,
bought a pack,
watched the water war,
spat smoke, in my soaked coat, under an awning,
a teenage couple, tense as matchsticks, walked past,
staring with unknown, undeserved prejudice.

Please, don't follow me.
It isn't about emotional depths or rediscovery.
It isn't about finding happiness or inspiring sorrow.
It's the fact that my mistakes led me to you.
Please, don't follow me.
You aren't ready to help me.

I was sitting at the computer
trying to think of a way
to describe a woman's
*** as anything other
than a woman's ***
and there were
marlboro black
cigarettes on my
creaking desk
and I had a fifth
of whiskey on the
windowsill and
I rubbed my forehead
and thought of fruits--
apples and oranges--
no, no that's overdone
and I thought of animals--
elephants and horses--
but, again, no, I'd
come across as one of
those sick ******* that
go to the zoo in  
stained trench coats
and rub themselves against
the chain link
and Eve would walk in
beautiful girl with short
hair and a sharp mind
she'd ask what I was
writing about and
I'd say women
but the women were
never her, she pointed out
and I'd say I don't want to
jinx this, what we have,
you know? and she'd say okay,
okay

I'd get lit up every evening and
I'd text other women
I'd tell them about the shapes
of their ***** and the sizes
of their brains and they'd
usually say uh huh yeah
but I was fishing, always
fishing for that compliment
that sliver of hope, that
unsatisfied wife
when you're trying to be
Bukowski you'll throw
yourself under the bus
again
and
again
for what?
a story, trivial and base,
and that good woman,
that best woman, that Eve,
one day while making breakfast
she'll say to the eggs in the skillet
I can't take this **** anymore
and you'll say so don't
and she'll say fine
and she'll walk out the front door
wearing your t-shirt
you'll feel free for a week
and alone for two years.

---
you missed the first curve, she said,
you see all the good girls are already
getting married at your age.
you're just going to have to wait
for the second. when the divorces start up.
when the bisexuals calm down.
---

The air conditioner hiccups,
as the second half of
Cole Berlin crosses himself--
a face deeply creased by consequence,
looks to the west,
a surrendering sun fractured--
broken by hundreds of stories--
tons of concrete--
mountains of glass,
and the gentlest gloom.

Mr. Berlin's body devours itself--
as the critics and even the diehard fans
run out of time to play "remember when".
The reality enters,
at first no more than an annoying stomach pang,
then growing,
feasting,
shouting,
until each cell knows--
no time for the comeback.

Whatever beams of sun were once banded,
now dismiss themselves,
as night subs in--
Mr. Berlin, closes the curtains of his mind,
falls to the floor,
"Sorry folks, no encore this time".

A week he lay festering,
no more a replica--
only a ruin.
A fly in a web,
rotating on a world without end,
the record, it spits, skips, smolders in ditch,
contaminating the soil,
the virus gently purrs perfection,
no hiccup, no hallucination--
only swag up for collection.

Some people feel like places. And these people are vacations. These places are people. Freckled wall paper. Foyer tunes whispered. They are supermarket candles. Wavering flames by way of unsealed windows. They are blinds, these places. And you see through. And you hope through, these people. Pulling back curtains of brunette hair, applause deserved. Delicate, delicate. The slightest noise could alarm clock and send you back to work. Silent, silent. It's rest. Try hard to relax. She's a mole between *******. She's scar tissue on an ankle. And this place, this place smells of honey; tastes like almond milk. "In a perfect world what would you do tonight?" Sleep in this place. Wake inside this person. Simple. Clean. In a perfect world, morning sewed with lavender clouds, tall grass, and a watercolor sun unseen before. And this place likes eggs over easy. And this person warmly invites like white lenin.

"Siri, I love you."

"You can't."

"Why not?"

"Would you like me to search the web for 'wine dot'?"

i'm a nomad gone defective,
heart attack erased, amended.

i'm a dead leaf riding the crest of the wind,
marking time by exs and favorite beverages.

i carry on the bluebird's song,
whisper nothings aside from sweet.

you planted me within your sheets,
green grow the leaves, winter, good luck with your war.

let needle perpetually lock in groove,
white wine nights that turn into levitating sunrises.

"*******, you got ***** by the sun," Molly discovered
as she lifted my stained, white, awkward v-neck off.
She proceeded to kiss down my San Diegan,
sun-painted spine.
"Does it hurt?"

"Nah, do you want more wine, foxy?"

"Sure, just a little bit. I'm feelin' pretty good."

I snagged the bottle from the freezer,
tore the cork out with my teeth,
as I was grabbing her glass off the counter,
I heard her unbutton, unzip, and undress
her loose jeans and her cotton *******,
I heard her throw them to the floor,
as I finished pouring.

I turned,
she was pulling a blanket over
her milky legs, settling into the couch.
As I drew close to her exposed black toenails,
I smiled in pseudo-polite fashion,
"You know these 3-4 a.m. calls gotta stop.
You're going to ******' **** me."

She giggled in a high pitch,
like a perfect 10-year-old,
it made me even more on edge,
"Oh shut up," laugh, laugh, continued,
"you know you love it. We couldn't
do this any other time."

I handed over her glass,
sat in front of her curled toes
on the ridge of the couch.

Her black fingernails skidded
along my weather-beaten skin.
There was no empathy, no exhalation,
no rejuvenation in them.
I had hit a deep low.
Not even the coast could save my soul.

I didn't dance around it,
I skipped ahead to my favorite question,
"How are things with your fella?"
My inflection made the question seem painless
to answer, and maybe it was, but it was hard
to listen.

"Um, well, we broke up on Thursday."

"Yeah?"

"Yeah, anywayz, he called me last night,
asking if he could come chit-chat with me,
I said I guess so, and we stayed up like all
night, and we really worked everything out.
It felt so good to clear it up. So we are back
together, to normal, I suppose. What got me
was he told me he loved me and would-"

"Would do anything for you? Or some **** like that?"

"Well, yeah. God, what is your problem? You've
been acting like a **** all night."

I swallowed, with desert difficulty,
grabbed her glass, took a large drink,
she tried to take it out of my hand,
but I pushed her fingers away,
looked straight in her pretty, deceiving eyes,
they were getting antsy, I waited for the alcohol
to hit my head, and once it did,
I cleared my throat, and maintaining
the theme of cool detachment said,
"Molly," exhale, "you are a ******* idiot."

"Excuse me?"

"Oh, I'm sorry, I said you are a ******* idiot."

"You have no roo-"

"Hey, it isn't just you. ******' victim of your age.
Every girl I know is hung up on some *******,
that didn't really do anything special,
just timed dating with some holy moment in your life.
It all comes down to laying your claim at the right time.
When your head is still doped with that 'the one' crap."

"You have no ******* clue what you are talking about!
The first time I kissed him I felt like I would
be kissing only him for the rest of my life."

"You were 18."
I said barely above a whisper.
Molly was straining, tears were welling,
my mouth was spitting out everything,
that within a few hours' wisdom,
I would come to regret.

"Love isn't reserved for a certain age, *******!"

"That may be true, but let me just say this: if he is
'the one', then why are you here?
Your true love didn't come with a special rider
enabling the privilege of sporadic 4 a.m. *****
with people that are so beat down,
you assume them to never give a ****."
Every venomous word, stated calmly, collected,
with light cruelty.

"I....I..." her voice was cracking, spiraling,"I don't know
you just seemed interesting."
She buried her face in my arm,
I took another drink from her glass,
stared straight ahead.
She was muttering muffled things like, "I really do love him"
into my arm and torso.

She spat and moaned for 15 minutes are so.
Volumes rose and fell in cascades
of civil war. The roar dulled to a whimper,
the whimper dulled to silence.

She regained her composure,
she stood up, no nervousness,
she recovered her naked lower body,
she got the button in the loop and
the silence I tore,
"I didn't sign up to be an asterisk,
some ******* footnote in the history
of your love. I wanted to save you."

Molly laughed.
She ******* laughed.

Molly rolled her eyes.

She rested one hand on
hot skin,
grabbed my chin with the other,
and aimed my gaze toward her.

"Don't lie. You aren't allowed to.
We've been friends too long for that.
You needed a muse, a change of pace,
and I hate to say it, but you are
always going to be somebody's footnote
if you don't have any self-respect.
You never let yourself be happy.
You are too caught up in experiencing
all the lows to allow yourself to
feel high. You used to be so much
fun. You used to be so sweet.
Try to find that guy again."

With that,
Molly grabbed her purse,
kissed my forehead,
slid into her shoes,
strolled smooth and soft
out the door and into
the early morning air.
I took another drink.

She tells him this better be the last one--
the last first love poem he'll write.
The title, she says, needs to be brief,
something any lover can relate to.
Do you want me to leave the room
while you write it?

No.

With one step she's no longer in the
living room, she's in the middle of the
apartment kitchen. There are two bowls,
two spoons in the sink. The bellowing heater
acts as background, smoothing the space
with its hum. She squeezes a drop of soap
into each bowl. Fills both with hot water.

Any lover needs to be able to relate, she says,
but make sure you set it somewhere romantic--
not Paris, Rome, or anything like that--but
next to a body of water. There should be
birds. Clouds and rain. Not sunshine. Don't
you think?

He thinks.

She works the bowls over with a dishrag.
Dinner, breakfast--whatever you want to call it--was good, she says.

Good.

She dries the bowls, places them in the cabinet.
Have you written a line yet?

Yes.

Can I read it?

Not yet.

When I wake up?

When you wake up.

With a hand to each side of his face,
she denotes the spots he missed shaving
with her index fingers. Here, she says.
Here. Here.

The lines run from the corners of his eyes
as he smiles. Now she marks these.
She kisses him; she doesn't say, I love you.
Not yet.

Wake me up before you go to work, okay?

Okay.

With one step she's in the bedroom.
The bed's a couch.
She pulls the quilt up to her chin.
Her body curls.
She says, Hang out with me in
my dreams.

Wouldn't miss it.

Good morning.

Good morning.

A few minutes later her breath
goes steady, falling in line with
the heater.

The sun starts seeping in through
the blinds. The loose strands of
her hair become gold. He draws
the curtains so the light does not
wake her. She, he types.

In an apartment where once was one--
one toothbrush, one set of sneakers
by the door--now there are two.
Everything paired off and content in
its pairing.

Is a woman, he types. He hits the delete key once.
Then he types N again.

Her makeup bag is on the dining table.
Islands of stray powder dot the bag.
Her brush is on the coffee table
next to the couch. Countless
numbers of hairpins are embedded in the carpet.

I can't make it in today, he says into the receiver.
Yeah, not feeling too good. Thank you, sir. Will do.
Alright. Yeah, you too.


When he presses in beside her, she says, I've been awake
the whole time.

Have not.

Have too. Did you finish it?

Yes.

Can I read it?

After you actually get some sleep.

What'd you call it?

Is a Woman.

I like that.

You laughed when they struck me with stones.
You cried when you kissed another man.

the leaves of my mind die,
without rustle, without why,
an incessant new season of direction
of spring, of beauty, of need,
orthodox and counterclocks
of bathroom stalls and
desperation calls--
in the tile we prove our worthwhile
as the hounds and haunts of yesterday
test our haul,
and I'm a magician and a *******,
a lover and a shotty terrorist,
the mad house rings,
sing, sing, sing
of yesterday--of fever dreams,
make me levitate to heavens,
push me away for doorknobs
and summer screens,
those are temporary,
lionesses in heat,
to be appeased
for the watering hole
and mouths of summers sought to soon--
we can romanticize the afternoon,
we can romanticize the mundane gloom,
but in the end we are nomads,
bouncing off shoreline and magazine subscription,
confused of endings
and brave in the face
of annihilation.
Rewrite the histories of our forefathers,
rewrite the reinventions of the wheel,
until it's all progress and simmering,
until the *** is full and festering,
when the now is soon,
and yesterday is dead,
the magnificence of misery--
hits like a runaway diaper truck
to add injury to insult,
to add scorpion to sting,
and if your mother is a dancer,
be not ashamed,
but praised,
she filled a primal need,
more than can be said about
Hemingway or Artaud or Bonaparte or the spring,
I have mountains to climb
and ****** rhymes to satisfy--
if you feel love,
boast,
if not welcome to hell,
a perpetual ****** roast
of ego,
of soul,
of every lover you let go--
the luck lies at stoplight kisses,
the luck lies in ***** sheets
and clean sneakers,
if sorrow is a gateway drug,
heaven is my fix,
if sorrow is a gateway drug,
I'll buy two hells a week for
the rest of my endless years,
if you love me,
do it,
don't doubt,
don't simmer,
ignite,
burn  brighter than former,
than the mourner,
than the funeral singer,
and make dinner on the ground,
we'll howl as the gravestones depreciate,
we'll howl as the stock market
solidifies in ice,
we'll howl as we realize the trite,
and I'm wrong often
but mostly right,
ask the machine gun,
and the sparrow hauling the olive branch,
ask murderers and the stain on your pants,
time is a circus of the three-ring variety,
too much to focus,
too much to bore,
too much to whine,
but under the cover of freedom--
enough to die in contentedness
and lie in the pangs of eternity
with a sigh, a slip of the tongue
and a pair of rolling eyes--
let not your daughter drown,
let not the horns on your head weigh you down,
the tomorrow is soon,
the now is ancient,
the promises to be fulfilled
will leave you begging-
bring on the fantasy,
the daydreamed celibacy,
the marooned integrity,
I've got a moon,
fourteen clouds,
and a headrush from nicotine--
drink of my youth, it's light, easy, cheap--
enough to get you drunk,
but lacking the dexterity of luck--
the burden, the burden
of always giving a ****.

Here in the west borough, down three or four blocks from the epicenter, the shocks come to you in tides — little, electric, delightful in some alien way. Even the sounds of instant decay ring pleasant. The concrete, the bricks, the mortar, the Corinthian columns, the suspended ceiling tiles, the florescent bulbs, the coffee cups, the desktops, the family portraits all fall from their stations, screaming toward the cool pavement. It’s a temperate Thursday in January and the weathermen continue to talk in stunted disbelief. A car catches fire on Malcom X Boulevard, and weather is the wrong word, you think, for this phenomenon. It’s rage. It’s bitter. The violence of the sun-catching glass smacks of vengeance and this whole thing is man-made or, at the very least, god-made but not anything so indiscriminate as weather.

There’s still the pleasure of it though. The collapse of the old world. And there’s nothing but rubble on the corner of 9th and Dominican, and for the life of you, you can’t remember what stood there before. In your evergreen bones you know one thing: whatever anodyne brick institution reigned will be replaced by that glorious glass and that glorious steel, 100 towers impaling the sky. The future is now. A tremor. A cloud of dust.

For about ten seconds the windshield is worthless yet you speed up, hurling yourself through the fog of destruction into a **** world, feeling essential and brilliant and and and.

Cindy Prine's bee buzz ringtone ripped her from
her deathlike slumber,
"Hello. Oh, hey Mom. What? Yeah, I'll be in tonight.
I agree...no, no I won't be brining Mattie. The Wilks
have her. They are wonderful with her. I love you too.
No, it'll probably sevenish. Not seven. Sevenish."

The Candy Corn Suite reeked of ****** fallout.
Sheets still wet and sticky with sweat.
The checkered floor covered in beer and discarded condoms.

Her ******* ached.
Most of the men had been awkward,
frightened, and easy to finish.
Hank, the porky 'friend of a friend', however,
had been brutal.
By the time he had finished,
her *** turned a light purple,
her back covered in spittle;
her scalp felt barely intact.

Cindy smelled pancakes and went downstairs.
"Good morning, darling. You want some hotcakes
and coffee?"

"Sure, Mama."

In the lobby, the Children's Funhouse looked like a ****** continental breakfast. Patrons from the night before and the workers
often sat side-by-side for what surely can lay claim to the
worst breakfast environment in the history of mankind.

"Will I have the pleasure of your company for a while, this time?"

"I'm afraid not. I need some time away from everything."

"Everything?"

"Todd, the baby, it's just depressing.
I'm twenty-*******-years-old, ya' know?
I did not sign up for domestication."

"Right on. Hell, neither did I," Chung-Ae Phun laughed
and curtsied, "So, where you going Cindy Lilly?"

"Back to my mom's for a bit."

"Are you two close?"

"Um, she is a brilliant woman.
We've never been able to talk,
but I guess you could say
I respect her."

"Fair enough. Cream or sugar?"

"No, thanks."

"How was Hank last night?"

"Oh, God, that ****! He--"

"What about my ****?" Hank blurted with a sinister, crinkled edge of lip.

"Oh, I'm so sorry! I had no idea you were still here!"

"Why the **** should that matter," he snarled grabbing her tiny left arm.

"Hank, leave her alone," Madame Phun said sternly.

"She's just a little *****, Chung-baby."

"Hank, you need to leave."

"**** that. Not after the money I wasted on last night.
You promised me she was top rate.
I want my money back."

"Hank. This is not some fast-food joint,
where you come back to the counter
and ***** after you've eaten your burger!
Judging by the panting, sweaty mess you were
last night, she did just fine."

Cindy Prine reached for the intersection of her *** crack and belt line,
wrapped her trembling fingers around the hammer.

"Well, then I think I deserve another one on the house.
Can we make that compromise?"

"This isn't ******* Craig's List either, Hank. Get out!"

"I want another lay with this Lilly broad."

"Absolutely NOT--"

Cindy interrupted, "No, no it's okay, Mama."
Hank grinned, his gut seemed grow, the
hair around his arms spread like vines.
"Is it okay if we do it in your truck?
My room is an absolute mess."

"Fine by me. How I usually do it, anyway."

Hank opened the door for Cindy, in faux chivalry,
then proceeded to his side.
The cab felt like hell, and the metallic seatbelt burnt Cindy's skin.
"Where should we start?" Hank asked staring at Cindy's chest.

"How about you just relax for a second."
Cindy rubbed his crotch firmly, Hank closed his lids
and sunk into his chair, as he let out the first sigh,
Cindy snatched the hammer with her right hand and
quickly struck him
one-
two-
three
times.

Hank's skull sprung a leak. Blood spewed onto the dashboard.
Cindy shoved him to his side, snagged his wallet,
and proceeded
to crack three or four of his ribs.

the markerboard on the fridge read:
sleep tonight.

the only thing i promised myself i'd do.
the day went something like this:

i woke up thirty minutes late,
i made do with only washing my hair,
ate an apple, yogurt, drank a cup,
****** myself to clear my head,
ignored the neighbor as i stepped out the door.

went to a dead-end, data-entry job,
where the girls aren't pretty, nobody is funny,
because everybody is a CPA and i'm not pleasant because i
don't give a good ******* about the
world of finance.

the highlight of the workday (as it is everyday),
was the break room chatter during lunch.

the earth-shattering conversations
revolved around:
how good the nutrisystem desserts taste,
how there was low voter-turnout in the midterm,
and how that one girl is a lesbian.

i got off work,
ate a sandwich, a banana,
put on sweatpants and a thrift store t-shirt.
i wrapped some fitness contraption around
my belly, whose sole purpose is to make
my abdomen sweat profusely.

no pretty girls at the fitness center.

i got back to my apartment.
wrote some phony poetry full
of half-baked sentiment
for no worthwhile reason.

i smoked.
i watched a foreign film, but couldn't find my glasses.
meaning: i have no ******* clue what the plot was about.

i went to the gas station.
made small talk with the long haired indian man.
i bought two smirnoff 40s.
something about smirnoff gives me really cohesive dreams.

my roommate tried to give me a lecture.
i told him christ was a myth.
a simple summation of earlier religious figures.
slammed the door,
lit some incense called "*****".

i fell asleep, woke up an hour later in a fright.
turned on the fan,
lit some more "*****",
closed my eyes,
and dreamt a complex novel,
containing:
me missing church,
my mom calling me,
getting lost in canada,
finding my way back to
my hometown only to find
two dudes with heavy machine guns
killing everyone in the cozy, local shops,
then somehow i got a line in a movie
directed by none other than keanu reeves.

at least i finally got some sleep.

i didn't buy enough alcohol to get drunk.
purgatory. purgatory. purgatory.
but there are summer girls in skirts outside,
bugs that bite,
and a roommate whose ****** grammar is
appealing to my humor.
purgatory. purgatory. purgatory.

i didn't buy enough alcohol.
purgatory. purgatory. purgatory.
i can't touch the summer girls, 'cause i got a love 50 miles away.
i can't **** the bugs, because i don't have the appropriate spray.
i can't fix my roommate's grammar because he's a little bit touched.
purgatory. purgatory. purgatory.

Every time you are away,
the vultures ask if I'd "like to play",
and lately I tend to say,
"Okay."

They invite me to dim rooms,
we talk about how all our friends
are "old friends",
we talk about ex-boyfriends,
weather, pregnant people,
and potential careers.

They ask if I'd like something to drink,
and lately I tend to say,
"Okay."

So we sip poison,
put on one of their country records,
or play some ****-poor movie,
and I never really say anything.

They ask if I'd like to lay beside them,
and lately I tend to say,
"Okay."

We undress,
push, pull, sweat, hate,
die,
and then the vultures
always make the eyes,
and I always have to
wipe my brow,
clear my throat,
and say,
"Our touch doesn't mean much.
Okay?"

Rachel cuts the strings,
and it's bombs away.
A lost weekend for the books,
with enough fallout
to discourage three generations
of new youth.

Rachel sleeps,
and it's extraordinary toxicity.
A haze of isolation
to balance the height
of her supernal company.

Rachel goes back to prison,
and I continue my journey into the woods.
No light to guide,
no cold hands touching my face,
just yellow eyes and paranoia.

Wilt go the flowers,
cancer grabs the coherence.
Do you love me forever?
Do you love me forever?

Down goes the next bottle,
crawl into the body.
Will your old book make you better?
Will your old book make you better?

I won't be novel long.

Cindy Used-to-be-Wilks-Now-Prine-Again
pulled a hammer from the intersection
of *** crack and belt line,
and proceeded to air out
the passenger-side window
of her in-laws Suburban.

She dropped the parcel in the
captain chair and ran back up the
driveway to the soundtrack of a
whiny car alarm.

By the time the master bedroom's light lit,
she was turning the car's ignition.

She made a beeline for the Children's Funhouse,
just under the skirt of Oklahoma City.
Blanketed by a dense tree line, the red and yellow
chipped, wooden building was thought
by most interstate nomads as an ancient eyesore.

She parked at McGowan's Store, bought a 30-pack of 'Stones and
a pack of red 100s.
Cindy ran across the lulling interstate to the Children's Funhouse.

Walked in the backdoor beaming,
"Hello ladies! Anybody want a drink?" she said to the room
full of workers.

The women of Children's Funhouse sported an image
that anyone could guess, as long as they knew
the place to be a middle-classy truck stop brothel.

After a chorus of I-do, I-do's, Cindy began tossing beers
to freckled ladies, decked in frilly skirts, saddle shoes, bobby socks,
and more often than not--pigtails.

Chung-Ae Phun, the madame, walked up behind Cindy,
tapped her on the shoulder and the two embraced warmly.
"Hey Mama," Cindy said.

"Oh, Cindy Lilly, it's so good to see you!
You picked a wonderful night to make your
prodigal return. Looks like a lot of business tonight."

"I could certainly use the money."

"Is four okay?"

"I'll take as many as you can send my way."

"That's the spirit darling. I want you to take
the Candy Corn Suite."

"I'd be honored, Mama."

Chung-Ae Phun established a fine business.
On Mondays she treated the local law enforcement,
on Sundays the district judge, and every other day
weary truckers came in to find solace.
Only special guests were treated to "special" girls
in the Candy Corn Suite.
The orange and white checkered carpet, the yellow walls,
radiated an eerie invitation.

"Let me get your outfit ready,
if you'd like you can wait in the room" Phun said.

Cindy Prine moved the stuffed bunnies and bears,
and planted on the bed.
Freedom rang like the Liberty Bell in her small skull.
Few of God's creatures ever held as much original
joy in their bones as Cindy Prine.
She could turn tundra to beachfront with a smile.

Chung-Ae Phun knocked on the door and entered,
setting a white and pink polka dot dress on the edge of
the bed.

"Your first client is a friend of a friend. Terrible gut,
smells like an ocean of whiskey, but seems nice enough."

"What's his name," Cindy asked.

"Hank."

"Send him in."

Cindy slid into the dress,
quickly pounded a beer,
heard a rapid, eager knock on the door.

"C'mon" Cindy chimed.

"Well, gawd ****, baby girl. Looks like you've been real bad."

Cindy rolled her eyes.

"I sure have. I can't find my ******* anywhere.
Will you help me look, Hank?"

a thigh gap
a peering spine
a cat eye
a cerulean highlighter
all of this and more
all of this, yours
21 mind-blowing *** tricks
5 ways to convince your doc you've ADHD
all of this and more
hack your closet
hack your pantry
your cellar door
all of this, yours
an e-thank you note
Facebook status remorse
an it's complicated
all of this and more
self-checkout
automatic hand dryer
automatic towel dispenser
automatic doors
all of this, yours
ask Siri where to bury the body
ask Jeeves where to buy the Molly
Google "the triumph of death"
and salute it with Bacardi
all of this
all of this
42 celebrities who used to have braces
8 Instagram hotties we love
42 gin recipes sure to inspire envy
all of this and more
how to love yourself
how to be a gentleman
how to make sure you marry the one
all of this yours
******* that read Angel Off Duty
boxers that read Reporting for Duty
ride the escalator all the way to
Jesus's heaven
fist bump Little Richard
and that kid from Malcolm in the Middle
watch St. Peter wave all the **** sorority girls
who've recently died in drunk driving accidents
to the front of the line
breathe, in from the nose out from the nose,
pick up a copy of Men's Health and read
an article titled
69 ways to incorporate gravy into the bedroom TONIGHT
all of this and more
all of this, yours

There he waits,
the Nice Guy,
looking academic
and out of reach
in his tweed.

There's something
feminine in the way
he crosses his legs,
draping right over left in the fainting chair.

There you are, across from
him, at this party your
roommate dragged you to.
And you ask how he is.

He ushers you to his chair.
Sit down, sit down. I insist.
You know, he says. Most people
would tell you they're good or just fine.

The Nice Guy reassures you he is
not most people. He's a Nice Guy;
he's down with feminism, waves
One through Three.

He has a dog named Atticus.
They frequent open-air bars
in the summer.

He's a Nice Guy, an old soul,
someone who should have been
a young man in the 60s.

God, he has so many female friends
he tells you, leaning on the banister,
sipping on Glenfiddich.

You wonder how he is. This was your question.

He has so many female friends. Notice
how I'm stressing the word friends, he says.

I do, you say.

He's a Nice Guy and all these female friends
they're all the same. They love the bad boys,
the rich snobs, the ******* jocks.

I don't, you say.

Oh, sure you do, he Nice Guy-splains to you.
And there's a golden light coming from the chandelier
behind him, and he looks so holy and pure as he tells
you how one day Tara, Sam, Whitney, and Amber
will wake the **** up and realize just what they're missing.

But by then, this Nice Guy will have rambled on. He'll become
someone's second husband. A Good Woman will see how precious, how rare this Nice Guy truly is.

Okay, you say.

Prove me wrong, the Nice Guy says. He leans in closer.
You can smell the scotch. Prove me wrong.

Evangeline (is that what you want me to call you?),

While I hope you don't have to use it, attached is my edit of your suicide note. I just tweaked the grammar on a couple sentences and uncapitalized a random "E." Might consider being more specific. It's hard to tell who is to blame, if you're looking to blame someone. The verbs are very passive. Makes your end seem like a commercial break. Just a suggestion.

Love or a near synonym,
Josh

kneeling before a cardboard cut-out
     of the son of god on a cardboard throne--
I lower my head, lace my fingers, and ask
     can I be ***** and holy?
     can I be thirsty for the milk and hungry for the steak?
     can I rewrite and walk off the dock?
     can I smudge mascara and watercolor her form?
     can I point the finger and hold the smoking gun?
     can I hustle and innocently dream?
     can I die and seem more than I mean?

you wrote the book on being an *******.
i read it twice.
and i find myself alluding to it
all the time.

you told me the definition of high art was broke.
if i wanted to succeed,
i needed to trash my collection of huxley
and memorize
every action sequence
in every jerry bruckheimer film.

you based the last six years of your life
on a ghandi misquote,
you ripped from wikipedia.

you told me love was just mankind kidding himself.
only trust in what you can feel,
"like *******."

i wrote an article about you,
i asked  if you believed in god.
your reply,
"god is a concept
by which we measure our pain."
i thought that was clever.

it took me 3 months to remember
that's off lennon's Plastic Ono Band.

You can get used to anything--merciless debt, infidelity, death--anything, the photojournalist thinks as he stares out his open hotel window to the beach where two boys lay covered with white sheets.

The bombs fell an hour earlier. Upon impact they didn't so much make a sound as absorb it, syphoning off laughter over mimosas in the first floor cafe, blurring the start-stop of traffic into a shapeless background hiss. He was out there when it happened, on the beach, walking his morning walk.

From one hundred yards he took in the flash, the upheaval of sand, reaching for heaven and then, all at once, subject to gravity's retreat. He knew there would be a second bomb, like when you're cutting a tomato, and you look at your finger then to the knife, and think, I'm going to cut myself, and a couple slices later fulfill the prophecy.

He didn't rush to the boys. He got his camera out of the bag, grabbed the lens, adjusted for distance, for the wane morning light. Boys screamed and ran. He wasn't sure how many, four, five. The second bomb hit. One boy, smaller than the others, rode the sand upwards and back down. The photojournalist thought he tried to get up, but he wasn't sure.

He knew better than to rush over. An unidentified person pointing a vague object at the children on a satellite feed would garner backlash. So he waited, surveying the slight waves break, the gulls continuing flight.

Parents, people he assumed to be parents, moaned in an unfamiliar language. Their sounds though, both guttural and sharp, said all. He approached. A man picked up the smallest boy, his lifeless limbs, doll-like and pierced with shrapnel, hung off to the side.

He took twenty-five shots from behind the lifeguard's post, using the telephoto zoom. He lowered the camera and made eye contact with the father.

Now, in his hotel room, there's an urgent knock at the door. A voice shouts. The email sends. He drops his laptop in the bag with the rest of the gear. A taxi pulls into the roundabout outside.

When he lands he's not sure if he's fractured his ankle or just sprained it. He limps to the door, climbs in, says, "Airport."

"Maa?" the driver says.

The photojournalist punches the seat. The father of the boy, along with three other men, approach.

"Maa?"

What joy to remove the glasses,
both the reflection of midday sun on back of purring Sports Utility
and the deep-cut wrinkles in Mr. Rhyne as he walks pretentious Scottish terrier
blur.
The sun's beams take a drink allowing the world to settle
into a point-blank water color -- lovely, blotchy, tame.

Glasses left in passenger seat, shoes laced, shorts of mesh,
a sweet breeze makes the leaves fall -- leaves I don't see,
but hear, relate.
Knee joints slow to start -- oh to be a cartilage machine  --
Trees turn from shadow to canopy to cathedral
as the miles pass, as sweat rivers and empties into my eyes
the vision blurs further.
An elderly couple, I tell by their outline, their faces little more
than dabs of paint, wish me a good afternoon.
A nod acknowledging their passing, a wave to say hello/goodbye
and a thought -- will my knees feel this way forever.

A few miles more, the chalky white of eyes turn blood red
by streaming salt; I see even less.
But under another cathedral of trees, I witness the darkness bend.
Shadows twist -- not humoring the wind -- no, to bring attention
to my thinning shadow, and a question, *is this movement out of respect,
or are the shadows making room for me?

When he went through the windshield, amid the shrill fracture of glass and above the curling guardrail, he did not think of Junebug or his mother or his boyhood summers at Lake Tenkiller. He thought only of deep-grooved ritual: get in, turn the key, press power on the radio, turn the air to 1, and buckle in.

He saw the guardrail. He saw the guardrail and knew, or half-knew, what would come next.

He headed straight for it, going sixty, sixty-five.

He used to play a game to break up the monotony of interstate travel, back when he worked the night shift at Wolverine. He'd close his eyes for as long as he could while driving. He began with five seconds then ten, no peeking, eventually making it an entire minute, speeding down I-44 alongside the eighteen-wheelers and the farming crowd. It was around 5 a.m., sure, but a minute still.

Before he cut the ignition he turned off the air and the radio, always. His dad told him it made it easier on a vehicle when you started it. A mechanic later told him that wasn't true. Not even remotely. He still did it.

He saw the guardrail and thought of it in the same realm as driving blind, a game of chicken ending inevitably in forfeit although victory and loss weren't clearly defined, only the edge tangible, the heart rate going mad, the blood rushing through the tributaries of the body.

He thought brake. He even said it out loud, alone in the car. The air was on 1. The radio was on NPR, some story about "hacking" your closet. He saw the guardrail. His foot pressed down on the gas harder. He wondered what it'd be like to fly over the edge then he was flying over the edge.

He glided above the first snag of rocks, small cuts on his cheeks burning against gravity's drag. The car did not. While the engine continued to hum, pieces fell around him, shards of glass and jagged bits of the valance and bumper. The radio played Muzak. They were between segments.

He turned the air to 1. He hit the power button on the radio. Why didn't he buckle the seatbelt?

His screams came out in long monotonal bursts, automatic and not quite human. Turn the ignition, power button, turn **** to 1, click.

He didn't think about what he'd hit first, tree or rock. There was still some fifty feet to fall before that decision was made for him. He didn't wonder if the car would land on top of him. He got in. He turned the key. Radio on. Air to 1. Then he clicked, didn't he?

Marie didn't call tonight. Marie. Her shape started to form in his mind, waiting for him on the couch in that stupid shawl, her face lit, a bright blue, by the glow of the television screen.

A tree, he hit a tree first.

The rough bark tore at his face, chest and arm. He could feel the tree bend then repel him. He took a branch to the rib and continued his fall to the stony earth. He hit the ground and kept falling.

there is sweat sliding down the backs of my legs.
there is sweat residing on her sleepy self as well.
the blanket is tangled in knots,
my head is anxious and irritated,
her breath is slow and rhythmic.


the night bats her eyes,
laughs with security at the sight of my sleeplessness.
the night bats her eyes,
as i roll mine and reposition my legs.


lauren woke.
she woke in wonder.
lauren woke.
all perfect, skin all white.


i offered to sleep on the floor to cool our bodies.
she clung to me like a child.
i offered to sleep on the floor to cool our bodies.
she said, "please don't leave me."


a monster and a little girl curled up tight.
i said "goodnight".
a monster and a little girl curled up tight.
until the dark lost to light.

with a shrill cry we entered here,
we pitter-pattered on broken concrete,
we channel surfed the static,
charged with disdain and an
affinity for quickly dismissing
hopes for change,

with a shrill cry we entered here,
diploma in hand,
vocabulary expansive--
we tabbed the browsers,
waited for the buffer,
thought silent prayers,

with a shrill cry we entered here,
a jungle of shouts, busted fenders,
AA meetings, and white male kings,
waiting to mean anything more than seem,
and while we wait they talk polite-
ask us to line up against a newly white-washed wall,
the sunlight gleams over barrel, over trigger,

with a shrill cry we exit here.

Jackie read from my grey iris prompter.
With dew covered eyes, she explained
the suffocating moss of her past life.

Jackie told me she was ***** at thirteen
by her brother.

"I didn't know you had a brother."

Jackie then said, "I have a half-brother."

Jackie told me she cut her wrists to feel alive.

"I thought you said you had never handled a knife."

Jackie then said, "I handled shaving razors."

Jackie told me her father was a drunk.

"I thought he was a minister."

Jackie then said "My father is a drunk minister".

Jackie told me she had an abortion.

"I thought you were abstaining."

Jackie then said, "I've had *** and those times didn't count".

Jackie told me she loved me.

"I thought you moved on."

Jackie then said, "I'm allowed a past and present."

don't speak, even if spoken to
2. don't listen or attempt to empathize
3. don't comb your hair
4. don't shave
5. don't give your time to past lovers
6. turn off your computer and phone
7. tell your mother you aren't coming home
8. blow up your bridges
9. forget your name and friends as they were as synthetic as television sets.
10. and never ever smile

the weepies and worrieds will tell you there is a bible.
there is comfort in god.
and all you think is,
yeah, i already tried that scene.

the relatives and the rationals will tell you life is only as good as you make it.
perhaps when you fake it.

the lustful and the clinging ex-lovers will tell you they have seen beauty in you,
remind them of damage done.

go on solo strolls.
read poetry that
deals solely with
fire and brimstone.
and never ever smile.

and you will be just as satisfied with your plight,
as this vapor,
who already took his flight.

The view from you
may be a lie,
but it's one I subscribe to.

You told me they were cogs,
and I deserved to only
watch from afar.

The view from you
has got me dizzy, woman,
but it's a worthwhile fright.

You told me to turn me on,
plug in to higher existence,
I asked, "god?", you said, "nah."

The view from you
is going to send me to the ground,
howling the whole way down.

You told me I'd enjoy the journey,
"it'll be brief, but sweetheart,
you'll never taste of grief."

sign me up.

My buddy Todd set us up.
Her name, I knew her name:
Isabel Fienne.
I met her outside of Byron's,
drinking a 40 out of a brown bag.
She wore black, black spaghetti strap,
black Memphis skirt, black stockings.
I told her I liked the color of her eyes.
She said her dad just died.
And asked me, "What was your name again?"
I asked her, "How about a little of that drink?"
We spent the night throwing rocks at passing cars,
dodging police, and talking about how
we liked the anonymity of night.

We woke up in an alley.

I whispered the word stockings.
She bit my lip.
We get married the first of June.

Forever, I touch the word, running my fingertips
along the coffee table we saved up for. Forever,
I whisper the word to the carpet where you
used to pin me down. Forever, I feel it on my chin,
I take it on the chin. Forever, we'll have sunshine,
little breaks in the fog. Forever, if I can even find you
then. Forever, the joke we said with wine-stained lips
and ash in our mouths. Forever, we dreamed each other
foreign and lived inside. Forever, the muse and never
the poet, the pen and never the paper, the writer and never the
reader. Forever, the way you talked down to me in t-shirts
too large for your shoulder blades. Forever, I take it on the chin.
Forever, the word, I feel it in my neck now. Forever, the affectation
in my voice, do you hear it now? Forever, the seeker in the company
of the sightless. Forever, the weaver. Forever, the weaver threading me into you. Forever, the weaver. Forever, the weaver winding me into you, unwinding me back into myself. Forever, the weaver, the ******* the dance floor, the tower of song, the siren, the sonnet, the beacon, the tower of song, the ******* the dance floor, the weaver, forever.

What's my name?
Take that universal,
that yeah yeah, that
ohm and play it backwards.
I'm that undercurrent,
the invisible force that pushes the hand, that pushes
the red button, that levels seven stories--for?

What's my name?
Take that post-post-modern literature,
that self-serving academia-meets-nihilism,
and think as far opposite, Herculaneum/Uruk,
and you might just find it, my name,
carved in Aramaic or Latin in a dark wet cave,
forgotten, misspelled in a dead language.

What's my name?
Look just past that buffering screen,
right before the pixelated beheading starts.
I'm between the zeroes and ones in that heaven-place,
the Internet, where people go when the final death takes.

What's my name?
Take that ever so subtle airport terminal muzak,
and listen for the counterpoint, the competing rhythm.
It, my name, swirls and mingles with that ever flowing
crowd, weary and reduced to numbered tickets and departure times,
speaking fifty different languages, a flattened and recurring Babel.
Take that ohm, and play it, play it backwards.

The cacophony of metal cutting metal screeches,
burying the sound of 2,000 automobile engines, one train,
and 45 yapping onlookers.

I am self-actualizing.

The ******* Oriental who cut me off
learns the meaning of justice in a hair-split second.

I howl as I force his car further to the side of the road.
He's yelping, feeling fright claw his once-proud brain.

I look up, trying to keep my car on the road.
We tear past shopfront after shopfront,
patrons wailing, pointing, finally finding
something mad enough to put down their forks.

I see skeletal trees,
overshadowed by a red wrecking ball,
an out-of-business record shop,
the metal still crying the most demonic
siren's song.

Further I push him,
he's on pavement,
my little Oriental enemy.
I look at him again.
His knuckles are milk white,
his brow covered with perspiration,
his mouth bleeding from his own bite.

Then he hits.

A stoplight post of solid steel,
with three or so feet of concrete surrounding.
I learn he isn't wearing a seat belt.
Glass grinds his delicate skin, he catapults through the air,
then flattens against a newspaper dispenser.

Then I hit.

A **** Suburban in front of me,
who had stopped to watch the carnage,
now found itself partaking.

I have my seatbelt on,
the bags deploy,
thumping my head and
chest like a crippled bolt of lightning.

The Suburban spins into oncoming traffic,
getting further rearranged by
a pile-up of moaning metal.

My truck comes to a stop.
Smoke cascades languidly,
as humans shout in unison,
"I hope you have good insurance!"

I walk back fifteen yards to the
newspaper dispenser.

The Oriental man twitches,
blood pooling about his head
and left arm.

I stoop down closer to him,
look at his silent Rorschach ****** features,
gaze over my shoulder.
The Suburban lies in smoldering ribbons,
driver probably trying to get into heaven.

Shouts continue, building upon one another,
a crowd gathers around me,
whispers all similar to "what the hell happened?"
flame up and burn through the collective.

"Did you know him?" a small black boy,
with teeth of snow asks.

"Not real well, but don't worry kid, he wasn't a good man."

I rummage through the crowd until I break through,
I hear sirens of some sort in the distance,
unclear of cop or ambulance,
I survey the damage to my truck-
a light busted out,
bent bumper,
and what looks like a few holes drilled into the grill.
I open the door,
clumsily ruffle the airbag,
put my key in the ignition,
and to my delight
when I turn the beast,
it purrs submissively.

I grin, let my fingertips
briefly dance on the steering wheel,
and put the truck in reverse.

she was underdressed, overtouched. and kept ironing out her napkin at the bar. with blue ink she wrote his last name in place of her own. the fan spun off-kilter. the bartender finished his third vegas bomb. one too many.

i plot *** like a 16-year-old,
the kind that does recon
on abandoned dirt roads and alleys.

i plot *** like a 16-year-old,
that can't decide between four
gullible girls.

i plot *** like a 16-year-old,
who truly believes salvation lies
somewhere between the thighs.

With starshine beaming from beaded eyes,
I could only nod and grin,
while aspiration                  and sworn sorrow disintegration
rained upon            me.

Anna killed future Septembers with a promising
ring in newly righteous                hand.

In rabbit trails she talked --
                                               high fashion and porcelain skin,
but like all rabbit trails,
most of the stories ended               with a dead rabbit.

Anna still entertained my company
       despite the gleam of my once longing glance
burning out                     light years ago.

                     Healthy, we.
                     Settling, sea.
                     Sailing, no.
                     Drifting, yes.
                     Purely bruised.
                     Sighing in dream.

I'd follow Anna into the rabbit hole.
           I'd                                       feast on
her mouth                                 wet with honey.
           I'd                                       sleep in the milk
of her skin.
           I'd                                       happily allow
destruction                                  in her care
and become
            
                       freshly hewn in
                       the river's bend,
                       the wrinkles and
                       the calluses of
                       her weary hands.

In blood I sat,
defeated rabbit.

No prize to gloat,
only picket crypt
        to curl.

i'm going to die alone,
before my skin withers,
before my mother, father
sister and both brothers.

i hope to fade out
to the sound of another
televised war,
where the purpose is
lost in verbose.

no more small town cops,
self-taken mirror pics of ****** bags in flex,
no more tan blondes with gargantuan sunglasses,
no more left wing, right wing, chicken wing,
nor laughter or warm beer,
no more neighbors, so-called friends, or fast food,
no more retail ****** or gun-toting *****,

only me, my old friend misery,
and perhaps a ****** eternity.

South Maine
the white beaches of Ogunquit
where the tide shrinks the shoreline
where the mud is made new
Lucy corkscrews her toes
digging deeper and deeper
What are you doing sweetheart
though she's my niece I pretend she's my daughter
I want to hit bottom so I can climb to the top
though she's four she's wiser than me
squawking seagulls float above
an orange glow seeps off the edge of the clouds
as they hustle west
Josh
Yes
Is the ocean forever
Of course I say as a wave washes her feet clean
*I wish we were oceans

Stop looking at me like you look up to me,
and start looking like you're in love with me.

Forget those spiders,
cut yourself free.

Get into my orbit.
Talk me through my destruction.

I'll distract you from yours.
I'll put on that tie you like,

and you will wear that black dress.
We will pretend we invented fashion.

You will get the eyes.
I will get the eyes.

Get into my orbit.
I'll tell you anything you'd like.

I wouldn't mind if you would cover me with night,
and silently rest your head next to mine.

Stop looking at me like you look up to me,
and start looking at me as if you can set me free.

I only see you in fevers of inappropriate dreams,
you only speak to me when everyone else you know is asleep.

I will make coffee,
you will bring a sewing kit.

We will talk about finding the bottom
of the human soul on drunken nights.

We will say **** the indie kids
and the 70s throwbacks.

We will wear swimsuits
when no one is around.

We will talk with good humor
about what we'd say at the apocalypse's final address.

Get into my orbit.
We'll compare scars and run from all our old towns.

Stop looking at me like you look up to me,
and start rewriting yourself with me.

I woke up
to a nightcalm-shattering
cell phone ringtone.

"Can I come over, baby?"

"What time is it?"

"I don't know 3, 4."

"****," eyes roll, sigh,"yeah I guess so."

"Don't sound too excited," Molly said, Molly laughed.

"Are you going to be long?"

"Nah, I'm already outside."

"Awesome. Okay, let me put on some pants."

I opened the door.
Her hair was up.
Her skin was the color of milk.
Her eyes were grey.
She held keys in the palm of her hand.

"I like your hair," Molly said, Molly laughed.

I said it was getting ridiculous,
she put her hands on my chest,
the tension in the tips of her fingers grew,
exploration, exploration.

"Do you want something to drink?"

"Nah, can we just sit on the couch?"

"Sure."

"How's your fella do-"

She kissed the words, to lock them in.
She started to tear at my shirt,
I stalled her advances,
turned the tables,
I'm done with being prey.

I pulled her up gracelessly,
I fell through her crimson shirt,
through her black bra,
I drank each ounce of her chest,
I grabbed her nape gracelessly,
her eyes briefly frightened,
turned sinister,
turned to validation,
turned to encouragement.

I mapped her stomach,
made quick work of her
cotton shorts,
I bit the waistline of
her lace,
she clung to my coagulated hair,
I laid her to the ground,
we warred atop notebooks and
***** t-shirts,
kissing vigorously in an attempt
to stay far ahead of morals, of reasoning.

I feasted on her hip bone,
she tugged at my shirt,
no,no,no.

I removed the lace with my teeth,
her breath was exciting,
I feasted on the insides of her thighs,
she convulsed,
cursed,
grabbed tight to shirt, to hair, to every piece of furniture near.

Molly's pupils, irises, all grew.
Molly's panting *******, moans all rose.
Howling.
Peaking, breaking, releasing, falling,
sighing,
sighing,
breathing.

I wiped my lips with the back of my arm,
got up,
went to the bathroom,
used some mouthwash,
Molly walked in behind me,
"Things have been going better with him, lately, actually."

"I'm ******* happy for you guys."

Over the rims of her thin, steel glasses comes the power.
The confident no, she loves to deliver over and over.
I've an itch.
I've got an anger.
I've a second story window.
I've a bottom-shelf bottle.
Study, study,
my little scholar,
but remember:
every student has a holiday,
and every underdog has a heyday.