Count your fingers.
There's still ten.
But you don't get on to me
for counting them again.

She tells him this better be the last one--
the last first love poem he'll write.
The title, she says, needs to be brief,
something any lover can relate to.
Do you want me to leave the room
while you write it?

No.

With one step she's no longer in the
living room, she's in the middle of the
apartment kitchen. There are two bowls,
two spoons in the sink. The bellowing heater
acts as background, smoothing the space
with its hum. She squeezes a drop of soap
into each bowl. Fills both with hot water.

Any lover needs to be able to relate, she says,
but make sure you set it somewhere romantic--
not Paris, Rome, or anything like that--but
next to a body of water. There should be
birds. Clouds and rain. Not sunshine. Don't
you think?

He thinks.

She works the bowls over with a dishrag.
Dinner, breakfast--whatever you want to call it--was good, she says.

Good.

She dries the bowls, places them in the cabinet.
Have you written a line yet?

Yes.

Can I read it?

Not yet.

When I wake up?

When you wake up.

With a hand to each side of his face,
she denotes the spots he missed shaving
with her index fingers. Here, she says.
Here. Here.

The lines run from the corners of his eyes
as he smiles. Now she marks these.
She kisses him; she doesn't say, I love you.
Not yet.

Wake me up before you go to work, okay?

Okay.

With one step she's in the bedroom.
The bed's a couch.
She pulls the quilt up to her chin.
Her body curls.
She says, Hang out with me in
my dreams.

Wouldn't miss it.

Good morning.

Good morning.

A few minutes later her breath
goes steady, falling in line with
the heater.

The sun starts seeping in through
the blinds. The loose strands of
her hair become gold. He draws
the curtains so the light does not
wake her. She, he types.

In an apartment where once was one--
one toothbrush, one set of sneakers
by the door--now there are two.
Everything paired off and content in
its pairing.

Is a woman, he types. He hits the delete key once.
Then he types N again.

Her makeup bag is on the dining table.
Islands of stray powder dot the bag.
Her brush is on the coffee table
next to the couch. Countless
numbers of hairpins are embedded in the carpet.

I can't make it in today, he says into the receiver.
Yeah, not feeling too good. Thank you, sir. Will do.
Alright. Yeah, you too.


When he presses in beside her, she says, I've been awake
the whole time.

Have not.

Have too. Did you finish it?

Yes.

Can I read it?

After you actually get some sleep.

What'd you call it?

Is a Woman.

I like that.

And they cast the man as the one
who gets brought down by dogs.
When he met the director,
the man said, "I'm the son of a veterinarian."

"I guess we should give you a speaking part."

So in the snow, behind the pines, with three
cameras on him, the man was brought down
by dogs, and instead of falling silently,
he was allowed to shout "no."

Despite the open air, his call was shrill.
Despite his vessel of flesh, his voice pinged
as if encased in metal.

The director, unnerved, instructed
the man to do the scene again.
"Try shouting 'why.' "

The man's cap was off.
Snow flew from the strands
of his hair. A dog chewed
on his forearm.
And he said, "Why."

Despite his vessel of flesh, his voice fell flat, muffled--
not by limb, not by nature, but as if covered by a blanket of wool,
like a child playing ghost in a winter living room.

The director took the man aside.
"What's wrong?"

The man had never seen a person die.
He'd never even seen a dog die, although
he'd seen plenty arranged in violence shortly
thereafter.

"Nothing," the man said.

"Die naturally this time."

"Alright."

On the third take, one of the dogs tore
into his cheek. The puncture was quick, clean.

"I want to die," the man said, "but not like this."

"Louder," the director said.

"I want to die but not like this."

"What was that?"

"I want to die but not like this."

The dogs lapped at his blood.
One of the camera men came in close.
The man went limp, hoping it would end
the take.

Eve's on Highway 70.
Been on it for some four hours.
After dialing the ten digits on
the cracked cell screen,
she turns it on speakerphone.
It rings once.
To the side of the road, a sign reads,
World's Tallest Prairie Dog.
It rings twice.
She wonders how long the wind
has been red; how long until
the red sun gives up.
It rings three times.
There are birds flying up ahead.
She wants to call them by name.
But what good would it do?
It rings four times.
He picks up.
Her lips are chapped.

I'm fine, Jay. Thanks.
Just calling to tell you
that I'm in the state.

What state?

Your state?

What do you mean?

I'm in Colorado.

What? What are you doing here?

Am I not welcome?

No, no. It's not that. Why didn't you tell me?

I wanted it to be a surprise.

I hate surprises.

Nobody hates surprises.

I do.

She's silent for a beat.
The birds are still ahead;
she races toward them but never gains.

Why didn't you tell me? he asks.

I just told you.

I think something's wrong with my phone.
I can hear an echo.

I have you on speaker.

Why?

My internal mic is broken.

Internal mic? What does that mean?

I don't know.

Where are you going?

Fort Collins. I have family out there, I guess.
Some cousins. Are you on the way?

Am I on the way to Fort Collins?

Yes.

No.

That's not what I want you to say.

What do you want me to say?

Just try again.

Eve, I don't think this is a good idea.

Try again.

What?

Try again.

I can hardly hear you. There's wind or something.

With her index finger she nudges the volume ****
to no effect. She puts her knee on the steering wheel.
She rolls up her window.

Say what I want you to say, she says.

I'm on the way, Jay says, if you take the long way.

I'll be there by six. What should we do?

You could start by apologizing.

So could you, Jay. What should we do?

Say that one more time--the phone.

What should we do when I get there?

We'll figure something out.

I hope, she says.

Ah ah ah. Not yet.
Popcorn ceiling instead.
Eve curls up. She's got
tiny ankles. And he,
whoever he may be tonight,
does what they always do.
He traces that funny, bony
sphere. He apologizes.
Tells her it's because
she's so beautiful.
His forwardness is
a compliment.
She reminds him of
this character from a Fitzgerald
novel -- not an obvious
one, of course.
She says wow or oh yeah? or
you're just being sweet.
She asks him if he smokes.
He's trying to quit.
Yeah, I have some in
my hoodie pocket there.
She usually removes the dress here.
Just out of his reach.
Taking more time than necessary.
Bent over, digging through the pocket,
she listens for the heavy exhale.
She walks to the bathroom.
Light on.
Door open.
He gives it a moment.
His shirt is off now.
His elbow is on the door frame.
Eve, you know you're not inhaling right?
And here, she let's him teach her how,
as she did with the last one.
By the end of the cigarette,
she's french inhaling.
Had a good coach.
She runs water over
the tip to put it out and tosses it
in the trashcan.
Of course he brings his body against
hers.
He starts with a shoulder massage.
You can go lower.
He skips the bra.
He runs his fingers
just under the lace waistband.
Asking permission.
Are you going to **** me or what?

Jay wants to say he loves her
when he sees her trying to smoke.
He's not sure if he does yet,
but he hasn't said it in so long.
She's got these small ankles.
Her abs are uneven.
There's a mole on her hipbone.
No, no it's just like breathing.
Just breathe for me. Without smoking.
The lungs, right? Take the smoke
into your lungs.
Oh my gawd. Ha ha ha. She coughs.
Jay rubs her shoulders.
She smells of tobacco and coconut-based lotion.
And he goes lower.
And he doesn't want to be too forward.
But she says **** so softly it makes
his hands go mad.

He's shaky. Panting. At the end of it all.
They made love atop the comforter.
Eve burns. Calls it afterglow.
She feels like she's absorbed all
the room's energy.
She puts herself to the edge
of the bed to cool.
You're so soft, she says.
Surprised, genuinely. He made love
so slow. Maybe a little too much eye
contact. He lifts up the blankets,
and asks her to crawl underneath.

She didn't say his name during ***.
And Jay's afraid he said hers too much.
She bit him. Too dramatic for his taste.
And at the end, he feels cold,
as if all the love inside him
has been deposited.
She tells him he is soft.
Probably the loose skin, he says.
Used to be a fat guy. Well, fatter.
When she doesn't respond,
he lifts up the comforter;
crawls underneath.
No thanks, I'm on fire, she says.
He decided not to say I love you.
But he reaches for her.
She faces him.

Patience. You're alright, Jay.

I'm running 7:25 splits. Eight miles in. I haven't got stuck at an intersection. Not that I ever do. Runners got the right-of-way. And like my buddy Randy Run 'N Gun would say, I'm zen. Very ******* zen. Used to be a walker. Not no more. Not after the heart attack. No, siree, I'm a runner. A good runner. Lost 45 pounds. I did. I did. I stick to the left side of the road. So I can see the guilt in the drivers' eyes as they pass by. They're thinking, there's an old man out there taking care of hisself. I should be taking care of myself.

And they should. They really should.

But what's exercise to the people in this town? A walk down the block to Loaf 'N Jug for a Snickers, that's what. Or if you're a rich *****, it's twenty minutes on a Stairmaster three times a week. And I have to wonder if they're really doing it for them, you know?

I'm on the way back to the house. I peel off 30th, cutting across four lanes of traffic. Head into Garden of the Gods park. I do this so people get the right idea of the city. When I was a tourist here, I thought to myself, why's everybody all lumpy-assed and tied to children. Made a promise to myself. Told myself, when you move out there, you're going to be the trophy. So, I run through the red rocks and insert myself, mid-stride, into all those family photos. That way, when they get home, they'll point at their pictures and say, everyone in Colorado is so fit.

Now I'm getting close to the spot. It happened about a mile--mile and a half into the Snake Trail over by that 30-foot tall rock that looks a bit like Lyndon Johnson. I was a tourist and a walker then. Not no more. Not ever again.

There's a stretch of blacktop that cuts Snake Trail in two. I can't remember the name of the road. I think it's named after some preacher who got cholera, lost his faith, regained his faith in the end. One of those touching trajectories. Those stories always sound like a lot of fluffy *******, if you ask me.

Cars are backed up on Wishy-Washy Preacher Road. There's a crowd of people gathered in the middle. I look at my running watch. I don't like this. This is the kind of unplanned circumstance that skews your splits. Then your run time makes you feel like a lumpy-***, and that ain't me. Not no more.

I start pushing through the crowd. There's a lot of whispering and a lot of little kids all snotty and teary-eyed. And it's all just frustrating, because I feel like I'm cutting through molasses. I look at my running watch. I reach the center of the crowd.

A mule deer had been runover--well, halfway. The stupid beast still uses his front legs, dragging his crumpled and ****** backside along in a mad circle. A screechy whimper comes out in intervals like beeping hospital machinery. He's so scared, some middle-aged woman with a kid to each hip, says. A longbeard, beergut hippie starts into a prayer,

Gods of the natural world, gods of the sweet animal kingdom,
we ask that you wrap this wounded beacon of your light
into your warm embrace. May you replace his great pain
with the great comfort of your cool breezes, with the great
comfort of your warm sun, with the great comfort of fresh water.

I unzip my running belt. It's not a ***** pack. I pull out my NAA Guardian .32 automatic. It's not a woman's weapon. See, Randy Run 'N Gun, got his name because he invented this kind of running. I respect him for it. Got nothing but respect for that man. See, a fella has to be prepared at all times. There are mountain lions. There are bears. And perhaps worst of all are all these ******* mule deers. They ain't even scared of people. They stop and wait for you to feed them, blocking the sidewalk when I run, skewing my splits.

These hippies ain't going to do ****. They're taking photos with their cellulars and saying theologically vague prayers. And all these tourists are watching. So I walk right up to the mule deer. Someone behind me breathes in so hard, it's like she vacuumed all the sound. Pop. Pop. The beast stops its beeping. Legs twitch. Legs stop twitching. I'm the only one with courage enough to grant a mercy ****.

It's all about doing. Right? That's what the heart attack taught me. Before the heart attack, I thought about being a runner. The rhythm of it, the mechanical discipline appealed to me. Liked the idea of doing a marathon or the sound of it.  I was walking in Garden of the Gods. Noticed the LBJ rock, said to myself, Holy hell that looks like Lyndon Johnson. I heard these quick steps coming from behind me. I thought some potstentch, beergut hippie was going stab me. Felt like the gears at the center of me came off their handle. The right side of me just wasn't there anymore. As I fell I saw it was only a runner.

I reach the Lyndon Johnson rock. I'm eleven miles in. My splits have averaged to 7:43. ******* deer. The ground is lower at the spot where I had the heart attack. Why? Because I dug a hole there, that's why. The old me, the walking me, the tourist me lies dead in that hole. As I pass by, I spit it the ditch as I always do. Good riddance. Yep. Yep.

The trail finally turns downward. A little more oxygen in Ute Valley. Randy Run 'N Gun he calls moments like this, Runner's Reward. And I like that. Nature's okay. The cedars, the meadows, rivers -- all that **** -- is just fine. But what I like about running is the metaphor. See all the hippies, all the tourists they live their lives in a constant state of reward. They think, I'm alive, so I'll smoke this ***. They think, I'm alive, so I'll take ******* pictures of everything. But runners, runners know that you don't deserve life. It's a gift to be earned. So you work your *** off. Mile after mile. A reward for me is a valley. The reward doesn't last long, just long enough for me to catch my breath, you know?

I exit the valley. I pick up the pace. Try to make up for earlier delay. I cross Flying W Ranch Road. I hear metal-scraping-metal. And I'm hit.

I'm in the air. I'm sliding. I'm bouncing. My knees and elbows are hot. I blink.

A woman in a bright pink tank top and yoga pants stands over me. Stay in the car, Jacob, she shouts. Oh my god, oh my god.

I tell her runners have the right-of-way. But she doesn't respond. I say, Lady help me up, you're ******* up my splits. But she doesn't respond to that. She repeats over and over, You're going to be okay. Your'e going to be okay. Just keep looking at me.

I turn my head. The display on my watch is cracked. I can't read my splits average. My head is a ton of bricks. My elbows and knees are hot.

Jacob, stop, the woman says.

Her boy stands over me, taking pictures with his cellular.

Whatever will be, will be.
And they say this to bring you comfort.
But what was, wasn't so good.
And what is, is even worse.
What could be?
What could be if?
What could be if I?

I shoud've told the bartender to tie me to the last working pay phone.
But I didn't. I let her introduce herself. Sadie, she said, like The Beatle's song.

I'm hard to forget, so I asked, What's your motto?

She breathed in reverse. She looked at the door. She was past mottos.

It was Josh, right?

Yeah.

Let me tell you something. I'm the bad, **** ***** that's gonna wreck your health.

And she did.

Every weekend for 105 weekends. I opened her up like a paycheck.
I spent her on a big brass bed.
I spent her on glass tile.
I spent her on the kitchen island.
The Japanese table.
The water lily pond.

Her brother Frank or Gary or Marvin---some American classic---kept us
horizontal with white whiskey from his personal still.
Personal still.
And there is a house in New Orleans,
but there's another one in Colorado Springs,
one you should be wary of.

I shoud've told the bartender to tie me to the last working pay phone.
But I didn't. I let him tell me about his dream. My name is Jack, he said, as in Jumpin' Jack Flash.

Like the Rolling Stones' song?
Like the Stones' song, man.

You were in it.

Four white girls shared one mic. Karaoke night.

You were in my dream. Are you listening to me? I'm gonna say it anyways.
I only had one eye, but I could see you. Seen you plain as day.
You were scared of me. As you should be. We were on the coast.
No, I don't know which one. I saw that thought on your forehead.
It was a dream. Anyway, you were holding a pen. A giant pen.
And I asked for your name.

I lifted my drink from the makeshift napkin coaster. Pulled a pen out of my coat pocket.
Straightened out the napkin. I scribbled Nobody. Handed it to him. And aimed myself toward the interstate.

I shoud've told the bartender to tie me to the last working pay phone.
But I didn't. She had one helluva an afro. Her name was Katrina, not like any song, like the hurricane.

My skin tastes a little like coffee, Katrina said.

I like coffee.

You wouldn't like me.

Probably not. But I've been lost in this bar forever. I could change my mind.

No, sweetie. Forever ain't that long. Just ask my ex-husband.

Katrina paid for her drink. Asked me if I'd like the change.

Yeah, I'll take it.

I called my buddy Chris back in Oklahoma, but he didn't answer.
I called my buddy Ben back in Oklahoma, but he didn't answer.
Sam. Sarah. Brooks. Nothing. Silence.

Barkeep (I always wanted to say it), I don't think your phone is working.

It works. You gotta remember kid. You're on Rocky time.
There's an hour, every night,
where you're the only person you know that's awake.

The first time a man ever pointed a gun at me and asked me to love him was at Granny's Kitchen in Greensboro, North Carolina.

The waitress, a soft spoken white woman with her hair pulled back in a bun, had just dropped off my plates --- a simple mix of scrambled eggs, two pieces of greasy bacon, and a short stack of pancakes. Now, no matter how cheap, I always feel like I'm cutting loose at breakfast places for the sheer abundance of plates. While I'm sure the eggs and bacon could have shared real estate, each component had its own china.

The waitress lingered at my table, her fingers fidgeting with straws in her apron. I made eye contact. Well, my eyes contacted hers; she was staring at my lips.

Sure I can't get you something to drink? she asked.

This was approximately the tenth time she'd made sure. She was uncomfortable that I had supplied my own beverage -- a Big Gulp. But even more than that, she was uncomfortable by the deep red stain taking over my lips. Contents of the Big Gulp: merlot, boxed.

(That is an unnecessary detail. I've only written it so I never do it again.)

Before Greg hopped up on a table and announced to the restaurant, If I could have your attention, my name is Greg and this will only take a second, blah, blah blah, I poured a copious amount of syrup on my pancakes. Then I moved the bacon to my pancake plate. In my experience, very little in this life is better than syrup on bacon.

I shut my eyes for that first bite, just like the commercials. The syrup dribbled a bit onto my beard, and when I opened my eyes, I discovered it had also landed on my shirt. I grabbed a napkin. Heard a chair slide backwards. I started with my beard, peering around the diner, making sure no one saw. I think I heard someone gasp. But I was busy, working that napkin then against my shirt. Jesus, I thought. My grandma, who's got a splash of the Parkinson's, could eat with more grace.

If I could have your attention, my name is Greg and this will only take a second, a very official voice boomed behind me.

I turned around to see if I recognized him as one of those cuffed jean-sporting, wild plaid-loving NPR hosts. He wasn't one of those. He was a sunburn with mop hair in a black tank top and hemmed jean shorts. He did, however, have a cleft chin. That's actually worth noting. Don't see a lot of them these days.

I know you guys are busy, he said. I know that like me, you guys are probably broke as hell. I mean no offense Granny's, I love this place, but it ain't exactly four stars. Or three. Anyway, all I want from each of you is five dollars. If you ain't got five, give me four. Ain't got four, three. And so on.

He started with the stringy Japanese couple on the west side of the restaurant. Nobody really seemed scared, not the freckled brat in canvas sneakers, not the liver-spotted gentleman with a copy of that day's paper.

My old friend Jerome used to say that white folks are the only romantic criminals. He tacked it up to that whole Bonnie and Clyde crap. Greg, it seemed, was privy to that information, too. He smiled and thanked each person as he robbed them of a few presidents. The victims, smiling back, seemed to be thinking of their names tagged at the end of some newspaper dialogue. A few even gave more than he asked.

Here, take fifteen. Times will get better.

Aren't you just a charmer.

It was all very moving.

So he gets to me, and of course, I don't have any cash. I carry a debit and an arsenal of credit cards like a normal American. I don't know how he made it to me before running into this particular problem.

No, I don't have one of those iPhone card swipers, he said. Well, you gotta give me something.

I offered a gift card to Harold's Clothes for Men, it had like two bucks on it, but he wasn't interested.

What's your name?

Henry.

How much do you weigh?

Enough to keep me prohibited from most amusement park rides.

I like you, Henry. Well, let me ask you something. Have you ever loved a man? he asked, pointing his smudgy revolver just past my ear.

I shook my head no.

Me neither. I've always been curious, though. You been curious?

There was a time when I was thirteen -- Blake Hinton was changing after basketball practice -- and I remember thinking, that is an incredible chest. These lines just sprawled from his sternum, lines leading to these almond *******, and I specifically remember wanting to eat them like, well, almonds. But that hardly counts as curious. So, I said, No.

To which Greg responded: Get curious, boy. You're coming with me.


In the spirit of honesty, I was in a bit of a haze before Greg made me climb into his beat up Cavalier. Not just from the Big Gulp brimmed with merlot, no, I hadn't slept in two days prior to the whole gun-in-face incident. Reason being, I was, as Greg would say, broke as hell, and the rent was due. I stayed up both nights conspiring (and drinking). So, really I was pretty thrilled to be kidnapped away from the whole situation.

I had visions. I guess from the lack of sleep. Maybe they weren't visions, maybe just dreams, or fever dreams, I don't know. All I know is I blinked, and we were in the Appalachians. And there was a grey longbeard in the backseat rattling on and on about how change is easy, movement is easy; it's that whole nesting thing that takes courage and strength, blah, blah, blah. I told him to be quiet. Greg told me to get some sleep. I blinked.

We were in a karaoke bar in Madison, Tennessee. There was a gin and tonic in front of me. I took a drink. There was a water with lime in front of me.

Greg asked, Where did you go?

I told him, your dreams, trying to be cute. He turned and asked the bartender for a Yeager bomb. Reaching for the server in -- granted -- an overly dramatic gesture, I said, Make it two. We made it three. We made it four. Seven. Then some vague, but perfect number, because my head rang right. The words came right. And I was a journalist, asking Greg all the right questions.

I'm not a criminal, he said.

I was just bored, man, he said.

You see, I was in a rut, he said. Last month I put up a personal on Craigslist. I know, it's pretty ******* desperate. I've read the kind **** people put on there. But mine was different. I just wanted some time with my ex-wife. Some couch ***, you know? We hadn't done it on a couch since I dropped out of college, and I hadn't even really thought about it until a couple weeks after the divorce. Then it was all I could think about.

A black woman, whose teeth glowed under the black light, began singing "Wild Horses." Then he read my mind, I think.

Yeah, she answered it. Did our thing on her sofa. It was nice and all, and like all nice things, you just want more, but she said I couldn't have no more, this was a fluke, a one-time, or no, a one-off thing, she said. Had to relocate, so that's why I did that whole thing at Granny's.

You ever get it on a couch? he asked.

No, I said. I've see a bra though --- two actually.

He took that as a joke, which was good.

Though wild horses couldn't drag me away, a gasoline horse could.


He handed me a courtesy breath mint after I finished throwing up. The Nashville skyline looks perfect, he said. Especially at night.

My stomach was gravel in a washing machine. Masculine love. At gunpoint, I had agreed to indulge it. I was going to make love to a man -- not just a man -- a criminal. Not something to write about on a postcard.

Mr. Winters, my esteemed landlord,
Apologies about the rent. Got kidnapped by a *******, and I'm presently banging and being banged by him in Music City, USA.

I blinked.

We laid on opposite ends of the queen-sized mattress.

I always liked Super 8s, Greg said. I don't see the point in spending so much on a hotel. A bed is a bed.

And I tried to be funny with something about the confidentiality of dark bedsheets, but it fell flat.

Greg cried. I love my ex-wife, he said.

Can I help?

Will you hold me? he asked.

The air conditioner kicked on in the already freezing room.

I'm sorry. You don't have to, he said.

I scooted against him. He smelled pleasant in a family-vacation-kind-of-way, like a fresh pretzel covered in salt. I put my arm under his neck. He buried his face into my shoulder. I blinked.


The front end of his Cavalier was held together with copper wire and coat hangers. It was a two-door. Both doors dented from, according to Greg, hit-and-runs. It had a Vermont plate on the back. It was red. I mention all of this to say: if we kept moving, we were bound to get pulled over.

In the parking lot of 3B's Breakfast, Burgers And Beer, Greg asked me to retrieve his revolver from the glove compartment. You kinda have to uppercut it, he said. And I did.

I don't want to do it again, but we have to. I'm not staying put, not until I hit the ocean. But don't worry, I'm not going to hurt anyone.

He showed me the revolver. No bullets. I nodded, in approval, I guess.


The second time a man ever pointed a gun at me and asked me to love him was at 3B's Breakfast, Burgers And Beer in Bellevue, Tennessee. Of course, it was the same man, Greg, but the circumstances were a little different.

I went with two orders of biscuits and gravy --- or B & G as my dear friend Chance affectionately calls it. Four bites in and I'd yet to hit biscuit. For a moment, I wanted to tell Greg, C'mon man, ***** the ocean. Tennessee does gravy the way God intended. Nobody would find us in this suburb. We could be sharecroppers. Do they still have sharecroppers?

Do you like fresh corn? I asked. It was the first crop that came to mind.

Greg didn't answer. I noticed his plate of hash browns and eggs -- sunny-side up -- were untouched. You okay?

He was, he said, trying to get in the zone, that's all.

Alright.

Our waitress looked like a poster child for ******'s Youth. She couldn't have been much more than sixteen. She had blonde -- almost white -- hair. Her eyes changed color with the intensity and direction of light, a gradient between seaweed and dark ocean blue. She appeared to be an amish girl gone defective, and I was about to inquire into that very supposition when Greg stood on the table, and said, If I could have your attention, my name is Greg and this will only take a second.

Tennessee is not North Carolina. In North Carolina, they got a healthy aversion to firearms. In Tennessee, however, once a babe can walk, the *******'s got a BB gun and an endless supply of empty soda cans for target practice. I say that, to say this: when Greg stood on the table, so did three other men. Their three guns pointed right at him.

Lower that gun, brother. You ain't gettin' any money out of us.

Hate to shoot you in front of your boyfriend.

Coffee spilled and ran off the tray our waitress held. She shook so hard, it wasn't clear how many women she was.

Greg's cleft chin centered on one gunman, than the other, than the other.

Just drop the gun, *******.

We don't want to ruin no one's breakfast.

Fellas, I said, he doesn't have any bullets in his gun. We need a little money that's all.

That ****** is just trying to protect him.

I'm calling the cops, a purple-haired old woman yelped from under her table. Silverware clanged against the floor. Then the buzz of a fly. Then the pop of fries drowning in grease. Then the bell chimed as some idiot walked inside.

Greg's arm was shaky as he pointed the gun at me. Do you love me? he asked.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I put my arms up. Slid my chair back a ways. Stepped on the chair, then unto the table.

Do you love me? Greg asked.

His breath smelled like last night's alcohol and that morning's coffee. He was a child, a sunburnt child with a cap gun. He wasn't going to hurt anyone.

I put my hand on top of the revolver and lowered it. He crumpled, as if I were scolding him. They still pointed their guns at us. But for the first time in my life, I felt secured, tethered to a space.

I lifted Greg's chin up with my index finger. Covered his eyes with the palm of my hand. And I kissed him. I kissed him, keeping my eyes closed tight.

She said I was her second favorite.
Not that she'd met a better man,
but that way she left room for

improvement.

She wanted to believe in fidelity
like someone wants to believe
in Jesus or pure justice.

She asked my complex thoughts--
the wordless ones. I asked for an explanation.
She only stared, and I realized I
couldn't tell if her eyes were
green or blue.

She stabbed her ice with a straw
and told me to stop calling it love--
what we were making. That was
fine. I had a few other terms in mind.

She said nightlife and fanfare were
for homosexuals. So, we spent
most evenings eating Chinese takeout
in a rented room.

She vomited on the Fourth of July,
while fireworks erupted. I sat in
a lawn chair, and tried to remember
how she looked in that black A-line dress.

She needed to know my plans for our future.
I said there were endless open doors in front of us.
She said she only heard the sound of a door
closing behind.

She was a free spirit. And I "put it on trial."

She said she needed me

to change the channel.

She said when we ended -- and we would end --
I'd learn a valuable lesson:
a woman is the only creature
that doesn't have to die to haunt you.

---
you missed the first curve, she said,
you see all the good girls are already
getting married at your age.
you're just going to have to wait
for the second. when the divorces start up.
when the bisexuals calm down.
---

Just below the ridge line, east of Tinnamon's Creek, that's where we found Lily's dachshund.
The brown, island patch of fur beneath its snout was caked with blood -- throat turn, chewed.
No coat remained on its front legs. Framework mostly. Some dangling, loose tissue.
White fibers I didn't recognize dotted the shriveled body. How many days had it been?
Three? Four?

"What'd you expect to find?" Harvey said, lifting the tag. "Brannagh. 5321 Starlite Drive."

"I know, I know. Lily's still going to break. Doesn't matter what I expected."

Harvey ran his palm along the dog's belly. Whispered something I didn't catch. The sun began to sink behind the mountains -- everything turned a variance of purple. And the wind came in, unannounced, as wind tends to do. What's the protocol on a dead dog? Bury at the scene of the crime? A pile of rocks left behind for hikers on the passing by to say, "I wonder what happened there." Or did we bag the unfortunate beast? Ring the doorbell. Ask Lily if she's got a shovel. Our fathers made no mention of times like that.

"I've never understood why people have pets," Harvey said. "Do you just want to be miserable? Your cat Socks, Millie, whatever, is gonna die. Your turtle Larry is gonna die. The charismatic hamster in the classroom, running the wheel, knows every step with its stupid paws could be its last. 22 fourth graders taught expiration dates. Teachers sign up for that. Brannagh was gonna die. Lily knew she'd outlive the dog."

Four deer looked on down by the creek. Still, yet comfortable in their stillness. I could have touched them if I wanted to. I hated that. Deer in Colorado made me feel powerless. They assumed, automatically, that I carried no firearm, only a camera and a bit of Chex Mix. Pallid threads continued to float down from the sky.

"What is this stuff?" I asked.

"What stuff?"

"Falling. In her fur, right there. On your shirt. In your hair. The white stuff."

After a quick scan of his chest, Harvey pinched one of the white fibers between his index finger and thumb. Hardly gave it a thought before giving it a flick.

"They're just coming off the cottonwoods. Happens toward the end of spring," Harvey said, reaching in his back pocket and pulling out a garbage bag.

"Is that what we are going to do?"

"I'm not burying the dog out here. Lily needs closure. If she 'breaks,' she breaks."

Harvey opened the black bag. Stepped on the bottom of it. So it would hold against the wind.

"Put the dog in here," he said.

"I'm not doing that."

"Well, you have to."

"Why?"

"I'm holding the trash bag."

The dog's eyes weren't there. Whatever mysterious factor that leads people to buy dachshunds, whether concentrated dose of cuteness or unmerited friendliness, it had bled out. I walked around to the other side of the dog. Stuck my hands under its spine -- cleanest spot. Stiff from rigor mortis, sure, but stiffer than rigor mortis alone. I knew the stiffness of death from my childhood collection of unfortunate pets. The sun had baked him, made the matted tufts sharp. I dropped Brannagh in the bag. Harvey lifted up quickly, as to not let the corpse hit the ground.

With the deer still watching, we began to climb up the rockface, taking us back to the trail. My eyes fixated on my feet to avoid a misstep. Harvey took the lead, looking only forward. When he began to speak, he did not turn around.

"You know what's funny about the cottonwoods? I hadn't thought about this in a long time -- both my mom and dad had a theory about what you so eloquently called 'white stuff.' Mom, sticking by her poverty- and church-induced eternal optimism, said that the white strands falling from the sky, came off the clouds. 'Heaven's confetti,' she said. It was God reminding us that his grace reaches all of us."

"What did your dad think?"

"Well, Dad worked hard for what money we had, and going to church wasn't exactly his idea. Believed God owed him a little more. He didn't even sit with us. Back pew kinda guy. Mom would lead prayers focused solely on him moving up a few benches. Anyway, I say all that to say, being poor and going to church created optimism's opposite in my father. It wasn't long after I graduated high school, before I moved to Fort Collins, that Dad gave me his theory."

Harvey reached the top of the ridge. Gave me a hand. Dog's corpse slung over his shoulder. He looked at me.

"My dad said that the white strands from heaven weren't signs of encouragement. He said they were tears of those who'd gone before. People looking down, weeping at -- not only what violence brother does to brother -- but also at how we **** away every breath. 'Trading dreams for dollars.' "

"Which do you think is true."

Turning away from me, Harvey switched the garbage bag from his right shoulder to his left.

"Neither is an option. And to remind you, neither is the correct option. For the sake of humoring you?"

"Yes, for the sake of humoring me."

"I think my mother's would be more accurate."

"Why is that?"

"The cottonwoods shed one time a year. Seems to me that white stuff would be falling all the time if it was the disappointment and sorrow of those who've passed. One time a year. I can see God giving us a little something one time a year."

Bedsunk, hair in eyes, coughing the haunt of a 9 o'clock cigarette, she resigns to sleep.
I'm edges -- rough and looking to let the blood out.
Handful of skirt. I just want to cuddle. But her lips smell like her crotch tastes. Bubbling salt bog water. I'm doing the math. It's basic.
Under the shirt and pulling back the bra, lapping at her sunken breast, ouch.
Red. Smarting. And I never bit it.
"What did you do after work today?"

There are only two ways to truly know someone: sleep with them or take them bowling.
Phoenix Aime was the woman of my dreams. So, I took her bowling.

Paid for a game. Rented shoes. Got the little, sticky bracelet thingy that said Slippery Joe Lanes.
That way if we got in some sort of accident on the way home,
the guy at the morgue could identify us as bowlers. Anyway, here's the bulleted list of what I knew about Phoenix up to that point:

• She looked like Diane Keaton circa 1972
• She talked with great pretension concerning craft beer
• She only patronized two restaurants: Denny's and IHOP
• She was eight years older than me
• She kissed my sister once on a dare
• Her shoe size was 7
• She was perfect or a near synonym

The bowling alley was empty save a World War II vet in a wheelchair and his wife at lane six,
and they were barely there. Country music played over the loud speaker. And I felt cozy. Predictable. Like a payment plan on the QVC.

That was until Phoenix said, "I forgot something. I'm going to go talk to Mack real quick."
Mack worked the front desk, according to his name tag. Talk to Mack. She just talked to Mack. Mack was sleeping with her. I untied my shoelaces. Oh, Mack, love your red polo with blue tiger stripes.
I pulled my sneakers off. Oh, Mack, I love it when you dip your finger in nacho cheese and feed it to me. Slid my right foot into bowling shoe. Halfway in with the left, and my socked foot struck something plastic. A stick of tiny deodorant. Like unsavory truck-stop-to-truck-stop deodorant. Oh, Mack, I love it when you deodorize -- so hard. Pull the strings tight on the left shoe. Oh, Mack, rub the deodorant until your underarms are SO CHALKY AND WHITE.

"You okay?" Phoenix asked.

"Yeah, what do I look like something's wrong?"

She carried a seafoam green bowling ball with a ****** Mary insignia. "It looks like you triple-knotted your shoes there."

And I said something dumb like, better safe than sorry.

"Sorry about leaving you all alone. Mack holds onto my ***** for me," she said.  I bet he does. "I hate talking to that guy." What? "He's a vegan."

Now, at that time in my life, I was a vegan. And had planned some stirring remarks about the processing of sweet little piggies into cancerous hot dog machines on the way to pick her up. Thought she would think me full of passion, "on fire" for a cause, you know? The wise thing would have been to say, oh well, I'm a vegan. But instead I asked, "What do you mean?"

"You know serial killer's get a last meal before they're executed, right?"

"Right." Where the hell is this going?

"Well, have you ever heard of someone on death row requesting a last meal that didn't involve some sort of animal product? Gacy had buckets of chicken, Bundy had a medium rare steak, even uh, ****, what was his name, McVeigh, Timothy McVeigh he had two pints of mint chocolate ice cream. Dairy."

"I'm not sure how this refutes veganism."

"Nobody is a vegan for their last meal. Nobody. I'm not going to subscribe to a diet that I can't follow until the very end. Live every day like your last, that's my motto."

"That's your motto." I said. To be a great listener, just repeat the last three or four things anyone says to you and raise your eyebrows a little bit. (Examples: "My dog died." -- "You're dog died.", "I never ate breakfast burritos again." -- "Never ate it again.", "I love you." -- "You love me.")

Over Phoenix's shoulder, over by lane six, the wife wheeled the World War II vet up to the lane. And he tossed the ball. Good team, I thought. Want to know someone take them to the bowling alley.

Phoenix removed a glove from her pocket. She had her own ball. Brought her own badass, jet black bowling gloves. And if her carnivorous tendencies hadn't already put a ***** in the Golden Days of Josh and Phoenix, that glove did.

She typed her name first on the scoring computer. Didn't ask if I wanted to go first. That's fine. Approached the lane, three fingers inside the ****** Mary. She brought her bony arm back with the grace of a ballerina tucked away stage right in the shadows. Mary cut from grace slid down the lane with a spin.

Strike. I couldn't really see the pins from my angle. But I recieved a transmission via the "yes" and arm pump. That was two marks against her, and I was going to three. I'd call it strikes, but well, the whole bowling skew.

Here's a bulleted list of what a "yes" and arm pump immediately taught me:

• She takes bowling serious.
• If you take bowling serious, when do you relax?
• She'd never relax.
• My life would be tucked shirts, matching belts and shoes.

For six frames, I picked up fours and sevens. Phoenix, though, nothing but strikes. I threw a gutter on frame seven. Like a normal human being, I shrugged. Made a face out the sides of my mouth. Kept it light.

"I thought you were a grown *** man," Phoenix said.

"Me too."

What happened next, I willed. I'm not god or anything like that. At the time, just cosmicly ******.
Her step stuttered. 7-10 split. "Mack!" she screamed. "Floors are slicker than a used car salesman's hair."

From across the alley,
"Sorry, Phoenix, baby. I'll bring you some nachos. That make up for it?"

"Ain't gonna knock down two pins is it?"

"So, uh, no nachos then?"

"Actually, go ahead and bring those."

She lined up. Back straight. Legs together. She rolled her neck. "You're about to see how it's done."

And I didn't. She broke it down the middle. Field goal. In that moment, that holy moment, I was knowledge plateau. Vindicated.

For about 10 seconds.

Mack swaggered over, nachos in hand. "Phoenix, sweetie, you okay?"

"Do I look okay?"

"No, that's why I asked."

"Just give me the nachos."

"Ah crap." Mack had gotten his pointer finger in the nacho cheese.

"Let me see it."

And right there, right in front the ****** Mary seafoam green bowling ball, she slurped the cheese off his finger."

Frame seven, a good as time as any to call it a match. The wife of the World War II vet kissed her husband's forehead. Handed him a ball. As I walked by, hand on shoulder. "Struck gold, dude."

You know how the Lorax spoke for the trees? I feel the need to speak for my four-year-old niece. Not because she can't speak -- she can and rarely stops once she starts -- but because there are certain concepts time has yet to grant her. So until time does, I got you covered, Lucy.*

Mommy,
you call it the "poetry" of a child's sleep,
ohh 'n ahh, she's so, so sweet,
I call it child's "pose." Not the yoga neither.
I'm posing and rolling and cooing
biding time until you're tripping on the
Ambien retreating to a dream.
You're only reprieve.
'Cause when your *** is asleep,
I be mixing up the Play-doh,
red and yellow, black and white,
'till it's 50 shades of brown, alright?
Dirt pies from the backyard,
put 'em by the brownies
in the morning world-weary in your pajamys
Slip-up, slip-up, I smell a slip-up.
Ain't a direct threat, Queen Buttercup
because you'd just say, "I ain't afraid of you, shorty."

Blood flow. Blood slow. Simmering, saucy.
Mommy, looking down skyscraper balcony.
May I remind, a giant ain't bringing down Manhattan,
It's that little, wayward wrecking ball, eh Captain?

Over my shoulder, drinking from a thermos --
stumble in your step mean you gettin' nervous--
hand me piece of paper and two crayons
macaroni orange and swamp water liaisons
these coloring sheets are so bourgeoisie.
These coloring sheets are so bourgeoisie.
"Color outside the lines, eh Lucy?
don't play by the rules," my Mommy say,
but I been around long enough to know dat
'dese rules pay. Outside the lines?  Is just uh sloppy.
Been outside the club in front of the line
with my fellow shawties.
Slip-up, slip-up, I smell a slip-up.
Ain't a direct threat, Queen Buttercup
because you'd just say, "I ain't afraid of you, shorty."

Blood flow. Blood slow. Simmering, saucy.
Mommy, looking down skyscraper balcony.
May I remind, a giant ain't bringing down Manhattan,
It's that little, wayward wrecking ball, eh Captain?

Chicken and fries three meals-a-day.
Chocolate milk three meals-a-day.
Tricycle boys three wheels away.
Hands on your hips can't make me stay.

Lego blocks lodged in your skull.
I've hid the Advil. The Dayquil. Drank the Nyquil though.
Alright, alright, time to get confessional.
All my ***** accidents are intentional.
I melt my own Barbies to feel alive.
Snort glue sticks just to get hella high.

Mommy, you've got a messy ketchup face.
Mommy, you've got spiders in your hair.
Mommy, you've got ***-*** on your pants.
Ha. Ha.
Ha. Ha. Ha. Ha. Bi-otch.

Blood flow. Blood slow. Simmering, saucy.
Mommy, looking down skyscraper balcony.
May I remind, a giant ain't bringing down Manhattan,
It's that little, wayward wrecking ball, eh Captain?

we, mistakes made in groping dark,
ironed and cheekkissed happy accidents,
told we arrived by love, and our purpose forward: to love.

we were chocolate milk runners.
we were completion grades.
coloring sheets of MLK and jagged cutouts of billy goats.
we were girls in sequined jeans with scraped knees.
on the basketball court we pushed pigtails to concrete.
rumors of us kissing in the lobby waiting for our rides
did circulate.

we, skinny white girls of Moore, Okla.,
skipped supper and laid at the feet of TV-watchers
like bleached branches of fallen oaks garnishing their standing brothers.

we were doorbells.
we were passenger seats.
peeking in the teacher's edition and handshaking answers in fluorescent bathrooms.
we were the first ones on the bus and the last ones off.
knees to chin, untied laces on heater's ****, winterlong sweat factory.
rumors of us agreeing to go to prom over fourth-period lunch
did circulate.

we, writers suffered writers' morality,
disregarded right, wrong, norm; lounged, waiting to be under the bus,
suffering for the story. tense matchstick lovers --  dim light for a moment and then.

we were someone else's *******.
we were someone else's hairpins.
as whatever ran so hot in us cooled, dried on thrift store comforters,
so did we. ceiling fans and ***. fingernails and boxed wine.
rumors sustaining.

and so it came, after announcements, after invitations,
after subbing in one bridesmaid for another, we were getting married.
we were grooms with empty pockets and full of sound advice.
our fathers took us behind the church,
chaplipped our foreheads,  and said,
"I know, we promised you were made from love and to love.
But I gotta be real honest here. You were made from whiskey.
And there's always the distillery."

we were jobless in wrinkled suits.
we were brown shoes; black belts.
and this will look good on your resumé. and this will look good on your resumé.
translation: how about ******* this ****? or how about this one?
a resumé was one page. we couldn't fit all the ***** on one page.

we, beardheavy and deodorant-streaked,
lived in dream houses in Ulysses, Kan., drove dream Tahoes,
watched dream Netflix, next to  portly wives who looked like
QUEEN MOTHER OF ALL THE BROTHELS OF THE LOWER MIDWEST.

we were childless.
we were wanting.
after consulting a physician and a bottle of whiskey,
we lifted and pinned the sagging belly of our wives with
a wooden board. one good **** in. one borrowed pregnancy test.

and so it came, the weddings of our sons. behind the church,
we took them aside and said,
*"I know, we promised you were made from love and to love.
But I gotta be real honest here."

Evangeline (is that what you want me to call you?),

While I hope you don't have to use it, attached is my edit of your suicide note. I just tweaked the grammar on a couple sentences and uncapitalized a random "E." Might consider being more specific. It's hard to tell who is to blame, if you're looking to blame someone. The verbs are very passive. Makes your end seem like a commercial break. Just a suggestion.

Love or a near synonym,
Josh

"Still water runs deep." - Yiddish Proverb*

To sail within a boat
never rocked or tucked within a sea.
Long grass kissing the bow.
Mosquito hum, siren stand-in.

Brother big, brother strong.
I, the groove of big brother's elbow.
Clothes on the line.
Canary yellow, A-line dress.
The spring girls swelling, rippling
from the bashful shore.

Big brother hold me over edge.
My arms, my oars.
Splashing pasture, blades receding.
Adults at birthday parties.

Brother big, brother mast.
Climb.
Not only sail, but zephyr, I.
Snake through Rusty Bike River,
the tributary.
Spill.
Into the wide, into the Harding Family Ocean.

Where dolls, hair frayed and faces smooshed,
lounge half-submerged and mostly forgotten.
Where sea dogs test chain, test spike.
Eye the confident chickens strolling dock.
And then Mother turns on porch lamp,
soft words, ebbing to lighthouse.

Brother big, big brother.
My arms, my arms.

In my graduation t-shirt,
and it fits right,
she finger-and-thumbs
the switch on my desk lamp.
Lights on.
And I'm getting too thin.
It shouldn't fit right.
"No, no. I want it dark," I say.

"Tell me what's off limits."

Her eyes, big and wet with bongwater,
wash over me. I'm pebble. I'm allowed.

"Why?"

"I want to know what's off limits
so I know where to set my goals."

I believe in love, even at first sight.
Just not the eternal kind. And I love
her when she says things like that
because I created her. And when
you create, and the creation reaches
perfection, all you want to do--
destroy. Hammer to head. Crowbar
to Parkinson thighs. What's off limits?
What's off limits? What's off limits?
I can't stop.

Before I respond,
with adolescent delight
she tears me open by the pearl snap.
She lifts her arms up.
Surrender? No. She's a sycamore.
I'm the wind.

Body bare and body scattered,
congregate at the inosculation
of her trunks. She's a sycamore.
I'm the wind.

Wavering.
Leafless.
***-addled.
And the breeze doesn't do it.
And the seasons don't affect it.
Gale force insanity.

I climb her branches.
Beard wet with her.
She wipes her off.

I climb her branches.
I can't stop.

Grows into me.
Trunks entrap.
Elevated, she.
And I, well, I

stumble.

Hit the wall.
Concrete, everything.
I press her against it
so hard, she turns to waste
and passes through.
I press her against it
so hard, I can't stop.

Autumn acorn fingertips,
a river emptying to ocean,
and she asks,"Is this off limits?"
as she turns me sharply
and my back collides with the wall.
"Is this off limits?" she asks as she
pounds her head into mine.
"Is this off limits?" she asks as she
claws my face.
"Is this off limits?" she asks as she
licks to heal.
My will says yes.
My flesh says no.

I can't stop.

The hot dogs blossomed, split in the boiling water.
Plumes of beef stock and corn syrup billowed
toward the surface.
6:00 p.m. and the anchorwoman addressed the living room.
Three dogs for Dad in Dad's recliner, one dog for Mom
in Mom's recliner, one dog extra in case she changed her mind,
and two for me.
Yellow mustard. Relish. A dead ****** in standard definition.
"Did you do something different to these hot dogs?" Dad asked.

"Is it bad?" Mom asked.

"It's just different," he said.

But even that was the same. The same question. Same response.
Every Wednesday from '93-2005.

At 6:15, Dad would go blow his nose in the bathroom.
Put on a pearl snap button-down.
At 6:20, Mom would tell me to put on slacks.
"Good Christian men don't wear shorts to church."
That's right. But I didn't have the heart to remind,
the best of them wore dresses.

Mom would drive. Dad would be in the passenger seat.
He perpetually directed her to stay as far to the right side
of the gravel road as possible.
"One of those baboons will come flying over the hill.
Middle of the road. And if you don't get over,
we'll all die. Or at least a couple of us."

We'd get to church.
And all the old women
with their purple hair and ill-fitting
bracelets of golden-colored metal,
named after precious gemstones (Ruby, Pearl, etc., etc.),
would kiss my cheek.
We'd sit three rows back from the front.
And as the song leader began "Jesus Hold My Hand,"
all I could think about: dead hookers and hot dog juice.

Some people feel like places. And these people are vacations. These places are people. Freckled wall paper. Foyer tunes whispered. They are supermarket candles. Wavering flames by way of unsealed windows. They are blinds, these places. And you see through. And you hope through, these people. Pulling back curtains of brunette hair, applause deserved. Delicate, delicate. The slightest noise could alarm clock and send you back to work. Silent, silent. It's rest. Try hard to relax. She's a mole between *******. She's scar tissue on an ankle. And this place, this place smells of honey; tastes like almond milk. "In a perfect world what would you do tonight?" Sleep in this place. Wake inside this person. Simple. Clean. In a perfect world, morning sewed with lavender clouds, tall grass, and a watercolor sun unseen before. And this place likes eggs over easy. And this person warmly invites like white lenin.

"good luck," they think it means.
brides, grooms, hell, even the kids in the club.
and the notion that the phrase comes with the
shattering of glass under a custom print napkin--
just wrong.
it's important to be mindful of what mazel tov means in
that moment, sure, but it's also
important to be mindful of what mazel tov
means in the everyday. the ritual.
see, mazel tov means "what good fortune."
and I know, I know, sounds pretty
**** close to "good luck."
but think about the glass.
all these tiny pieces to pick up
and you say, "good luck."
have fun picking up the shards.
don't cut your finger.
saying "good luck" in that moment
makes you an ***, but "what good fortune"
sounds like you got something up your sleeve.
and you should. in this life, always. always
a few tricks. you know when I was little,
my mother asked me what I wanted to be
when I grew up and I told her, I said,
"I want to be a magician."
her response, "you can't do both."
she's right. that's no profession for an adult,
but you can be an adult and a
magician on the side, as a hobby,
that's alright.

wait.

what was I talking about?
magicians, magicians, oh. tricks.
how else are you going to get by?
mazel tov is a mind trick.
see, we say "what good fortune"
when the glass breaks to reframe the
situation. what's your reaction
to that sound? your ears perk up--
if ears can actually do that, I don't know--
the hairs on your neck stand up.
I guess they can't really stand in the conventional
sense, but, well, you feel the space of a room.
and after that beautiful sound, and I mean beautiful,
you are forced to take everything else into account.
you don't want anything else to break. what matters most,
you know? that's why we say "what good fortune."
I'm delighted to know something as worthless
as glass has broken. because now I'm more
careful with what's valuable to me. right?
you spill soda on a cloth seat in your new car.
mazel tov.
now you don't have to be paranoid
every time your nephew climbs in with an Icee.
it's material crap. just crap. you're alive.
you've got a car. be thankful for what you have.
reframe, you know?
your girlfriend, your wife leaves you for a
former high school quarterback turned
owner of a lawn service company.
another casualty of the sweaty, lemonade-fueled fantasy.
once again, mazel tov.
you are so lucky you didn't spend the rest
of your life with her. the glass shattered.
it's a beautiful sound.

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BLIZZARD 2013
cart-to-cart down aisle 62 where once there was soda, now an I.O.U.
and I read on the internet that the preservatives in diet cola will keep
my body from decomposing and I read on the internet that these
dented, discount tuna cans will give me botulism
BLIZZARD 2013
one jug of water from a spring in Mountain View, Arkansas
one jug of water from a spring in New Iberia, Louisiana
picking between Miley Cyrus and Hannah Montana
the pitter-patter on the warehouse roof reassures
time for eenie meenie miney mo
BLIZZARD 2013
and the intercom desperate for a cart wrangler
customer service now open for checkout
don't leave your toddlers alone in shopping carts
they're choking on free samples
with an echo, raindrops strike parking lot pools
just past the intersection an ambulance grumbles
BLIZZARD 2013
in a room with a view wishing the windowpane weatherized
beers bought by volume, candles forgotten, six months of
licorice, EverFluff® popcorn, and hand warmers of chemical kind
remembered
BLIZZARD 2013
will not be landing in the city, watch out for that rain though
if the temperatures drop below 32 degrees it could ice over
and if the temperatures don't, well, it won't

News 7's coverage of Blizzard 2013 brought to you by
The Home Depot®, more saving. More doing.™
and Sam's Club®, savings made simple.™

spitting merlot felt like wealth
boxed or no
what matter, she thought
as she watched the violet
run the rill of his back
rain on a saturday morning window

kissing teeth felt like youth
awkward sure
but nostalgic, he thought
as he watched her transfigure
17 in striped T in torn denim
Daddy's keys in a low-lit suburb

"Siri, I love you."

"You can't."

"Why not?"

"Would you like me to search the web for 'wine dot'?"

the priest, whose tomato face looked like it might explode under collar tension,
gave the valedictory at the friday night execution
the yellow-toothed, combover'd serial killer buckled in electric chair
kept staring at the door, expecting an ally to crawl in late but not too late
the mother of one of the victims rattled on about
how she didn't care that the killer had an allergy to the anesthetic used
in lethal injection      he's going to die either way     what's it matter?
buzz of fly    crack of rolled program against empty folding chair
(yes, there were programs, and whoever laid them out knew their typography)
buzz of fly raised upward, toward the black, magma-cooled ceiling
audience chin up, pupils circled fly as the priest droned on
about everlasting life like a Paul Simon song from his youth
like a catcher's mitt from his youth like a youth from his youth
the boyfriend of one of the mothers of one of the victims
said he was hungry    pancakes sound good, don't they?
I love it when syrup gets on the bacon, you know? love that.
a pudgy guard with bleary eyes and 12 a.m. shadow
rolled his index finger   lowered his brow, telling the
priest to wrap it up   so the priest wrapped it up
by reading the names of the victims
Tara Barnes, 17, Rachel Lythe, 10, Julie McPherson, 13,
Serenity Strongman, 15, and Mary Beth Williamson, 13
the priest said something about judgement as
the boyfriend of the mother of one of the victims
took another swat at the fly                       missed
any last words? the priest asked
where's James? the killer asked, he was supposed to be here
did you guys give him the right time?
the guard nodded to a lab coat by a black box
then a hiss then a hum then an inhale
the first jolt of alternating current for

instantaneous brain death

hard to tell if they succeeded in that
for the second jolt came only a moment
later    this shock's aim to fatally damage
the internal organs, overstimulate the heart
and the killer's face looked like a horse's leg
then an exhale then a hum then a hiss
and the killer's face looked like the crinkled
skinmemory of a cicada
it was late   most of the best restaurants already closed
but we could go to that diner off 63rd, the boyfriend
of the mother
of one of the victims, said

swashbuckling kittens wallpaper -- cutlasses, eyepatches, royal blue bandanas --
lined the walls of the kitchen.

"you love it, don't you?" Mathilda asked. she poured me a glass of almond milk.
and I could drink almond milk with a lesbian forever. and ever. and ever.
fridge door open. it's sparse. a world weary McDonald's bag and a last chapter beer,
the only other tenants.

"it's neat," I said. don't care much for animals. don't hate them by any means,
but don't go out of my way for them. my analyst says it's Sparks, Oklahoma's fault.
see, when a boy, I had seven---no, eight kittens named Simba. the howl of the coyote
taught me about expiration dates. Had a hard time accepting total loss (e.g., eight Simbas).

"do you feel okay?" Mathilda asked. and I didn't. but I said,

"yeah, yeah. sorry about waking you up last night. just didn't think I could make it home."

"I noticed you slept perpendicular to the futon. with your sneakers on. interesting choice."

Mathilda can be funny. and the almond milk was good. and like I said, I could drink it with
her forever. the ceiling fan, though, rocked off-kilter. she had stray, sad balloons in orbit
around the fan. imagined the balloon with the red-lettered "BOO-YAH" entering the wake
of the wobbling blades. imagined the blades flying off one-by-one. imagined one striking
me in the head and freeing me of a hangover. imagined being in the back of the line outside
the gates of heaven, while St. Peter kept letting the hot, single girls cut in line.

"will you?" Mathilda repeated, I think.

"will I, what?"

"take a picture of me in front of the wallpaper."

"sure."

"sorry, I've taken like 30 selfies trying to get Grace to re-notice me.
starting to feel like a chronic masturbator."

"what do you mean?"

"well, you know, selfies are pathetic indulgences in narcissism. hell, they can be
necessary, as is the case this time, I assure you---but pathetic, nonetheless."

took the phone. Mathilda stood in front of the pirate kitten wallpaper.
she leaned forward. made a kissy face.

"do you have to do that?" I asked.

"don't bust my *****," she said, "just take the photo. I know what Grace likes."

the two broke up last week. Mathilda in her oh-yeah-wanna-run-off-with-ol-banana-***** fury
threw a ******* party with balloons (they were tethered to things at the time.
the dining chairs, cabinet doors, the wrists of guests, etc., etc.). I left early that night.
I'm straight and not very relevant. so, well, you get it.

"would you like some coffee too?" she didn't look up. with locust clicks she fingered
the screen of her phone, uploading the kissy face, pirate kitten wallpaper picture to
her Tumblr. I nodded.

at the party she bedded two skeletal, Sylvia Plath feminists. self-fulfilling prophecy.
she'd written about the then-fictitious scenario months ago on her blog.
Mathilda called me crying the following morning. between the
shame/guilt/self-pity wails, she advised, "don't ever be the third wheel in a threeway."
noted. she said the three had a silent, last breakfast before they left. and I said something
to the effect of, you didn't let them go near the oven did you?

the first droplets of coffee hissed as they struck the bottom of the ***.

"if only coffee were a woman," Mathilda said. "am I right?"

"if coffee were a woman, I'm afraid I'd still pour her into a fine porcelain cup and drink her."

"you're awful."

and I am. but she doesn't mind because I've been celibate for two years, and she's been
so successful it brings her down. off-setting penalties, the basis of our friendship. or maybe
it's the way we leave things where they fall or rise. natural resting places. Simbas. balloons.

when the brew idles I grab two cups. fill hers three-quarters full. she likes almond milk in it.
and I could drink almond milk with a lesbian forever, I swear. to the fridge. the ceiling fan
seems a bit louder. one-by-one the blades. and heaven. and St. Peter, the pervert.
gave the almond milk a shake.

"why you holding on to the McDonald's bag and the practically empty beer?
I think they're starting to smell."

she didn't answer. well, not right away, anyway. and I took that to mean they belonged
to Grace. natural resting places. so, I mix the almond milk into the coffee.

"I know I should throw it out. Grace doesn't even like McDonald's. Do you know what's
in that bag?"

"I don't."

"avocados."

"what?"

"yeah. one of her friends works there. just cut up some avocados for her."

what sacrilege. made me tired, you know? fast food avocados, selfies,
Sylvia Plath feminists, etc., etc. the ceiling fan sped up, for no reason, I think.
the balloons cast shadows over the dining table. and I could drink almond milk
with a lesbian forever. trust me. just not under those conditions. beeline for
the fridge. door open. snagged the bag of blacker-than-brown avocados
and the bottle of beer.

"stop. she could be back any day," Mathilda said.

and what I should of said was no. what I should have said was Grace,
for all intents and purposes, was dead. and what she was doing
was reusing a dead name. and reusing a dead name isn't a resurrection.
but what I said was, "okay." and I sat down under the ceiling fan.
my natural resting place. almond milk forever. and ever. and ever.

six-inch heels abandoned
in lampless corner       grimy pennies embedded in carpet

rent's due

wedding band girl "fab polka dot frocks"
waterfalling past knees        outta place
on casino bus destined for rest under Ft. Worth stars
now, now    ******* borealis speckled dice

true love waits

socialite lip balm and bourgeoisie hips compete
in bidding war over which black face triggerpulls
which black face eyes the ground
passerby the red light      the green light
all night diner    egg on chin   coffee-stained porcelain   teeth

"I forgave, I think. I forget."

crowded and paranoid in the left lane    the right lane
empty and weak and surrender and soiled underwear in ammonia nursing home
children is a word     time is a lie the polka dot and the interstate ain't selling
divorce the consequence of acoustic shadows

reblog   undo   #sotrue    reblog

living through x-ray radiotherapy the dotted gown
never the veiny calves or the blush or the eyeliner
somewhere in North Texas shawtys are in the club
shawtys are backin' it up    shawtys are dropin' it down

hit me+hit me+hit me=blackjack mishap

the marvel of the wind and of wind turbines
cognac decade brides     the epitome of class and natural elegance
standing like oil derricks and treated like oil wells
so secretive and philanthropic

this taxon remains nameless

casino turned dance hall   dance hall   skinny ties still a thing
this wine is good. is it a merlot?    no.    this is purely recreational
for birthdays   for weddings    and Ft. Worth missionaries
10-50 passengers   we've got 53, no 54 #hahahaha #whoops #party

who needs unprescribed drugs? me, me (!)

decomposing mascara sweat on brow the interstate no longer lit
polka dots has got the suicide by Manet pulled up
on her iPhone the financial stress   which shudders warm-blooded moms
on her lips    every mother a librarian   every mother a swing-pusher

but digression    next to bitterness   the lowest sin

edging the cultural gateway of the old west
miracles in and miracles out of tradition following
the slender bends of middle ancient Trinity River
children a word   pattycake a game

and time   time a lie we left to museum panoramas

we're on a break,
meaning we catharsis ****,
often in public places,
often with an edge of violence,
much like the session in the
family restroom, here at
Big Daddy's Bar-B-Que (travesty, travesty).

still waiting for Em to to finish "tidying up."
and the brisket is salty.
or it's the leftovers from her forehead.
she should have cut her fingernails.
thinking of a way to hide the blood trails
running wild on the back of my t-shirt.
catharsis, she says. it's healthy, she says.
Elvis croons over the arcane stereo system
and a white-haired woman with gelatinous
arms taps her fingers on the tabletop along
to "Teddy Bear."
the waitress keeps a hawk's eye on my
half-empty/half-full glass of water.
and I'm afraid to take a drink.

here comes Em. she's an athlete. and we're on a break,
meaning we don't see each other's parents.
don't nod and listen.
and don't say things like, "oh yeah, your sister Sarah. how's she?"
hallelujah, hallelujah. Em played point guard in high school.
her last official sporting endeavor. but twenty minutes ago
she told me to look up a complicated position
via iKamastutra on my phone
because she's an athlete, and I'd be "amazed at what
this
machine [her body]
can do."

but I hate when she says **** like that.
catering to an I'm-almost-certain-peg
of my fantasy. harder, harder
and before I finish, she insists on
swallowing
and
it makes me uncomfortable
but
we're on break, and to argue
would be a crucifixion to this "vacation."

I think about Elvis.
and wonder if any
woman is still alive that
swallowed his ***.
and when it's down
to just one, does that mean
anything?

"well that was fun," Em says.
her mascara wasted.
the brisket is salty.
I take a generous drink of water.
I hear the sound of breaking glass.
the waitress has busted
a bottle of ketchup in her
rush to refill my 2/3rds empty cup.

"mazel tov," I say.

the door opens to Neko's Grill
I turn, as I do with the opening of any door,
expecting it to be Anna, expecting her
face to go from that smilerest to that
statuesque, expecting that stone
to send me to her side in the hospital,
the time when the pills took too fast
and she didn't carry it out,
hospital gown, grey dots, white backdrop
my glasses filled up
and I watched my tears land on Anna's
cheek,
she wiped them away
"I love you" didn't bridge the space
in the waiting room
I poured a cup of coffee for her grandpa
I brimmed it
stupidly
and his shaky hands burned
and he told me he couldn't talk to me
and I knew why
so when he bellowed
the whole agony of the whole
human famile smoldered out of him
he leaned against me
we both burned
but the woman who walks
into Neko's isn't Anna
she's a decade older at least
her brunette hair tucked into
a knitted cap
she looks confident
quiet, if a person can look quiet,
and I wish she would say
I forgive you

so we undressed
and I didn't finish
and you felt self-conscious
and refused to read to me
like you did the night before
so I didn't sleep
but you did
and your brow was a shelf
and I wiped it off
like I did the night before
so the morning would feel clean
yet I missed a spot
and you said no one loved like me
and that wasn't a good thing
like a songbird that was more showboat
so I'm sorry lukewarm newspapers
and two wine glasses
and too empty
and you bit my lower lip until blood was drawn
like a misery, like a static radio song
so I bit your lower lip until blood was drawn
but that wasn't an anchor
but that wasn't a tether
but that wasn't criminal
like the soap operas and the 51st shade of grey
so we undressed
and turned on the history channel
and it didn't go anywhere
and you said history was for the historians
like ******* was for lovers
so we dressed
and you were a child in my clothes
and I talked down to you
and you took one last drink of my cologne
like a closing hymn collapsing on a dime

unapproachable
she, an EMSA driver, framed by gasoline rainbows and held together by hairpins,
sat on the back of an ambulance in a Valero station's lot,
corner of 2nd and Kelly, a passerby might have thought her waiting,
but I knew that to be wrong
that radio would go off in the cab, heart attack, broken hip, sideswipe
she'd remain right there picking at the sticky barcode on the back
of her Bic lighter, she couldn't be bothered with the sound of sirens
she had a history and didn't want anymore dates to dictate and memorize
she looked through me past Fox Hollow Lane, past the unwatched children,
past the rusting panels of ice cream truck, into that eternal place that
I thought only French singers' eyes on album covers in the sixties could find---
unapproachable
but

And my dad wanted us to hurry.
He worked the night shift.
Sweat on his forehead evidenced his
displeasure with rising sun.
35 mm in his hands. Steel-toed boots on pavers.
My mother stuffed another box of Kleenex in my
backpack. Gritted the metal teeth. Ready?

Ready. Her hands on my shoulders.

Take another one. Josh wasn't smiling.
Dad winded the film.

I don't want to smile.

My mother stuck her fingers into my mouth
pulling opposite and up.
And her fingers tasted like
the musty pages in the books without pictures.

the sea comfortable in its trespass
swallows the rocky cliffs
then the white sand beaches
then the bicycles lounging in the yard
then the high-rise apartments
the sea comfortable in its trespass
takes no notice of costal child
with kite in hand squinting for
opposite shore in wonder
am I the last kid with a kite left?

curtains back           through wide glass
I watch as her silver sedan circa '99 winds
the half-circle to that black interstate
next to that 24/7 diner
under that see-through mini-gown of stars --
varying shades of infinity;
I turn on the radio to add one more.

smell of you baby, my senses, my senses be praised

into the bathroom            humming light, speckled mirror
to wash her salty tide from my forehead
and I feel young
and I feel lion
and I feel slow, contained fire
spilling from fingernail,
rising from aquamarine carpet to popcorn ceiling.

kissing and running, kissing and running away

before she left,
"sorry for making you the mistress in all of this."
and I said,
"you can pick the mistress."
her lips on my shoulder blade
then her coat in her hands,
her hand on the permissive doorknob
then cast toward the endless
not looking back,
but

maybe she will.

*no one will bar you
nothing will stand in your way
nothing
there's nothing

on edges of swing set of summer of child
I grow -- a rust abloom while ghosts
of women once called "mother" do push
a wind a creak a falling leaf feathering
downward, candied sentiment traveling
forward

for hope for empty swing to fill to turn
the chronometer back to *12 noon, March 6, 1972

Spending the last day with Maegan Finn,*
who, turns out, prefers to be called Mae

11:35 p.m.

I burn the popcorn. Just the pieces against the bag's underbelly.
Like a nightclub bouncer, I decide which pieces to let inside
a white, ancient bowl. One, on which, a former roommate scrawled
"THIS MACHINE KILLS MUNCHIES" upon its side in red, permanent ink.
I never said the night would be

perfect. But when I walk into my bedroom carrying the snack fiasco,
I know Ms. Maegan Finn doesn't mind. Something between her vine-framed,
honey irises and my gaze, some mischievous energy, causes her to lower
her head. She allows a smile. She's sitting on my twin-sized bed. Her back to a pillow
to the

wall. An empty pillow beside her waits for me. With one hand she moves her hot chocolate
to the side, with the other she lifts my calico comforter for me to climb under. I never
said the night would be

perfect. But I know Ms. Maegan Finn doesn't mind. Because when I say, "I'm sorry. I didn't really plan for this," nervous laugh, "this is the worst final meal of all-time. You can leave if you want.
You don't have to go down with the ship."

She responds, "I don't mind," raises an eyebrow as she reads the bowl. Dismisses it. And grabs a handful of popcorn. On the television, a white-haired man with heavy jowls and tree bark wrinkles begins to talk.

...planet Earth will be recycled. The universe recycled.

"So, when does this guy think the world will end?" I ask.

"Midnight."

"Chris said two."

"Two p.m.? Like today? Like already past?"

"Yeah."

Maegan shakes her head,"Stupid *******."

11:40 p.m.

"So, if I hadn't botched dinner, what would you have chosen for your last meal?"

"Well, Joshy-poo, I'd have to say popcorn and hot chocolate."

"Seriously."

"It's salty. It's sweet. The temperatures compliment each other.
It shouldn't work, but it does. If the world wasn't ending,
I'd suggest you open a restaurant."

"C'mon. What would your last meal be?"

...with friends. Cling to your loved ones as the final minutes pass by.
The world becomes perfect. The calendar pages turn no...

"Do you remember Waffle Crisp?" she breaks gently.

"You've got to be kidding me."

"Hold on."

"Any meal on the planet. Anything! And you choose-"

"Waffle Crisp."

"Oh, that terrible commercial with the grannies in disguise."

"Grannies and all," staring at the reflective surface of the hot chocolate,
she begins talking in distant pieces like reading off a teleprompter,
"Waffle            Crisp            reminds

me           of           my

              dad."

"I see."

A commercial is on for ******. I never said the night would be

perfect.

...picking the right moment is easy with...

"Why do you think of your dad?"

Maegan releases a deep exhale/tension-laugh.

"I don't know. I mean, I

guess it's because every morning -- well, before my parents got divorced --
he'd come down the stairs, mess up my hair -- God, I'd get so mad --, and
he'd say,
'Mae, may the world learn from your perfection today.'
He'd kiss my forehead. I'd eat Waffle Crisp. I remember the smell -- the shapes."

11:51 p.m.

...less than ten minutes. Go outside with your families
look to the

heavens...

"How's the world supposed to end? Has he said?" Maegan asks.

With a finger raised, I finish chewing my popcorn.

"The planets are aligning right?"

"Yeah, I've heard that. I've heard the Mayans just
ended their calendars on the

date. But I don't know how either of those scenarios make the world end, though."

"Exploding sun?"

"Maybe an asteroid?"

"Could be," I say.

Ms. Maegan Finn rests her head on my shoulder. "You should ask another question."

"Um, okay."

...Security Systems. Are your children safe?

"I got one," I grab the remote and turn down the television. "What is something you haven't told

anyone? One secret that otherwise would die with you."

"I hate the name Maegan."

"Why?"

"It's a terrible name."

"Is not."

"It is too. First off, not only did my parents indulge the cruelty of switching the 'a' and 'e',

but

then they went ahead and gave me the most common girl's name on the planet.
I don't stand out until I say, 'Excuse me, you misspelled my name.' It's not funny.
Hell, even when I say that, their usual response is, 'No, I didn't misspell your name.'
Because they'd know."  Flustered, Maegan puts the white, ancient bowl of popcorn on the ground. "And get this away from me."

"What would you rather be called?"

"Mae. Just Mae. I always liked it."

"Alright, Ms. Mae."

...hoisted unto judgement. Some without absolution...

"What about you, Mr. Josh? What's your secret?"

I take a sip of hot chocolate. I look at the bare wall behind the television, and wish I had
decorated it, but I

never did. The paintings are even in my closet. They just need to be put up.

"I love you."

"What?"

"I love you, Mae."

Mae smiles wide. Puts her hand on my shoulder, "Your'e joking right?"

"Nope."

"That's a bold secret to tell," she laughs.

"Not the reaction I was expecting."

"I'm sorry, I'm sorry. It's just -- what happens tomorrow? When I have to see you again."

"I'm betting on the exploding sun."

"Or the asteroid."

"Or the asteroid."

11:59 p.m.

...a matter of seconds until we are cast like dice into the blackness of...

Mae takes my hot chocolate. Places the porcelain cups on the carpeted floor. With a "c'mere" she peels me off the pillow, off the wall. Moves the pillow to the head of the bed. She guides my body until I'm lying down. Straddling me, she leans down. Traces my shoulder blades, then softly latches on to them. She leans further.

...9, 8, 7...*

A kiss.

A long kiss. The weight transfers from my body into her, then is carried toward the ceiling by some mischievous energy. At the end of the world, Ms. Mae Finn kisses me. Kisses me despite popcorn. Despite hot chocolate. Despite love confessed too soon. Just when I never want that minute to end, it




ends.



12:00 a.m.
          
               But a new minute begins.

"That was perfect," Mae says.

Bradley, don't climb, the boy's mother says as she pries him off the bronze left shoulder of Sam Walton. She dusts the boy's coat. *Wait here a second. She begins digging in her purse. Her grey, sweatpants'd husband holds a point-n-shoot digital camera. The wind is inconveniencing him. The fog is inconveniencing him. Sorry, sweetie. I'm looking for a tissue. Every word his wife says shatters like glass.  He's been on the road too long. Of all the places, why make a pilgrim's stop at Kingfisher, Oklahoma?

It's the 7th of December. A day FDR said would live in infamy. It's also my birthday (thanks for setting the stage, Roosevelt). And here I am. Making my own pilgrim's stop at a subpar statue marking the birthplace of Mr. Sam Walton with no one for company but a green thermos and these tourists.

While his mother is distracted, the boy tears at yellowed grass. He pretends to feed the blades to Sam Walton's open-mouthed and unexplained canine. The husband sighs.

Ah! I found them, the mother reassures. Grimacing, as though shards of her words have lodged in the far corners of his brain, the husband asks,

Are we ready?

Not bad. The tiny bubbles from the champagne firecracker on my tongue as I lower the green thermos. Reminders of spilt coffee dot its sides like the little, overlooked  coastal islands of New England. Reaching? I know. But I'm learning to take notice of things, Sam. Patience.

I got into town before the liquor store opened. I vultured behind steering column. After a glance, a longhaired shopkeep with an oak cask belly shook his head in disdain for my entire generation. Turned the key. Flipped the sign from closed to open. Not to appear eager, I waited for a commercial break on the radio. I walked through. A bell chimed. Thirsty, son? the shopkeep asked.

I always am at the sound of a bell, I responded.

Let me get this off real quick, the mother says to Sam Walton as she wipes dry, white bird **** off a deep-cut wrinkle in his bronze forehead. Can't take a picture with you looking like that. The mother turns around. Offers an unsteady, white flag smile to her husband. Looks down at her boy. Bradley, stop playing with the grass. I mean it. Drop it. Stand by Mommy. We're going to take a picture.

Why?

Whiskey modge podged with ***** with wine with gin. Champagne. Champagne. Confused? lines joyously sparked from the edges of the shopkeep's eyes and lightning'd down his cheeks. Making him seem pleasant for the first time. Proud, even. I've organized the drinks by country of origin. Notice the flags?

What does France's flag look like?

France is over here. Looking for a wine? Perhaps a rich cognac? He led me down a densely packed aisle. Little ratings cards jutted out underneath each bottle.

Champagne, actually.

I see. I see. Is something ending or something beginning?

Both.

The boy places his hand on the dog's head. Pretends to ruffle its frozen fur.

Ready?

Ready.

Click. A flash goes off. Automatic.

Now can we leave? the boys pleads.

Why are you being so antsy?

It's just another stupid statue. I'm tired of this stupid trip. I just want to go home.

Today's my birthday. I lowered the champagne as I poured it into the green thermos. I kept watch for shoppers and cart crewmen in the parking lot. No one seemed to notice the transfer. The shopkeep ended up selling me an American bubbly. Silent Girl. I liked the artwork. A large-breasted woman with puckered lips stared down the sights of a .44 pointed directly at the drinker. Black and white. Refreshing to see someone so up-front.

The mother opened one of the rear doors on the family's Tahoe. No, you don't get a toy. Brats don't get toys. Brats get quiet time. She slammed the door.

Just you and me, Sam. A drink. Sorry, I didn't bring another cup. I lean in close. Trace the wrinkles of his forehead, where the sculptor stuck his knife deep. As I do, my own wrinkles become more apparent.

You know I heard a minister talking about you a week ago. I remove my hand from Sam's face. Take another drink. Apparently, your last words are his claim to fame. He said your nurse divulged them to him. You should see him. Each church he visits, he opens with, 'Anyone know what Sam Walton's last words were?' He doesn't ease into it or anything.

'Sam Walton's last words were actually, I blew it.' Can you believe that? 'I blew it.' Don't worry, Sam. I didn't buy it. That answer is for the customer. Not for truth. People love to think at the end of your successful trajectory, you'd just Solomon out. Fizzle. 'Vanity! Vanity!' I'd like to think there you lied in your hospital bed. In your private room. 7th Floor. Curtains open. Blue sky free of blackbirds. Your family around you. And your mouth tasting like metal. Like blood. The gears of your existence grinding to an end. And I bet you hated everyone in that room. Your wife wiping spittle off your mouth with a red handkerchief. You pushing her arthritic claws away. I bet one of your grandkids was at the end of the bed. His hair unwashed for two days. Uncombed for six months. A tall cow suckling your success. And I bet that clumsy hair was blocking the television. You told him to move.

When he moved, something horrendous was on. A soap opera. Something frustratingly ironic. General Hospital. Hit the red button. Called in the nurse. And your last words, 'Change the channel.' She put it on a Cowboys game. You watched Aikman throw an interception. Closed your eyelids. Changed the channel.

It's the 7th of December, Sam. It's my birthday. A milestone, Sam. So, there's cause for change. I told you the same ambition in you coursed through me. That I too, had sat in the back booth of diners alone -- conspiring. And while you're eternal bronze, while you're family photos, I'm mortal to a fault. But allowed to change my mind. I don't want to be ambitious, Sam. That's what I came to say. I'm not coming back to wail at this wall. Legacy, you taught me, is not in my hands. Even if I make a helluva go at it on this sphere, I run the risk of getting turned into half a statue with an idiot dog sidekick. You can dam a river, but ultimately rivers don't give a ****. They flow where they please.

That's the end. The beginning is that I can go anywhere from here. That's worth celebrating. I tilt the green thermos and let champagne run down Sam Walton's still face. This river runs onward. Without fear of legacy, of memory. I'm going to love, Sam. I'm going to love fully. Onward. While you stay put. A stupid statue.

Sam Walton is silent. Quiet time.

I'll probably go visit my parents on Thanksgiving. I'd hate to miss the way my father nods at my mother's sisters and brothers then steps backward into the shadows until he becomes them. We're having the mess at my aunt's in Seminole. Dad always drives separately. He makes his escape without saying goodbye. Leaving my mother, my sister, my brother, and I to explain the hermit.

I never ride with him. Haven't rode in a car -- just him and I -- since high school. I would lay my head against passenger window. Listen to tires press gravel deeper into the red earth. He never asked my thoughts on God, though a minister. He never asked about my classes, though a former teacher. He never asked about girls, though my father. Glen Campbell, however, he'd talk about Glen Campbell. Claimed I always looked like him. When I was a child, he'd even part my hair sharply and take pictures. What a good, little Glen Campbell. If he took his eyes off the road long enough to hone in on a power line, "Wichita Lineman" inevitably became the topic of conversation. That song would delta off into "Rhinestone Cowboy," "Gentle on My Mind," "By the Time I Get to Phoenix." Soon we'd be in town, knowing each other no better than before the departure. But we arrived. That's something.

To this day, no occasion could coerce me into parting my hair. With the exception of Mr. Campbell's funeral of course.

Tim will love your family. As I did. Still do. I thought he might only be a consolation, but looks like he's a trophy. Happy Thanksgiving, Ms. Anna Prine. I thank you. The fowl of the air thank you. The beasts of the field thank you. Tell them they're welcome.

Funny. I have a similar problem. When a waitress drops in to take a drink order, I can never look her in the eye. Guilt, I suppose. There’s nothing she’s doing for me I can’t do for myself. Legs work. Hands work. Let me walk to the water dispenser and press the glass into it. Let me pick up my food. Let me carry it to my table. You take it easy, sweetheart. So, instead of meeting her pupils, I find myself reading and re-reading her nametag. A silent mantra. Tara. Tara. Tara.

Thank you for saying I should be “held by my edges.” That’s a candy-coated take on the truth. A more accurate description would have been “*******.” Oh, the toxic mix of shame, alcohol, and letter writing. I’m a new man, though. Cologne and everything. I’m even done drinking. Well, after I finish this beer. Still had one in the fridge. Anyway, I’m sorry.

No, women like Heather don’t disappear cleanly. Or with grace. In the silent moments, she always looked at me like I might hit her. She’ll probably tell friends I did. Everyone enjoys a good story. She called Friday. Said she’d taken some X. Dancing on her couch. I could join her or just watch. I just hung up. Did I tell you she’s really into Anime? And she attaches faux foxtails to her belt. I’m not sure if one of those traits is responsible for the other. Wish she didn’t know where I lived.

she was underdressed, overtouched. and kept ironing out her napkin at the bar. with blue ink she wrote his last name in place of her own. the fan spun off-kilter. the bartender finished his third vegas bomb. one too many.

I'm a bald man now. Ever read the Book of Job? I like how he copes. The change is not purely aesthetic. That bothers me. When people cut their hair, tan their bodies, or lose weight for the sole purpose of hearing blinking friends and distant cousins say you've changed.

I'm sorry to hear about Tim's dad. I'm sure he'll get better. I'd say, I'm glad you two are getting back to normal, but I don't feel optimistic enough to lie. Tonight, I'm tending to a toothache. Covering one end of a cocktail stirrer, dipping it in scotch, and using it as a medicinal dropper. After typing that sentence, I realized the absurdity of this situation. Trading surgical for savage pulls from the bottle.

Heather came over on Halloween. I ran a bath for her. She nursed a fading cigarette while sitting on the edge of the sink and with a wet paper towel wiped off her stage makeup. She told me she had twelve piercings. Then she said people usually ask her where they're at. Some information reveals itself.

I could hear hummed melodies through the wall as she bathed, as I made my bed. Lit three candles. Sprayed some Febreze to cover the stench of my existence. She came in wearing my robe. Without makeup, she looked boyish. Lost, angry.

Her breathing didn't comfort me. She drifted to sleep quickly. As bizarre as it sounds, I could feel Karen in the room. She was the moving shadows. She was the branches scraping against the house. She was the light I left on in the closet. To spite her, I woke Heather up.

I traced her piercings like a holy diary pressed in brail. I sank teeth into hipbone. Sharpened. The *** was short. To be expected, I suppose. Three years of celibacy. She told me it surprised her that it took me this long to sleep with her.

Why did you let me? I asked.

Heather smiled a waving tightrope. Confident. Off-balance. She said I was warm. I was predictable. Like a country music song. I gave her my back. Turned on the television.

I haven't talked to her since. The thing about being born again is, sometimes when you've think you've died, you've only had a bad dream. A more final death lurks. Let's hope she killed me. Now, bald like an idiot babe, I'll try to start. No vanity. You were right. The adventure kicks off when I learn to love myself. Looking at the uneven bumps on my shaved head, I've already developed a crush. I'll apologize in my next letter.

A weakness crept in.

What joy to remove the glasses,
both the reflection of midday sun on back of purring Sports Utility
and the deep-cut wrinkles in Mr. Rhyne as he walks pretentious Scottish terrier
blur.
The sun's beams take a drink allowing the world to settle
into a point-blank water color -- lovely, blotchy, tame.

Glasses left in passenger seat, shoes laced, shorts of mesh,
a sweet breeze makes the leaves fall -- leaves I don't see,
but hear, relate.
Knee joints slow to start -- oh to be a cartilage machine  --
Trees turn from shadow to canopy to cathedral
as the miles pass, as sweat rivers and empties into my eyes
the vision blurs further.
An elderly couple, I tell by their outline, their faces little more
than dabs of paint, wish me a good afternoon.
A nod acknowledging their passing, a wave to say hello/goodbye
and a thought -- will my knees feel this way forever.

A few miles more, the chalky white of eyes turn blood red
by streaming salt; I see even less.
But under another cathedral of trees, I witness the darkness bend.
Shadows twist -- not humoring the wind -- no, to bring attention
to my thinning shadow, and a question, *is this movement out of respect,
or are the shadows making room for me?

skyscraper man on seattle time
looms in the corner of swan lake and fry
untouchable denim untouchable blueblack plaid jacket
     he's put together with clothespins
     he's put together with stipends
     he's crammed between taxi cab book ends
skyscraper man on seattle time
stoic as the jet engines roar by
all his friends are magazines all his friends currentbrief
     he's got a little future
     he's got a few dimes
     he's got no father to call out the lies
skyscraper man on seattle time
watches smog children kick ***** on concrete
vulnerable under trees writes his novels in purpleink
     he's married once before
     he's read crucifixion lore
     he's returned his money to the store
skyscraper man on seattle time
looking through spectacles of ***** and brine
the rain falls hard the breeze sweet on the leaves
     he's emptying the soul of modern rock n' roll
     he's emptying the tray of ashed thought
     he's emptying the bank account cold
skyscraper man on seattle time
sheds crinkled skinmemory like the cicada
a twin-sized deathbed deathbed in apt. 203
     he's nothing.
     he's ever.
     he's happened.
skyscraper man on seattle time
carbon copied and eternal as saltwater as rust
invisible and tapping at the runrain window
     he's nothing.
     he's ever.
     he's happened.
skyscraper man on seattle time
climbs himself to the cosmos lightheaded perfection
ethereal visions of fullbloom love and legacy with measure
     he's nothing.
     he's ever.
     he's happened.

I left the electric bill in the mailbox. Along with one of those Get to Know Your Community at Christ's Church pamphlets.  One where Jesus sits holding a sheep, and oriental kids sit criss-crossed and apple-sauced at his feet. An advertisement for Great Wall Chinese food rounded out the lineup. How many trashcans must be filled?

But your letter, a mini-salvation at the sight of your name alone, came with me. My octogenarian neighbor with the heavy jowls and purple hair watched me rummage through the mail as her leashed shih tzu ****** in my yard.  Good morning. A nod. No response from my neighbor like usual. She's hardly a neighbor. More like a cop that directs traffic just past her property onto mine so traffic can **** my grass.  The shih tzu, though, that thing quaked as if I might give it a hard kick in the ribs. A satisfying thought.

My great pleasure dissipated when I opened your letter. Don't worry about Tim. I know he cares about you. He'd be an idiot not to. These are things I'm supposed to say. The sad truth being that Tim is a man. And like the rest of us, he's cheating on you. Probably with a thinner woman. A model that still subscribes to ****** chic. Or at least ******.

Before you take a kitchen knife to one of his neglected polos, make sure he's okay. Bizarre advice, I know. My mind only wandered when I did't feel like I was worth a million bucks. You always made me feel like two million. So, I'm sure it's something on his end.

Pour the whiskey until he opens up like one of those cashiers you make the mistake of acknowledging when they've been on the clock for five hours and still got three to go. He'll tell you about the baby he can't feed, the gonorrhea feasting on his urethra, and the titanic loan he took out from mama looming over his head. After he's said his piece, his load will lighten. The clouds will part. Fingers crossed.

The way you described his despondent behavior sounds like the lurking grey of bad luck. A black cat. I'm reminded of the time in my beat-up Cavalier when a black cat began to cross the street in front of us over on 86th and Western. Do you remember that? You have to. I cursed the bad luck. Then my curse seemed to stop the stupid beast in the middle of the lane. He looked straight at me. The headlights reflected off his eyes, and you grabbed the wheel. Turned it right into the cat. "I **** my bad luck," you said as the cat's end was confirmed with a thump. Then you said something like if they don't cross your path completely, it doesn't count. Find the bad luck before it snickers from the other side.

South Maine
the white beaches of Ogunquit
where the tide shrinks the shoreline
where the mud is made new
Lucy corkscrews her toes
digging deeper and deeper
What are you doing sweetheart
though she's my niece I pretend she's my daughter
I want to hit bottom so I can climb to the top
though she's four she's wiser than me
squawking seagulls float above
an orange glow seeps off the edge of the clouds
as they hustle west
Josh
Yes
Is the ocean forever
Of course I say as a wave washes her feet clean
*I wish we were oceans

Strange to be a few barstools down from you at O'Brien's. Yet, a decade away from you in time. Tim is handsome. I doubt that means anything coming from me, but I didn't exactly talk to him. Not much else I can say. You're still out of his league. Always dating down. Thank you.

When Tim went to the bathroom, I wanted to cut through the smoke and tell you I love you. Not in a gesture of romance. Not in an act of heartbreaking bravery. Really just to say it. I haven't said it to anyone in such a long time. I love you.

Before I saw you, I went to visit my sister at the hospital. Jessica switched to the night shift last week. She gets the pleasure of telling cranky old men no more Vicodin, and in act of mercy, God grants her a week of sunrises to be viewed from the wide windows of the 13th floor.

The nurse tending the desk told me Jess was making the rounds. I creeped into four or five dark rooms before I found her. Might've even woken a bald woman in an iron lung. Do they make iron lungs anymore? Looked like an iron lung.

Anyways, I found her in a room grabbing a meal tray and putting on its "kosher" lid to be trashed. "Hey, man. Henri, this is my brother Josh. Josh this is Henri," Jess introduced. I shook his hand.

He looked up at me through black, thick-framed glasses. Henri had one silvery capped tooth that became visible when he smiled. The smile crumpled and wrinkled his face like an old newspaper.

"If you want you can just stay in here," my sister said. "Henri's a cool guy and I need to go grab his sleeping medication."

I told her sure. Sat down next to Henri. He looked to be in his early sixties. Very lean. Sharp jaw. Large knuckles. If he ever stepped in a ring, I bet he made a hell of a fighter.

Henri removed his glasses. Placed them in his lap next to a collection of Chekov stories.  I told him I really liked Russian literature. No matter a person's class they always seem to have servants. A butler to tell them their molding slice of bread was ready, and a maid to serve it.

"I feel just as lucky. Your sister has treated me like I just walked in from Hollywood Boulevard." I asked him what he was in for -- like it was prison.

"Fractured hip. The most cliche of old-timer injuries. Not proud of it," he laughed softly. "I have been biking across the country and a little white sedan didn't take much notice of me -- well, until after they hit me."

****. I asked why he was making the journey. His wife died in the summer. His life stopped. "Life is measured in the stops," he told me. "When your job, your hobbies, sometimes even your friends all become irrelevant and time doesn't matter -- you've stopped. I locked myself in our house for a month. Told the kids I didn't want them to visit. I got the best woman on the planet. I don't feel guilty for taking her. Because believe me, I had to earn her," he looked to the side for a moment. Staring at the black television screen.

Then he told me that life may be measured in stops, but greatness is measured in starts. Journeys. I thought you'd like that, Ms. Anna. Henri then asked me that terrible question, "got a wife?" as if to make sure the conversation didn't center on him.

I told him I had gotten a divorce three years ago. He asked if I had moved on. I confessed, I've hobbled. His heavy brow grew heavier. His hands pulled the bed table to the middle. He asked me to hand him a pen off the dresser. He uncapped it. "What year were you born?" 1986.

"Okay, and you were divorced in 2009?" Yep. "And you haven't started over?" Nope. Henri wrote something on the napkin and pushed the bed table to me. With a shiver, a weight passed through me -- going upwards. The napkin read,

"Josh
1986-2009, 2012-"

"Don't waste three years of your life again."

I only went to the hospital because Jess has a friend she wanted to introduce me to. Her name is Macie, I think. Macie called in sick. I'll call it a fair trade. I've written too much again. I hope you read this late at night, and when you awake, I hope the coffee tastes new. Your newspaper isn't wet with rain. I hope your journey starts or restarts. You deserve the same unknown energy that seems to be coming from under the concrete.

cleaning up the mess of documents
on my hard drive
I find one titled
"secret message"
double-click
it reads
"i love you."


wish they'd signed it

I know that isn't how my grandmother would want me to remember her. Hell, the last time you saw me, I was fifteen pounds heavier, unkempt, and I was wearing that awful, low cut v-neck that made my chest appear a bit too supple. Wish you didn't remember me that way. But you do. But I do. You can't redact the past. Believe me. I used up every black marker in Oklahoma County trying.

You're dating a chef. By your lovely description, I could see the tendrils of spiraling capellini. Smell the buttered ciabatta. Were there candles? Did you whisper over the wine glasses? I hope there were candles. Cinnamon candles.

I actually cooked last night. Cajun tilapia and wild rice. Easing back into it. I've been living off canned vegetables for two months. Peas and carrots mostly. I'm going to assume if you and I shared this conversation in person, at this juncture you would whisper over wine glass, what was the occasion?

Heather called last night. The dancer. She needed a place to sleep. I guess her Craigslist roommates, those two shifty-eyed boys from Nevada, bailed on the 30th of September and the rent came due on the first of October. She hadn't paid it. Evicted. For a night, my room was adorned in all manner of frilly things and five pairs of heels. She left everything else in her car. She explained the decorations as proof of employment.

Don't worry. I didn't go there. Though, she thought I would too. After staring over her head at the beige wall behind her for two hours with my *** hanging off my twin-sized bed -- her lying in the middle -- I tried to move her to the east. She took it as an advance. "I'm not on birth control and I don't want a relationship," she said. Are any soft women left?