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JJ Hutton Feb 2013
"Siri, I love you."

"You can't."

"Why not?"

"Would you like me to search the web for 'wine dot'?"
JJ Hutton Feb 2013
the priest, whose tomato face looked like it might explode under collar tension,
gave the valedictory at the friday night execution
the yellow-toothed, combover'd serial killer buckled in electric chair
kept staring at the door, expecting an ally to crawl in late but not too late
the mother of one of the victims rattled on about
how she didn't care that the killer had an allergy to the anesthetic used
in lethal injection      he's going to die either way     what's it matter?
buzz of fly    crack of rolled program against empty folding chair
(yes, there were programs, and whoever laid them out knew their typography)
buzz of fly raised upward, toward the black, magma-cooled ceiling
audience chin up, pupils circled fly as the priest droned on
about everlasting life like a Paul Simon song from his youth
like a catcher's mitt from his youth like a youth from his youth
the boyfriend of one of the mothers of one of the victims
said he was hungry    pancakes sound good, don't they?
I love it when syrup gets on the bacon, you know? love that.
a pudgy guard with bleary eyes and 12 a.m. shadow
rolled his index finger   lowered his brow, telling the
priest to wrap it up   so the priest wrapped it up
by reading the names of the victims
Tara Barnes, 17, Rachel Lythe, 10, Julie McPherson, 13,
Serenity Strongman, 15, and Mary Beth Williamson, 13
the priest said something about judgement as
the boyfriend of the mother of one of the victims
took another swat at the fly                       missed
any last words? the priest asked
where's James? the killer asked, he was supposed to be here
did you guys give him the right time?
the guard nodded to a lab coat by a black box
then a hiss then a hum then an inhale
the first jolt of alternating current for

instantaneous brain death

hard to tell if they succeeded in that
for the second jolt came only a moment
later    this shock's aim to fatally damage
the internal organs, overstimulate the heart
and the killer's face looked like a horse's leg
then an exhale then a hum then a hiss
and the killer's face looked like the crinkled
skinmemory of a cicada
it was late   most of the best restaurants already closed
but we could go to that diner off 63rd, the boyfriend
of the mother
of one of the victims, said
JJ Hutton Feb 2013
swashbuckling kittens wallpaper -- cutlasses, eyepatches, royal blue bandanas --
lined the walls of the kitchen.

"you love it, don't you?" Mathilda asked. she poured me a glass of almond milk.
and I could drink almond milk with a lesbian forever. and ever. and ever.
fridge door open. it's sparse. a world weary McDonald's bag and a last chapter beer,
the only other tenants.

"it's neat," I said. don't care much for animals. don't hate them by any means,
but don't go out of my way for them. my analyst says it's Sparks, Oklahoma's fault.
see, when a boy, I had seven---no, eight kittens named Simba. the howl of the coyote
taught me about expiration dates. Had a hard time accepting total loss (e.g., eight Simbas).

"do you feel okay?" Mathilda asked. and I didn't. but I said,

"yeah, yeah. sorry about waking you up last night. just didn't think I could make it home."

"I noticed you slept perpendicular to the futon. with your sneakers on. interesting choice."

Mathilda can be funny. and the almond milk was good. and like I said, I could drink it with
her forever. the ceiling fan, though, rocked off-kilter. she had stray, sad balloons in orbit
around the fan. imagined the balloon with the red-lettered "BOO-YAH" entering the wake
of the wobbling blades. imagined the blades flying off one-by-one. imagined one striking
me in the head and freeing me of a hangover. imagined being in the back of the line outside
the gates of heaven, while St. Peter kept letting the hot, single girls cut in line.

"will you?" Mathilda repeated, I think.

"will I, what?"

"take a picture of me in front of the wallpaper."

"sure."

"sorry, I've taken like 30 selfies trying to get Grace to re-notice me.
starting to feel like a chronic masturbator."

"what do you mean?"

"well, you know, selfies are pathetic indulgences in narcissism. hell, they can be
necessary, as is the case this time, I assure you---but pathetic, nonetheless."

took the phone. Mathilda stood in front of the pirate kitten wallpaper.
she leaned forward. made a kissy face.

"do you have to do that?" I asked.

"don't bust my *****," she said, "just take the photo. I know what Grace likes."

the two broke up last week. Mathilda in her oh-yeah-wanna-run-off-with-ol-banana-***** fury
threw a ******* party with balloons (they were tethered to things at the time.
the dining chairs, cabinet doors, the wrists of guests, etc., etc.). I left early that night.
I'm straight and not very relevant. so, well, you get it.

"would you like some coffee too?" she didn't look up. with locust clicks she fingered
the screen of her phone, uploading the kissy face, pirate kitten wallpaper picture to
her Tumblr. I nodded.

at the party she bedded two skeletal, Sylvia Plath feminists. self-fulfilling prophecy.
she'd written about the then-fictitious scenario months ago on her blog.
Mathilda called me crying the following morning. between the
shame/guilt/self-pity wails, she advised, "don't ever be the third wheel in a threeway."
noted. she said the three had a silent, last breakfast before they left. and I said something
to the effect of, you didn't let them go near the oven did you?

the first droplets of coffee hissed as they struck the bottom of the ***.

"if only coffee were a woman," Mathilda said. "am I right?"

"if coffee were a woman, I'm afraid I'd still pour her into a fine porcelain cup and drink her."

"you're awful."

and I am. but she doesn't mind because I've been celibate for two years, and she's been
so successful it brings her down. off-setting penalties, the basis of our friendship. or maybe
it's the way we leave things where they fall or rise. natural resting places. Simbas. balloons.

when the brew idles I grab two cups. fill hers three-quarters full. she likes almond milk in it.
and I could drink almond milk with a lesbian forever, I swear. to the fridge. the ceiling fan
seems a bit louder. one-by-one the blades. and heaven. and St. Peter, the pervert.
gave the almond milk a shake.

"why you holding on to the McDonald's bag and the practically empty beer?
I think they're starting to smell."

she didn't answer. well, not right away, anyway. and I took that to mean they belonged
to Grace. natural resting places. so, I mix the almond milk into the coffee.

"I know I should throw it out. Grace doesn't even like McDonald's. Do you know what's
in that bag?"

"I don't."

"avocados."

"what?"

"yeah. one of her friends works there. just cut up some avocados for her."

what sacrilege. made me tired, you know? fast food avocados, selfies,
Sylvia Plath feminists, etc., etc. the ceiling fan sped up, for no reason, I think.
the balloons cast shadows over the dining table. and I could drink almond milk
with a lesbian forever. trust me. just not under those conditions. beeline for
the fridge. door open. snagged the bag of blacker-than-brown avocados
and the bottle of beer.

"stop. she could be back any day," Mathilda said.

and what I should of said was no. what I should have said was Grace,
for all intents and purposes, was dead. and what she was doing
was reusing a dead name. and reusing a dead name isn't a resurrection.
but what I said was, "okay." and I sat down under the ceiling fan.
my natural resting place. almond milk forever. and ever. and ever.
JJ Hutton Feb 2013
six-inch heels abandoned
in lampless corner       grimy pennies embedded in carpet

rent's due

wedding band girl "fab polka dot frocks"
waterfalling past knees        outta place
on casino bus destined for rest under Ft. Worth stars
now, now    ******* borealis speckled dice

true love waits

socialite lip balm and bourgeoisie hips compete
in bidding war over which black face triggerpulls
which black face eyes the ground
passerby the red light      the green light
all night diner    egg on chin   coffee-stained porcelain   teeth

"I forgave, I think. I forget."

crowded and paranoid in the left lane    the right lane
empty and weak and surrender and soiled underwear in ammonia nursing home
children is a word     time is a lie the polka dot and the interstate ain't selling
divorce the consequence of acoustic shadows

reblog   undo   #sotrue    reblog

living through x-ray radiotherapy the dotted gown
never the veiny calves or the blush or the eyeliner
somewhere in North Texas shawtys are in the club
shawtys are backin' it up    shawtys are dropin' it down

hit me+hit me+hit me=blackjack mishap

the marvel of the wind and of wind turbines
cognac decade brides     the epitome of class and natural elegance
standing like oil derricks and treated like oil wells
so secretive and philanthropic

this taxon remains nameless

casino turned dance hall   dance hall   skinny ties still a thing
this wine is good. is it a merlot?    no.    this is purely recreational
for birthdays   for weddings    and Ft. Worth missionaries
10-50 passengers   we've got 53, no 54 #hahahaha #whoops #party

who needs unprescribed drugs? me, me (!)

decomposing mascara sweat on brow the interstate no longer lit
polka dots has got the suicide by Manet pulled up
on her iPhone the financial stress   which shudders warm-blooded moms
on her lips    every mother a librarian   every mother a swing-pusher

but digression    next to bitterness   the lowest sin

edging the cultural gateway of the old west
miracles in and miracles out of tradition following
the slender bends of middle ancient Trinity River
children a word   pattycake a game

and time   time a lie we left to museum panoramas
JJ Hutton Feb 2013
we're on a break,
meaning we catharsis ****,
often in public places,
often with an edge of violence,
much like the session in the
family restroom, here at
Big Daddy's Bar-B-Que (travesty, travesty).

still waiting for Em to to finish "tidying up."
and the brisket is salty.
or it's the leftovers from her forehead.
she should have cut her fingernails.
thinking of a way to hide the blood trails
running wild on the back of my t-shirt.
catharsis, she says. it's healthy, she says.
Elvis croons over the arcane stereo system
and a white-haired woman with gelatinous
arms taps her fingers on the tabletop along
to "Teddy Bear."
the waitress keeps a hawk's eye on my
half-empty/half-full glass of water.
and I'm afraid to take a drink.

here comes Em. she's an athlete. and we're on a break,
meaning we don't see each other's parents.
don't nod and listen.
and don't say things like, "oh yeah, your sister Sarah. how's she?"
hallelujah, hallelujah. Em played point guard in high school.
her last official sporting endeavor. but twenty minutes ago
she told me to look up a complicated position
via iKamastutra on my phone
because she's an athlete, and I'd be "amazed at what
this
machine [her body]
can do."

but I hate when she says **** like that.
catering to an I'm-almost-certain-peg
of my fantasy. harder, harder
and before I finish, she insists on
swallowing
and
it makes me uncomfortable
but
we're on break, and to argue
would be a crucifixion to this "vacation."

I think about Elvis.
and wonder if any
woman is still alive that
swallowed his ***.
and when it's down
to just one, does that mean
anything?

"well that was fun," Em says.
her mascara wasted.
the brisket is salty.
I take a generous drink of water.
I hear the sound of breaking glass.
the waitress has busted
a bottle of ketchup in her
rush to refill my 2/3rds empty cup.

"mazel tov," I say.
JJ Hutton Jan 2013
the door opens to Neko's Grill
I turn, as I do with the opening of any door,
expecting it to be Anna, expecting her
face to go from that smilerest to that
statuesque, expecting that stone
to send me to her side in the hospital,
the time when the pills took too fast
and she didn't carry it out,
hospital gown, grey dots, white backdrop
my glasses filled up
and I watched my tears land on Anna's
cheek,
she wiped them away
"I love you" didn't bridge the space
in the waiting room
I poured a cup of coffee for her grandpa
I brimmed it
stupidly
and his shaky hands burned
and he told me he couldn't talk to me
and I knew why
so when he bellowed
the whole agony of the whole
human famile smoldered out of him
he leaned against me
we both burned
but the woman who walks
into Neko's isn't Anna
she's a decade older at least
her brunette hair tucked into
a knitted cap
she looks confident
quiet, if a person can look quiet,
and I wish she would say
I forgive you
JJ Hutton Jan 2013
so we undressed
and I didn't finish
and you felt self-conscious
and refused to read to me
like you did the night before
so I didn't sleep
but you did
and your brow was a shelf
and I wiped it off
like I did the night before
so the morning would feel clean
yet I missed a spot
and you said no one loved like me
and that wasn't a good thing
like a songbird that was more showboat
so I'm sorry lukewarm newspapers
and two wine glasses
and too empty
and you bit my lower lip until blood was drawn
like a misery, like a static radio song
so I bit your lower lip until blood was drawn
but that wasn't an anchor
but that wasn't a tether
but that wasn't criminal
like the soap operas and the 51st shade of grey
so we undressed
and turned on the history channel
and it didn't go anywhere
and you said history was for the historians
like ******* was for lovers
so we dressed
and you were a child in my clothes
and I talked down to you
and you took one last drink of my cologne
like a closing hymn collapsing on a dime
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