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 Feb 2014 Jedd Ong
Maria
Dear New York City,

It is eleven on a rainy saturday and we are all still half asleep. I think I've forget what noise is. It so quiet here, its like everyone has forgotten the sounds of living. And how loud they could be, and how loud they should be. I've heard silence is a sign of insanity. I miss you car horn melodies that reminded me how that sanity was overrated.

Dear New York City,
I hope you know that I fell in love with you in five days. With you, I was drunk off a future I forgot could exist. Did you know all they do here is talk about you. Sometimes I look at my buildings from different angles pretending its you. This is how my heart breaks.

Dear New York City,
I love the way Manhattan tastes on my lips. It sounds like being young and dumb, like falling in love, it doesn't sound like high school, or retirement or me.

Dear New York City,
I am filled to the brim with the young, the terrified and the restless. Filled with dreamers, stuck in a small town dreaming of a big city. They wear your emblem on their chest, dreams falling from their backs. I think you should give them a call. I think we all need to hear from you.

Dear New York City,
Next time, take me with you.

Sincerely,
Smalltown Ohio.
A collection of love notes from a small town to a big city.
Feedback is welcome and appreciated
 Feb 2014 Jedd Ong
Derek Yohn
Love and fear are all we know.

Love:  the longing for unity,
           the comfort of the constant
           companion, the inner
           peace in a sea of discord.

Fear:   howls of derision, the
           emotional clothing shielding
           our true selves, the
           hesitance at opportunity's knock.

Every moment of your life is an ****,
an echo chamber of desire, a festival of
potential love, waiting for your surrender.
Reach out to it; strip off your garments
of fear, reap the love before you,
or carry the regret in your pocket.
In your next letter I wish you'd say
where you are going and what you are doing;
how are the plays and after the plays
what other pleasures you're pursuing:

taking cabs in the middle of the night,
driving as if to save your soul
where the road gose round and round the park
and the meter glares like a moral owl,

and the trees look so queer and green
standing alone in ******* caves
and suddenly you're in a different place
where everything seems to happen in waves,

and most of the jokes you just can't catch,
like ***** words rubbed off a slate,
and the songs are loud but somehow dim
and it gets so teribly late,

and coming out of the brownstone house
to the gray sidewalk, the watered street,
one side of the buildings rises with the sun
like a glistening field of wheat.

--Wheat, not oats, dear. I'm afraid
if it's wheat it's none of your sowing,
nevertheless I'd like to know
what you are doing and where you are going.
Days that cannot bring you near
or will not,
Distance trying to appear
something more obstinate,
argue argue argue with me
endlessly
neither proving you less wanted nor less dear.

Distance: Remember all that land
beneath the plane;
that coastline
of dim beaches deep in sand
stretching indistinguishably
all the way,
all the way to where my reasons end?

Days: And think
of all those cluttered instruments,
one to a fact,
canceling each other's experience;
how they were
like some hideous calendar
"Compliments of Never & Forever, Inc."

The intimidating sound
of these voices
we must separately find
can and shall be vanquished:
Days and Distance disarrayed again
and gone
both for good and from the gentle battleground.
 Feb 2014 Jedd Ong
Carl Sandburg
LONG ago I learned how to sleep,
In an old apple orchard where the wind swept by counting its money and throwing it away,
In a wind-gaunt orchard where the limbs forked out and listened or never listened at all,
In a passel of trees where the branches trapped the wind into whistling, "Who, who are you?"
I slept with my head in an elbow on a summer afternoon and there I took a sleep lesson.
There I went away saying: I know why they sleep, I know how they trap the tricky winds.
Long ago I learned how to listen to the singing wind and how to forget and how to hear the deep whine,
Slapping and lapsing under the day blue and the night stars:
  Who, who are you?
  
Who can ever forget
listening to the wind go by
counting its money
and throwing it away?
 Feb 2014 Jedd Ong
Pablo Neruda
I like for you to be still
It is as though you are absent
And you hear me from far away
And my voice does not touch you
It seems as though your eyes had flown away
And it seems that a kiss had sealed your mouth
As all things are filled with my soul
You emerge from the things
Filled with my soul
You are like my soul
A butterfly of dream
And you are like the word: Melancholy

I like for you to be still
And you seem far away
It sounds as though you are lamenting
A butterfly cooing like a dove
And you hear me from far away
And my voice does not reach you
Let me come to be still in your silence
And let me talk to you with your silence
That is bright as a lamp
Simple, as a ring
You are like the night
With its stillness and constellations
Your silence is that of a star
As remote and candid

I like for you to be still
It is as though you are absent
Distant and full of sorrow
So you would've died
One word then, One smile is enough
And I'm happy;
Happy that it's not true
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