Submit your work, meet writers and drop the ads. Become a member
 
 Jun 2014 Jedd Ong
Emily Bronte
Love is like the wild rose-briar;
Friendship like the holly-tree.
The holly is dark when the rose-briar blooms,
But which will bloom most constantly?

The wild rose-briar is sweet in spring,
Its summer blossoms scent the air;
Yet wait till winter comes again,
And who will call the wild-briar fair?

Then, scorn the silly rose-wreath now,
And deck thee with the holly's sheen,
That, when December blights thy brow,
He still may leave thy garland green.
 Jun 2014 Jedd Ong
Emily Bronte
A little while, a little while,
The weary task is put away,
And I can sing and I can smile,
Alike, while I have holiday.

Why wilt thou go, my harassed heart,
What thought, what scene invites thee now?
What spot, or near or far,
Has rest for thee, my weary brow?

There is a spot, mid barren hills,
Where winter howls, and driving rain;
But if the dreary tempest chills,
There is a light that warms again.

The house is old, the trees are bare,
Moonless above bends twilight's dome;
But what on earth is half so dear,
So longed for, as the hearth of home?

The mute bird sitting on the stone,
The dank moss dripping from the wall,
The thorn-trees gaunt, the walks o'ergrown,
I love them, how I love them all!

Still, as I mused, the naked room,
The alien firelight died away,
And from the midst of cheerless gloom
I passed to bright unclouded day.

A little and a lone green lane
That opened on a common wide;
A distant, dreamy, dim blue chain
Of mountains circling every side;

A heaven so clear, an earth so calm,
So sweet, so soft, so hushed an air;
And, deepening still the dream-like charm,
Wild moor-sheep feeding everywhere.

That was the scene, I knew it well;
I knew the turfy pathway's sweep
That, winding o'er each billowy swell,
Marked out the tracks of wandering sheep.

Even as I stood with raptured eye,
Absorbed in bliss so deep and dear,
My hour of rest had fleeted by,
And back came labour, *******, care.
 Jun 2014 Jedd Ong
Octavio Paz
Between going and staying the day wavers,
in love with its own transparency.

The circular afternoon is now a bay
where the world in stillness rocks.

All is visible and all elusive,
all is near and can't be touched.

Paper, book, pencil, glass,
rest in the shade of their names.

Time throbbing in my temples repeats
the same unchanging syllable of blood.

The light turns the indifferent wall
into a ghostly theater of reflections.

I find myself in the middle of an eye,
watching myself in its blank stare.

The moment scatters. Motionless,
I stay and go: I am a pause.
 May 2014 Jedd Ong
James Joyce
Frail the white rose and frail are
Her hands that gave
Whose soul is sere and paler
Than time's wan wave.

Rosefrail and fair -- yet frailest
A wonder wild
In gentle eyes thou veilest,
My blueveined child.
 May 2014 Jedd Ong
James Joyce
Gaunt in gloom,
The pale stars their torches,
Enshrouded, wave.
Ghostfires from heaven's far verges faint illume,
Arches on soaring arches,
Night's sindark nave.

Seraphim,
The lost hosts awaken
To service till
In moonless gloom each lapses muted, dim,
Raised when she has and shaken
Her thurible.

And long and loud,
To night's nave upsoaring,
A starknell tolls
As the bleak incense surges, cloud on cloud,
Voidward from the adoring
Waste of souls.
 May 2014 Jedd Ong
James Joyce
Flood
 May 2014 Jedd Ong
James Joyce
Goldbrown upon the sated flood
The rockvine clusters lift and sway;
Vast wings above the lambent waters brood
Of sullen day.

A waste of waters ruthlessly
Sways and uplifts its weedy mane
Where brooding day stares down upon the sea
In dull disdain.

Uplift and sway, O golden vine,
Your clustered fruits to love's full flood,
Lambent and vast and ruthless as is thine
Incertitude!
 May 2014 Jedd Ong
James Joyce
From dewy dreams, my soul, arise,
From love's deep slumber and from death,
For lo! the treees are full of sighs
Whose leaves the morn admonisheth.

Eastward the gradual dawn prevails
Where softly-burning fires appear,
Making to tremble all those veils
Of grey and golden gossamer.

While sweetly, gently, secretly,
The flowery bells of morn are stirred
And the wise choirs of faery
Begin (innumerous!) to be heard.
 May 2014 Jedd Ong
James Joyce
Gentle lady, do not sing
Sad songs about the end of love;
Lay aside sadness and sing
How love that passes is enough.

Sing about the long deep sleep
Of lovers that are dead, and how
In the grave all love shall sleep:
Love is aweary now.
 May 2014 Jedd Ong
Sofia Paderes
Have you seen this girl?
Description?
Here.

She
is an acid-wash-jeans-and-
black-boots-wearing,
leather-bracelets-with-­flannel-flying kind of girl,
the kind of girl who would rather speak
only if spoken to,
because she prefers to tell her stories through
tubes of watercolors and reluctant poetry,
and her look,
she’s heard this a lot of times, can be quite the
back-off-you-don’t-want-to-mess-with-me kind, but
once you’ve jumped that hurdle, the rest comes easy.

Gold
must be stuck in between her teeth,
because every word she says is wrapped in wisdom
******* together with strings of grace, and
sprinkled with good intentions for good
measure
the length of her hair
and you will find that there are still
so much more stories woven
into the strands, you
will see galaxies in her eyes
paintings on her lips
and there are flowers blooming on the tips of her fingers,
try telling her this.
She will blush,
or she will laugh, and you will wonder
if the broken pieces of mirror on the floor
were really just an accident.

But roses have thorns, too.
Some days are thunderstorms,
and there are times when
lightning does strike the same place twice,
and she’s had a lot of those days.
Maybe she’s gotten used to
having her hands burnt from
trying to heal the earth where
it was struck, and
despite the countless times she’s
tried to wash her hands,
she still can’t get rid of the smell.
One day she’ll see that there
is new skin growing from her old wounds.

Other days her lines
just won’t draw straight,
and the blues and yellows
seem to have confused themselves
for greens and reds, and she
forgets that she is being shaped
by someone else, that
she is a work in progress
and that her cracks are being mended,
being molded,
she only has to allow it
to begin.
She’s been building walls,
but it’s time
to tear them
down.

When you see this girl,
tell her not to be so ******* herself.
Tell her
that she is more loved
than she thinks she is,
that inside her coals
are diamonds
tell her to stop worrying
to stop thinking that she
doesn’t deserve anything, well,
she doesn’t, but
remind her of grace.
Remind her that she
is worth dying for, that
even before she was formed, blood
was spilled so that one day
she’d learn how to smile,
how to cross canyons
on an invisible tightrope,
how to hope.
Tell her not to forget that.

So, have you
seen this girl?

Description?

Here.

Take a good,
long look



in the mirror.
A spoken word poem dedicated to the amazing Jireh Hong. Happy eighteenth to youuuu.
Next page