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Jaymisun Kearney Oct 2013
Fall all you leaves of red:
(I can't believe you're still lying and lying right to my face)
RUST and disintegrate
(There's nothing left in your lungs to which I should listen)
Labor onward my slave,
(I won't let you stand there taunting me like I belong to you)
on and on and on. . .
(There's no line left for this desperate charade to ride)

For all that I've done for you
(It's true you helped me survive)
You repay me in change
(This has been on the distance)
Of which I can't be a part
(Since our original night)
I've been hollowed

(Don't tell me you didn't know when you've always lead this)

I concede if you can defeat me because I
Can't commit suicide

Trailing ground, claim this ghost, this ******
This cycle spinning out of control keeps haunting me, drawing me, on again
All I need, all I need is an opening out of this
Biting His smothering hands all the way to His bones, even if I have to crash

Burned trees
Dead wood
Black bone
In the forest of dreams a violet light shone
Violet
Lichen
Creeping
Around the repeating scene until the night died
Derailed
Into
Darkness
Until the smoke and the ash swallowed

The last lonely, laughing glance of His shadow
Almost at a close, now.

Ghosts will chase you for years and won't go away.
--But it's a nightmare to exorcise.

Here's to the ending.

~JaymiAK <3
Jaymisun Kearney Oct 2013
What I remember most is the ghost I left in the North that day
And how you agreed to drive--I almost didn't believe it
Not only not my body but not my soul, so what better an anchor?
Not my home and not my world--what better an anchor?

I-5 South to 405 driving like nothing, but leaving a smoke trail
S.O.S. outbound in denial with no signal return
Smiling beside the driver unknowingly burning, unknowingly smoking out

Could you respectfully decline an offer to wipe your feet clean at the door?
Outbound there's nothing that changes but the fear inset and instilled
It's just a portal
Could you respectfully decline an opening to escape with your devils moored?
Outbound it's better than ever if you'll accept it's not running away
Doorways are just portals
Next lyric.

Let me explain something. Running works like this for runners:

RUNRUNRUNRUNRUNRUNRUNRUNRUNRUNRUNRUNRUNRUNRUN

~JaymiAK <3
Jaymisun Kearney Nov 2013
Stirring listless in bed under a patchwork of broken shade through moonlit blinds
It's 2 a.m.
My face has turned just as blue as the lunar white light as filtered by the night sky
Under the cold
I want you to know that even in growing old the trauma is ceaseless but I can't speak
My lungs imbued
Once with the strength of trees, pull in till my voice cuts, mute, and continue to squeeze
I see your face
Stir so listlessly close to mine, as if you were synchronized, and even closer with open eyes
We respirate

With the breath
From your kiss
Which you so lovingly demonstrate
Let us sleep, let us rust
Imbue me
With the hurt
That you so shamelessly share with me
Respirate

2 a.m.
Under cold
I feel your eyelashes slashing me
Let us crash, let us warm
The trauma
Is Ceaseless
The message is lost, I cannot speak
Both lungs squeeze
I forgot that I wrote and then I lost this piece until I found it just now.
My memory, me oh my.
Let's call it a B-Side.

~ JaymiAK <3
Jaymisun Kearney Nov 2013
As he opens the door his shadow casts
on the wall before me with his back toward me
He turns to the right, he glances to the left
with his old mind set to yellow alert his due
will arrive, I know
unlikely by knife to throat
but by the worry that drives such fear
and with the time it stole
every year for years till now
May you wonder

Were the lies worth it?
Were the thefts worth it?
--Because the affluence you spent on chance wins won you nothing
Were the spies in bed?
Were your blind eyes met
With the stare of vengeful eyes like you thought?
No, I know you wasted your time
--I know you and I know you've no time
Jaymisun Kearney Nov 2013
Often I sit cross legged
And move my ****** issues
As best I can into my brain
Where I can think about them
And then not think about them
By using some minor will
To hold them back
Right now in fact, I'm sitting
Cross legged in the backseat
Of a car with a busted tail light
Mary jane in the glove box
Backseat also full of groceries
So I adjust frequently, scowl
As I eat food
Licking my fingers after I
Eat octopus flavored snacks
I reach into the bag again
Noticing denim fibers stuck
Like cat hair on my hands from
When I wiped them on my pants
And that's kinda gross
So I stop
My back starts hurting
Jaymisun Kearney Oct 2013
Happy Coming Out Day to everyone.

It's been only a big handful of months since my own coming out, but the months since have been the most gratifying months of my life. What I reflect on today is the turbulent course of crashing years on the lead up, and the extent to which I was lost, losing more and more by the day. The depression still wraps around me, every day, and it's a small difference that warps the world.

Rather than sinking with tunnel vision, that old, strange ill-will and self deprecation now strangles me with my eyes on the sky, knowing there's a way to the surface I've found--but I'm clawing out, even if slowly. Had I not resolved this particular internal issue of identity, I may have sank into the ocean floor, forehead first, and exploded in fearful doubt.

It's never easy, and if it is, it won't be forever--but it's never really about the forever. It's about the synchronicity that shows itself in between moments just to let you know you're riding right when you get so worried of crashing in the woods at night that you summon a self fulfilled prophecy. Crazy Talk is my nom de plume, but I hope you all know if you're falling again, still, or for the first time, I'll be there and probably falling, too--and I'd be so flattered if I could talk to you.

If your safety is threatened, then only you know the best thing to do--but once you're at the popping point, it's late to find the safety points, so be on guard, and when you've found a heart, arms, and ears then let it out.

Always your advocate,
Jaymi <3
Jaymisun Kearney Oct 2013
To Everyone,

I want to offer you thanks.
Thanks for sticking around.
Thanks for reading and following Old Ghosts and Ghosts Trains to the end.
In honesty, this is the first project I've finished in at least a few years time,
but it may as well be the first project I've ever finished.

Now that I'm sitting here feeling as closed about the lyrics as I may ever, it's time to step back for a little while--which may mean a couple days, a couple weeks, or anything further--and give some emotional distance before I start the first round of revisions.

It means a lot to me that anyone out there took the time to read through and get interested--at least enough to skim.
If I can save, inspire, or alleviate through writing, it makes it all the better. I love it.
Ultimately, I write because I just can't help it.

May the fire that leads and haunts the swamp you see and thieve in your dreams never burn down or be exorcised.

Thanks and Much Love,
~JaymiAK <3
Jaymisun Kearney Nov 2013
For once I'll cut the language play
in favor of getting to the bottom and being outright
Forthright with the motions behind
two eyes, emotions and notions like wind at seaside
Sure words work and we can know
because words hurt
words save and alleviate
Been twisting words more than a decade on
but when I stop and think what actually have I done?
Nothing much, just talk, speak, write
Once did and still want to be a novelist
and if I can learn to multitask at the keys I might
but as it stands, the wheels spin forever in the parking lot
only accomplished in the close-up shot
and when backing up the facade crumbles all on its own
then as quick as the pretense rose, I have no home
night is cold without the future wrapped around
the curves to which you're devout
the future slips slippery forever
whoops!
accident again and it's gone
that last shred of impetus keeping me strong
what if there's meaning though in the steps that I walk?
what if my mistakes raked up fuel the others who don't belong?
maybe being me means just rolling the dice
I haven't died or taken a life so maybe I'm doing all right
let these missteps and hiccups lead not to backspace
but fill the heads full of that black shrouded beast
with what earnestness I have
so that in hopes, though, perhaps vain
I might smudge the pain so that
when you look in the mirror while you eat the pills
and see your shadow looming in grinning and licking your ear
the shadows don't make it that far and fade into light

I don't know
Jaymisun Kearney Nov 2013
Hurt birthed into life by circumstance
Supernatural force
Tends to leave as it came with the wind
When wind's least expected
Who offers it solace?
Who is feeble enough?
Who bleeds internally as it expels?

Hide inside while you die, it's fine
This is just that familiar
Little death's breath
Wail real hard while it passes
Setting alight and burning tonight
You'll be fine in the morning

When your eyes open all the colors same
Change and thoughts rearrange
Until what's real looks different to you
To you
This world
I offer

Accept?
Jaymisun Kearney Nov 2013
What are we doing spinning our wheels?
I ran when you asked.
I thought that you asked.
You told me you're more forward than that.
I ran for nothing.
I laughed and told you.
You gave me clearance, and I dropped the act.

What scares me, you ask.
I haven't been acting
. . .

What are we doing meeting for drinks?
Walking down Hawthorne.
Poking fun freely.
You told me you may move away soon.
I first idly shrugged.
Cringe now in panic.
You dropped your shroud, I dropped mine in tandem.

What drives me, you ask.
I analyze my moves
captive to Virgo suns.

You gave me clearance, and I dropped the act.

What's funny, you ask.
Still laughing I kiss you.
What's scary, you ask.
I haven't been acting.
Still you do seek me out.

Still you seek me out.
. . .
Jaymisun Kearney Nov 2013
Sometimes (Often)
People (Men)
On social networking (Dating)
Websites
Genuinely scare me

The thing is, though
--and it's a good thing--
is that when people contact you first
it's a reverse book-by-cover scenario
so my judgment is justified and there's nothing to feel bad about

"i leik to getta no you betta mmmmmmmyeah fkin hottie"
He says, so I go and look at his pictures
Suspicion confirmed
He says on his profile he likes gettin nekkid
Stays up late at night
He says his pad is so cool he parties all the time
Such frightening size
He looks like he could be on the cover of an Aryan prison gang documentary

If this situation were bottom to top and not top to bottom
then I might feel bad but
when you lay your cards
out first and eager
and you scare the **** out of me
I don't feel so bad
Jaymisun Kearney Oct 2013
With my eyes shut relaxed
Radicolous teeth reach from the unconscious crevasse
Gnawing commences slowly, the sound saporine
The taste of its meal much too weak
Is this how I taste?

Of the abyss you see,
Nothing enters anymore and nothing ever leaves
Reception long gone and only recept remains
Would you watch the gaps in the brain,
Or would you drop down?

What's worse is the waking life abstracted even in want
(Would you want?)
Falling apart forever down climbing vines covered in barbs
(Would you, would you?)
Exsanguinate when caught

I'd lend you lungs and saliva
But we can't breathe in here
We can't share in here
So imprecate with me
Plunging
On

Eyes in the stark dark stare from Hell so hot you have no chance with the safety top
Before the plastic melts
Never recalesce
Jaymisun Kearney Oct 2013
Wonder what the worst is
that could happen to us
kids, as if we could wake
from the spell keeping us literally stuck in space
There's something you should know about me
I've been sleeping on floors for weeks
Or months or years it could be any
"The Past must die, so," I thought so I
Went to slice it, so I
Went to drown it, but
I've been sleeping on floors for weeks
And not because I've fallen again
Only one fall brought me kissing boards
"The Past must die, so," I thought so I
Willed my legs with will found
but cried and laid down
Whispers between splinters sound so sweet
I'll gladly grind my ears to hear and drip drops until my blood won't bleed
Wonder what the worst is
that could happen to us
kids, as if we could
Jaymisun Kearney Nov 2013
Matt was dating Shana
Brad was mad about it
"Shana should be with me"
Matt and Brad went into
the field and then the woods
Talking like friends do
Pretense and all
Together they found a small box
with two buttons
Brad held the box first
and pushed the first button

Nothing happened

Both boys stared
"Nothing happened"
Brad pushed it again
"Nothing happened"
"Press the other one"
Brad pushed the second button
Something happened
He stared at the box wide eyed
"Nothing happened"
said Matt as he crossed his arms
Brad pushed the second button
again

"Nothing happened"
said Matt as he crossed his arms

"I need to test something"
Matt raised an eyebrow
and watched Brad sit the
box on the ground in the mud
"Hold on"

Down by the creek
Brad found a large rock
with a good weight
He crouched down
and stared into the trickling water
"Come over here, this is really weird"
"What the hell did you find?"
Matt traded places with Brad
and examined the spot at
which Brad pointed

Brad swung the rock against
the back of Matt's head
with force so great
blood splattered out
across his face
Matt fell slumped into
the trickling waters
Brad crouched over him
and kept swinging

one
two three
four five six
seven eight nine ten

"You"
"*******"
"You ******* ******"
"******* ******* ******"

Brad stood and stared down at the remnants of his work
dripping with the red running waters and bits of brain matter
that his best friend Matt had moments before held kept in his head

Brad breathed deeply
Pushed the second button

"Nothing happened"
said Matt as he crossed his arms
and put his hands into his pockets
Brad shoved the box into his sweatshirt pocket
"I can probably use it for parts"
He said

Later that night, Brad enjoyed eating the same slice of pizza
twelve or thirteen times while he was alone in his bedroom and
watching **** at the same time that he was messaging girls online

Brad never was a great thinker
but that night his head spun
around with ideas faster than
his writing hand could match
Don't speak.

~ JaymiAK <3
Jaymisun Kearney Nov 2013
Ice cream from the box
close to 3 a.m.
means we're doing it again
we're burning the blades
crystallize your life like this

When flames die and we arrive
in this moment
what will we have?

Big screen on and bright
each night the same games
distract from how our lives played
each thought the other
resigned design and instead

Stitched
What was wanted that no one wanted

When flames die and we arrive
in this moment
what will we have?
When flames die can we deny
the dreams we dreamed
or will we turn
turn and sleep?
Jaymisun Kearney Nov 2013
I can feel it happening
I can feel the winding key
I can feel gears turning
As the wind blows
My heart screams
Soul blown out through my lungs
I sing against the dead breeze

Something has brought me into this place
Washed over memories
Rush through reaching to attach
Do I look like a fool to you?

I do will this blasphemy
I do will this frail mind free
I do will your caress
As the rain falls
A slow freeze
Sets just inside my chest
Is this what salvation means?

Something has brought me into this place
Washed over memories
Rush through reaching to attach
Do I look like a fool to you?

Something has brought me to this place
Washed over me
Run right through and reaching
Do I look like a fool

As I submit?
As I submit,
Attaching
Jaymisun Kearney Jan 2014
Blowing smoke into the night
inhaled from a mini pipe
twisted with colors
I did not choose

My wispy gaze into rain
summons from the gone past pains
the deepest red hurt
faded, cloudy

and grey

What lost I no longer remember in color doubles affect in its audible cracks
Following in footsteps wherever intuition leads. Happily? Misery? In madness and smiling
What lost no longer hangs over in color but lives always in minute hands

I chose
Jaymisun Kearney Dec 2013
I don't want to see your ****.
You
never asked me if I did.
You
whipped it out and showed me pictures.
Maybe if you made a date.
You
could present it next Friday.
You
could proudly display your ****-dang.

As long as it's consensual there will be a question mark
-- but I should let you know that I'm not into that, no,
for years I tried to loosen up but there was no ill to fix.
Understand, please
I love ***** and *******
-- but it all starts with the one thing I've only found once
and now I cannot let it go.
You try and sell me your wanting body
when I'm looking for a lover selling scented pillows
so I can ******* sleep.
Jaymisun Kearney Dec 2013
Crashing outside the bedroom door
at the end of the hall
Scratching like nails on your front door
awakens you in sweat

Mormons, Witnesses, maybe Catholics

In silence the lump in your throat grows
Chokes your pulse stone cold in your arm as you throw your gaze at the window

Oh. . .
The moon's out.

Crashing into your living room
with the sound of moisture
Mashing pulp feet to your bedroom
to the speed of your heart

Beat increasing to keep from screaming
Meaning well with your gun as you reach for it, gasping, swallowing spit

Oh. . .
Two eyes flash.
Two more.
Two more.
Two more.
More and more.

Give
me any face in shade
emerging but the
flesh rot, putrid
stare of the
ones who
followed
death
and
in death return to night.

Tonight.
Jaymisun Kearney Jan 2014
Here
The best digests just as well as refuse swallowed.
There
Is nothing to be offered and nothing they or I can do
Conversation saver,
The liquor looks tempting
But the bottle sits empty
So
I sit instead, and fill my head with thoughts of you

Isn't it funny what romantics say?
Like You're the only thing that makes me happy

In place, I say
*Off the cuff I can think of ten more things
Jaymisun Kearney Nov 2013
Knock well on wood as you enter but
Know knuckles lend their skin for flood
Of the risk of entrapment eternal?
Well, few find their bodies stuck and
What's worth its weight in blood
Splays on the lit altar face

It can be warm
Only if you touch
If you touch first
You speak your secret
Farewell

Read through the words you spent sinner our
Real lines lie under thinner lace
Your constant wore hiding the venom crawl
Held below bidding inlay here
Half craving finger's trace
Specters bid sweet interlace

It can be warm
Only if you touch
If you touch first
You speak your secret
Farewell

Empty ones warn walls
Before little embraces
Creating lethal snares
Come
Catching worlds unaware
Come
"Empty ones," All say
(Come speak your secrets)
"I'm fine."
Jaymisun Kearney Nov 2013
We both got blisters on that night
Same toe, but different sides
In retrospect the shield powered down
(and how could I?)
Eagerness worn around golden crowns
(and then)

Then I thought I saw your chest light
behind your full chin height PBR
More brightly than Naito streetlights
could illuminate waterfront park

where we sat

Exciting, isn't it?
Exciting, like nothing else, to be wrong
Jaymisun Kearney Oct 2013
Let's end a list of tools to bring
Starting with faith
Eyes see too many fragile scenes
And how split they
Become means our dead-eyes lie
So seemingly to an end, so artificial, but present and theirs
So frustrating to no end, how superficial, but threatens, still

Words, the walls pressing in, Eyes, chide toward requiem,
Know: No more things will make or break
Knives, won't wound the spectral, Pens, lend barely minimal
Reprieve from memory

When pasts play so many cruel tricks
The beaten heart won't resist
We all fall
Forever
We all
Fall
Apart, forever
Jaymisun Kearney Dec 2013
Why waste your time talking, are you insane?
You're pushing real buttons when you could play.
Offer me a gun,
Offer me a blade,
Offer me an answer
Cemented firmly in old ways
Or I will crush you in insults with the language you would use to say,
"Expand"

Only one solution to such a simple problem.
Get what is rightly yours or just defeat or justly save.
Offer me the newest
best displayed gun
with the best gimmick
and I'll offer you several days
but once I hear the pleas with common language and you choose to say,
"Expand"

I have no choice but to crush you into the dirt from whence you came!
So say it. Say what you will. I need to use this answer I obtain.

There are those whose ideas work to change the normative horror
but they're working beyond the confines and outside exposure
necessary to ever, ever, realistically begin the revolution leading
to the evolution necessary for our medium to truly newly thrive
and sure it will survive, you're right about that, but I myself
would like to see a future where when given ultimate control
of a problematic situation, I'm not standing on a platform
made of mechanics that come from a singular origin and only
give me a killswitch, saying, "In which way would you like
to end more lives", and though it's a nice enough reprieve
don't get me wrong, I'd rather have an expansive platform
to stand on where I might be given a multitude of options
that may possibly end in my choosing not to become a
soldier.

Get back.
Rescue.
Retrieve.
Destroy.
Revenge.

Are we lost to the tropes which provide the most money for instant growth
that knowingly keep us from ever, ever truly growing and expanding?
Will this be forever the list we're left to roam?
Jaymisun Kearney Nov 2013
Bottle of fire
You tickle my gut
Nothing but good news
Singing to bouncing words
I've drowned to the morbid and macabre
God knows I've touched the floor
Though the ocean receives me
I want more

I want

Your soft firm touch
The gentle rush
Love like ascension, where we all drown in sweet spirits
Lonely no more against the wolves
In warm firelight

End of the line
We just trade our bus
Where before we'd lie
Like dead leaves in the dirt
Don't get me wrong we're lost but acting sure
It's better than nothing
Of you, in dark, I implore
Let us sing

I want
I want

Whoa,
(Allies of mine close in the night)
I want
(What was once had, lost by all of us)
Whoa,
(Our knives ignite with healing light)
I want
(Slipping days misplaced by all of us)
Sipping drinks with the old ghosts finally
(Eating pasts without comparison)
Without casting what we had in contrast

I want this
To last
I want this
To last
Jaymisun Kearney Nov 2013
Wake up
do nothing
particular
for a while
unless you're called to kiss the porcelain
Expel
venenum
ingested
all last night
unless you'd rather keep the mess inside

I understand how that goes
I understand, I mostly do

Dine on
apathy
until each
breath you take
results only in your anxious trembles
Recede
from others
around you
so displeased
with their inscience, knowing it's a half truth

I understand how that goes
I understand you, I mostly do

Ignorance sure
ly sparks the recluse
but in cyclic
al humility
it comes to light
The lust for ears who hear you
and truly listen

I understand how that goes,
a little less than always
I understand you,
completely, too
Jaymisun Kearney Oct 2013
Sediment in a world class whirlpool of wishes
Well
I'll tell you what
Our whole ****** wanton ship
Reserved for high
Is sinking
And
Sinks
Until we're waving with tale weaving fingers
Laugh
Ing
At new blood

BRING EVERY BROODING, LOANING, WEEPING, LOST/FOUND LUNAR RAY
LAUGH AND DRINK AND SMOKE AND DROP AND CRY AND DANCE
Lowly,
No Place Lower
Looking
Up and Singing
Looking
Up and Weaving
Words
Jaymisun Kearney Nov 2013
. . .

Late at night
In what some might call the witching hour
Close your eyes
Let waters fall lightly on your neck
Under heat
May you feel
What screams you think are screamed dissipate
Feel, only
Hear no words
No words will trespass the line
Separating you and I
So two hands will have to do
Phantoms of time lost touch you
Do they remind you

Of the one, most haunting?
No ill will, no poison
Deletes love
Faith, I ask of you -- I manage whispers
Through static
Open your eyes

Tomorrow
While running around your day to day
May you find
The forever in love gone that's saved
As your fear
Palpitates
Warm memories flood through Winter's grave
Breaking peace
Into your war
Close faithfully forlorn eyes
Their dark delivers our tide
To our hidden coast again
Mute words from the black ocean
Written in the sand

Of the one, most haunting?
No ill will, no poison
Deletes love
Faith, I ask of you -- I manage whispers
Through static
Open your eyes

Can you
Keep the void connected and still move?

. . .
Jaymisun Kearney Jan 2014
This is the first time I've cleaned a kitchen in ages and even better,
next up is the bathroom, hands and knees, bucket beside, scrubbing
getting the grit out from the impossible to reach cracks in the tile
forgoing the thought of using my fingernails because I've seen too
many horror movies and I can't shake the feeling that if you try
too hard to fix an issue with a tool just not right for the job, then
things
     can fall
          apart
               or
come. right. off.

So there it is in the smell of my pail of pine-sol cleaner, long lost
smell of the rush and presence of the most refreshing kind of stripping
down right to the ****** at the core of these good looking bodies and
faces, the place of bareness only tangible and graspable where
it likes to hide beneath our chest plates and marrows until we find
the right combination of tools to use to choose to fix ourselves
before
     we all
          crumble
               into
dust. and. sand.

These bones know the sunlight heat and it's returning in good time
as if to say, in the exact moment it left it's come back into station to
stay an immeasurable amount of time.

You know.

For a little while.
Oh you ****** dirt, you.
We're going to need more brooms.
Jaymisun Kearney Nov 2013
There are no thoughts as rows of lights flash
One, one, one, one, one, one, one, one,
Each light counted is killed with the next one
Being erased my mind recedes
Far and away finding death while displaced
Maybe the sixth sense
Maybe

A thing that can be said absolutely of life and death, is that the universal truth lies between departure and arrival.
Jaymisun Kearney Oct 2013
Once more return to the place of hate, hot with the warmth of the womb still after decades, receding like always into the presumed delirium held in that head of yours--but it's both the head and the heart that have ever boiled blood and pried tears and forced seclusion and withdrawal, and continue. Continue through the threshold keeping hidden decay at bay from the world of the waking, unnatural wooden floors keeping hidden the past inefficiency of care in your wrinkled hands, failing to the strength of the stench filling each passage and room in mist. I'm feeling now the way I felt for every instance within the walls. Towering over me when I close my eyes is the memory of the life I somehow saved and though living thoroughly broken beyond conventional means of disrepair, the despair now pales to the nightmare pressed angrily into the backsides of these eyelids. Days like print turned burning script against the black hole that might otherwise be home and sanctuary and ward to the intricate and frightful realities of the outer world, days that wind away and then back in dead drop and ascent that has not yet failed repetition, because of an inability to nurture nature that stemmed more from apathy and disinterest than any real shortcoming. Each time the world begins to end with the potential crashing sound of bone and flesh driving through the depths of the vacuum to pass through solid asphalt and concrete, I wake and the world flips. The trip to your bedroom sheds light on all the others, where once slept two souls aimless and needy, now sleeps decay that you began breeding from the spores formed in their lungs. Cats eyes like lightning slice through the mind as I wander your dark halls to the end where I myself fail at opening the door. I can't breathe. I can't look. I leave. There are things worse than the fragments of mind I clutch desperately as blankets under the Winter sky. What waits looks bad but I'll go if it's smiling or screaming. You. You can die in your numbered hole.
Jaymisun Kearney Dec 2013
manifesting destiny comes when i'm weakest
i'm weakest now, when my shade comes haunting me
tracers of past, near and far, grasp my heart, seal my chart
forever licking me
licking my neck
biting my flesh
whispering words selling failures in the stead
of who could whisper all accomplishments

here i am, open, seeping all my wounds for you
hurt through the cracks believing that the scars i wear just may reach you
here i am, open, singing the only words i have left

your shadow
my shadow sneaks in
all too close
hovering beside me
your shadow
my shadow knows all
that it needs
to do to destroy me
and it seduces

blessings rarely come and tell me i'm okay
in absence i have learned to rely on things
deep within my emotion but lacking from my bed
forever taunting me
licking my neck
biting my flesh
whispering words selling love to my loneliness
of that i know full well would disable me

here i am, open, seeping all my wounds for you
hurt through the cracks believing that the scars i wear just may reach you
here i am, open, singing the only words i have left

what the hell does love mean, anyway?
well, open your arms, i'll let you enter the void.
what the hell does our love mean, anyway?
open your reclusive arms, i'll let you fall in.

fall in to the extreme
logic fails where the soul has been
fall in to the extreme
i'm warm,
i'm warm,
i'm warm

— The End —