The local mall now has a Spenser’s Gifts;
I remember that place fondly as Al and I
make our way.
It’s where I sneaked a peek at Samantha Fox’s ****
for the first time,
saw my first **** ring,
wondering why anyone would want one.
I bought my first Metallica shirt at a Spencer’s;
spending twenty of my dad’s dollars.
Spencer’s and Record Wear House
were sanctuaries;
my escape from what my classmates
took for normal.
I took my son into that store
so that he could see the X-Men hats
and Deadpool shirts, the banana and pickle
pens caught his eye,
but I had to point out one more.
“What’s that one?” I asked.
Alex made a face, but in the end
he did what any 14 year old boy should,
he chuckled.
I took him in that store so that we both
could escape.
Earlier he walked the mall
a good fifteen feet ahead of us.
We stopped for ice cream.  
He chose a soda and wouldn’t sit with us.
It took a second, but
I figured him out.
He was trying his teenaged self out;
testing his wings.
As we walked, he’d wave at classmates
and be either sturdily ignored or given a cursory nod.
It was obvious that he wanted so much more.
It pained us, my wife and I.
So, I took him into Spencer’s gifts
in an effort to remove some of his innocence and awkwardness.
It may not have been the wisest move,
but at least, for a moment,
both of us felt peace.

-JB CLaywell
©P&ZPublications; 2014

We are all moths
seeking the moon
but finding streetlights
instead.

*

-JBClaywell

© P&ZPublications

Every chance we get,
we’ll fail one another.
All of us.

We’ll talk over one person;
ignore all the others.

We complain that no one
ever listens to us.

We rail from our personal
pulpits against the injustices
leveled against the least of us,
doing so behind the comfort
of our keyboards.

Even if we know that we’re
wrong, misaligned, misinformed,
we fight onward anyway.

At this point,
the goal seems
to be that humanity
is choosing to be as
insular, isolationist,
antagonistic as is
possible.

We’ll hate one another
from across the world,
never bothering to cross
the street.

We’ll shoot one another
emails, messages of our
discontent, before we let
the bullets fly.

But, we’ll fire those too.

Each new home sold
will come with it’s own
chain-gun turret.
(Why the hell not?
It’s the American Way,
Isn’t it?)

We’ll climb down from
our turrets each morning,
log onto our computers, tablets, or smartphones;
sending our family, friends, neighbors, and even a few
strangers a fresh round of electronic hate-mail or
a few new anti-social media posts that finally say what
we all think anyway:

“Greetings and salutations!
*******! I’ve always been smarter than you.
I hate you, but I hate myself more and I’ve
never gotten the attention that I think I deserve.
Have a miserable day!
I know I will!”

After that we’ll back our
cars out into the driveway,
We’ll get on all fours;
fellating our exhaust pipes
for about 30 minutes.

After we’re exhausted,
(Get it?! Exhausted!)
We’ll climb back into
the car and pull it back
into the garage.

We’ll punch in the code
to our home security system.

The code will automatically
activate our ambient anti-anxiety
and antidepressant systems

(conveniently included in our home HVAC unit.)

These will fill our homes with enough meds/particles
so that we will be easily sated, manipulated
all day long.

For an extra $200
these systems will also
post positive comments
on all of your social-media
posts so as to maintain
the body’s highest levels
of dopamine.

We want you to end your day
feeling like the center of The
******* Universe.

(Remember when they made posting
vague, attention-seeking updates
On social-media illegal?)

Lights out!
Time to get
the government-sanctioned
2.75 hrs. of  sleep.

Goodnight!
I hate you!
Stay off
of my lawn!

My chain-gun is
set to auto!

Hail Trump!
Hail America!

*
-JBClaywell
©PZPublications 2018

On October 2nd a local high-school teacher invited me to her classroom to speak to her students about writing and poetry. More specifically, the lesson of the day was one in which the exploration of a subculture took place. Subsequently, the questions that were posed to the students in the beginning were: “What does a poet look like?”  What would a poet sound like, conversationally?” “What kind of clothes would they wear?” “What do you think makes someone want to be a poet?”   As we got set to go forward with what became an easy and enjoyable group conversation, it all seemed a bit esoteric to me and I began to wonder if I was indeed the right person for this particular gig.

I started to wonder if I was a poet, if I am a poet.  What does a poet dress like? How did I come to be a poet? I know my backstory, as it relates to the when and why I write what I write and way that I write it.
But, in the end, we talked about the subculture of poets and poetry, the need for more human interaction, the thrill of the live poetry reading and the fact that this particular subculture that I am a part of also tends to be sought out by those from other subcultures. I explained what The Thunderbird Sessions are and what they continue to mean to me. I explained that we have a regular attendee whom is very obviously wracked with anxiety, but that he comes to life under the lights and through the PA-system at Unplugged during a Thunderbird Sessions event.  Additionally, I explained that we have, often, subcultures within subcultures represented at a Thunderbird Sessions reading.

It seems that the fringes, the weirdos, the people who don’t quite fit in anyplace else, fit into the robes of the poet or the writer, because people that write have an escape hatch, they have a valve that releases the pressures that they feel every day and in almost every way.

I have done my best to make sure that my subculture is as accepting of any other subculture that might step through the doors of anywhere that I might be reading, writing, or otherwise existing. Because, really, the only culture that matters is the culture of kindness.  

Before that roomful of high-school kids was done with me, I told them that despite the fact that I didn’t know them, I loved them unconditionally. I told them this, because no one told it to me outside of my own childhood home and family. I felt like I didn’t fit on the planet. So, I found music and books that made for good companions when I needed them. Records and books are often quite a bit more reliable and dependable than people. People will let you down at every turn.  It’s a pretty rough room out there right now, so I’m trying to be one of those people whom you know will absolutely not let you down. I hope I’m doing okay.

A few days later, I got a thank-you card in the mail. It seems that I failed to communicate thoroughly enough on the subject of subcultures. No one wrote: “Hooray! Now I know a real poet!” “Now I understand how a poet should dress!”  “Now I know how to talk like a poet!”   Instead, the teacher wrote something like this: “Those kids remembered how you told them that you loved them unconditionally despite the fact that they were strangers to you. That really meant a lot to them.”

I want to do more of this sort of thing. It’s the only way I feel like I’m doing the very most good that I am able to do.
*
-JBClaywell
© P&ZPublications

Ol’ Long and Tall sits
uncomfortably in the
seat next to mine.

It is obvious that his
back is bothering him
this morning.

‘Hey, dad…”

This is how it always starts.
Anytime he wants to talk,
he opens with this salvo.

I think it’s like using a turn signal
when changing lanes or something,
and who really knows what lane my boy
is in as he hurtles down his own highway?

It’s not that I don’t know him,
or care what’s on his mind, not
at all.

We’re both thinkers,
Alex and I, it’s just that
he gets a little bit tangled up
now and then, and just goes blank,
but never dull.

I think “Hey, dad…” offers a bit of a reset;
just a moment’s pause for organization,
such as it is in Alex’s case.

“Hey dad…” he starts.
“Did you know…?”

He goes on to tell me
some facts, which I forget
now,
about Hawaii.

Soon, that folder is empty
so he begins telling me tidbits
about the migratory process
of monarch butterflies.

“Where did you learn this stuff?”
I ask.

“At school.”
“On the internet.”
he states.


“Good.”
“That’s good.”
I assure him.

“There’s more to the internet
than You Tube and Minecraft;
and you found it.  I’m glad”

“Yup.” he says and grins his squinty grin
at me.

I nod and keep driving,
it is a school day and we’re on
the highway.

No radio this morning,
just talk.

I wait.
5 seconds
10 seconds
15 seconds

“Hey dad…”

*
-JBClaywell
©P&ZPublications; 2016

“You tell that man that I’ve no more desire to speak with him than I would the devil himself!”
“You tell that man that I am very upset that he would come in here and interrupt this afternoon’s bingo game!”
“I mean, honestly!”

The administrator of
the nursing home looked at me nervously.
I looked back,
apologetic,
but undaunted.

“I just need information.”

“I need to know if she has any plans to go back home.”
“I need to know that if she does go home, she’ll have the proper equipment and support system in place, waiting for her when she arrives.”

The administrator walked back
toward the facility’s dining hall,
where the bingo game was in full swing.

(The executive whispered into an ear.)

A pair of elderly, cataract-laden eyes rolled,
then glared at me with a hostility that I could feel,
even all the way over by the nurse's station.

“The lady says that she plans to stay with us.”

I nodded, said my thanks, and walked back out into the cold.

This part of the job is always a bit surreal.

It makes me think of my mother.

She was the director of several nursing homes over the course of my youth.

The smells of these facilities is assaultive.

(Industrial cleaning products,
boiled vegetables,
assorted liniments and balms,
the faintest twinge of ***** in the nostrils.)

To me these places smell like memories
that go for long periods,
unrecalled,
unrecounted.

(School-age summers
spent in supply rooms,
marking supplies,
stacking them neatly,
like troops ready for deployment.)

Often the nursing home
is thought to be a horrendous destination.

I can understand that.

But, she wanted to stay
and I had interrupted the bingo game,
hadn’t I?

Tonight’s supper was roasted chicken,
mashed potatoes,
pickled beets on the side.

(I’d read as I’d entered.)

Maybe her sons and daughters
didn’t want her anymore.
Maybe they’d visit every afternoon at 4.
There was no way I’d ever know again for sure.  

But, I know why this afternoon’s task
made me smile,
stinging at the same time.

Because I’m Cynthia’s son.

*
-JBClaywell
© P&ZPublications 2018

Matt and John sat at John’s kitchen table,
it was 5’clock in the morning,
there was plenty of time
but there was none to waste.
John was glad that Linda and his daughter
were still upstairs asleep.
He was glad too that Matt was driving;
no one knew the streets and alleys better.
John thought that Matt was a bag of hammers,
but he was loyal as hell, kept quiet most of the time,
was brave to the point of stupidity, and drove like a bat.
John got up from his chair;
poured another coffee.
Matt nursed a beer.

Everything they needed was in the mini-van;
an innocuous thing lifted rather smartly from
a long-term parking lot near the airport.

Pistols not shotguns, John had insisted.
Matt’s argument was simply that shotguns
were scarier.

John lit a cigarette and sipped some
coffee.

First National would fall.
John was sure of it.
He and Matt would leave
that bank’s lobby with about
3 million dollars strapped to their backs;
they’d lose the bulls, skate by the house,
pick up the girls, and be California-bound
by the time the fast food joints
stopped serving breakfast.

On the other side of town,
the police barracks was alive
with activity.
Two old-school throwbacks
Det. Luke Richardson and his partner,
Det. Mark Gonzalez, had gotten
a tip.

A greasy little stool-pigeon
named Hector had said
the word was that Johnny Dunn
and his raw-wired cousin, Matt,
were planning to take down First National Bank
on Friday, the first of the month,
payroll day.

They’d been leaning
on Hector for a couple
of months,
finally offering
him a knockback
on a B & E pinch
that they’d held
over his head like
an anvil.

Hector squawked
for immunity on that one
as well as
state’s evidence
regarding chatter
he’d heard about
the bank job.

Their gear was set,
vests cinched tight,
shotguns in the car.
Their service pistols cleaned,
oiled, and loaded,
with one in the chamber.
Holdout pieces strapped
to their ankles.

It was about 6:45 am,
First National’s drive-thru
opened at 7:30.
The lobby would open by 9,
but staff would be in the building
by 7;
tellers making sure their cash-drawers
were customer-ready.

The two detectives left
the briefing room,
strode the short distance
to the motor pool,
started the car…
the radio crackled
to life…

static
All units this is Control
static
We have a silent alarm triggered
for a 211 in progress
at 14th and  Carver Avenue
static
First National Bank
static

Mark was behind the wheel,
Luke flipped on the siren,
it blipped then began to wail.

The Gospel was being written.
All units, saints and sinners,
were on the move.
*
-JBClaywell
©P&ZPublications

as the coffee cup is rinsed,
the filthy little ******* lands
on the counter to my right.

immediately,
seeking a bludgeon,
his demise is envisioned.

however,
this housefly stays in
my periphery
for just a moment
longer

and

I cannot help but notice
his tiny little mitts, working
and fretting.

imagining the tiniest string
of rosary beads wrapped
around his housefly fists,
it occurs to me that he
might be making his peace
with God.

offering up his little housefly
benedictions, contritions;
apologies for all the sugar bowls,
he’s puked in during his
miniscule little life,

all the little maggots that
he might have fathered
and subsequently abandoned.

I think, without thinking really,
to chide my little countertop
cohort, saying:

“Ah, give it up little one, He isn’t there, He never was,
and if He is, He doesn’t give a second’s thought to the
likes of us.”

the housefly looks at me;
still furiously working his
unseen beads.

“You fool.” he says.

“God has obviously heard my contrition, my apologies,
and has granted me a reprieve, however brief.”

interrupting his novenas,
the housefly continues:

“You, my friend, are so great,
and I am so small,
yet you’ve heard my voice,
seen my beads,
given me reprieve, however brief.

I had asked God to give to you,
just one golden moment of
true, honest belief.

And, so He has, and now
you understand that
the prayers of a housefly
have stayed your hand.

So, it doesn’t matter how
great or how small,
God listens to each of us,
one and all.”  

*
-JBClaywell
©P&ZPublications; 2016

We marvel at
the smell of the white clover.

It is a baked in smell right now,
the heat is oppressive, crushing

The smell of the clover, and this
cigarette are the only reason we’re
out here.

Smarter, healthier people are inside,
in the air-conditioning, nursing a beer or
a lemonade, watching whatever might be on
HBO.

Returning to our respective homes,
we rejoin their much more comfortable
ranks.

(I’m curious what’s on HBO anyway.)


When the need for nicotine rises again;
cigarette in hand, opening the door, seeing
the pavement has darkened with rain.

The smell of the clover has been muted,
replaced with the brassy, metallic breeze
that rises like steam from the hot driveway,
lingering under the nose like a warm childhood
sip from the spigot.

That steam has its own odor,
rich and febrile,
rising from the superheated
surfaces of our cars.

It smells like squirt-gun suicide,
a child’s drink from the barrel of
plastic ordinance.

(Do you remember doing that?  
I do.)

How terrifying that must’ve been to parents;
to see their children, in swimwear or skivvies,
******* on the end of a gun.

Perhaps they gave it less of a thought
than I do now.

I’d wager they were inside,
in the air-conditioning, nursing a beer or
a lemonade, watching whatever might be on
HBO.

Out of the early summer heat.

*

-JBClaywell

©P&ZPublications; 2016

I watched my very own
Charles Bukowski
eat a tangerine outside of  
the arthouse  
where we were reading.

His name is not really Bukowski,
but he has told tales in the same  
vein as the Laureate of Drunkards
for longer than I have been alive.

I have listened to that same back alley
patois,
and barroom wisdom for long
enough that I feel a certain level  
of comfort in calling the old gizzard  
this municipality's own  
Charles Bukowski.

The grizzled old poet  
is telling wanton tales  
of love and honeydew.

He goes on and on,
recounting the times  
that he's drunk  
strong potato liquor
with Bengal tigers  
in the backseats  
of roaring taxis
on his way to parties  
hosted by zebras and  
gazelles.

We each light a cigarette,
pausing to smoke for a while.

Seeking to continue  
the conversation with  
my salty comrade,  
yet knowing my own  
stories cannot compete,
I surge onward nonetheless.

His interruptions jam my  
traffic before I can even make  
it onto the onramp of his  
particular, peculiar highway.

His mouth is already working,
though his tangerine consumed.

He's chewing his next story into
digestible, deliverable bits.

And, now he's chewing the rind.

His mouth,
his words,
his life,
and my own for all of it,
is full of  
zest.

*

-JBClaywell
©P&ZPublications 2017

The car and I,
we made our way
into the downtown
portion of this Midwest
mini-metropolis.

The sun was out,
snow melting,
and it sounded a lot
like rain as everything,
everywhere
dripped and plopped
creating a slurry of
grey road juice
that hissed under
the tires as we
passed by.

At the intersection
nearest to my friend’s
shop,
there was a refrigerator
box that had been
tossed in the street.

It,
like most things,
was on its way
to disintegration.

The red letters
that were inked to
the sides of the box
had started to run,
making the box look
to be some kind
of suburban roadkill.

I wondered briefly,
as the next holiday
rounded the corner
if the contents of the box
might be a gift.

Or…

Maybe a:
“*******! The fridge is shot!”
kind of unexpected
expense.

Either way,
the car and I
had other destinations
to reach.

So, I let my thoughts
wander still
as the tires turned
underneath.

“What would it be like to climb the steel stairs
on the sides of those buildings nearest
the scrapyard?”

Someday,
I’ll find out.

Surrounded by the steam
that comes from those buildings
doing whatever it is that they
might do,

I’ll smoke a cigarette,
count the pigeons that land nearby,
and think of the best way
to tell you all
about it.
*

-JBClaywell
© P&Z Publications 2018

I wrote a book in this place.

I have filled notebook pages
hunched over this very table.

Virtually every time I’ve
come here to write,
I start with a ¢.97 chocolate
chip cookie and the ‘Sunday Special’,
an ¢.87 cup of dark.

Today, upon entry,
I stumble upon
Chocolate Shift Change.

I watch as she tosses the
first molasses disc into the
garbage can.

I ask:

“You’re just going to throw them away?”

She says:

“They’re old.”

“As am I.” I think, but don’t say.

Instead:

“I’ll buy them all right now.”

(She looks at me embarrassed just a bit,
but hurries to pull the rest of the expired cookies
out of the warmer.)

“We can’t sell you the old ones.”

“The fresh ones taste better.”

I doubt if I’d have known the difference.

(Expired confections slide from her grasp.)

Purchasing one, fresh,
I speak of lost profits
and typical first-world
wastefulness.

She nods knowingly,
but shitlessly,

(In that she couldn’t have
given a ****.)

I ask for a pack of smokes
as well,
meandering off in search of pulp
and fire.

My mind racing with the temporary
status
of
everything.

*  

-JBClaywell

© P&ZPublications

There is nothing left
but a mute scream
wrapped in barbed wire
dipped in gasoline

Holding the match
between teeth
clenched tight
dreaming sulfur,
sparks

Oxygen feeding
combustion equals
explosion,
vacuum,
creation of
emancipated
******

*

-JBClaywell
©P&ZPublications; 2016

The desire to make the rest of these words rhyme
Is immense!
Alas, I cannot do it.
All I can do is read Frost’s
iambic pentameter and wonder
just what has become of Lola C. Edwards?
It’s her tome that I’ve purchased for two bits
at this decrepit, yet beloved thrift shop.

The book became hers, according to her inscription,
in the year 1970.
Now, it belongs to me in 2014.
I bought it because it’s The Complete Poems of Robert Frost;
the same that resides in my father’s library
and was greedily scanned by my hungry eyes and inspired mind.
But, what happened to Lola, some years ago?
Was it the cancer? Did it consume her bones?
Was she surrounded by loved ones?
Was she all alone?
What else but death could force her to relinquish such a text?
Surely, she couldn’t have done so willingly.
Her estate has been sold.
Her knick-knacks dusted and boxed for their final voyage to The DAV.
Turned over to uncaring brutes that couldn’t care less about
her beloved crystal cake plate, now shattered, or the book
that I hold in my hand today.
Lola C Edwards shares her life with me.
Every time I open this compendium,
I shall celebrate her, this beloved stranger!
Because, we are alike, she and I
in that we have chosen the road less traveled by,
and that has made all the difference.
*
-J. Claywell
©P&ZPublications; 2014

Today, a total loss,
nothing could’ve been
done to save it.

Today was relegated
to the wierdos,
the lady who wears her
cat on her head,
her daughter’s miniskirt
hovers just below her
naughty bits as I ask
momma my litany.

And, I’m an all-American
red-blood, to be sure.
I would look, I would,
but that poor kiddo’s
got a face like a trainwreck,
so none of it looks worth
looking at, if you ask me.

I’m just trying to get out
the door of the cat-hatted
lady and her daughter,
the clockstopper.

Getting back to the office,
putting some desk-time in,
I call the war vet with the PTSD
so deep that it’s in his DNA.

His voice, so quiet
the rage underneath
is audible.

Cradling the phone,
I fret for just a bit,
wondering if his meds
are doing their duty,
and pondering the next
visit to his address.
*

©2015 P&ZPublications;
-JBClaywell

What a shame it is
that we spend most
of our time these days
committed to standing
on unloving
ground.

Instead of loving
our neighbor as
ourselves,

we seek unfettered
validation,
no matter our
own candid transgressions.

Our minds are full of stolen
ideas,
like eggs from the nests of eagles.

We spend our nights measuring wolves.


*

-JBClaywell

© P&ZPublications

Acquainted with Mark,
I walk to the bookshop;
not the one with the *****,
instead the neon green nightmare
where there’s nothing good to read.

It’s not so much that I’m searching
for anything in particular, but the sun
has gone down and there’s a need in me
to get out of the house and walk around
someplace that feels like someplace.

Walking past the skateboards,
(Why the **** are there skateboards here?)
I start looking for Mark.
“He doesn’t live here” they say, “He never has.”
No, he doesn’t, I gather.

The King does though,
and if I wanted to fall in love
with a vampire there, I certainly could.
But, Mark is nowhere to be found.

The Laureate of Drunkards has a room
there, but he hasn’t moved in and the
staff cannot remember the last time they
saw him.

Dr. Lovecraft and Chitulu have been known to set
up a lemonade stand now and again, but they never
stick around very long, their product is too sour
for palettes around these parts.

Regardless of this, my search continues.
Mark is not here today, but Robert Parker
has rented some space and is rooming with
Ray Chandler, down the hall from Larry Block,
sometimes they cook up some pasta and mussels
in white wine, with good bread.

Sometimes they pan fry steaks, and make home fries
drinking rye until it’s all medium rare.

It’s mysterious, how Mark became an afterthought
and we all hope he hasn’t been murdered, kidnapped,
or met with some other form of foul play.
It’s poetic really,
how Mark will come around now and again
he’s not lost or forgotten,
he’ll be waiting for me when I get home.

We’ll sit in the dark, under the lamp,
together well read his poem titled: “Poem”
and I’ll tell him that he’s better at this noir stuff
than all those other hacks.

But, for now, Mark remains…Stranded.
*

-JBClaywell

©2016 P&ZPublications

He’s a squirrel,
dashing and dithering
here, there, *******
everywhere

At near six feet,
he towers, but
at 120 he’s not
much more than
a cat-tail.

(yet, so very much more)

At the end of the day
he rattles; bits of this
and that in his pockets,

I’m waiting for the day
when he palms a Marlboro
and one of my lighters.

Having a thing for fire,
I know it’ll be soon;
we already hide the
matches.

But, it’ll happen.

Will I make him smoke
a whole pack? Nah.
Where’s the lesson there?
He’s nicotine ****** or puking,
while I’m out a pack of smokes.

It’ll watch him cough, hack, spit;
realizing the error made.

Same one I made,
‘cept I kept at it.

*

-JBClaywell
©P&ZPublications; 2016

935

This is what it says
on the front
and
on the back
of
my newest
bookmark.

On one side
the number is green,
the other side
shows a
red number.

It used to hang
from the rearview
mirror.

My car was in the shop.

The problem was minor,
but set me back by $65
nonetheless.

So,
I paid $65
for bookmark
#935.

The cashier swiped
my card and didn’t
look me in the eye.

I swiped
my new bookmark
and felt just a
microscopic
bit better
about
the
money.

Not
really
though.

*
-JBClaywell
© P&Z Publications 2019

Hello.

My name is Harper.

I am a mouse.

My momma hasn’t let me out of our nest very often yet.

It has only been a short time since I stopped taking
her milk.

And, even still, sometimes,
when I am frightened by
a bad dream,
or feeling very small and very alone,

I will again take some of her milk
and she will sing to me,
stroking the fur on my face and neck
while she sings.

I want to tell you about my home and my family.

My momma, my papa, my two sisters, and I
live in a neat and tidy little hole
behind the refrigerator that sits
in a warm little house.

The house belongs to five humans.

So far, the humans do not know
that we live with them.

(My papa says that they would not like it, if they knew.)

But, the humans have a cat.

And, the cat knows about us.

The cat’s name is Chauncey.

I hate him.

He scares me.

Papa doesn’t think so,
but our human family is nice.

There is a momma and a papa.
two loud boys; one older one who is
tall and thin.

The other boy is small,
but very loud.

He reminds me of the squirrels
that live in the trees near the
back of the house.

The small boy never walks,
he runs everywhere he goes.

Sometimes he jumps and jumps
for no reason at all.


The girl is in the middle.

She is usually very quiet.
I like her best.

The girl reads stories from books.
Sometimes she reads aloud,
when she does,
I sneak in to listen.

I like stories.

I don’t know much about the human momma
or
the human papa.

My papa tells me not to get too close to any of
the humans.
My papa tells me to
stay especially away from the adult humans;
to never let them see us.

I do my best to follow the rules,
to do as I am told,
but I like the human girl
very much.

The stories that she reads to herself
are full of adventures.

I do so very much like to hear her read
the adventure stories.

(I wish I could go on an adventure.)

But, I must be very, very careful.

Chauncey, the cat, likes adventure stories
too.

*


-JBClaywell

© P&ZPublications

Looking back at photos of Christmases past.
An action shot of my youngest boy,
testing out his new hula hoop.

I can see my mother’s feet.
She’s sitting in her chair,
watching what must’ve felt
like the magic of the day
unfolding before her very eyes.

And, it was magic.
For a while her pain had subsided,
her knees didn’t hurt,
and she simply enjoyed her small,
nucleus, family as we unwrapped
the wonders laid out before us.

Her shoes,
the ones she deemed the most comfortable,
were yellow and black little tennies.

I called them her bumblebee shoes.
And, there they are in the bottom left corner of these last three photos.

Now, she’s gone.
Somewhere, around the corner, we say.
To the other side, we say.
But, she’s always near, we say.

And,
as I think of her now,
I imagine her as a drawing,
a cartoon,
like something that Bill Watterson
might have drawn up.
Bumblebee shoes,
looking a little bit like dinner rolls,

(That’s how Schultz described Watterson’s drawing of Calvin’s feet.)

her capri jeans,
showing her little birdie-like ankles,
and her comfy, orange Kool-aid Man shirt.

(I still have it.)

She’s still a bit wobbly,
unsteady on her feet,
but she’s doing okay.

So am I.
(Angela too.)
So’s Pops.
So are her grandkids.

We miss her.

And,
this Christmas is different,
that’s for sure.

But,
she walks into my thoughts,
coming from the kitchen of my memories,
carrying a cup of coffee
or
a plate of something wonderful for me to taste.

And, she’s always wearing her bumblebee shoes.

*
-JBClaywell
©P&ZPublications 2018

The air is incredibly thin.
I can’t breathe, and my
hands are shaking.

When I was a boy,
a playmate hit me
in the head with a
glass ashtray.

In an instant,
my father had snatched
the boy up and carried him
****** outside, suspended
by one ankle.

I’ve heard also,
stories of my great-uncles
two brothers, run out of
Saint Louis County
because they’d fought in and
been banned from every tavern
on both sides of every main drag,
of every township therein.

Maybe that’s where this
comes from.

There is a fire inside that
most days is only embers,
but stokes far too easily into
infernal inferno.

The grey mush in my skull is
jacked into some electricity
with jumper-cables made from
too many sour thoughts,
a fierce depression, and
huge piles of self-doubt.

Gladness, contentedness,
feels like fraud, like failure,
like not leaning into it sturdily
enough.
Like not staring into The Abyss hard
enough.

It feels like obscenity to
not see conflict,
to not rail against
some dark thing,
some enemy.

In doing so
is found the ability to
feel like
enough.

But,
what
is
enough?

*

-JBClaywell
©P&ZPublications; 2016

In a room full of pundits and pud-pullers
I just wanna be the poet.
There’s not a ******* thing
that’s wrong with that either.

No, I won’t be that guy reading “Pride and Prejudice”
just so I can get a handle on the *******
zombie movie that’s coming out.

Give me a Mickey Spillane novel
and a slice of pizza.
Give me a Bukowski poem
and a pork chop.

That’s the problem here,
nobody seems to want to recognize their
base nature.

Nobody wants to admit that they still like *****
and *******, a nice ***,
and an amazing pair of blue eyes.

Everyone wants to point out what everyone else
is doing wrong while
hiding behind hashtags and keyboards
like chickenshits.

I’ve had enough of it,
and I’ve narrowed my field of
vision, while widening my perspective
You see, I plan to be the best version
of me that I can be

today

then I’ll do it again tomorrow.

If I knock somebody’s drink in
their lap at some point
in between,
I won’t lose a second’s sleep over it.

I’ll just try to do better on the next pass.

*

-JBClaywell
©2016 P&ZPublications

Don’t look too close,
you’ll see something
you don’t like.

Don’t open the door,
you’ll see what lurks
in the basement,
under the stairs.

Leave the hasps unturned.

Let the keys jangle
on your hip.

Don’t turn on the lights.

Run.

*
- JBClaywell
© P&ZPublications; 2017

there was this one time
that my family and I were
on food-stamps because my
wife was pregnant, and on Medicaid
because I got laid off,
because I was trying
to go back to college,
so that I could get a
piece of paper
that said I was smart
even though I used
crutches to walk.

because a piece
of paper is more
believable than
your eyes or
my mouth.

and, we were starving
so I used my mouth
to convince someone
in a tie that I really had
a disability, and a need
to eat.

that person, and his tie
asked me how long I’d
been disabled, so I
told ‘em…since 1975
is that long enough?

there was this one time
that my wife was pregnant,
and on Medicaid, and I bet
we were on food-stamps too,
and the babies that were alive
in her belly died.

so, I did the only thing
I could think of to do,
I got a tattoo, because
I wanted to carry some
part of them with me
forever, and have  some
part of something that I
could show you too.


there was this one time
that I worked a job
that was stuffed and
funded by grandmas
and grandpas, by
mommas and daddies;
by people that had done
the best that they knew
how to do.
and I would go see them,
check on them, making
sure that they were safe,
warm, and away from harm.

that job is the best job I ever had,
and we’re fighting funding cuts
because people think that these
folks somehow aren’t worth it;
that they somehow are facilitating
a drug or alcohol problem, or a
******* new tattoo.

there was this one time
that I was disgusted by all
the hate-mongering, lion-killing
veteran-suicideing, poor man hating,
cop-killing, killer-copping, Jesus-weaponizing
and just wanted to be a human
surrounded by other humans
and have those other humans
care about me while I promised
to care about them.

there was this one time.
and, it was a long ****
time ago.
*

©P&ZPublications; 2015
-JBClaywell

the page laps ink
like milk from a bowl

sometimes there’s
enough for
my hungry soul.

my mind,
like Richard Parker
with a mutton shank,
gnawing away.

it all moves at
a snail’s pace,
never fast enough.

it is not a pleasant
thing to think
that there is so
much more to be
done.

I know I’ll never
get to it all.

It’s not right,
in fact all wrong,
there is no warmth,
there is no song,

not enough steaks,
not enough ham,
all that is left
is blackberry jam.

*

-JBClaywell
©P&ZPublications; 2016

In her leggings,
and her striped
Cape Cod dress,
we meet Kim.

She’s in possession
of ankles the circumference
of Kennedy half-dollars,
a wasp’s nest of black curls
piled on her head,
she’s a straight line
from shoulder to heel.

She’s a real catch, Kim is,
and she knows it.

She has no idea that
she looks like a peacock
dipped in motor oil,

she’s giving ol’ Josh
the goldfish eye.

We’re all here to see The Freight Train,
The Rabbit Killer, but Kim’s hoping
for more.

Kim’s looking to get her
bunny stuffed, she
don’t care much about who
does the stuffing,

but she’s hoping for Mr. Clark,
he’s her mark, no doubt.

Now, Josh bought Kim
a beer, but was asked to
leave the cap on,

He looks at me, confused.
“It’s so you can’t Rufie her.
She wants to *******, but
she wants it to be her idea.”

Josh nods;
so does Kim.

As the evening proceeds,
and we’ve all done
“The Freight Train Boogie”
it’s become increasingly
obvious to Kim that Josh
is not agreeable to buttering
her biscuits, she moves,
which is to say stumbles,

around the room.

Every so often she’ll climb onto
the lap of some guy she’s known,
biblically or otherwise, before.

Sam, Bob, Steve, Ralph, or Charlie,
it hardly matters.

Earlier, she’d told us about
the 6-year-old twins,
the teenaged daughter
at home, ex-husband,
boyfriend, whatever, in jail.

The Freight Train moves ever
onward, but I’ve seen too
much of ol’ Kimmy’s show,
now depressed, it’s time
to bail.

*

-JBClaywell

©P&ZPublications; 2016

There was egg salad in the fridge,
half a container of that store bought,
neon-green guacamole that nobody else
likes but me,
tortilla chips too.

So, we sat together and ate
this hodgepodge lunch,
the dog and I.

She never once complained
that there were no crackers
or a few pieces of soft, white
or even dark, crusty
pumpernickel bread.

We thought about whatever
it was that we thought about
while we chewed thoughtfully.

I looked up the word: tincture
in the dictionary that I keep in my
office,
right off the kitchen.

A friend of mine had used the word
in correspondence, and I was rather
embarrassed that I’d not known what
it meant.

But,
I found that embarrassment wanes
when one is scraping the last few globs
of guacamole out of the container with
one’s finger and is saddened because
the accompanying tortilla chips have
been reduced to crumbs.

The dog wasn’t embarrassed of me.
She was busy cleaning the remnants
of egg salad from the inside of the
old butter dished I’d packed it away
in.

I’d already packed what had been enough
for a decent sandwich away in my guts
using tortilla-chip spoons,
doing my best not to ***** more
silverware than I had to.

The hour was almost up;
I had to be back at the office
in about 15 minutes.

We,
the dog and I,
took this small measure of time
as an opportunity to listen to a
couple of songs…

one by Iron Maiden.
the other by John Coltrane.

While the discs spun,
the dog wiped any excess
egg salad or tortilla chip crumbs
from her muzzle
onto
the living room carpet,
by sliding around
on her face.

It was funny to watch.

I’ll have to be sure and not
tell Angela about it.

Soon enough,
it’s once more around the yard
dear doggie,
a Marlboro for me,
another few hours at the office,
little friend,
and I’ll sail back home
to thee.


*
-JBClaywell
© P&Z Publications 2019

Is it strange,
do you think,
that today has been
so terrible
and I still have
a smile on
my face?

Believe me,
even I think
it strange
considering
that the blueboy
was content
to submit falsehoods
in his effort to
fill this city’s
coffers with
my children’s
Christmas presents
before they’ve even
been thought of

Even I think it odd
that despite a myriad
of disasters, including
a coffee-****
that moistened
the seat of my
trousers and sent
me scurrying
for the john,
and subsequently
the exit,
I’m still able to
grin.

Despite my chagrins,
in light of a day
filled with folly
bordering on
misery,

the silvery sliver
of hope shows
through.
I’m standing at that crossroad
waiting for The Devil to appear,
and I can tell that Ol’ Scratch
is close, close enough
that I can feel his gaze
inside this, a Wednesday,
a “one of those days”.

When the oldest kid
has puked his bed,
and I’ve got one more
mess to clean up
besides the one in my
drawers, but my shine
won’t dull, no matter
the ache in my skull.

‘Cause when Pitch is asking me:
“Boy, what’chu gonna do? I’ve been
havin’ a fine time messin’ wit’chu!”

I’ll say to Ol’ Pitch, that
sonofabitch…

“My fine, forked-tongued, fiend,
you can’t have no more of me,
for I’m hollerin’ down old dogs, you see?

Them dogs’ll run and hide,
I’ve got a fine crew by my side
into Thursday we will ride
and leave this ******’ day behind!”

This is why I still smile,
because in just a little while
I get to have my rest
My lover’s head upon my
chest, my children in their nests.

Of tomorrow I’ll dream deep
while in the dark, I sleep
pondering possibilities,
probabilities, and simply
other reasons to…

smile.

-JBClaywell
©P&ZPublications

that buzz starts
and my palms flood with
sweat.
the needle hits flesh
and it’s all familiar;

I’ve been here before.
still, it’s all forgotten,
except for the idea
that the images I’ve
asked him to mix up
on my arm are very comforting
to me.

Our Lady of Guadalupe
and an ink pen,
I’ve grown up surrounded
by both,

so to stir them together is safe
in its sacrilege,
not sacrilegious at all;

permissible in fact,
because of their combined power,
a display of faith in my own
ability to create, to destroy
darkness and demons

with notebooks and prayers
offered from a small stage,
through a live microphone,

or in a coffeehouse with
the newsman,
the laureate,
the tiger,
the bundle of nerves,
and the denim-clad
troubadour.

Our Lady of Poetry
will watch over us all,
in our church,
the church of the spoken-word.
*
©P&ZPublications; 2015
-JBClaywell

post dim sum,
I had my lights dimmed.
walking back to the car,
slipping on the winter-slicked
tile steps of my favorite Chinese
noodle hut, down I went.

limbs and crutches akimbo,
there was no salvaging my dignity.
I lost the daily challenge after enjoying
some twice-cooked pork.

Cerebral palsy doesn’t **** around
in the wintertime.
and I was reminded all too thoroughly
just who the boss is,
and it sure wasn’t me.

when asked to describe my day-to-day
to the able-bodied,
I always say: “It’s like being born with roller-skates on
but never being able to learn how to skate.”

and I still don’t know.

(my elbow, my knee, and Pam are well aware.)

*
-JBClaywell

© 2016 P&ZPublications

I held the smallest fragments
of what had once been my dear friend
in my hand.
Never had I held the cremated remains
of another human being.
I found it to be rather benign, physically.
Mentally though,
I imagined that I found it distasteful,
but not really all that much.
My mind softened the scenario further.
I imagined that I was holding in my palm,
what was once my poet-friend’s thumb.
Now, I had this ethereal thumb
to further, fashionably so,
guide my own pens or pencils across pages
yet to be written,
upon verses as yet unknown.
I took great solace in that thought.

David William Thomas’ thumbprint
is on these pages,
smearing,
ever so gently,
the ink that lays across the face
of this simple piece
of my own soul.

We spiraled what remained of our kindred
across the open spaces
of a modest Missouri wood
as the moon rose above;
the woodpeckers,
the coyotes heedless of our intrusion.

Gates locked against us,
we circumvented their blockade
in the names of sage-smoke and brotherhood,
of mentors and men bent on Buddhist
benevolent remembrance.

We set fire to kindling,
remembered our fallen friend
in a way that he,
above all others,
would have appreciated the most.

In a place called Sunbridge,
a path of passage to a greater plane of being,
poets held sway over all but nature.

Our altars were The Earth,
our robes,
vestments of denim, canvas, and leather
were holy.

Even the invading Conservation Agent
deserved less than the truth,
because he was inherently ignorant
to this event’s significance
in our collective lives at the time.

So,
lies and half-truths were served;
we escaped unscathed.

The lilacs knew,
but remained silent.

Only the tiger spoke.  

*
-JBClaywell

© P&ZPublications 2019

I like how the moon
is out in the daytime
and that I can see it
while I drive.

Sometimes I talk to
the moon and ask it
if I’m doing what I’m
being called to do.

The moon never
answers me, but
instead is silent
and doesn’t offer
advice or remark
on what I should
or should not be
doing.

In the silence
of the moon,
I remember
that I have my
own voice, that I
am my own creator,
my own master, my
own, my own.

I do not have to seek
approval from the moon,
from you, from anyone.

We are celestial, the moon
and I.  Made of the same
cosmic chaos and calamity.

The moon and I, for now,
have the same fate, the same
destiny.

We will simply continue
to be.

*

-JBClaywell
©P&ZPublications; 2016

I ate lunch at Taco Bell this afternoon.
As I was people watching,
I noticed a guy who looked
just like "Chief" Bromden.
He was working on a burrito
and looking forlorn.
As he took his biggest bite,
the bite that signified
his commitment
to enjoying that burrito,
all the guts fall out of it.

He was visibly upset by this
and embarrassed as well.
It made me think that
such a happening is universal.

Hot, gooey pizza toppings
or burrito guts have fallen
in our collective laps or
bounced off of our shirts
and onto the floors
of a million restaurants
between us.

It ***** and often
it produces that feeling
we get in our stomachs
when we’ve become the center
of unwanted attention;
even if no one is watching.
This guy had the saddest face
I’d ever seen.
It was really depressing.
But, in the end,
I found myself hoping
that he’d smother me
with a pillow if ever he
found me to be the
victim of an unnecessary
lobotomy.

**** you, Nurse Rached.

*
-JBClaywell

©P&ZPublications; 2016

I don’t like knowing
that there’s a YouTube
channel out there for
gun-nuts called “The Warrior Poets”.

I’ve looked at some the videos.
None of them have anything to do
with poetry.

I guess that’s okay,
but,
I still don’t have to like it,
so I don’t.

It does give me a reason
to write down the fact that
I believe that I,
in fact,
am a warrior-poet.

My friends are too.
John, Hans, Larry, Kristopher,
and Josh…

We’re a gang.

We’re a conclave,
a klatch of bare-knuckle
sophists, street-wise surgeons
of verse drunk on our own power.

Beautiful bruises,
pooled blood,
split-lipped
ripped pages
broken pens
shattered lenses.

We’re the dogs of war.

*
-JBClaywell
© P&Z Publications 2019

How many of these old notebooks
have I thrown away?

How many times have I told myself
that I’m not worth putting down on
paper,

that hell,

I’m hardly worth putting down?

I keep picking them up,

99¢ at any good pharmacy.

$1.25 at an office supply store.

No matter where I get the pulp from,
it’s medicine.

Any time I doubt it,
pitching them
is fever.

Tylenol won’t work,
only ink.

*

- JBClaywell
© P&ZPublications; 2017

I wish I could explain it to you, but I can’t.
You’d have to walk around with me for a month
or so for it to make sense,
to seem like a real thing.
Sometimes, it’s not even real to me;
but it’s my life and
I’m the one walking around in it,
so there it is.

In the fall and winter,
particularly around the holidays,
it gets worse.  Some days,
especially during the last two weeks
before Christmas,
it gets really bad.

(Why do I think it’s a bad thing?)

(Is it?)

(What is this about?)


They come at me like zombies
when they see the crutches
and yet I refuse to blame my Cerebral Palsy
for what they do.  
Really, I believe that they’d show up anyway.
I think that they, and I to a degree,
feel some sort of cosmic pull
toward one another.

The drunks come to me.

(the developmentally disabled too.)

They tell me stories of how they ended up
in the same place that I am.
They tell me that they know also
that our paths were supposed to cross.
They tell me about their relationship with God
and how Jesus loves them in spite of their drunkenness
(or impairment.)
They tell me how blessed we are to have met.

That one always leaves me flummoxed.

All I wanted to do was eat a tenderloin and some fries.
All I wanted was a cup of coffee or a beer.
All I wanted was to occupy a small bit of
grey space for a couple of hours.

These cohabitates,
these space-stealers
always go straight for The Bible.

They talk of rapture
And the wholeness that I’ll
find in The Kingdom of Heaven
and I want to tell them that they’ve
taken some of that wholeness for
themselves, but I can’t.

I always say: “Thank you.”
And speak to them in
bumper-sticker platitudes;
telling them that we’re all
making our own ways
down our own paths.

And, it’s true, but I don’t want
to have to say it.
I don’t always want to believe it.

(And, I don’t always.)

I wish I could tell them that I want to be more like them,
to work in a factory,
lift the heavy stuff;
to work steadily on the line
or over the road,
inside the grey spaces
with more time to think,
to be quietly oaken
and iron.

*

-JBClaywell
© P&ZPublications

as the father lifts his toe from
the starting block of his 75th year
and the son stumbles and gropes
past the midpoint of his 41st lap
toward an individual century
it is doubtless that neither of
them will make it to that
particular finish line.

no, it is certain that both
of them will come up short.

not a shame or a sham,
a slight or a shortchanging
just a statement of fact.

the father might come close
and for the sake of the son
it is hoped that he does.

The click and crackle of knee,
hip, and lumbar fill one’s ears
and thoughts with the rumors
of one’s mortality.

It is known that the father will
one day fade as sure as a sunset
and the son will melt into the floor
and stay there.
*

-JBClaywell

© P&ZPublications

Be aware of what you
say you will do.
And then do that thing
with a robustness that
makes sense to you
and would make sense
to anyone that you would
bother to explain it to;
your intentions to do this
thing right and well.

The trick is not to explain
it to anyone at all,
to just do it;
first this thing,
then that one,
then the next one
until you get in the habit
of doing the literal best
you are able in all tasks
that you endeavor upon.

Treat your daily
with a reverence
that you would a child
that you love or an
elder that you’ve respected
in this life  and would
undoubtedly give your
best efforts
on the behalf of.

Soon enough
you will become
a beacon
for those
whom you
interact with.

And it,
this forthrightness,
will become
the
(much needed)
norm for
the whole
of the
human
race.

*
-JBClaywell

© P&ZPublications

I was never interested in the kind of love that takes place in the daytime. I always wanted love that hid in the shadows, because as wonderful as love can be, and often is, it hurts.
I never wanted love that could see me bleed.



Love is soft, kind, holds your hand on the porch.
Love sits with you on the swing, in the park.
Love is candlelight, chocolate, a nice dinner.

Love is holding hands and nevermind
that palms are sweaty.
Because that love is new and
nervous, and hopeful.

That love is exploration, new touches,
electric tendrils caused
by kisses on the earlobes,
on the back of the neck.

Love is an evening stroll
that leads to *******,
waking in a bed that isn’t yours,
but a bed that feels safe enough
in the grey light of the pre-dawn.

And, anyway, isn’t it exciting?

This new place, this new person,
this new experience.

Love is conversation over a cup of tea,
a light breakfast, some good bread.

Love this new, this fresh, this exhilarating
won’t last, it can’t last, it’s too rich,
too many calories, too much sugar.

A love like this one is a mocha frappe.


The love I wanted was a 2:45am bedtime,
maybe a little hungover.

Maybe I’d been somewhere I shouldn’t’ve,
maybe she had.

The floor was littered

with unanswered text messages,
with missed calls that fell out
of my pockets like loose change
when I took my pants off and
hung them on the back of a chair,
too lazy to put them in the laundry.

Love that survives in these gray spaces,
maybe it’s real, maybe not, maybe it’s
mutated, adapted into a primordial
survival ignorant animal.

Love in the gray space, in the shadows,
in the storms, survives or dies,
but you, not it decides.

*


-JBClaywell
© P&ZPublications

when she was sick,
or sometimes when
she got her period,
she would lay in the
bathtub.

she would ask me
to come and talk
with her while
she did this,
and I would.

we would talk about
everything and nothing,

all the while
I would look at her and
marvel.

her skin is the color of milk,
mottled with freckles
like droplets of honey.

and, there were places that were pink,
of course
but I was always fascinated,
at these moments,
with her toes, flushed with blood
from the warmth of the water.

with those toes she can flip the drain,
letting out water,
work the faucet,
adding just a little more hot,
they would crinkle and pop
as she flexed them,

working the drain a final time,
she stands, closes the curtain,
starts the shower.

that’s my cue.

I stand, stretch and yawn,
feeling more sated somehow
now than when we have ***,
I make my way to
the linen closet,
and return faithfully
to my porcelain perch

with a towel.

*
-JBClaywell
©P&ZPublications; 2016

My sons sit in
the faux leather chairs
next to the faux fireplace.

It is switched off
for the summer
that is coming.

The boys are switched on
for much the same reason.

I am watching them with lazy eyes.

(halfway)

The homeless man is here too.

He sits in the chair opposite
my youngest.

They are exchanging introductions.

No one is nervous.

(I am too near for that.)

__


When I am alone,
the homeless man
will ask me to buy him
a cup.

I usually do.

The 1st time this happened,
he pulled a fast-one.

This tattered man
asked for a triple-shot
espresso
with steamed milk,
setting me back
5 dollars.

Now, I’m the one who orders.

(A small, dark-roast,
with plenty of sugar
and milk.)

Last time,
he chuckled to himself
and happily vibrated
down the path.

Today, he is well-met,
but,
remains
decaffeinated.

*

-JBClaywell

© P&ZPublications

Typing out the stings of bees;
the songs that dead crickets
sing with broken wings…

I write next to a pastor,
railing on the teachings of
The Christ and all I can
think of is the sea of amniotic
fluid that flew across the room
and splashed my sister-in-law’s
shoes.

(yielding babies born still)

Where was god
when we needed him?

All we had was each other
and twins we’d never meet.

*

-JBClaywell

© P&ZPublications

my kindness is wrapped
in sandpaper,
my sorrow is bundled
in rage,
the solace that I find
write now,
are these words
I’ve placed on
the page.

you might not want
these gifts I bear,
but really they’re
all I’ve got.

what I need,
I’ll take from you,
with too few words
of thanks.

I’m sorry that
I move through
life with the grace
of an explosion;
a tank.

but, know that I
am grateful for how
much you’ve given
me,

it means more
than you
will ever see.

so, as you gather
your resolve,
strengthening your
nerve,

know that I do
the same, because
you are more than
I deserve.


blessed be you
who unwraps
razors,

I’ve poisoned them
with love.

I’ve put them in this
envelope,
the corners sealed
with blood.

*
-JBClaywell
© P&ZPublications

Electronic invitations are sent
to this festival of pen, paper, and ink.

No one ever shows up anymore.

I don’t mind.

It gives me more time with this notebook
and a head full of fire.

On Sundays,
the coffee is $.87 and I can have
all that I can swallow.

Today, it came black
in spite of my request
and as I made my
attempt to doctor it
into submission,
it spilled.

The next thing I know,
I have a reem of coffee-soaked
napkins and I’m hoping these
pages can be
salvaged.

After doing the best I can
I hit the john to wash my
hands.

Stepping away from the ******
is a man in a suit and tie.
He shoots me a baleful look
which I gratefully return.

He didn’t stop to wash his hands
in his hurry to get away from me
so I know that his cleanliness and godliness
are about the same distance apart.

Upon my return to my wrecked altar
of ritualized scribbling I notice that there are
heavy beads of cream hanging on to the edge,
same as me.

Instead of wiping them up
I head outside and light a
cigarette.

There is a young couple
contented with their quick,
cellophane wrapped sandwiches,
Doritos and sodas,
a fine picnic supper.

I sit so that the wind is in my face
and the smoke blows over my shoulder
into their suppertime soiree.

Upon my exit
they shoot me a baleful
look.

I earned this one.

And, I gratefully
return
home.



*

-JBClaywell

© P&ZPublications

On Sunday afternoons, I go to the Hy-Vee gas station and write up journal entries and/or just whatever ideas are floating around in my head.

In doing what I do for a living, I hear a lot of stories. Some of those stories are pretty tough. So, writing about the stories themselves or writing about the way those stories made me feel at the time is pretty essential. It keeps me clean, so to speak. Writing about work lets me keep the stories, so that I might learn a lesson here and there, while letting me let the pain, hurt, or other dirt go. Plus, as a bonus, I don’t get too worn out in the doing of the work. The writing staves off any empathy fatigue I might feel.

Also, I tend to wander around town in the evenings. I do it so that I might people watch and so that people can check me out.  That sounds a little odd doesn’t it?  I know. But, here’s why I do it…

My dad used to ask me, when I was a boy: “How many handicapped people do you see?”  “How many people that have an obvious disability do you actually see in St. Joe?”  “None. Except for me, I don’t see any.” I would answer.  And, at the time, at least for me, it was about 99.9% true.

“So”, Pops would say; “Be the one that people see.”

What he meant was that people are often fearful of what they see as different or don’t understand. We all know this to one degree or another, I hope.

So, in doing what Henry Rollins has taught me, at least while working all over Northwest Missouri, I try to put as much mileage on my crutches as I am able. While I’m out there I try to meet as many people and shake as many hands as I can.  I check people out and give them an opportunity to check me out. And, I write about those interactions.

I am a huge fan of the travel writings of both Henry Rollins and Anthony Bourdain. (I’m so sad that Tony left us. Really, it has been like losing a pal.)  However, while I don’t disagree with them that every American should have a passport that is well used, I know that for myself and a lot of Americans travel like those guys do, is a financial fantasy.

But, I can go to City Market in Kansas City, I can go to Cameron, Missouri, I can enjoy and ask questions of the other parents and patients when I take Alex to Children’s Mercy for appointments. I can and I do.   And, no one person has ever been anything less than kind to me. For each other, we are the “one that people see” and I think we’ve done ourselves and our stories as good a service as we can.

Recently, I opened up The Ritual a little. It morphed a bit when my pal Josh would join in. Both he and I would set up like we were going to write our next batch of poems and then we would start talking. We’d bounce around conversationally, just like two pinballs in a machine; there wasn’t a topic that either of us could think of that we couldn’t rail on for the two-hour parameter I’d set.  Neither of us got any writing done. I don’t think either of us cared.

That said, I’ve left The Ritual as it is now. I’ve put it out there on social media that I’m sitting at the Hy-Vee plaza, in Caribou Coffee writing on Sundays.  Sometimes Josh shows up, sometimes he doesn’t.  But, I keep the idea of conversation at the forefront of The Ritual. Sometimes, I think it’s more important than the writing that either does or does not get done.

Why? Because now, in this era of social media, we isolate too much. We feel like we really do have 547 friends or followers when really, we’re alone in our rooms with our smartphones, tablets, or laptops. I imagine if the only socialization I got was online, I’d be horribly lonely.

I’m not putting down Facebook or Twitter users. I am one. But, I want to talk to as many human beings as I can before I kick off.  

So, if you need to talk, want to talk, or like to talk...

It’s a Sunday Ritual soon and it’s all ours for the taking, and talking.

In the cool
early hours
of a Thursday
in September
I find my way
into Big Sky
for a couple
of doughnuts
and a cup.

Just next door
is the Goodwill
employment offices.

There they find
sheltered employment
for adults and youth
with developmental
challenges.

As I park,
hoisting myself
from the driver’s
seat;
I notice her
trying the locked door
to those offices.

Thinking nothing of it,
I continue into the coffee
shop and begin breakfast.

Soon, she is shadowing
the Big Sky entryway,
eyes as big as
hubcaps.

Dressed as modestly
as possible in her
bright green hoodie
and ankle-length denim
skirt, she stares at
us all.

Her eyes are wide with
nervousness and a searching,
a yearning for faces known
and familiar, safety.
Settling for the security
of the donut-shop’s doorway
and the sunbeam therein,
she hovers still.

Her eyes come to rest upon me.

Having been in similar
situations for what is
too-quickly becoming a
half-century, I recognize
what this girl’s thoughts
must’ve turned to.

“There’s someone like me.”
“He’s different, and thusly
the same. He’s safe here.
I will be as well.”

With her owl-eyes she looks
me up and down, focused on
my outward-turned right foot
and the crutches leaning on the
chair opposite mine.

I smile.

So does she.

I wink.

When this happens,
her face flushes to
the color of roses
and her large eyes
sparkle like emeralds.

The doorway continues
to serve as her haven from
the unfamiliar, but she’s
relaxed a little.

Full of pastry,
coffee, and the desire
to finish the task,
I make my way outside.

Rising from my seat,
gathering my crutches,
I step toward the young
lady seeking solace in
the sunbeams.
Leaning in,
I cannot help but notice
that she is quivering
with apprehension.

I say quietly:

“You have really pretty eyes.”

Her unease dissipates immediately.

Her spectacular emerald eyes relax
and she smiles with her whole self
and says:

“I know.”


*

-JBClaywell

© P&ZPublications

It is Sunday, 7:45am.
The oldest child is scuttling around the kitchen,
I can hear toaster-pastry wrappers
being torn asunder.
Staring at the ceiling fan, with its dusty blades,
my arm extends above my face, my hand separates the pages
of the very first Longmire mystery.
No words have been read for several minutes.
Putting the insurance agent’s business card between the leaves,
the book finds the nightstand.
I roll to face my wife.
Propped on an elbow, I look, rewind a handful of memories and know
I’m in the right bed, in the right place, and am grateful for that knowledge.
That isn’t to say that I’ve never pondered other beds, other ceiling fans;
androcentric honesty with myself  proves otherwise, of course.
The adorable high school chubster, crystallized into the stately blonde;
what would it be like, staring at her ceiling fan, lying stickily next to her, trying
to drum up conversation?
I cannot imagine.
Or, the raven haired stunner, with her perfect imperfections;
she steals my breath with every glance, at every venue, every time,
yet, despite the ease with which I can imagine her polished toenails
stabbing the air beside my ears, I cannot imagine her ceiling fan,
nor can I imagine the effort needed to assist her to an aura of comfort
inside her own skin.
So, here, in my home, in my bed, with my wife;
propped on my elbow,
I look at her
and I am glad when she adjusts her position,
her snoring intensifies momentarily
and she chuffs some morning breath into my face.
Dismissing the smell, I am mesmerized by her
fairy saddle of freckles. (I count them. Eighty five.)
I am enthralled with her unruly strawberry-blonde haystack,
the paleness of her skin, the fullness of her lips, and the fullness
of my heart for her.
A minute passes and I have replayed some of our most memorable
moments under this bedroom’s ceiling fan.
Sure, they’ve been sweaty, sticky, and such;
but they’ve given way to some of the best, most honest,
and most vulnerable conversations of my life
and they’ve given me the best people I’ve ever met,
or played a part in making.
Like the blades of a ceiling fan
my thoughts can turn,
my eyes might wander,
but my heart will always
come home.

I remember being young
and not feeling much
like a person,
but more like a shapeless,
formless, amalgamation
of emotion and thought
that barely made sense to
myself,
couldn’t possibly make sense
to anyone else.

I remember that very odd,
stilted,
self-awareness lasting the
whole school-day,
the whole school-year.

Sometimes,
at home,
while the record player
hissed and crackled its way through
a stack of 45s,

I’d feel a “pop” and become
something more akin
to human,
less apparition or automaton.

I’m more or less the same
now as I was then.

My arms and legs are held
in place by the pages of
beloved books, photographs
of my children,
the feel of my wife’s fingers
pressed into the small
of my spine.

I still go ghost now and again,
sitting in a room,
in the back of the house,
the albums on their shelves,
or spinning faithfully,
the texts that surround.

“Pop”

Really, I can almost hear
the realness of myself as I expand

into a more artful being.

I’ve learned something.
I’ve become something.
I’ve attained something.

I’d rather, for the most part,
be in front of people,
than with people.

When I am with people,
I don’t know how to behave,
I become anxious,
a visitant version of
myself.

In front of people,
I am comfortable,
content,
contained inside
of my own
art.

None the worse
for preternatural wear,
I’m allowed
to
pop.

*

-JBClaywell
© P&ZPublications 2018

We’re the heavy eleven.

Think about that number for a couple of seconds.
It’s a pair of ones, side by side.
When people talk about couples,
significant others, they often say something about
two people becoming one.

I’ve always liked the idea of two ones.
Two single and separate entities becoming a
recognizably different thing, yet still able to be
autonomous.

What an enormously human achievement.

And,
the achievement in no way has to be relegated
to romantic partners.

We can all be friends, right?
We can have each other’s backs, yeah?
Support one another?
Thick and thin, and all that kind of thing?
Home team?
Visiting team?
Does it really matter?

I’m one.
Me.
Alone,

You’re one.
Alone.
Independent.
Relevant.
Real.

Like the ones
in the number eleven.
One. one.
Two ones.
Side by Side.
Each holding the other up.
Supportive.
Encouraging.
Together.

The heaviest
of
elevens.

*
-JBClaywell
© P&Z Publications 2019