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On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it should always be.

On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.


And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels’ trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose,
As long as rosy infants are born
No one believes it is happening now.


Only a white-haired old man, who would be a prophet
Yet is not a prophet, for he’s much too busy,
Repeats while he binds his tomatoes:
There will be no other end of the world,
There will be no other end of the world.
 Feb 2015 Iris Rebry
Homer
When the child of morning, rosy-fingered Dawn, appeared,
Telemachus bound on his sandals and took a strong spear that suited
his hands, for he wanted to go into the city. “Old friend,” said he to
the swineherd, “I will now go to the town and show myself to my
mother, for she will never leave off grieving till she has seen me. As
for this unfortunate stranger, take him to the town and let him beg
there of any one who will give him a drink and a piece of bread. I
have trouble enough of my own, and cannot be burdened with other
people. If this makes him angry so much the worse for him, but I
like to say what I mean.”
  Then Ulysses said, “Sir, I do not want to stay here; a beggar can
always do better in town than country, for any one who likes can
give him something. I am too old to care about remaining here at the
beck and call of a master. Therefore let this man do as you have
just told him, and take me to the town as soon as I have had a warm by
the fire, and the day has got a little heat in it. My clothes are
wretchedly thin, and this frosty morning I shall be perished with
cold, for you say the city is some way off.”
  On this Telemachus strode off through the yards, brooding his
revenge upon the When he reached home he stood his spear against a
bearing-post of the cloister, crossed the stone floor of the
cloister itself, and went inside.
  Nurse Euryclea saw him long before any one else did. She was putting
the fleeces on to the seats, and she burst out crying as she ran up to
him; all the other maids came up too, and covered his head and
shoulders with their kisses. Penelope came out of her room looking
like Diana or Venus, and wept as she flung her arms about her son. She
kissed his forehead and both his beautiful eyes, “Light of my eyes,”
she cried as she spoke fondly to him, “so you are come home again; I
made sure I was never going to see you any more. To think of your
having gone off to Pylos without saying anything about it or obtaining
my consent. But come, tell me what you saw.”
  “Do not scold me, mother,’ answered Telemachus, “nor vex me,
seeing what a narrow escape I have had, but wash your face, change
your dress, go upstairs with your maids, and promise full and
sufficient hecatombs to all the gods if Jove will only grant us our
revenge upon the suitors. I must now go to the place of assembly to
invite a stranger who has come back with me from Pylos. I sent him
on with my crew, and told Piraeus to take him home and look after
him till I could come for him myself.”
  She heeded her son’s words, washed her face, changed her dress,
and vowed full and sufficient hecatombs to all the gods if they
would only vouchsafe her revenge upon the suitors.
  Telemachus went through, and out of, the cloisters spear in hand-
not alone, for his two fleet dogs went with him. Minerva endowed him
with a presence of such divine comeliness that all marvelled at him as
he went by, and the suitors gathered round him with fair words in
their mouths and malice in their hearts; but he avoided them, and went
to sit with Mentor, Antiphus, and Halitherses, old friends of his
father’s house, and they made him tell them all that had happened to
him. Then Piraeus came up with Theoclymenus, whom he had escorted
through the town to the place of assembly, whereon Telemachus at
once joined them. Piraeus was first to speak: “Telemachus,” said he,
“I wish you would send some of your women to my house to take awa
the presents Menelaus gave you.”
  “We do not know, Piraeus,” answered Telemachus, “what may happen. If
the suitors **** me in my own house and divide my property among them,
I would rather you had the presents than that any of those people
should get hold of them. If on the other hand I manage to **** them, I
shall be much obliged if you will kindly bring me my presents.”
  With these words he took Theoclymenus to his own house. When they
got there they laid their cloaks on the benches and seats, went into
the baths, and washed themselves. When the maids had washed and
anointed them, and had given them cloaks and shirts, they took their
seats at table. A maid servant then brought them water in a
beautiful golden ewer, and poured it into a silver basin for them to
wash their hands; and she drew a clean table beside them. An upper
servant brought them bread and offered them many good things of what
there was in the house. Opposite them sat Penelope, reclining on a
couch by one of the bearing-posts of the cloister, and spinning.
Then they laid their hands on the good things that were before them,
and as soon as they had had enough to eat and drink Penelope said:
  “Telemachus, I shall go upstairs and lie down on that sad couch,
which I have not ceased to water with my tears, from the day Ulysses
set out for Troy with the sons of Atreus. You failed, however, to make
it clear to me before the suitors came back to the house, whether or
no you had been able to hear anything about the return of your
father.”
  “I will tell you then truth,” replied her son. “We went to Pylos and
saw Nestor, who took me to his house and treated me as hospitably as
though I were a son of his own who had just returned after a long
absence; so also did his sons; but he said he had not heard a word
from any human being about Ulysses, whether he was alive or dead. He
sent me, therefore, with a chariot and horses to Menelaus. There I saw
Helen, for whose sake so many, both Argives and Trojans, were in
heaven’s wisdom doomed to suffer. Menelaus asked me what it was that
had brought me to Lacedaemon, and I told him the whole truth,
whereon he said, ‘So, then, these cowards would usurp a brave man’s
bed? A hind might as well lay her new-born young in the lair of a
lion, and then go off to feed in the forest or in some grassy dell.
The lion, when he comes back to his lair, will make short work with
the pair of them, and so will Ulysses with these suitors. By father
Jove, Minerva, and Apollo, if Ulysses is still the man that he was
when he wrestled with Philomeleides in ******, and threw him so
heavily that all the Greeks cheered him—if he is still such, and were
to come near these suitors, they would have a short shrift and a sorry
wedding. As regards your question, however, I will not prevaricate nor
deceive you, but what the old man of the sea told me, so much will I
tell you in full. He said he could see Ulysses on an island
sorrowing bitterly in the house of the nymph Calypso, who was
keeping him prisoner, and he could not reach his home, for he had no
ships nor sailors to take him over the sea.’ This was what Menelaus
told me, and when I had heard his story I came away; the gods then
gave me a fair wind and soon brought me safe home again.”
  With these words he moved the heart of Penelope. Then Theoclymenus
said to her:
  “Madam, wife of Ulysses, Telemachus does not understand these
things; listen therefore to me, for I can divine them surely, and will
hide nothing from you. May Jove the king of heaven be my witness,
and the rites of hospitality, with that hearth of Ulysses to which I
now come, that Ulysses himself is even now in Ithaca, and, either
going about the country or staying in one place, is enquiring into all
these evil deeds and preparing a day of reckoning for the suitors. I
saw an omen when I was on the ship which meant this, and I told
Telemachus about it.”
  “May it be even so,” answered Penelope; “if your words come true,
you shall have such gifts and such good will from me that all who
see you shall congratulate you.”
  Thus did they converse. Meanwhile the suitors were throwing discs,
or aiming with spears at a mark on the levelled ground in front of the
house, and behaving with all their old insolence. But when it was
now time for dinner, and the flock of sheep and goats had come into
the town from all the country round, with their shepherds as usual,
then Medon, who was their favourite servant, and who waited upon
them at table, said, “Now then, my young masters, you have had
enough sport, so come inside that we may get dinner ready. Dinner is
not a bad thing, at dinner time.”
  They left their sports as he told them, and when they were within
the house, they laid their cloaks on the benches and seats inside, and
then sacrificed some sheep, goats, pigs, and a heifer, all of them fat
and well grown. Thus they made ready for their meal. In the meantime
Ulysses and the swineherd were about starting for the town, and the
swineherd said, “Stranger, I suppose you still want to go to town
to-day, as my master said you were to do; for my own part I should
have liked you to stay here as a station hand, but I must do as my
master tells me, or he will scold me later on, and a scolding from
one’s master is a very serious thing. Let us then be off, for it is
now broad day; it will be night again directly and then you will
find it colder.”
  “I know, and understand you,” replied Ulysses; “you need say no
more. Let us be going, but if you have a stick ready cut, let me
have it to walk with, for you say the road is a very rough one.”
  As he spoke he threw his shabby old tattered wallet over his
shoulders, by the cord from which it hung, and Eumaeus gave him a
stick to his liking. The two then started, leaving the station in
charge of the dogs and herdsmen who remained behind; the swineherd led
the way and his master followed after, looking like some broken-down
old ***** as he leaned upon his staff, and his clothes were all in
rags. When they had got over the rough steep ground and were nearing
the city, they reached the fountain from which the citizens drew their
water. This had been made by Ithacus, Neritus, and Polyctor. There was
a grove of water-loving poplars planted in a circle all round it,
and the clear cold water came down to it from a rock high up, while
above the fountain there was an altar to the nymphs, at which all
wayfarers used to sacrifice. Here Melanthius son of Dolius overtook
them as he was driving down some goats, the best in his flock, for the
suitors’ dinner, and there were two shepherds with him. When he saw
Eumaeus and Ulysses he reviled them with outrageous and unseemly
language, which made Ulysses very angry.
  “There you go,” cried he, “and a precious pair you are. See how
heaven brings birds of the same feather to one another. Where, pray,
master swineherd, are you taking this poor miserable object? It
would make any one sick to see such a creature at table. A fellow like
this never won a prize for anything in his life, but will go about
rubbing his shoulders against every man’s door post, and begging,
not for swords and cauldrons like a man, but only for a few scraps not
worth begging for. If you would give him to me for a hand on my
station, he might do to clean out the folds, or bring a bit of sweet
feed to the kids, and he could fatten his thighs as much as he pleased
on whey; but he has taken to bad ways and will not go about any kind
of work; he will do nothing but beg victuals all the town over, to
feed his insatiable belly. I say, therefore and it shall surely be—if
he goes near Ulysses’ house he will get his head broken by the
stools they will fling at him, till they turn him out.”
  On this, as he passed, he gave Ulysses a kick on the hip out of pure
wantonness, but Ulysses stood firm, and did not budge from the path.
For a moment he doubted whether or no to fly at Melanthius and ****
him with his staff, or fling him to the ground and beat his brains
out; he resolved, however, to endure it and keep himself in check, but
the swineherd looked straight at Melanthius and rebuked him, lifting
up his hands and praying to heaven as he did so.
  “Fountain nymphs,” he cried, “children of Jove, if ever Ulysses
burned you thigh bones covered with fat whether of lambs or kids,
grant my prayer that heaven may send him home. He would soon put an
end to the swaggering threats with which such men as you go about
insulting people-gadding all over the town while your flocks are going
to ruin through bad shepherding.”
  Then Melanthius the goatherd answered, “You ill-conditioned cur,
what are you talking about? Some day or other I will put you on
board ship and take you to a foreign country, where I can sell you and
pocket the money you will fetch. I wish I were as sure that Apollo
would strike Telemachus dead this very day, or that the suitors
would **** him, as I am that Ulysses will never come home again.”
  With this he left them to come on at their leisure, while he went
quickly forward and soon reached the house of his master. When he
got there he went in and took his seat among the suitors opposite
Eurymachus, who liked him better than any of the others. The
servants brought him a portion of meat, and an upper woman servant set
bread before him that he might eat. Presently Ulysses and the
swineherd came up to the house and stood by it, amid a sound of music,
for Phemius was just beginning to sing to the suitors. Then Ulysses
took hold of the swineherd’s hand, and said:
  “Eumaeus, this house of Ulysses is a very fine place. No matter
how far you go you will find few like it. One building keeps following
on after another. The outer court has a wall with battlements all
round it; the doors are double folding, and of good workmanship; it
would be a hard matter to take it by force of arms. I perceive, too,
that there are many people banqueting within it, for there is a
smell of roast meat, and I hear a sound of music, which the gods
have made to go along with feasting.”
  Then Eumaeus said, “You have perceived aright, as indeed you
generally do; but let us think what will be our best course. Will
you go inside first and join the suitors, leaving me here behind
you, or will you wait here and let me go in first? But do not wait
long, or some one may you loitering about outside, and throw something
at you. Consider this matter I pray you.”
  And Ulysses answered, “I understand and heed. Go in first and
leave me here where I am. I am quite used to being beaten and having
things thrown at me. I have been so much buffeted about in war and
by sea that I am case-hardened, and this too may go with the rest. But
a man cannot hide away the cravings of a hungry belly; this is an
enemy which gives much trouble to all men; it is because of this
that ships are fitted out to sail the seas, and to make war upon other
people.”
  As they were thus talking, a dog that had been lying asleep raised
his head and pricked up his ears. This was Argos, whom Ulysses had
bred before setting out for Troy, but he had never had any work out of
him. In the old days he used to be taken out by the young men when
they went hunting wild goats, or deer, or hares, but now that his
master was gone he was lying neglected on the heaps of mule and cow
dung that lay in front of the stable doors till the men should come
and draw it away to manure the great close; and he was full of
fleas. As soon as he saw Ulysses standing there, he dropped his ears
and wagged his tail, but he could not get close up to his master. When
Ulysses saw the dog on the other side of the yard, dashed a tear
from his eyes without Eumaeus seeing it, and said:
  “Eumaeus, what a noble hound that is over yonder on the manure heap:
his build is splendid; is he as fine a fellow as he looks, or is he
only one of those dogs that come begging about a table, and are kept
merely for show?”
  “This hound,” answered Eumaeus, “belonged to him who has died in a
far country. If he were what he was when Ulysses left for Troy, he
would soon show you what he could do. There was not a wild beast in
the forest that could get away from him when he was once on its
tracks. But now he has fallen on evil times, for his master is dead
and gone, and the women take no care of him. Servants never do their
work when their master’s hand is no longer over them, for Jove takes
half the goodness out of a man when he makes a slave of him.”
  As he spoke he went inside the buildings to the cloister where the
suitors were, but Argos died as soon as he had recognized his master.
  Telemachus saw
 Feb 2015 Iris Rebry
Georg Trakl
Dreamless sleep - the dusky Eagles
nightlong rush about my head,
man's golden image drowned
in timeless icy tides. On jagged reefs
his purpling body. Dark
echoes sound above the seas.

Stormy sadness' sister, see
our lonely skiff sunk down
by starry skies:
the silent face of night.
 Feb 2015 Iris Rebry
Walt Whitman
1

When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush,
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards;
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn;
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies;
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me;
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west,
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land!
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird!
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear……yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death.

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses,
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe,
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee,
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and ******;
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d.

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring,
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;
For the sweetest, wisest soul of all my days and lands…and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.
 Feb 2015 Iris Rebry
George Eliot
You love the roses - so do I. I wish
The sky would rain down roses, as they rain
From off the shaken bush. Why will it not?
Then all the valley would be pink and white
And soft to tread on. They would fall as light
As feathers, smelling sweet; and it would be
Like sleeping and like waking, all at once!
I'll write a poem a day,
and maybe that way everything will be
okay.

I'll look up at that oil covered sky,
that peculiar black stained shade of grey,
those wisps of condensation tilled out,
like fields of wheat and
creased tightly through golden streaks,
of setting suns' last gleams,
and I'll sit lack jawed, if just for a second,
and wonder if truly my existence is worth it.

So much doubt running,
so very deep.
Yes, I'll write a poem a day,
as if...
nothing,
really.

Aye,
Eureka, I know my meaning,
Yes I will express that frustration,
of an infinite empty feeling.
That little almost insignificant voice that says to you,
It doesn't matter, none of this is real,
Well for each and every one of you I'll feel,
quite intensely in fact,
that ignominious void,
the elephant in the room,
and with tact and poise,
I'll illuminate it for you,
so you can live, and I can dream,
Sweet fruitful dreams of nothing.
 Feb 2015 Iris Rebry
W. S. Merwin
Each is alone in the world
and on some the flowers
are of one *** only
they stand as though they had no secrets
and one by one the flowers emerge from the sheaths
into the air
where the other flowers are
it happens in silence except for the wind
often it happens in the dark
with the earth carrying the sound of water
most of the flowers themselves are small and green by day
and only a few are fragrant
but in time the fruits are beautiful
and later still their children
whether they are seen or not
many of the fruits are no larger than peas
but some are like brains of black marble
and some have more than one seed inside them
some are full of milk of one taste or another
and on a number of them there is a writing
from long before speech
and the children resemble each other
with the same family preference
for shade when young
in which colors deepen
and the same family liking for water
and warmth
and each family deals with the wind in its own way
and with the sun and the water
some of the leaves are crystals others are stars
some are bows some are bridges and some
are hands
in a world without hands
they know of each other first from themselves
some are fond of limestone and a few cling to high cliffs
they learn from the splashing water
and the falling water and the wind
much later the elephant
will learn from them
the muscles will learn from their shadows
ears will begin to hear in them
the sound of water
and heads will float like black nutshells
on an unmeasured ocean neither rising nor falling
to be held up at last and named for the sea
BAND concert public square Nebraska city. Flowing and circling dresses, summer-white dresses. Faces, flesh tints flung like sprays of cherry blossoms. And gigglers, God knows, gigglers, rivaling the pony whinnies of the Livery Stable Blues.

Cowboy rags and ****** rags. And boys driving sorrel horses hurl a cornfield laughter at the girls in dresses, summer-white dresses. Amid the cornet staccato and the tuba oompa, gigglers, God knows, gigglers daffy with life's razzle dazzle.

Slow good-night melodies and Home Sweet Home. And the snare drummer bookkeeper in a hardware store nods hello to the daughter of a railroad conductor-a giggler, God knows, a giggler-and the summer-white dresses filter fanwise out of the public square.

The crushed strawberries of ice cream soda places, the night wind in cottonwoods and willows, the lattice shadows of doorsteps and porches, these know more of the story.
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