I want to write a poem about you
and use patches of my skin
instead of nouns
the passion of druids instead of
verbs
All I need is
Radiohead and
space to breath
in
your
breathing

(the body imagines what the mind can't)

Autumn eats its leaf out of my hand: we are friends.
From the nuts we shell time and we teach it to walk:
then time returns to the shell.

In the mirror it's Sunday,
in dream there is room for sleeping,
our mouths speak the truth.

My eye moves down to the *** of my loved one:
we look at each other,
we exchange dark words,
we love each other like poppy and recollection,
we sleep like wine in the conches,
like the sea in the moon's blood ray.

We stand by the window embracing, and people look up from the street:
it is time they knew!
It is time the stone made an effort to flower,
time unrest had a beating heart.
It is time it were time

It is time

by Paul Celan

There was earth inside them, and
they dug.

They dug and they dug, so their day
went by for them, their night. And they did not praise
          God
who, so they heard, wanted all this,
who, so they heard, knew all this.

They dug and heard nothing more;
they did not grow wise, invented no song,
thought up for themselves no language,
They dug.

There came a stillness, and there came a storm,
and all the oceans came.
I dig, you dig, and the worm digs too,
and that singing out there says: They dig.

O one, o none, o no one, o you:
Where did the way lead when it led nowhere?
O you dig and I dig, and I dig towards you,
and on our finger the ring awakes.

by Paul Celan, translated by Michael Hamburger

Speak, you also,
speak as the last,
have your say.

Speak -
But keep yes and no unsplit,
And give your say this meaning:
give it the shade.

Give it shade enough,
give it as much
as you know has been dealt out between
midday and midday and midnight,

Look around:
look how it all leaps alive -
where death is! Alive!
He speaks truly who speaks the shade.

But now shrinks the place where you stand:
Where now, stripped by shade, will you go?
Upward. ***** your way up.
Thinner you grow, less knowable, finer.
Finer: a thread by which
it wants to be lowered, the star:
to float further down, down below
where it sees itself glitter:
on sand dunes of wandering words.

by Paul Celan, translated by Michael Hamburger

he would have discovered him
trying to change the water formula in his tears
he tried to exist/insist/resist
where no body was thinking
the man without moon
suspended in a terrorizing labyrinth of faces
His own
he was a method man
growing salt in his eyes like minefields
teaching it the taste of the earth
anxiety like mountains of fog eradicating crossroads
he wants to exist inside the body of the world
with the decency of negotiated desires
and the hands get lost in translation
truth is a black truffle
sweating and swearing
sensuous craters perhaps
he killed many singing birds
searching for imagination, his body
muted, renegotiated soon after birth
staying alive, denying the soul of zebras
He lacks verbs, some nouns
learning from the theory of absence
how the effortless U(n-conscious)
is a Poet that
rhymes the body with the mind
of the world

He summoned the shaman, the artists, the tango teacher
to the wake of his body
while learning how summer waves contribute to a theory of mind
his self white
white while forgetting Magritte,
a taxi for Chopin
or the whiteness of the cotton pickers
perhaps

When we are
Overwhelmed by fear
And the God at our core
Has left

We become
The shoes waiting
In the chest
Of a
Paralyzed woman.


by Riri Sylvia Manor,
English by Ioana Ieronim
from Poetry and Science
An Anthology of Comtemporary Authors from Romania

The mourning is
about it never being
the way I needed
it to be.

My life itself a
disturbance of mourning

Stands in my life. Before me. The
dead girl under the bed
her skin transparent as mine

disappears. I come out
and there is no mother. Sometimes
she appears and there is no telling what
attracts her warmth. Approaches and departs.
Becomes desire,
the loot of her mourning.

Empty womb pillow. I am not
enrapt. Its’ tufts flap my fringe.
Behind me, at my sides
stands mourning.

I have only to be busy with your burial.
Sharpening flint to a pillar
pile to a mound
and turn from it.

It is gone
forever.
And I am.

By Noa Vardi, M. D.

Every year
the lilies
are so perfect
I can hardly believe

their lapped light crowding
the black,
mid-summer ponds.
Nobody could count all of them -

the muskrats swimming
among the pads and the grasses
can reach out
their muscular arms and touch

only so many, they are that
rife and wild.
But what in this world
is perfect?

I bend closer and see
how this one is clearly lopsided -
and that one wears an orange blight -
and this one is a glossy cheek

half nibbled away -
and that one is a slumped purse
full of its own
unstoppable decay.

Still, what I want in my life
is to be willing
to be dazzled -
to cast aside the weight of facts
and maybe even
to float a little
above this difficult world.
I want to believe I am looking

into the white fire of a great mystery.
I want to believe that the imperfections are nothing -
that the light is everything - that it is more than the sum
of each flawed blossom rising and fading.  And I do.

There is no space wider than that of grief
there is no universe like that which bleeds.

from Extravagaria

The way the trees empty themselves of leaves,
let drop their ponderous fruit,
the way the turtle abandons the sun-warmed log,
the way even the late-blooming aster
succumbs to the power of frost -

this is not a new story.
Still, on this morning, the hollowness
of the season startles, filling
the rooms of your house, filling the world
with impossible light, improbable hope.

And so, what else can you do
but let yourself be broken
and emptied? What else is there
but waiting in the autumn sun?

Carolyn Locke, from Poetry of Presence An Anthology of Mindfulness Poems

The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, I own this,

is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.

No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.

from Poetry of Presence An Anthology of Mindfulness Poems

Of patience, I know only
what sea turtles have taught me:
how they are born on lightless
beaches so the moon can serve
as a beacon to lure them
into the water; how they spend
their whole lives trying to swim
towards it, enamored, obsessed;
how they flap their forelimbs,
a vague recollection of flying -
the right movement in the wrong
medium, as if they knew how
to reach the moon in a former life
but now only remember the useless
persistent motions; how if you cut
one's heart out it would keep
beating in the pit of your palm,
recognizing the cold night air.

by Ariel Francisco from Best New Poets 2016 50 Poems from Emerging Writers

You are there.
You have always been
there.
Even when you thought
you were climbing
you had already arrived.
Even when you were
breathing hard,
you were at rest.
Even then it was clear
you were there.

Not in our nature
to know what
is journey and what
arrival.
Even if we knew
we would not admit.
Even if we lived
we would think
we were just
germinating.

To live is to be
uncertain.
Certainty comes
at the end.

by Erica Jong

How swiftly the strained honey
of afternoon light
flows into darkness

and the closed bud shrugs off
its special mystery
in order to brake into blossom

as if what exists, exists
so that it can be lost
and become precious.

by Lisel Mueller

tonight I’m calling fearful souls
the peers of my tribe
there is chaos in the heart of stones we are casting
there is a lot of pain in unborn desires
we are trembling, we are holding our breath –
what does it mean to feel safe
we are dreaming and waiting
old mothers are screaming unheard
the tyrant is playing backgammon with God

I am searching for each of you in the safety of dawn
the beast with bottomless eyes is here
Inside
so difficult to grasp our soul
to endure this: a world of faceless people
we cover our eyes, mouth, hearts
bottomless eyes are smearing

the body as a battlefield
oh, we remember what we want to have forgotten
we collapse under the burden of our own fragility
the history repeats itself shutting down stories
so many stories of cancelled love

the slaughterhouse soul is too heavy
and I can’t remember the ancient joy and innocence
the simplicity of being
words have just exploded
and my heart is cracked open

and now I am afraid even of my words
of that which should not be named
the murderer of soul, dignity and poetry

I am afraid of staring into bottomless eyes
without my peers
without my tribe

Go into the woods
and tell your story
to the trees.
They are wise
standing in their folds of silence
among white crystals of rock
and dying limbs.
And they have time.
Time for the swaying of leaves,
the floating down,
the dust.
They have time for gathering
and holding the earth about their feet.
Do this.
It is something I have learned.
How they will bend down to you
softly.
They will bend down to you
and listen.

Laura Foley, from Poetry of Presence An Anthology of Mindfulness Poems

mama told me:
minodora, stop thinking about sam
when you go to the market
think of bacon, think of cabbage
be a proper woman
what would have been, i asked her
if beethoven hadn’t always had a bird
singing in his head?
yeah but beethoven, mama said
picking up the dust rag
and starting to clean the genius’s ears
and that’s only because i must
write about you
the same way i must sneeze
or yawn
i dreamt of you last night
you had a baby with a cat’s head
he was cute as a button
you were screaming your head off
‘come see what a tumbling rock
has to go through to reach a beautiful stillness’
it’s a big deal
when you forget to cross yourself
before going to sleep

Nora Iuga translated by Diana Manole and Adam Sorkin

Dear E. S.
poetry
is the world the human race
my own life
all flowered from the word
the transparent wonder
of a delirious ferment

When I find
one single word
in this my silence
it is hewn into my life
like an abyss

Giuseppe Ungaretti

Like this stone
of Monte San Michele
as cold as this
as hard as this
as dried as this
as stubborn as this
as utterly
dispirited as this

Like this stone
is my unseen
weeping

Death
we discount
by living

Giuseppe Ungaretti, 1916

your words like high speed winds
making noise on my skin
I put on a psychedelic lipstick
I take off the blue dress
(made in India)
- he tries new scores with
oxidized fingers
galvanizes the silence, the thirst, the dreams of the air-
I want to confess iloveyous louder
than the coffee machines. Louder
than the morning radio. Louder
than tram number 5.
life is what happens while
you stay, leave, come back and
redefine our melting point

I open the door,
you are there
with your carnival smile
and nothing prepares me
for this obscure truth:
imponderable I feel
when you say
my name my name my name

“The whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano key.”*

to O. F.

Maybe your soul is a kite right now
as I am writing on the kitchen table and
winter orchids are  earnestly blooming,
May you be peaceful in the final womb
Dostoyevsky wrote about you, the humble one -

There is a hole now in the shape of morning
I can't find you smelling pears anymore.
Only my eyes filled with dust over your casket
You hid your dreams so deep,
devouring oblivious dreams
She poisoned her milk and
that's how you learned to deny
all the streets you never went.
spring sun used to find you listening
to the solitude of trees, while the seasons were recycling your shyness.
Somehow you didn't notice the light slowly descending
into the green chaos, or just the old mundane hatred,
the embrace of a disavowing (d)evil.

- this poem could be full of the noisy blindness of life
of crushed dignity and helplessness
I want to find the right letters to write
only two impossible words: pure heart-

Farewell delicate soul,
You have died enough
.

You pass through light searching for me.
From the way you don't see me
not even when I take the shape of a cry,
I understand that your supreme triumph will be death.
Despair is an empty space
in which no one meets no one.
Despair is an autumn in which
the highest peaks are strangling each other.
Where can you be?
It's as though my days have slipped away
in a shrill season
of no one,
and no one can recall
what light flashed across their faces.

Carmelia Leonte from *City of Dreams and Whispers

Too many days come seek their past within me
I reach out my hand towards your face and it draws back.
I reach out my hand towards your heart and it stops.
I mustn't speak.
Who knows what secret code
what signals meant for death
I might disclose.

And your face.
And the vision of this hand.
And the way you're removing yourself.
And the image -
vertical as a scream.

Carmelia Leonte from *City of Dreams and Whispers

I used to love his dark T-shirts
such that
words in my language turned into hieroglyphs
nor, cer, dor
there were some dreams about
myself as a she creature
who didn't know the difference
between body and soul
endings and beginnings
his blood was unstoppable
foretelling my future
oblivious of all the serious things
like deserted crossroads, eager pensions or
sand storms on Mars

he promised my death to me
like a haiku:
more core less sore
happy woman
poppies in the wind

So then, let's take the Foraminifera.
They lived, since they were, and were since they lived.
They did what they could since they were able.
In the plural since the plural,
although each one on its own
small limestone shell.
Time summarized them later
in layers, since layers,
without going into details,
since there's pity in the details.
And so I have before me
two views in one:
a mournful cemetery made
of tiny eternal rests
or,
rising from the sea,
the azure sea, dazzling white cliffs,
cliffs that are here because they are.

Wislawa Szymborska from Here New Poems
translated from Polish by Clare Cavanagh

For the kids the first ending of the world.
For the cat a new Master.
For the dog a new Mistress.
For the furniture stairs, thuds, my way or the highway.
For the walls bright squares where pictures once hung.
For the neighbors new subjects, a break in the boredom.
For the car better if there were two.
For he novels, the poems - fine, take what you want.
Worse with encyclopedias and VCR's,
not to mention the guide to proper usage,
which doubtless holds pointers on two names -
are they still linked with the conjunction "and"
or does a period divide them.

Wislawa Szymborska from Here New Poems
translated from Polish by Clare Cavanagh

A gale
stripped all the leaves from the trees last night
except from one leaf
left
to sway solo on a naked branch.

With this example
Violence demonstrates
that yes of course -
it likes its little joke from time to time.

Wislawa Szymborska from *Here New Poems

Innocent mother,
Like a tree you brought me forth,
When you were praying for pardon
                                                   on your knees,
When unquenched fires were burning you
And the strands of life bound you
                                                    more tightly.

I was neither for you
                                         peace,
Nor the olive bough,
Nor against pain --
Sweet unbinding.
I did not understand how to bring wise answers,
Nails I nailed
                           into your palms, on the cross.

Blameless mother,
Passing mother,
Pallid light,
The thought pains me badly
And time does not give me relief.

Flavia Cosma from *Wormwood Wine

Speak to me of the wave of longing
That broke against you,
Pressuring your forehead,
Narrowing your narrow street,
Beating on your palms,
                                         America.

Your eyes remain unclosed,
Looking-glass and sea,
For the dream with claws.

Fairy bird,
arching bird,
Sweet enchantress,
Envied by throngs.

"And you who ask about me everywhere,
By now don't you know that I am death?"

Flavia Cosma from Wormwood Wine
translated by Don Wilson with the author

with carnivorous eyes without a center
he's secretly moulding the void from behind
too many interrupted gestures
he's afraid we're going to laugh at his naked ****
he has sensitive dreams and nervous fingertips
such is the pain not kidding that he starts misspelling
his name
passionate like a colt, like a murderous silence
he doesn't mind he is a fragment
waiting to be taken somewhere
beyond
to an unknown love

sit down beside me for a while
even if it hurts
there are packs of stray dogs in my mother's smile
nothing's gonna hurt my father's fists
darkness comes with soft paws and no affection after ******
they refused their bodies such
that I had to not lose sight of the corpse of morning
I caught my eyes simply falling
waiting for the birds of prey
to tell their truth in our cage
what does it mean, you know, to have a soul

sit down beside me for a while
in this impossibly empty room
our flesh needs words

portraits in sepia crowding the table
no mirror path, no sugar
we drink our coffee black
deserted roads are blossoming in our eyes
under the table - disgust
some well disguised hatred
dinner is never served
cause the cubists reinvented the atom
I stay by the window counting widow-days
wondering
how many motherless women
can teach their children what to say
to the never day

the skin of morning heavy
on windows, floors & mugs
blue-eyed wolves trace the scent
the fragility of life in indifferent forests
uncovered shoulders near the wind
slowly absorb the horizon, the new common sense
dozens killed killed killed
killed by bombs, cars,  trucks, guns, knives
hatred grows like mislettoe
the sky an endless empty whole
the same heresy errected with fresh blood

a winter born forgetting
some hands without fingers
some children cry
some wounds have no cover
the blanket of darkness sweet
hate grows like mislettoe, remember

it must be that
I woke up on the wrong side of the
moon hide tonight

If only, if only a small red fish would come
  show his golden eyes above the apathetic ocean and ask me
to make three wishes, to have three dreams I can’t come up with one

If only, if only the tides would come, burning
  to wash us off the shore, to take us, wrap us
and bury us like amnesiac seeds in its warm *****, its vast womb

If it came as an enormous face, a shining face
  to look us in the eye, to draw us into its blinding mirror,
to make us press our mouths to its vast lips, and into its huge blue eye
  retreat and rest...

If only, if only something, someone, anything, anyone would come,
    a ray of dark apocalyptic light, an effervescent narcotic toxin,
a new shiver, a new anxiety, a leap into a different world,
    if only there could be another man, another wisdom, a new thought
to think us all          to deliver us from ourselves, to abolish us

and we cease, universe, souls, if only we could endure the birthing pain

to sleep... die... sleep... to rise again into Imagination...

Magda Carneci from *My Cup of Light

this is my city, all mine.
the houses, transparent, have no doors
and i see myself inside them all.
i walk down the streets, the streets are alive,
they change shape, keep taking me
somewhere else.
i come to a bridge: the other bank doesn’t exist,
there’s nothing beyond the bridge.
i’m looking for the church, i can’t find it —
the church is liquid and it flows.
a few dogs are running towards the still-bleeding,
still-beating, heart of an angel.
it’s neither day nor night —
there’s only the fascinating ray of death, shining.
a huge word is hurled from the skies,
smashes us to pieces
me and my city.

**Gabriel Chifu

Its baroque eyelashes still obscured
By the vapid, nocturnal turmoil,
My city rises from sleep in the morning,
To the acrid smell of taverns
Opened too early,
Where garrulous, ***** drunks
Resume their heated quarrels.

My city awakens at dawn,
In the suave perfume of flowers clouded by dust;
Those tender, resigned cupolas, waiting
For the midday summer sun, to ooze over them.

Bent backs and furrowed foreheads,
Large crowds trotting on the sidewalks,
Greet each other absent-minded, on the fly,
Hurrying on, forgetting their pitiable heritage, their history,
When, thirsty for blood, their ancestors,
Greedily slaughtered each other,
―In the name of mother country and of different Gods―,
Under the shadows of rival cathedrals.

It took me a long time to be able to discern
The time corroded voice of my city,
But today I understand its madness and its error;
I cross it lovingly, with a lithe step,
And I am saddened by the sight of lifeless, white kittens,
Lying on the pavement, snuffed out by the spirits of the night,
Red poppies blossoming from their muzzles,
In the morning light.

Flavia Cosma from * Bucharest Tales

we knock on the doors for them to open, to
let us out, but those on the other side don't hear us and
they too knock on the doors for us to open and let them out
and when they open it's ourselves we bump into
but we don't pay attention to ourselves and we say we want out
and they say we want in, don't take the door away with you,
we wouldn't have anything to open on the way out,
there would remain a blank spot in the wall,
we won't find any way to get out.

Ioan Es. Pop** from *The Livid Worlds

forests remain, farther and farther away from us.

only streets, houses
accompany me
like a fingernail on an exhausted hand
wherever i might stop, everywhere,
pain is my compass

always, along this way

forever unwalked
given back to me

the scent of roses in the garden
the waters flooded long ago, belated
tenderness, time
besieged by
time

everything goes by so easily.
life. so easily
was i
forgotten

Andrei Zanca  from *My Cup of Light

This sacred sadness of the clouds
painted on the window pane.
This end of a century
splashed all over the walls!
The evening flowing down streets like heavy water...

...Who opened these windows in our foreheads,
who built these
secondary doors in our chests?
I walk inside me as if in a diseased season.
I hear mother’s voice from beyond the dark wall:
Why are you here,
why have you come back?
Go, out with you while there is still time.

I hear my elder brother’s voice as if muffled by water:
Get out of this light as soon as you can
and leave me alone
to breathe in my own shadow...

Whose faces are preserved here,
in this putrid evening light?
What season are a thousand
cut-off heads waiting for?
Whose arms will be sown in the field,
whose teeth will grow in the grass?

I walk across myself as if I were some strange season.
With Yorick’s skull in my hands, I wonder:
If I have reaped
where and what was it I reaped?
And if I harvest, when, whom am I harvesting?

**Nichita Danilov

this pain in the middle
spinning, dividing, spinning
there are two points of him

he howls in my dreams
with cold hands in transcendental spaces
like a long absence in an imaginary present

his eyes - two black boxes
recording all the right data
everything more real than necessary
performing the body with toast sensations

he pauses naturally in the dark room
the man with the moon
swallowed
in his heart

feelings
like lizards

like she-wolves
with their eyes of ember
in the dark

motion arrested
waiting for the mind to reach
its hypnotic body

**Ioana Ieronim

forehead to forehead
and closed eyes

so close that we fall in place
like folds of silk
like folds of wool

like our flesh that knows so much
and can so much
forget

Ioana Ieronim from *Ariadne's Veil

Poems like bread, you say
rough and sweet
like the bread for those
who plough and harvest

bread like home
bread like far from home
the bread of communion
of survival

bread to feed silence and darkness
feed the beast’s hunger for beauty
and blood

wisps from Ariadne’s ball of red fleece
poems
across the void

their promise
their echoes that keep us walking
in the dark

Ioana Ieronim from *Ariadne's veil

A sound is lying between my sight and my hearing,
mornings strung astray,
noisy, lonely streets, indescribable,
only posters ― whole or torn
of some extraordinary concerts, long forgotten ―
in which lustre of the world? ―
autumn has come over the botanical garden,
her trellises have forgotten to support any leaves,
she is singing herself to me in my eyes
in one poem.
Diligent, my heart surrenders to an elegy
like that thought descending from Rainer Maria Rilke.

Gellu Dorian, from *It might take me years

I must confess to you that the death problem
made us sweat:
Our old school teacher,
Miss Barnovski,
whom we used to call the Duchess,
set us two enigmas — you and I.
She wrote on the blackboard — it was a splendid autumn
afternoon —
the radical of you plus the radical of I
is zero, and got out of the classroom
leaving us alone with our queerest thoughts.

Nichita Danilov, from *It might take me years

I meant to write another poem
but time's corkscrew drills
the ribcage
my dreams are acid
the thought - a decayed staircase
don't know what I want to say
Future seems a forgotten poem
gravitation is not a joke inside the bones
I should have learnt to respect you,
death

longing creates canyons
a row of well behaved days
a new physiognomy for metaphors
the night has paused
no semiotic skin between me and my lover
ecoutez-moi
listen to the spaceless desire
this woman lost in me
my womb chimes, utopia
Unlimited

We, the rescued,
From whose hollow bones death had begun to whittle his flutes,
And on whose sinews he had already stroked his bow-
Our bodies continue to lament
With their mutilated music.
We, the rescued,
The nooses wound for our necks still dangle
Before us in the blue air-
Hourglasses still fill with our dripping blood.
We, the rescued,
The worms of fear still feed on us.
Our constellation is buried in dust.
We, the rescued,
Beg you:
Show us your sun, but gradually.
Lead us from star to star, step by step.
Be gentle when you teach us to live again.
Lest the song of a bird,
Or a pail being filled at the well,
Let our badly sealed pain burst forth again
And carry us away  -
We beg you:
Do not show us an angry dog, not yet -
It could be, it could be
That we will dissolve into dust
Dissolve into dust before your eyes.
For what binds our fabric together?
We whose breath vacated us,
Whose soul fled to Him out of that midnight
Long before our bodies were rescued
Into the arc of the moment.
We, the rescued,
We press your hand
We look into your eye-
But all that binds us together now is leave-taking.
The leave-taking in the dust
Binds us together with you

**Nelly Sachs

Autumn eats its leaf out of my hand: we are friends.
From the nuts we shell time and we teach it to walk:
then time returns to the shell.

In the mirror it's Sunday,
in dream there is room for sleeping,
our mouths speak the truth.

My eye moves down to the *** of my loved one:
we look at each other,
we exchange dark words,
we love each other like poppy and recollection,
we sleep like wine in the conches,
like the sea in the moon's blood ray.

We stand by the window embracing, and people look up from the street:
it is time they knew!
It is time the stone made an effort to flower,
time unrest had a beating heart.
It is time it were time

It is time

**Paul Celan