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India Chilton Jan 2012
The wanderer takes a bow at sunset as if it were his own creation,
The darkening wisps of light and color painted across the sky by the brush tucked behind his ear,
The paths twisting through the trees below him a manifesto wrought from his tired mind,
The nightingale’s twilight salute a symphony played to his ears alone.


Night comes, and he lets the hours slip through his fingers
as he searches for the secrets buried at the bottom of the bottle clutched so tightly between them.


He watches the moon travel across the sky,
Wishing he could travel at its speed,
God’s speed,
A speed that would set him apart from every other man with a pair of boots and a lonely heart.


His mind is a poem unspoken,
When he breathes he sees the wind as if it were filling the lungs of the earth,
Giving life where there was none,
Bringing words to the back of his throat where they shimmer and shake and disappear,
Leaving their watery reflection in eyes that dance with a youth lost to the tired lids that close over them.


He watches water crawl across stone
Boring holes in the sides of mountains
Yet his feet leave no trace behind him as he travels
Though he feels them burst with the power he wishes his heart contained


In a world measured in centuries he is the ghost of a moment passed,
The remnants of a smile still tattooed on his blistered cheeks.
He has long since buried his morals alive in the coffin of society,
Hammering in the nails like offerings to a dead king.


I met the wanderer once as my thoughts followed his well worn path to places neither of us would ever reach,
To the stars that gave birth to god in the hearts of men whose minds lied open like blank pages
waiting to be filled with words they were too frightened to call their own.


He walked into my mind as if into the arms of an old friend,
No more a stranger than I to the ebb and flow of my nocturnal being,
Nor to the stream of consciousness that runs like blood through its veins,
Twisting and turning and throwing itself into the night from which it came.


He stood on the lofty precipice of passion,
Searching for something to hold on to,
But the lantern that he held like a child in his arms cast shadow on that which he wished most to illuminate.


Morning came, and the wanderer took a bow at sunrise as if it were his own creation,
He turned his back,
Took with him the night,
(his sole companion),
And I, caught in the storm of his thundering wake, watched him go,
As he had come,
In silence.
India Chilton Jan 2012
I wanted to fly
So I drew wings on my shoes
I took your hand
And rode the wind to Olympus
We bathed in lightning
Like rain
There were no living gods
Just a mountain
An empty face of rock
Until we took a knife
And carved our lives into it
We took off our boots
And grew them like flowers
You became my wings
Unmeltable
In the moments before dusk
When the whole world aches
To hold on to its color
And your words wash over me
Like waves
Smoothing out the rough spots
Softening my skin
Leaving their salty taste
Long after the midnight winds
Have dried them
We wrote new myths
To heal the old
Stitching together the scraps
The forgotten pieces
With the thread of our existence
We burnt them on a pyre
So people would believe them
So our thoughts would bridge
The darkening distance
Between people who think
The heart is a muscle
And those who think it’s a prayer
We grew so big
That the Abyss stood
At the edge of our book
And jumped
To end its resistance
You became my wings
Unsinkable
We jumped too.
India Chilton Jan 2012
Blossomed darkness unfolding
breeding death like gold wings
melting
burning hours like candles
in abandon
this is not a note left waiting-
that paper's turned black and crumbled
commitment flushed and taken
five months I wrote upon it
carved into that fallen tree
till winter's arson took
warmth, breath, and weakness
howling desire to the wind
a broken carriage flying
still strong enough to carry
sound,
or silence maybe
whichever rings loudest
bells of steel and stone
charred remains
my naked bones
my surviving frame
serf to stagnant violence
left to regrow a body
that can walk the long road home
India Chilton Jan 2012
I walk down the pier,
All sea-salt dreams and hand-spun darkness
The buildings are bent from the wind
As are the people inside them
But it is voluntary,
So they still appear strong.
A man sits on a corner
Wearing only his clothes and half-moon smile
I think he must have been born
Before the flood took Kwakwaka’s voice
And thunderbirds were more than midnight cries
Of feathered laughter on the Chinook
I think he must know that for which I search
He calls me over to his barnacle throne
And says in a black-bear voice
“If its fish you want,
Be here before the rain
That comes on the heels of daybreak
And buy from the man with the golden tooth,
His fish are good
And his hands honest.”
That night I dream of lighthouses
And the way the stairs wind like a promise
Out of the toss and turn of the night
And the way they hold boats and the men inside them
All those tangled strings
In a fist of yellow light
And the way that light becomes a phoenix
To those who choose to give the land a second chance
Or a third, when the sea proves more fickle a friend
Than the women who have given up hope
Of being more a lover and less a lion
Than the blue-dress lady with a red-dress song.
At daybreak there is a black bear at a fish stand
His arms are laden with bodies like silver coins
I know he does not fish for wealth
Besides that of the wisdom brought
By knowing your home and purpose.
I think he must know that for which I search
He calls me over
And says in an old-man voice,
“If its love you want,
Be here before the sun
That comes on the heels of the breaking tide
And watch the one true glory of the earth
Give birth once again to forgiveness.”
I believed what he said because I could still see
The sunrise reflected in his eyes
Like a prayer.
At dawn there are two figures on the horizon,
Hand in hand,
Brothers maybe,
They jump into the breathing chaos
Of the still-dark waves
And become the fish that beat in their mother’s chest
Become her heart and her blood,
Her veins and
Her children
India Chilton Jan 2012
I.  Father
A folded spiral delicately assembled, nestled in modernity feigning a place in nature. Round and round her made and found ingredients turn, creating a circle whose beginning and ending sit so close that they almost touch. Her circle extends far beyond the nest she is building, extends without shifting into her mother’s laden cycle. Bird, earth, man; at the extremities of their existences they are separated no longer. The old man’s limbs sit heavy, their frailty relieving them of the weight of gravity that had, in their youth, banished the wind. Quietly he sways, lost in the rhythm of terrestrial orbit that seems to beat louder with each passing day. I see the thoughts move about his stoic face, like midwinter ice-skaters whose tracks become his wrinkles and whose unraveled scarves are caught in the same current that graces his cheeks like a kiss. I think he must have found the answer for which I am still seeking the question. I think he must know that the feathered ***** of native energy that speed like backyard bottle rockets through the air and pull worms like loose threads from the fabric of our mother’s coat will see morning’s glory blossom, and drink of its sweet nectar, and that he will become those flowers and breathe their roots up from  humid soil. I do not know where he goes when his eyes close like the wooden shutters that will soon be taken from the old brick house’s covered windows to close over a more somber cradle. I know when I mimic his tacit gesture I am in the singing robin’s nest at which he so tranquilly gazes, crying to the universe from the raw cords in my fragile neck for nourishment, for some magical substance, some divinely instructive stardust that would explain to me why the leaves shake just so and why, when our brilliant star hides his smoldering stare behind curved lids, I follow suit. I am new and unrefined and awake, and I can count the days of my existence like my still-wet and vital feathers that are too young yet to catch the wind. In this place God is a burgeoning emotion in my chest that speaks to the earth’s fertility, an abundance fed by the bodies of her fallen children. I am all of this and I know that in truth the old man thinks of nothing but the glowing atmosphere that fluctuates in both temperature and hostility, but is, at this moment, swaddling his broken form like the arms of a mother he will soon reclaim. The still branches of night are so laden with stars that they threaten to snap and come crashing down on the planet that sees them only as the ripened fruit of cosmic energy. Out of the night the emancipating wings of my consciousness flourish and are carried on stronger tides to see human expiration as the agent of enduring rebirth. Flight of body and soul bridge the gap between what was and what will be, closing the circle and guiding my solemn realization to fruition. The old man sleeps amidst a shower of home and sweet ****** bird-song. The wind that fails to wake his aged form smells like beginnings.



II. Son
The man is an ocean. He is reaching out to distant shores, spreading himself so thin at the edges that people can’t see where he ends and his country begins. The boy is a buoy, caught in a tide that never stops to wonder about the things it is moving. Buoys trust the ocean because they have to, they never had a choice. The two stand soul in soul at the crossways station of anticipation. The boy is silent. “He must know the way”, he thinks. “We’ve fought this war before. It was in a dream I had. I wrapped your arms around me like a cape and gravity couldn’t tell us what to do anymore. It was raining, I thought. Now I think those might just have been your tears coming back down on me. When gravity returned that was the first thing it took. It was so easy to cry when we could pretend the distance was only physical.” In this hub of passing voices and trans-Atlantic potential fear is a wide-eyed monster pretending to be a saint, wishing to be a child.   boy leaves Siddhartha’s white and glowing temple. The temple is surrounded with iron birds like transformers let loose from the pages of his comic book, rolled and folded like a hammer in his fist. His mind is an iron kettle whistling in the dark. His changing voice walks miles with words like his father’s back pocket bullets, shouting “I loved something once. Its name was a feeling. Its hands were the way the wind feels when you’re far from home. Its loneliness was a stone tower that I’m still trying to climb.” He sings an ode to a modern ocean, oily verses of pollution and corruption sinking morals like ships to be consumed and reborn to a better earth. He calls it a lullaby. I did not hear the last note played. His father forgot to sing it before his heels turned towards the old continent.

III. Spirit
Broken colors, reassembling, slow as the breeze that wanders and mocks the stationary world. I’m caught in a metamorphosis of mind, dancing a waltz of confession towards reality. Faces have faded, have bloomed from myth to speak in mortal voices, though their tongues be made of steel. Clouds of dust, caught in stray rays of northern sun, hang low over the aquatic murk, the impenetrable field of elemental strangers, and through them appear two figures. The first, his shoulders a bit too hunched and his gait a bit to staggered to be of this last generation, traces the perimeter of the pond with a studied poise; the latter figure comes into focus as he approaches the shore. I hear him calling, asking. I know he is asking even if the language he speaks is a foreign one. He pulls from under the surface a log, bent and creased like the aged arm that reaches out to assist. I am a ghost. I observe but rest immobile as if I am alive only in essence, existing for a moment in the corpse of the past. A fly on the wall whose chiseled stones tower over this piece of eternity. There is so much of forever piled within these walls, and in a desperate search for meaning I am left to drift away on waves that crash miles above this fortress of sand and early-summer expectance. The two continue, the boy taking two steps for every one of his grandfather’s. The possibility is never brought forth that they will reach me; I am not a part of the scene unfolding, I do not hold a piece in this game. Still… the wind coaxes the breath out of my silent lips, left powerless by the immensity of the incommunicable. I’ve forgotten the boy, forgotten his red jacket and his boots that slap the mud and his legs that propel his body up and down just to hear the sound the earth makes when he lands. He is beside me. I know this like I know the location of my own two feet, currently sunk into the shaded conglomeration of dirt and fallen leaves that makes up the bottom of the inky pond. I turn and for a moment wonder if he can see me, for I am but a ghost in most modern senses of the term. But he doesn’t know that- he has yet to see death or destitution. He knows nothing of ghosts, and therefore sees me clear as the blue eyes through which he looks in wonder. Those eyes! How could I forget their inquisitive stare, whose innocent gaze stole from my image all that it could not accept, all of the melancholy reflection and grief of which it knew not. Long and long he stayed unblinking, tugging on loose threads of my being, ever unaware of their significance. Somewhere by the path-side, under trees that bow and sway his grandfather calls- his voice is heavy with a familiar tone that I am unable to identify, like the call of a bird whose name you remember only when you are asked to recall it. Old and young part, hands intertwined in their forever-dance of humanity, playing games with age and expiration, laughing at the distance as if it were only there to make the known road less hospitable. The world is still. I am a spirit, no longer a ghost, rid of darkness, at least for the time it takes to refill my lungs with the gold-spun fabric of the universe, all bluebells and stardust at this moment and forever, and exhale away.
India Chilton Jan 2012
Love is a dress you wear in the morning to dance in when nobody can see you
It is a forgotten fable, the only true legend
Love is the ringing in your ears that persists hours after you’ve gone to rest
Love makes minstrels of men in cages
Praise taken for genius
Love is a double-exposed picture of superimposed desire
Cyanide gone straight to single souls
The loved speak a language untouched by most
We the free, the kinetic word breakers and blind sea-makers
Hold jealously the cards of our post and presumption
The circean appeal of fidelity
The pomegranate hung on wormwood bough
The household gods of tradition
Becoming the malefactor of the love we first wanted
The truth is that love is the lorn gift of circumstance
A mystery imposed on righteous fools
Love is nothing that I could write in such dark and fixed ink
India Chilton Jan 2012
Hey you
You on the corner of space and slow time,
With the Wednesday smile that looks like you stole it from a prankster
Are you for real?
Or are you that sidesteppin passerby
Who took two steps off the sidewalk and one into me
Took a knife to the inside of my skull
Wrote down a life I forgot wasn’t mine
Cause sometimes I’ll admit I can’t tell the difference
I’ve been throwin baseballs of the back porch of my soul
Since the day the monster under my bed grew teeth
Hoping for someone to catch up catch them and catch me too
I’ve been running since the day I met God on the banks of a backwards river
Spinning this world like a record played one too many times
Sk-sk-skipping across all the riffs we used to glide over like it wasn’t a sin
He and his pals foolin us for the fun of it
Burnin a driftwood fire just to watch the colors change
I traded in my bibles for a pawn shop prayer
Cause everyone knows that bookstores are just pawn shops
For ideas that people were too drowned to keep on drinking
To keep on keeping


Hey you
Imagine we became all the words we breathed
Out of fairytale pages turned cigarette papers
the night you became a constellation
Us, riding a magic carpet woven from strings
Stolen from Fate when she wasn’t looking
I’d never been one for shoplifting
But that night we made off like barefoot bandits riding on a broken hymn
With nothing but chains of laughter round our ankles
I, the night dancer and you, the day singer
And we two seeing both sides of the moon
Sing me the song that day sung the first time she realized
That the night was more than a coat her dad told her to wear
Because it was raining
The universe ringing with the words of convenience store philosophers
Things people are too scared to write anywhere but on the walls
Of public bathroom stalls so far from the city that
Blackberry picking still involves thorns
I wished I was an ant so that I could carry
Things that were bigger than me without breaking
So that my biggest worry would be microscope lightning
It wouldn’t matter if you only wore your turban on nights so cloudy you thought God couldn’t see you
Cause when’s the last time somebody judged an ant on their headwear?


Hey you
Sometimes when I’m with you I mistake myself for a queen
And right now I’m ruling these words shamelessly
My subjects whose only job is to grow fields of sunflowers in December just for you
Let it sink in
Let it be known that my physical transition fails to interrupt my meditation
That I’ve never known a dream that did anything but embroider the ether
The air between us quit smelling like a cinderblock romance
Your hands a kinetic ignition to my saltwater synapses
That connect in double-time to the electric current runnin from your heart to mine
If you’re just some sidesteppin passerby that took two steps off the sidewalk and one into me
It’s too late cause I’m dreaming of you like pumpkins in spring
I already burned down my fortress of forget-me-nots
When I tried to write your name with a side-split matchstick
I can still see you amidst a mountain of ceiling tiles and plywood floors
Closed doors that I knocked down because they wouldn’t open
You are a brick
I have no shovel
I have hands
Will you take them?
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