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The photo reminded her of bruised fruit. Well first and foremost:fruit.
Her body, curled around itself, sheltering the fibrous crunchy pit of her, her body white and frayed looking, rounded buttock, calf gently sloping, feet modest, willowy toes toenails like shale
face blurred, questionable dark spots where her eyes could have been. they closed as the shudder buckled, her mouth sagged open, lip lolling to one side, brow ancient furrowed like folds of sand nudged by a lazy tide.  None of it concise, only guessing. Her knees brought up, squeezed against small  
crunch-able chest. Full, heavy with pulp (stringy sweet, what snags on the teeth) but what if it were to fall from an appreciable height? Filmy is the flesh. Daring the looker to look closer, see what mite be hidden there.
Ripe:questionable. Sweet like nothing, pouring from the corners of a mouth: what a bite it would be.
That first bite.
The bruising comes in when she thinks of the brain beneath, that open, limitless figure so pale and forefront and brimming with intent, so crush-able with careless fist, so lovable with thirsty mouth. But what of the mind that put her before you, that turned her vulnerable, shameless, open for discussion?
Put her before you. naked.
this large empty bed seems like
a c r e s wide     without you here in it.
I want to hear you laugh
and taste cream cheese wontons
on your tongue.
and when we wake up, you will smell musty and sour
like our tent of *******
always smelled

         I want to hear the funny nose whistle you make
I need to clutch at your
chest and gasp

                                              beg you
                                                   for release



but for now i will lay
naked, alone
in my football field nest of pillows

and dream, sleeplessly
of your sweaty brow
If i had another glass-- but it’s supposed to last until monday
then i’d fill you full of words-- even if i must drink it on friday
and sip down the spout each flux-- you’re right, that is a bad metaphor
i wish you’d pour it for me-- but into the drain, my mouth
and salivate, “salve,” Elmira.
You’re leaving so soon? But i had an empty carton and a bowl
of cereal.
i’m saying
a sandwich without bread-- STAY!
I can’t make you, and not even if i wanted to
could i hold you-- with my shaking hands
the bottle tips-- it’s monday again
and the blazer stays ahook.
maybe our cask stays empty.
maybe the wheelbarrow full of earth.
and who knows-- when’s the next time that i’ll see you?
MMXI
She is as lines to Bauhaus, oblique
In category yet commanding in form;
Her mind a pool of wealth and Grace,
Allusions to illusions, omega to
Alpha’s strongest gaze. I stand
Failed, distraught, lacking the
Dexterity of voice to call her name,
The temerity of will to regain her fair
Charms and affirmed charisma.
Lost I am within a cascade of
Superlatives and tribulation.
Were only she to have conquered
My mind, I would be of sound spirit to
Elicit some tempered comprehension;
Yet alas, I have been taken in soul
And I can do naught but wait
To see if she will one day return.
Remnants of firecrackers litter parkgrass, splitting seams once encasing them;
exposed twine ribs attached, stretched out beneath shade like sunken reliquiae
dashed against the earth, as freedom is, withered paper husks abound.
What explosions in the sky were heard
above the quietus of patient submission?
Tracing the dotted white clouds to our horizon with thread and colored cloth,
held breath until nighttime, expelling then
-- as wind does each languishing puff of smoke--
from our lungs, sordid smells of Summer; vanquishing the past.
Isolating each other, like memories on kodak prints
we separately cling to that sleek filmy acquaintanceship of proximity and hue
-- disavowed pariahs and hearts lit anew.
Fused inside one sallow skull-box, which doubled once for holding shoes, we linger.
Ideas, impulses and infringements on the eye, until-- once--
bound, unbroken, encased and unspoken,
our ribs unwind with dew-- after,
unstitching seams outlined from heaven and inundating visions with brightness
we descend.
Violent fumes of childhood intercede amidst our shaking fuses lit.
--and BANG!
MMXI
Conscience, consuming.
My stomach has turned inside
and in on itself.

My eyes have rotted
and reduced to such lifeless,
stationary orbs.

Today is the day,
I ***** my weaknesses
to teach myself strength.
© Kayleigh Redwine May 23rd, 2010
Written as a Haiku sequence.
01.* It gets easier
      to look back and think "he was
      a **** anyway"

02. Sun spots dance in drops,
      Mom sings over the vacuum.
      Don't nap for too long

03. I think this is my
      favorite time of the day.
      Lake twilight serene
I'm becoming sort of obsessed with putting my thoughts into haiku. But it helps me keep things short and sweet and forces me to get down to what I really want the poem to be all about.
Man that makes me sigh,
the man
a-dult? young adult
mature-something, growing up?
and me, little girl, but
(god forbid he does not
let me know i am "good")
how loved? what love?
i am feeling overpowering
but simple pure
disgust
as a sorrysomething in my throat.

it is all of you that's left
and now i could never love
it is the man i hate
with a sickness,
swelling passion
and I am not your friend.

gone for always is the
boy-
wonderful:

oh however so i
once
admired him.
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I am bad with words and my head is a mess. Here, I am trying to explode into something I can be proud of.
It's not really working.
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