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 Dec 2013 Harold Bracy
Elise
Clumsy
 Dec 2013 Harold Bracy
Elise
I don't know how to tell you
I have a scar in the shape of a backwards L
from trying to paint words upon my skin
on my left knee
and I don't understand why it is backwards because the
o v e is entirely intact
but mistakes happen
and maybe I was crying too hard to see
clearly
you weren't there to witness it
it was so long ago
I don't even remember the day
I tripped and skinned my knee
I tripped and skinned by heart
and now they both
spell out the same word
(just maybe a little lopsided)
_|ove you
 Dec 2013 Harold Bracy
Elise
Voices
 Dec 2013 Harold Bracy
Elise
and when I die
compose a symphony in my voice
transfer my soul into a violin string
and my heart into a timpani drum
as long as I can be heard I will never be
truly
gone
you told me once you would name a gun after me
if you stumbled across one that spoke in my voice
and if you can hear my name in a gun shot
you can find it again in a broken chord on a piano
because
I used to be a composer
but every melody was about you
people rest in sound waves
and it's time I was found again
just like I found you

and when I die
bury me in sheet music
and leave me under the concert hall
so that I will never go without
music reverberating through my bones
I've been told my eyes are gold
if you look at them in the right light
but if you gave me room to breathe again
they might become the color of the land
I am rushing over
in bass line
one that you created
with your own two hands

and when I die
and you hear what you have created for the first time
I hope you fall to your knees
in a spotlight
on the stage you stand
because you have just realized
that I am more alive now
than I was when I was breathing

and when I die
I will not really be dead

now will I?
eventually I will be dead, but never gone
never gone
Being your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do, till you require.
Nor dare I chide the world-without-end hour,
Whilst I, my sovereign, watch the clock for you,
Nor think the bitterness of absence sour
When you have bid your servant once adieu.
Nor dare I question with my jealous thought
Where you may be, or your affairs suppose,
But, like a sad slave, stay and think of naught
Save where you are, how happy you make those.
    So true a fool is love that in your will,
    Though you do any thing, he thinks no ill.
 Nov 2013 Harold Bracy
Elise
There must be something
heartbreakingly beautiful
or
wild
or  
brilliant
about sadness
that I am not privy to
for my body
simply cannot seem to get enough
pain is a terrible addiction of mine
All through the woodwork lesson
and through a double dose of maths,
he thinks of her, the kiss on the sports
field, the brushing of his lips on hers.

He'd almost cut his finger on a saw,
being preoccupied with thoughts of
her, her eyes through glasses, the
innocence of lilies about her, the way

she looked so surprised, he having
kissed her.  Not planned, no he didn’t
plan the kiss, he was just going to talk
with her, get to know her more and

better, when the impulse to kiss, over
came him, as if some rarely seen fish
of the sea had drawn him into depths
he'd not known. He sits on the school

bus, got on before she had, looks out
the window, shy of seeing her, now
wondering what she'd say after that
kiss, her reaction. Trevor says softly

something about the Frump, he doesn't
turn, looks at the kids waiting to get
on the bus, excited, engaged in their
conversations, laughing. He is aware,

that she may be on the bus now, he is
so self obsessed, he can hear his heart
beat, thump through his chest. Trevor
next to him, talking across the aisle,

says something about her, but he isn’t
listening, stares out. He feels as if he's
under a microscope, eyes gawking at
him, words around him. Maybe others

saw the kiss? He didn’t think about that,
never gave it thought. The radio is on,
the music blares, some one is singing
about love and missing her. He relaxes

as the bus move off, senses no one is
aware of the kiss, no talk, or chatter
of it. Even Trevor, who is the vanguard
of gossip, says nothing about that at all.

John is aware she sits across the aisle,
a little bit back. He could possibly see
her, if he glanced over the top of his seat,
but he doesn't, he looks at the passing

scene, trees, hedges, fields, cottages.
He tries to calm his beating heart, the
thump seems almost audible, as if
the whole bus can hear its thump.  

He closes his eyes and thinks of her,
the lips kissed, the eyes behind her
spectacles, her mouth, the way her
words were stilled by his kiss, were

drenched in her ****** mouth; he had
touched her, too. His hand had soft
touched her arm, drew her body closer
to him. She smelt of countryside, air,

and hay and fields. Her lips there were
feather soft; he could have slept there,
lay there, brushed the lips, as if a red  
butterfly had landed, sought refreshment.

He reruns the kiss, in his head, plays
it over and over. She is there just across
the way; he can almost sense her eyes
on him, like feelers reaching over the

seats to touch him. He opens his eyes,
Trevor has football cards in his inky
hands, he talks of this player and that,
that football team and this, but all John
can think on is the butterfly landing kiss.
 Nov 2013 Harold Bracy
Elise
This morning
Outside my window looked like loneliness
6:58 am was a letter sent out to the darkness
"I wish you were here"
was written in the fog

I pretended it didn't look like the smoke
you loved to inhale
"I hate people who love smoke, because they love it for the wrong reasons"
"Which are?"
"They love it for memories, I love it for smoke itself"
I am guilty
I can't get enough of you to fill myself.

I am being myself for halloween
but no one ever guesses
I suppose I haven't perfected the art of adequately becoming a physical abyss

Inside my window looks like loneliness also
but we don't talk about that

Now that you're gone
I wrote this on halloween/the fog turned into rain clouds
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