“Call it not love, for Love to heaven is fled
Since sweating Lust on earth usurped his name,
Under whose simple semblance he hath fed
Upon fresh beauty, blotting it with blame;
Which the hot tyrant stains and soon bereaves,
As caterpillars do the tender leaves.

“Love comforteth like sunshine after rain,
But Lust’s effect is tempest after sun;
Love’s gentle spring doth always fresh remain,
Lust’s winter comes ere summer half be done;
Love surfeits not, Lust like a glutton dies;
Love is all truth, Lust full of forged lies.

“More I could tell, but more I dare not say:
The text is old, the orator too green.
Therefore in sadness now I will away;
My face is full of shame, my heart of teen;
Mine ears that to your wanton talk attended
Do burn themselves for having so offended.”

With this, he breaketh from the sweet embrace
Of those fair arms which bound him to her breast,
And homeward through the dark land runs apace;
Leaves Love upon her back deeply distressed.
Look how a bright star shooteth from the sky,
So glides he in the night from Venus’ eye;

Which after him she darts, as one on shore
Gazing upon a late embarked friend,
Till the wild waves will have him seen no more,
Whose ridges with the meeting clouds contend;
So did the merciless and pitchy night
Fold in the object that did feed her sight.

Whereat amazed, as one that unaware
Hath dropped a precious jewel in the flood,
Or ’stonished as night-wand’rers often are,
Their light blown out in some mistrustful wood;
Even so confounded in the dark she lay,
Having lost the fair discovery of her way.

And now she beats her heart, whereat it groans,
That all the neighbour caves, as seeming troubled,
Make verbal repetition of her moans;
Passion on passion deeply is redoubled:
“Ay me!” she cries, and twenty times “Woe, woe!”
And twenty echoes twenty times cry so.

She, marking them, begins a wailing note,
And sings extemporally a woeful ditty—
How love makes young men thrall, and old men dote;
How love is wise in folly, foolish witty.
Her heavy anthem still concludes in woe,
And still the choir of echoes answer so.

William Shakespeare

She looks upon his lips, and they are pale;
She takes him by the hand, and that is cold;
She whispers in his ears a heavy tale,
As if they heard the woeful words she told;
She lifts the coffer-lids that close his eyes,
Where lo, two lamps burnt out in darkness lies:

Two glasses where herself herself beheld
A thousand times, and now no more reflect;
Their virtue lost wherein they late excelled,
And every beauty robbed of his effect.
“Wonder of time,” quoth she “this is my spite,
That thou being dead, the day should yet be light.

“Since thou art dead, lo, here I prophesy
Sorrow on love hereafter shall attend.
It shall be waited on with jealousy,
Find sweet beginning but unsavoury end;
Ne’er settled equally, but high or low,
That all love’s pleasure shall not match his woe.

“It shall be fickle, false, and full of fraud;
Bud and be blasted in a breathing while,
The bottom poison, and the top o’erstrawed
With sweets that shall the truest sight beguile.
The strongest body shall it make most weak;
Strike the wise dumb, and teach the fool to speak.

“It shall be sparing, and too full of riot,
Teaching decrepit age to tread the measures.
The staring ruffian shall it keep in quiet;
Pluck down the rich, enrich the poor with treasures.
It shall be raging mad, and silly-mild,
Make the young old, the old become a child.

“It shall suspect where is no cause of fear;
It shall not fear where it should most mistrust.
It shall be merciful, and too severe,
And most deceiving when it seems most just.
Perverse it shall be where it shows most toward,
Put fear to valour, courage to the coward.

“It shall be cause of war and dire events,
And set dissension ‘twixt the son and sire;
Subject and servile to all discontents,
As dry combustious matter is to fire.
Sith in his prime death doth my love destroy,
They that love best their loves shall not enjoy.”

By this, the boy that by her side lay killed
Was melted like a vapour from her sight,
And in his blood that on the ground lay spilled
A purple flower sprung up, chequered with white,
Resembling well his pale cheeks, and the blood
Which in round drops upon their whiteness stood.

She bows her head the new-sprung flower to smell,
Comparing it to her Adonis’ breath;
And says within her ***** it shall dwell,
Since he himself is reft from her by death.
She crops the stalk, and in the breach appears
Green-dropping sap, which she compares to tears.

“Poor flower,” quoth she “this was thy father’s guise,
—Sweet issue of a more sweet-smelling sire—
For every little grief to wet his eyes.
To grow unto himself was his desire,
And so ’tis thine; but know, it is as good
To wither in my breast as in his blood.

“Here was thy father’s bed, here in my breast;
Thou art the next of blood, and ’tis thy right.
Lo, in this hollow cradle take thy rest;
My throbbing heart shall rock thee day and night.
There shall not be one minute in an hour
Wherein I will not kiss my sweet love’s flower.”

Thus weary of the world, away she hies,
And yokes her silver doves, by whose swift aid
Their mistress, mounted, through the empty skies
In her light chariot quickly is conveyed,
Holding their course to Paphos, where their queen
Means to immure herself, and not be seen.

William Shakespeare

Hark! hark! the lark at heaven's gate sings,
And Phoebus 'gins arise,
His steeds to water at those springs
On chaliced flowers that lies;
And winking Mary-buds begin
To ope their golden eyes:
With every thing that pretty is,
My lady, sweet, arise!
Arise, arise!

William Shakespeare

An Exhortation

Chameleons feed on light and air:
Poets' food is love and fame:
If in this wide world of care
Poets could but find the same
With as little toil as they,
Would they ever change their hue
As the light chameleons do,
Suiting it to every ray
    Twenty times a day?
Poets are on this cold earth,
As chameleons might be,
Hidden from their early birth
In a cave beneath the sea;
Where light is, chameleons change:
Where love is not, poets do:
Fame is love disguised: if few
Find either, never think it strange
    That poets range.
Yet dare not stain with wealth or power
A poet's free and heavenly mind:
If bright chameleons should devour
Any food but beams and wind,
They would grow as earthly soon
As their brother lizards are.
Children of a sunnier star,
Spirits from beyond the moon,
    O, refuse the boon!

Percy Bysshe Shelley

Helen, thy beauty is to me
  Like those Nicean barks of yore,
That gently, o’er a perfumed sea,
  The weary, wayworn wanderer bore
  To his own native shore.

On desperate seas long wont to roam,
  Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
  To the glory that was Greece,
To the grandeur that was Rome.

Lo! in yon brilliant window niche,
  How statue-like I see thee stand,
  The agate lamp within thy hand!
Ah, Psyche, from the regions which
  Are Holy Land!

The mark of the moon's face descending
On a plate of steel bar
Sent a shiver down my spine on the day
Of the new decline.
Sheets of water through the night cascading,
Lit by lights of green and golden glints
That yield to red of fiery brightness
At Luan's behest.
A night of magic
That marked the end of Yoag's sojourn in the west.
Then took they them up,
And left that haunt of men already dead.

*Torremolinos, 1958

Argent's colour silver be
Like to the sun upon the sea
Viewed from a station on a mountain high

When the moon did rise I heaved a sigh
Even as the twilight I had endured
To see if love's longing so might not be cured

I'd waited thus upon this peak
Throughout the compass of a week
Ere I begun twas my resolve

If this my sojourn did not solve
The doubtful passion that is all pain
To let the swallowing sea be my perpetual bane

Master of Laughter, let thy dancing feet
Patter in swift and irresistible mirth
Holding their bright, melodic beat
Up before the eyes of all on earth

A crystal which maketh in all clarity
Twixt joy and pain profound disparity
Echoing day's end and night's dawn
Which though they be the same, laugh sameness to scorn