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Amber Grey Jul 2013
I was sitting with you.
Edging the parking structure,
you told me that when you were young
you would lose your shoes and run away
here.

You danced atop the concrete slab,
and I wondered if I could jump
to the next building, if I tried.

I remember telling you about scents that night.
How everybody had one.
How they usually smelled like their families.
How your house always smelled sweet.

I remember saying that when I went into your house
for the very first time,
I could taste the cinnamon in the air,
as if your mother made cakes
for birthdays and Christmas
and coming homes and going aways.

I remember asking you what my scent was.
You said that I didn't smell like anything, really

and I thought that maybe you hadn't understood,
but now I figure you did.
You were probably trying to say,
in your cryptic way, quoting your own poetry,
that I didn't have a family to smell like.

I just wonder when, exactly
for me at least,
you started smelling like salvation.
Amber Grey Jul 2013
The summer I interned in New York, I fell in love with someone I'd only seen from a balcony window.

I'd fallen in love with strangers before, on buses and in lines, watching their shoulders straighten and their faces grimace in half-sunlight. I fell in love with these people the way you could fall in love with a poem, finding personality in the way that their eyes flicker nervously from left to right, tiny instances where their stanzas throw you into a daze. But this time was different. For once, I wished to know a stranger without the brim of my sunglasses, for once I felt something when I knew I'd never see him again.

His apartment was cluttered, bottles of water and the empty cans of energy drinks piled in a corner where a conscious person would have fit them in a bin. There were clothes on the floor, and although I knew his high rise box was laid out just as mine, he must have used the expected closet space for something else - his clothes were everywhere, crumpled in heaps on the floor that were too erratically placed to not have some sort of lingering system. Posters of people were taped to the wall, covering the matte eggshell white, edges falling occasionally to show signs that he wouldn’t always live there. I hoped that if he ever owned a home, that those staring portraits would be stapled or pasted thick to his walls, just because he would be the sort of person who wouldn’t change his mind about what he liked or what he wanted.

I would watch him from the same eggshell white room of mine, with nothing on the walls and not a scrap of anything on the floor. From my blow up mattress to my suitcase of clothes, kitchen stocked of single servings and a solitary set of dishware. I had no curtains and no carpets, no television or pictures of friends huddled in an unexpected embrace. For all anyone knew, I could have been squatting. I would look out at him from the window spanning the entire north facing wall, aware that if he ever looked out, if his eyes ever darted south, he would see me cross legged on the tiled marble floor, hovering over an overheated laptop and cardboard coffee.

I would get home at seven forty-five, shower in the New York water that tasted like dust and gin, and towel off, walking to the balcony. He, just like I, had a long, narrow balcony spanning about four feet on the right edge of his loft, and I would lean on the edge of the concrete slab, smelling the foul city air, taxi music floating from the lumpy yellow marsh below. That was when he would unlock his door suddenly, sometime between eight and eight-ten. He would step with his entire body and move into his crowded room and stand still for a moment, as if to collect himself; restrain from tearing faces off the walls and pummeling fabric into the floor. Sometimes he'd shut the door closed with a twitch of his foot, untying the half apron around his waist with one hand and pulling the red tie strapped flat onto a black dress shirt loose with the other. Once, he did all that in succession and proceeded to slide against the shut door until he hit the ground, falling into himself like a dropped jack's ladder and rubbing his fingers from his jawline to his eyes, up into his hair and back over.

But most of the time, he would just force off his shoes, never untying the laces, and move to the balcony just as I did. He would go out to the balcony too, but he would always keep going, moving to sit on the edge of the short wall, socked feet dangling over the city. His legs would be splayed wide, hands placed right in front of him, flat on the ledge. He would look down at the golden sea below, and when he was done with it, spit a flickering cigarette into the glittering bank.

He would also smoke when he woke up. He got up at six, like clockwork, and would stumble back out into the smogged pilot's seat in a plaid bathrobe, hazy faced and staring down. I don’t think he was ever late. He would get dressed slowly and fix himself in the mirror for a good half hour at the left of his room, until finally turning around just to watch the door for a moment. Sometimes I could swear that he watched for so long that he must have thought it would up and race away.

He slept with the lights on. He never came home late. He didn’t go out at night, never blundered in at two in the morning with a lithe model girl, long hair framing icicle eyes. On weekends he would sleep all day, rising every few hours to go back on the edge of his balcony and smoke. He would stare at the faces on his walls, the callouses on his palms, the murmur below; but never, ever at the empty loft across the way, dotted with a blue plastic bed and a speck of a person.

I left New York in September, on a red eye flight vastly cheaper than the rest. I put my toothbrush and toothpaste into the front pocket of my luggage, squeezed the air out of my mattress, and left. I hadn't left a trace in that home of mine, and it didn’t leave any on me either. When I left New York, I felt nothing. It was almost like I had never set foot in the city, forgetting to socialize with the locals the way someone could leave their hat at a bar.

I never knew if the man across the canyon hated coming home to a loft like I did. I wondered if it bothered him too, the lack of walls or rooms to compartmentalize the space. I wondered if he didn’t like to eat at home, if he felt sick when he watched the sunrise. I wondered if when he looked at the tidepooled city, if he also saw salvation. If he wondered every day from eight to eight-ten about what a dangly thing of a human would seem like to the loft across if it was spit from the edge of a narrow, four foot balcony.
A bit long, I suppose. Thought I'd post some prose.
Amber Grey Jul 2013
I had never thought about the repercussions, you know?
Living too fast.

I'd always thought that it would be cool,
like the stoner kids in high school that were always
at 7-11 during fourth period.

I spent my whole life waiting for someone to invite me in.

And then someone did.

All of a sudden,
my life was a whirlwind of
midnight city lights
induced euphoria
yelling from street corners
and jumping from rooftops,
just to see if we could make it.

It was great and perfect for a while.

I had friends in high places.

I found my muse.

I always had somewhere to be on a Friday night.

I loved every second of it.

But now I'm not so sure.
It's as if I waited too long to pull myself out.
All of a sudden, I can't remember what it was like
to be boring;
happy.
Amber Grey Jul 2013
I haven't done this in a while -

Last minute parties relocated to Spain,
The *Mediterranean,
with white canines
And jagged front teeth

I'd almost forgotten what it felt like -

It was a paradise, even
We made fire and burned our pride
Used the herbs in the garden to get high
Slept on the roof top, mixing the stars

This is nice -

I don't know why I'd been clean
Perhaps I felt that one of us had to
But mostly
Mostly.

*I slept for the first time in years.
Amber Grey Jul 2013
The car is speeding.
We can make it in three -
no, two and a half.

She’s laughing and swerving the car,
left and right,
our tires humming warning.

The passenger is holding the door handle,
not quite used to her driving
but already broken in that strange way.

She turns to me, a contorted comfort
glad to be along for the ride
and her neck strains as she thinks,
not wanting to lose sight of my eyes.

I tell her that i’m sad, and that nothing is right,
and her reply would linger in my head like the smell
sitting flatly on my thumb and index,
fixed in a gun.

*We’re artists, you know?
And maybe, on some absolute level,
we don’t want to be happy.
Amber Grey Jul 2013
We mustn't let her have a car.

She'll drive far away.

But I heard about the black ninety four accord,
I thought I'd name it Roomba.
And drive to her house,
or stop on the way home and sit under the stars.
I thought about how I'd sleep in it when I was tired,
eat in it when I'm hungry,
sit in it
maybe
with someone else.
Feed it,
clean it,
put nice things in it.
Drive to the beach.
Drive up the mountains.
Drive into the sky.
Drive into the ground.

Maybe he was right.
I mustn't have a car.

I'd drive far away.
Amber Grey Jul 2013
We developed a concept
thinking we were so clever
Let's go to those parks and cafes
forget what happened there
Let's swig on swings and bleed coffee
repaint on those memories white
and spit on new canvases with each other
Popping balloons well brimmed with neon
to fix all that went wrong.

I don’t know what I was thinking
I suppose that itself was scientific poetry
The theory was beautiful and easy
but feigned to show truth.

And we wanted so hard, really
to be able to change what we wanted
and get what we deserved
But I think we forgot
we were never artists anyway, but
when you layer on a painting, it just gets thicker
and thicker still, until the paint itself sticks so far out
to the point where it collides with your ambivalent face
And everything really is still there
And that white canvas isn't clean
Seven layers of white are still grey
Underneath all that streaking alabaster
is a dense, dark mush of things we tried to forget
We can pretend that our theories led us to change
but the weight of the wall
and the protruding hills and valleys

We were never artists, anyway.
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