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 Aug 2020 gravygod
Tom Leveille
2002:
today i kicked the door
to history off it's hinges
my jealous frame:
still too proud to say a word
it seems my folks forgot
to pencil in growth marks
cause they thought their boy
would never grow out of small breath
******* dead, years now buried
and i bare his name
too many syllables
for my father to go back
fish & play football
to stand in the yard and play catch

1994:
my mom, the bombshell in retrospect
broke her back in her sleep
a thousand times
since the stairwell in 87'
she still sits for spills
post nuclear about settling
now from the couch
she's a weather report
spouting nonsense
that makes my father
grow grey, crack remotes
& slam doors to dark rooms
abandoning ship
for "cheers" & "scienfeld"
while my mother
sometimes forgets
and sets his place at the table
and my appetite is abducted
by family photos
my mother says things like
"go see your brother today"
-- Johnny's long gone
don't you remember?
we buried him
the day your smile died

2014:
you are inches from me
******* a stray hair
caught in the fabric of your coat
the last remnants of a dog
we laid to rest last week
and here we are
in the hospital again
people don't shake like dogs
finality is found
in the eyes of humans
passing archways
into shallow rooms
where plague and prayer
are the only songs sung
round the stagnant clocks
it makes me wonder
if the clipboards cry
over being the last thing
someone ever writes on
take a number, have a seat
stay a while
i am back, 7 years old
& there are different doors now
they buried the ones
you kicked in that night in '92
when my lungs
were filled with holy water
you never stopped smoking
*i never grew out of asthma
 Aug 2020 gravygod
Tom Leveille
i can feel you
distancing yourself from me
i can feel continental drift
i wonder, do the shoes
you wear to run from me
have holes in them?
or do you go barefoot
careful not to make a sound
in your retreat. "cover your tracks & don't look back" i imagine
your demons whisper daily
as you are growing fond of me
i wonder if your heart puts up a fight when you want to see me
or if it's a massacre
& the demons dance
on dreams you have
of us holding hands
do you wander to your car
only to find yourself back in bed?
do you put your makeup on
just to take if off again?  
is your imagination of me
a graveyard, or a pair of open arms
that are inches away
but just out of reach?
you see, what i've been so afraid
to tell you for so long,
why i feign sometimes
before speaking
careful not to tell you
all my unspoken promises,
it has to do with the night you had your head on my chest and confessed you never thought my heart
could beat like hummingbird wings:
i apologize for my silence
what i've been trying to say
is that my heart hasn't slowed down
since the day we drank coffee together
continents apart
 Aug 2020 gravygod
Tom Leveille
let it not be confused
let no one else's name
ring throughout these sentences
let this be a hatchet
let me put this to rest
this is not a test
i don't want to think
about shipwrecks anymore
i am tired of folding apologies
into origami birds
and placing them
at the headstones to your tantrums
this is not is not geology class
these are promises
written on razorblades
      & if you are getting choked up
        then maybe you should be

maybe we should be buried
with our telescopes face down
my mouth is full of sorry
all for being honest
we are falling out of orbit
we are burning bystanders
so cast away your callous condolences
because no one is clapping
in this waist deep water
this is not a baptism
so do not tell strangers
that this was a chance to drown
any differently
i am not a catalogue
of constellations you cannot name
this is not mythology
so stop believing your horoscope
i am not a wishing well
i am just a wall for you
to paint post nuclear fallout & antonyms for catharsis on
we destroy the things
that are not ours-
the wanton ways
we embody wrecking *****
and then cry over the rubble
this is not a heap or a mosaic
this is leaping
off a thousand story building
with no one to catch you
at the bottom & maybe
that's why some quiet moments
are so fragile, maybe that's why butterflies have mimicry
your words are black powder
and poetry is your musketry
i guess that makes me your blindfold
 Aug 2020 gravygod
Tom Leveille
i have racked my mind
trying to figure this whole thing out
the staying, the going
the threads we claim hold us here
& the people who've stopped to play a tune on them
i sometimes relate it
to waking up in waist deep snow
in our former selves
the us we wish we could give one another
the children we've sat on the shelves
trapped, like the looks
we leave behind in snow globes
i sometimes imagine ships
dragging the bottom to the sea of "me"
for sleep & pieces of my old self
to sell to the new one
like history doesn't repeat itself
it gets me wondering
if you too want an apology from the rain
or if you dream of burning family photo albums
and wearing the ashes like perfume
if you're anything like me
how i hope god chokes
on memories of me blowing out candles as a child
i know i shouldn't reference my reader  
but don't you know, the only difference
between alone & lonely is you?
that if my hands could talk
the only thing they'd be able to say
is "dear god we've missed you"
and how can you tell me it isn't love
when even the rain refuses to fall
in places where i've kissed you
i remember the day
you found my smile at a yard sale
it reminds me of how you'll leave
i wonder if when you go
you'll tell yourself
the person in the rear view mirror
is closer than they appear
 Aug 2020 gravygod
Tom Leveille
while september cicadas
were singing my neighbors to sleep
i was up walking holes in my shoes
over love once lost
so many poems ago
that the only thing i remember
about the house at 38th & bluestone
is that it reeked of alcohol and is
as i'm sure of it
still saturated in perfume
and abandoned laughter
but that's not the point
give me a minute
what i'm trying to say
is i always thought god
enjoyed watching things leave me
it makes me wonder
what was on his mind
that night in september
when i stooped to cough
or tie my shoelaces
i no longer remember why
but i recall their trajectory
the way gravity cradled my hands
and brought them crashing back to earth like a 747
they landed inches away
from a scrap of crumpled loose leaf
folded in half like the smiles
of my relatives on a holiday truce
you see, lately i've been looking for scars in the newspaper
i find myself checking the obituary
for my former selves since the day i found your suicide letter
maybe that's why i can never explain my obsession with history
maybe archeology is just a funeral
in reverse
maybe hell is just rewinding home movies
or watching confetti
turn back into photographs
i never told anyone
the reason the doors to the gun cabinet in my family's house are locked not because they are afraid
i will take my life
but because sometimes
i sing them birthday songs
on the day you died
it makes me think
of how rooms only echo
when they are empty

*you know
i never echoed until you died
 Aug 2020 gravygod
Tom Leveille
she was leaving
and got the gumption
to see me before she did
so we went to dinner
she sat, crumpled
at the edge of the booth
playing with her silverware
hands sweating
our knees barely touching
underneath the table
they shook like the day we met
they shook like floodgates
when the clouds get upset
her hair was drawn back
into an apology
and she didn't answer
when the waiter asked for drinks
she pans, tilts
looking for the restroom
but doesn't get up
covers her mouth
to hide her furled chin
i cut her a piece of bread
not sparingly
i didn't want to ruin the symbolism
of cutting a gangrenous thing
from ones self
she half wept out "tell me a joke"
i thought to say "look at us."
that's it. that's the joke.
the premise & the punch line
sharing some silence
here in this ominous moment
so thick with goodbye
you could touch it
i said "when they asked what the name was for the wait, i should've said "awkward, party of 2"
but that's not the joke
"knock knock"
she whispered "who's there?"
i sat for a moment and said
"so we've come full circle.. we're even in the same seats, from all those months ago"
her lips quivered
and she hid her mouth
"i just wanted to hear a joke"
she said
i came back with
*"if i fell for you in a quiet restaurant & no one was around to hear it, does the laughter of children i drempt we'd have make a sound?"
 Aug 2020 gravygod
Tom Leveille
i love you this morning
it's a come home safe morning
fog on the road
& no seatbelt kind of morning
the sun is over easy
& nothing's on fire
there's punctuation
where i don't want it
and extra love
in the glovebox of my car
been thinking about being honest
how these poems are all me
but they tell the story
how someone else
might believe it happened
within reasonable doubt
no copy & pasted love letters
no 'who ever says hello first gets my attention for the day'
try a little tenderness
in my ears and today
there are instruments
in the back of my head
i think you love me
because i'm sunburned
felt it in a 'come hell or high water' kinda way, that 'touched from far away' kinda way that 'if i touch this piano one more time one of us is going to break' kinda way
and i drove over 17 bridges yesterday and today i'll do it again
and i think nobody gets
what that means except maybe you
i just tell them i love the scenery
that somebody must've made
these trees blush just for me
you know how i love
to change the subject
i bet they'd love the view
i bet you would too
and all these metaphors
for other things are beside the point
this is a metaphor
for why i don't wear my seatbelt
a metaphor for why whiskey
knows me better than you
could ever try to
all the buildings seemed to sag yesterday and all the stars
are doing that cliche thing
where they talk
quiet jet noise
& some lumbering giant
made everything shake
not those hand metaphors
not another one of those
& keep the sea to yourself
i think it was a train
it's sound hugged the embankment
for a moment
and then trailed off into nowhere
and that's kind of like me
how there's a town called 'rescue'
close to my home &
it's no coincidence
that i've never been there
 Aug 2020 gravygod
berry
cadavre
 Aug 2020 gravygod
berry
this is a poem about how you sleep,
how your body grew cold like a corpse in a mortuary.
how it felt wrong to reach out and touch you.
did you know that you turned away from me
every time i tried to face you?
did you do it on purpose?
maybe you were afraid i would be able to see
you were dreaming of her,
that i would read it on your face.
lines by your mouth like obituary,
like roadmap, her bedroom,
the destination, mine, a pitstop.
loving you was like attending a funeral service for myself
and sitting in the front row. no.
loving you was like watching you pick out a casket
and call it practice. ****.
i know how sensitive you are about death.
i know it still hurts.
i know how everything hurts.
i am sorry for just being another thing that hurts.
i think i'm afraid to let you forget that you used to want me.
like if i can somehow dig deep enough,
wound you into remembering me.
i keep weapons-grade nostalgia in my back pocket
for the days i can feel myself slipping from your consciousness.  
i was born with scar tissue where skin should've been.
but this isn't about me.
this is about the way you sleep
like you're waiting for someone to close the lid,
cover you in dirt, and read a psalm.
this is about the way i tried to sing your pieces back together,
and the way my voice gives out
when i read the things you write for anyone other than me.
lover, friend, stranger,
i just wanted to show you how to love your darker parts.
i never meant to become one.
i am so ******* selfish.
but i swear i am trying to unlearn the steps.
and you used to think my two left feet were charming.
i am out of time in more ways than one.
i keep stepping on your toes.
i can't seem to stop tripping you up,
hoping that you'll fall back into whatever this was.

- m.f.
"i am always dying in places where you fell asleep." - K.L.
 Aug 2020 gravygod
Tom Leveille
okay so i’m beginning to believe i was born asleep and still haven’t woken up, or caught in a day dream where my name is the answer to all your security questions. okay. a thousand years of wondering and all i can come up with is that you fell in love with me at a picnic in my imagination. the lemonade we always talk about swimming in sugar and tiny handmade sandwiches from my kitchen, your favorite, extra pickle. don’t forget about the pickles. of course the clouds march in stomping out the sunshine, of course. it was dark and there was lightning so much lightning. don’t be scared just now darling don’t be scared. in the middle of the night we only talk about your version of the story. how i’d ask you to stay, asking you to tell me what’s real asking you with my hands asking you with maps, a country called please listen to me, you should know by now that it is an island too far to sail to according to you. i know i know, who dared name an ocean lonely when all the ships are sinking. we can go back we can turn around where the sky is the gentlest shade lavender, we can go back and have a conversation that has never happened before. when everything is the color of day old bruises i won’t let you down. i promise when i get home i will count every freckle every one. when i get home can we open one of those mason jars full of fresh air because i can’t breathe. i remember that day, although i pretend it was more recent than it was. you were there in a swell of green grass in a dress that makes me blush, and there i was blushing. i’m not sure how i made it out alive, skipping the part in the song where you, long gone come busting through a doorway, through the well air conditioned living room and and across the kitchen tile, to the refrigerator where just like in elementary school, my fourth grade heart wrote all your favorite things on flash cards in the blackest magic marker so i could memorize the things that made you happiest. and you turning around in slow motion to see my face, or where my face should be, the only expression i can make anymore, realizing that you realized that i only ever wanted to be something that made you happy. suddenly you’re tired, and i’m tired too, goodnight goodnight, i’m falling asleep because it’s the only thing that doesn’t burn. i’m falling asleep to go back again. everything glitches and i’m underneath your perfect teeth. you say “i would never hurt you” and i say “just like that?” and the layer starts over again, always back to the moment i asked you in my bravest of voices if i could hold your hand. you probably don’t remember that moment, or maybe you do but don’t particularly share the same sentiment over its importance. you see, i’m always fine until the part where i have to say it out loud, and then time stops. i have always wanted to tell you that something happened inside me that night and now i’m not the same me as i was before. so if you ever cross a bridge. if you ever get my voicemail, if you need me, i’ll be sketching up the dramatic parts in my head and they’ll happen just the way i imagined just you wait you wait. the last scene the very last one, the bottom layer, knee deep in mud knee deep in i told you so, you say “i would never hurt you” and instead of saying “just like that” i reach up to kiss you and the room evaporates. so if you want lemonade and bedtime stories, if i can make a believer out of you, if you want bucketfuls of november if you want grace if you want the courage it takes to ask for grace, you’re over the train tracks you’re almost home you’re almost there. what else can you say besides “okay pumpkin okay sweetheart, in my head everything was beautiful" the doorway now filled with people who send you birthday cards saying welcome back welcome home we’ve missed you, hello. hello. the time spent waiting, chorus of rain, i only invited you over so we could make perfect sense. i only gave my hands away because you didn’t want them anymore. and days later a man with a shark tooth necklace asked if i was okay and i lost it i just lost it. all the little red bricks with their little names carved into them, how they don’t feel comfortable under your feet, how there were hundreds of flowers but somehow we took a picture of the same one the very same one, and how we can’t talk about things like that anymore, how i was sitting on a bench and i didn’t hear you call my name, shaking hands on accident with your parents hello sir hello mam, your daughter is my favorite ghost.
my book "down with the ship" is availible for purchase at sanfransiscobaypress.com / Amazon.com
 May 2017 gravygod
Tom Leveille
do you ever wonder
about the difference between
looking at something
and the hallucination created
when looking past it?
if you look at your hand
it's all you can see
but if you look past your hand
there are now two of them
sometimes it's hard for me
to remember which is real
it gets me thinking
about how my father
used to wake me up
in the morning by rubbing
his stubble across my face
i spent my 11th birthday
under the assumption
that he might come back
if i drank his aftershave
like maybe if i could turn blue
if i could be his favorite color
on our bathroom floor
he would forget why he left
the paramedics were all sobing
as they pumped memories
out of my stomach
i coughed up the day the post-it note with your new address on it
burned a hole in our refrigerator
coughed up the day
the divorce papers came
and my mother
took a baseball bat to the mailbox
i've been choking on the splinters
for 17 years
it's been 17 years
since the last dinner plate
exploded on our dining room wall
17 years since my mother
started accidentally setting your place at the dinner table
17 years since italian night
at the restaurant on the corner
where the juke box
spat tired music
and like so many other things
it stopped working when you left
i guess it's no coincidence
since the juke box went quiet
that the cds in my car
only skip on "i miss you"
i've been hemorrhaging memories
for so long
and now that i'm looking back
i can no longer tell
the mirage from the truth
sometimes i swear
you showed up to my graduation
and last time
i was at your apartment
i can't remember
if the imprints of my hands
are in clay hanging on your wall
or if they were left in the mud
the day god had the audacity
to let it rain
or maybe it's like the time
i saw someone crying on a bridge
now that i think about it
i can't remember if it was me
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