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When they stripped me of the life in my bones
I looked to the stars,
and plucked the moon from its perch
with my lips.
And the rage in their fists
tried to pry it from my skull.
But they cannot win.
They may look down on us with their
hollow eyes that can do nothing but weep,
and their hungry mouths that spit ash.
But I know what hope is.
And They don't.
No matter how many times I am beaten
I swear that the birds that sing in my chest
will always be louder than them.
Tell me what holy is,
and I will tell you of the love in my veins.
Tell me why you hate so much,
and I will tear it apart with my shame.
I will split the night open with my words.
I will sweep up the ashes with my rage.
They cannot win.
Not when your eyes look through me like that.
And while you sew together my wings,
tell me of the love letters that God left
on your windowsill.
Tell me of the fists that left those scars.
When they finally bring me to the gallows,
make sure that the noose is made
from the strings of guitars.
Carve my spine into the heart of a tree.
Spread my ashes over the lips of the sea.
Tell me what holy is.
And I will take you to that river full of sin.
I will write my poetry in the snow with my bones.
Tell me where Gabriel is.
And I will clean the blood from his crippled wings.
I will be an immovable sky.
The mouth of the river that never ceases to sing.
They'll separate us with razor wire,
but a few cuts won't hold me back.
They'll scream at us with their empty taboos.
But the paintings I've got tattooed on my ribs
aren't black and white like their words.
I'm done hiding my heartbeat.
I want to taste the words that come off my tongue,
to paint with the dirt beneath my nails.
Say my obituary was written like a poem.
So that when God greets me at his gates,
he will tell me that I was alive.
That I wasn't empty like Them.
But I'm tired.
And I've walked one too many miles in my
own shoes.
But it's impossible to stop,
when you've got wings flapping in your chest,
and a heart that burns like a lantern.
Remember me like this.
Spouting words from the darkest corners
of my soul.
Words that stick to you like a lover's kiss.
It's a song.
A manifesto.
An epitaph that will stay burned in your eyes
until you blink away the tears.
I'll keep walking if you just carry me
on your back for a few short steps.
A couple of shallow breaths.
Just let me rest.
So that the next words that come out of
my mouth will be “I love you”.
And you'll see that the bruises on my back
are the notes of music.
Tell me what holy is.
So I can tell you why I keep moving.
So I can spread these wings you've built for me,
with the skin I've shed
and my broken bones.
And I'll teach you how to fly too.
Because life has no rhythm
unless you give it a beat.
Tell me what holy is.
And remember
that we
are not.
I live a shallow life.
No one is willing to submerge too deep.
I see them all around me…
Dancing on the sand,
Their skin hot from the sun,
& burning with romance.
I let them come and go as they please,
Stepping in my puddle by the sea,
Taking away a little at a time,
Leaving me alone…yet free.
I hear the others coming,
Rolling in so gently,
Each just a passerby
Speaking to me eloquently.
I see in the distance the whole that I should be,
But here I wait, unattached…
Just like a puddle by the sea.
The moments spent acting like you’re making love to a person
are the most blinding of them all.
Turn us into ashen cocktails of white and blue
from the flames of setting stars.

Those nights you become whitecaps on oceans,
she is sunset orange,
and only one of two wants to be there -
that is why you are always churning.

Each time you whisper “I love you,”
before her irises set behind eyelids
you will slowly realize you have been an actor
and this play has not been paying you.

You will one day quit pretending,
let this star exhale its own mortality,
begin finding the smiles you overlooked
while she flared above you;

When your waters calm,
you may find a new star to whisper to,
but this time without scripts;
this time Honestly.
 Mar 2012 Julian Dorothea
Anna Lo
The ocean isn't really beautiful.
Even Bukowski said so.

Stop treating things like they need to be
happy gooey and awesome.
In fact,
the happy gooey--or crunchy if it is preferable-- awesome,
isn't real because it
oozes alacrity
and therefore adds some sort of undeniable blandness,
like the way they add unfavorable GMOs in food,
to reality
that makes happy gooey awesome all the more not
perfect.
The sun isn't always magnificent is it?

There will be bad days,
where
people are strange
and do strange things
that  you will not understand
and you will do strange things
where people will never understand
or when **** just starts to fall apart
like life lacks forward momentum
and nihilism runs rampant in your lungs.
But it's not always night is it?

And then there will be normal days
when this place seems to let you breathe for awhile,
inhaling and exhaling
filing up those voids of the "bad days"
and the "good days",
allowing you to enjoy the small pleasures of this
world.
Allowing you to fit
and conform
into boundaries of your own
self-made contentment,
ultimately restricting you
into your self-made hole
with you and your conquered beliefs over the years
from good situations or bad situations
or situations in between.
But
and don't mind me for taking that long to reach
a small point
the entire universe isn't that small is it?
 Feb 2012 Julian Dorothea
Odi
Stu-stu-stuttering
Under those beautiful shadows
Near edgar street
Halloween, light lamps
pumpkins
Sh-sh-shaking hands
You looked so
broken
shattered

"You haven't been yourself lately."
"Well maybe I have."
"No no no this isn't you."
"Maybe it is, maybe im just sick of pretending."
-"Have you been eating?
When's the last time you had a goodnight's sleep?"
"Why does it matter..."

I wanted to remember how the light illuminated your cheekbones
But made those shadows under your eyes darker
They seemed to taunt your face
Dancing around producing fearful images
I was surprised you were still awake
What a beautiful mess you looked...
What a beautiful mess you looked like

"Y-you-you think the world is a beautiful place dont you?"
"I think It can be." You looked haunted.
"Yeah, for those who sleep."
He wants to tell her of a story he read once
About that gorilla who could sign
And taught its baby to sign
How when the baby died
The flailing of her fingertips
And the movement of her hands
Said more about loss than anyone ever cared to know

She looks at him
Hot pho steam moistening her face
There is a man pacing outside the windows of the restaurant
It is a whole in a wall
In a small city
The city is *****
Next to the restaurant is a bar
They listen
Juke box bass hick thunder through the walls
She ***** a noodle into her mouth

“Is this a date,” she says
    If you want it to be
“It’s not exactly romantic”

He smiles
thinks about what it means to be romantic
Remembers the list with the boxes to check off
  Of will she **** me later

It’s all too generic
And we are so talented at romanticizing the trivial
That people forget how to be charming

He thinks of death-beds
And what she might say to him

Maybe it isn’t now. But later, you’ll remember this guy
And you’ll think of that weird place he took you to this one time.
It wasn’t exactly romantic.
But for whatever reason
You will remember me for doing things like this.

He wants to tell her of the gorilla
With the sad hands

His own hands tremble

He thinks of languages people spend lifetimes learning

She sips her water
Wipes sweat from her face
She smiles
It is beautiful when she smiles

He smiles too
Shivers as the doors open and the cold comes in

Maybe in some other universe
The words would have meant more to her
They would have made sense

He fills the silence with the sound of soup
She looks at him again
The thunder through the walls stops
And all he can think of
Is the gorilla who learned the language of love
And lost the need to use it
This is inspired by a short story written by Amy Hempel. (One of the most talented writers to ever set foot on this earth) The title of the story is "In the Cemetery Where Al Jolson is Buried". I forget how good it feel to write until I have a really ****** day, a few beers, and some time to myself.
it is
nothing.
the parking
lots and the
schools are
empty today
and tomorrow.
we decided we
didn't care
about it,
at some
point. we will
all wait here.
it is
winter
and it feels
like spring
before the chill
of god's wrath
sneaks up on
you. whenever
the weather
suddenly changed,
my mother swore
up and down that
the world was
going to end.
i wanted
nothing to do
with it. but this
is where it's
come: the empty
spaces in our
conversations
when we run
out of ways to
tell people that
we love them,
when their eyes
lose the thing that
made your stomach
turn, when they get
bored with you and
throw you away.
it is
nothing. the day
is someone's or
no one's at all.
i, myself, will
wait out
another
cold
night.
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