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If I hedge thus a drooling wager and cash in
on my thrice-foiled cravings for her overdue bites
(plus a guilt-free laugh at his expense), I can
use minced steps to sidle around too-lively
trunks, and avoid the need to heed thugs
barking mad from within their crevice-laid traps.

How those bug-eyed brutes'll clamor and claw at me
to discard this protective wrap, clued in by my rep
of never bending willfully to anybody
but her. "Come on, shed! Get, uh, new set of scales,
for you we will — promise!" is how she'd stammer,
roughly translating their not-so-twee chatter,

if she were there. Rather, in that lavishly apt way
she has, she'll be away picking suitable pelts
to adorn her newly uncovered, quite public shame
while fending off an advancing clod, who won't go
easily, but who does go on ad nauseam with
a penchant for naming every God-**** thing

that haps vitally across his cocky path. Beyond
a simple relish of mischief, I'm doing this (mostly)
for her benefit. How could a persimmon
be forbidden, as if he had permission to make
such bargains? He's dismissed it as an ungainly fruit,
and mocked its likelihood to "lava thy lips"

with an orange pulp, but in that chance smattering lies
the matter to inflame my soul. I'll feed her
the pudding-fresh flesh, and strip it down
to its delectably small seeds. In their splitting
I'll glean the silvery utensils to spill
a man's wholly worthless future. Let's tuck in.
This work is licensed under a Creative Commons Attribution 3.0 License.
Sidestepping shadow-plays
boxed in bonus-sized portions
for garden-varietal religions,
I've had these scuzzy intimations
great big (voids) lie behind
most altruistic inclinations
and the biggest news is,
we're still expanding
with-in-exhaustible potentials
to be eternally filled greater.

Now I'll admit to being
hampered in my cognitive
capacity for meaningful
pattern recognition
by my debilitating
predisposition toward
concentrated forms of myopia,
ergo, I can't shape
a formless mess into anything
but incoherent flimflam.

I've tried alleviating this
condition with meditative
concoctions and palliatives
of sensory deprivation,
yet I fear I'll need
a silicon-chip-enhanced head
before I can glimpse
the cosmic legerdemain spinning
its paradoxes of endless
surfaces but no top.

If I finally do, I'll smile big
as a great-white gull winning
his first demonstration hand at
the three-card monte of not-to-be
reconciled contradictions.
This work is licensed under a Creative Commons Attribution 3.0 License.
I've been thirsting to burst your bubble since
I heard the low-down we may be over-
supplied with a green-backed bird called Money,
that trollop spread-wide by aliases

A mark, a yen, a buck or a pound
A buck or a pound, a buck or a pound


To a layman's ears unlearned in the fine-
tuned registers of glib-tongued financiers,
it may ring up as reason to cheer with
no tinkling of trouble, but if Money

Is all that makes the world go around
that clinking, clanking sound
(they do say)

She sings, clangs a bit hollow when she clings
too heavy in alms of poorly wrung hands,
it's then well-heeled sit'n spins'll turn us about
to the golden-gapped beams of bankers mouths

For Money makes the world go around
The world go around, the world go around


And will till johns who hold little put less
stock in the **** pitches of slick-macking
daddy Street with his tricky fat pay backs
for the ounce of love he's flouncing to sell.
(Lines in italics are lyrics taken from Cabaret's "The Money Song" by Fred Ebb)

This work is licensed under a Creative Commons Attribution 3.0 License.
They're piled in an Amazon box of almost never-
(that is, all not-quite not-ever-
but sometimes twice- and most often a mere once-)
worn clothes destined for another,
bigger green metal box proclaiming itself
charitably fashioned for such donations
as these nearly pristine shirts,
jeans and sweaters that have only those holes
their makers intended but still lack the want
I've wasted for arms, legs and torso to fill them.

What they don't have is shabby stitches
or those counterfeit claims mocking
a public thread-lust for luxury labels,
but they are mild misfits of the well-meant
gift or of my poor-choice selection
and they carry an ill-suited look,
whether it's fleeced too loose and loud,
or flanneled too bold and blousy,
or otherwise woolly with any too fuzzy
je ne sais quoi that puts me off.

Too's had grown too many as if the clothes bred
while tucked in nice 'n cozy at backs of drawers
rarely drawn or stacked sleepy on the bottom
of a closet's clutter-topped shelf,
and if proved it would be a miracle
on par with Christ's gospel-touted cloning
of the loaves and fishes, but it's not,
so I can't compare my parlor-trick sharing
of two dozen hand-me-downs carelessly passed-on
to his magic of multitudinous feeding.

After all, the real comparison is,
I could have accomplished even more
than this speculative giving,
had I been retrospectively better
in my retroactive accounting
and made the significantly less sinful
omission of never (not just once or twice,
but actuarially quite not-ever)
accumulating so much always
not-needed, however tasteful, stuff.
This work is licensed under a Creative Commons Attribution 3.0 License.
From that moment the mouthy man in the middle,
top hat in hand, barks and waves our three floodlit rings
into motion with a flourish of brassy blasts,
the big top gets turvy and my stomach's all nerves
making the bushel of peanuts I just munched feel
like broken glass chewed by my friend the tattooed geek.

Martha says, Elephants are supposed to be more
dignified... don't mope! It is hard to grasp for her
tail day after daisy-chained day when I'm holding
this bouquet of forget-me-nots rubber-banded
by a grudge. I tell her, The real indignity's
being dressed in a rhinestone-studded satin cape.
This work is licensed under a Creative Commons Attribution 3.0 License.
It's a common trope,
the Danse Macabre that troops us
toward hushed tombs.

Blame its plague on Wolgemut
or Bruegel (Pieter the Elder),
and certainly Bergman

What with his iconic black-clad Death
and the parade of captive players taken
hand-in-hand on a joyless march.

But Life has her own fleet moments to lead,
and these flip-flop pageants though ragtag
are not the less enriching to behold

Or so I'm told in passing by
the delicate bluebell peaking its buds through
a monochrome rubble.
This work is licensed under a Creative Commons Attribution 3.0 License.
To concretize my theorized love,
I could play the accidental odds and strew
slippery tongues of spotted petals
onto thickly trafficked highways,
or use the best predictive modelling
to deduce when and where I can poke out
a well-heeled boot to trick unwary spills
and ****** a kiss from the unsuspecting
lips of any suitably compatible
passerby oft times inconvenienced and passed
on by.

These well-oiled and crudely experimental
methods do produce expected results,
but not the breakthrough nor the looked-for
satisfaction of appropriate reactions,
so I'll keep my dotted eyes tucked in
their pulpy stems and my shoddy toes curled back
while I beam my bits of invitation through
circuitous routes spatially arrayed along
parallel paths where one might search
with an extra-terrestrial inventiveness,
and wait.

I know the trials of these errant waves
won't add up to a guarantee
my burpy blips of a pulse can reach
the receptively comprehending and responsive
soils I seek, but it's the remoteness of a stead
to come stalking that appeals, and despite
the Hawking drone of unveiled warnings
I might regret such contact, I'll risk it all
on vaguely washed wishes this astronomical
anomaly with an alien sensibility has
one match.
This work is licensed under a Creative Commons Attribution 3.0 License.
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