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Peg, roundly topped and
bottom squared, hops out seeking
holes to reconcile.

"Soon, very soon," she posits

then passes dear Fork
forlorn on pebbled road. His
tines are liquid droops.
His heart stabs for cheating Spoon.

Opposite, Puppet
sits to tend her knotted strings.

This path is puzzling.
This work is licensed under a Creative Commons Attribution 3.0 License.
Ibkek sits idly by
the meadow's green and varied blooms,

paid only inattention.
He, not minutes passing nigh,

envies but this bumble
who black-and-gold buzzes onward

with purposeful zags. "She fits
so nicely here," he mumbles.

"Why, even duller drones,
though weak and puny, have a place."

The worker, she might envy
Ibkek this, his freedom's moan

to fritter life drinking,
but busy harvests push instead

her bee-bound thoughts, set upon
a queen's idyllic kinking.
This work is licensed under a Creative Commons Attribution 3.0 License.
Hectored by the pit-a-patter
of frozen pellets, you might hear
these dented eaves wheeze and sneeze
lubricious comparisons, but
it's a thickly frosted fiction
that their bulbous white noses
look anything like eggshells.

In springtime's crick-cracking they will
however birth a frog with not
so princely disposition:
Hacksaw in hand, he'll eye
your roommate and that footlocker
where she keeps invaluables
of an oddly personal nature.

His plan is to hip-hoppity leave
you red-faced, trying to calm
this panicked friend with un-fairy
tales of a burglar amphibian
who muttered of moral decay,
mis-fabled crowns, and the strangeness
of saved fingernail clippings.
This work is licensed under a Creative Commons Attribution 3.0 License.
There are these spots on my ceiling.

Plainly speaking, they are
off-white patches where
the heads of nails were
mudded over, but not well sanded.

I opt to see them as
push-pins squashed when spat
on monochrome maps
to point me dippered ways outre-ward.

Their gap-tooth patterns micro-mimicking
constellations hap
my eyes to hazard
hopping through new belt hoops.

Then passed by barely habited worlds,
I wheel round orbits
molecularly
chained to collide, next time.

My neighbor's heavy steps fade out.
This work is licensed under a Creative Commons Attribution 3.0 License.
"You have to feed on something,"

they said, or I imagine them
saying, and I do... but I don't
want to feed,
at least not doing it to trade
in visible doubts for a life's
uncertain

drift between I am, and I'm not...
fed fat by the neatly packaged
carcasses
clearly drained and cellophane wrapped,
to keep unclean hands bloodlessly
far from mine.

I'm told but I won't hear, "We're more
highly evolved." We think therefore
we are so
discomfited by not knowing...
whether the fed-on think and feel
what we do

when life's last light runs out, taking
with it the green and red that played
over flesh
and bony because... if they do,
it could be, we're feeding on one
another.

"That's the unkind art of feeding."
This work is licensed under a Creative Commons Attribution 3.0 License.
The bathroom faucet drips hurried footsteps,
carrying him back to dappled wood buried

in repeated dreams: a brushed ritual
circle hasty ringed by displaced logs, bark bit

by lichens; their sacrilege tools — hammer's
rotted-wood grip, nails with rusty shafts — littered

about a stump-altar where brothers met,
made not-so-secret sacrifice, to abash

their god; still suffering toad, random
picked to endure this mock passion play ending

on cross-tied twigs. Its yet resurrected
eyes stare at him, ask simple but damning "why?"

No Samaritan, good or bad, among
pretend Romans, ever stayed their hands to help.
This work is licensed under a Creative Commons Attribution 3.0 License.
Gun metal gray,
this pigeon grasps
at current strung black
across a brick-
bounded back alley

edgy eyes on
uneven piles—
disposable
artifacts of people
caught in-between—

it trills its plea,
a directionless
directive to throw
away smaller,
more edible, trash
This work is licensed under a Creative Commons Attribution 3.0 License.
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